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Some Protestant scholars welcome Vatican document clarifying Marian titles #Catholic Pope Leo XIV places a crown on the Madonna of Sinti, Roma, and Walking Peoples during the audience of the Jubilee of the Roma, Sinti, and Traveling Peoples in Paul VI Hall at the Vatican on Oct. 18, 2025. / Credit: Filippo Monteforte/AFP via Getty Images Washington, D.C. Newsroom, Dec 15, 2025 / 06:00 am (CNA). Some Protestant scholars who spoke with CNA welcomed a Vatican document that clarified titles for the Blessed Virgin Mary that discouraged the use of Co-Redemptrix/Co-Redeemer and put limits on the use of Mediatrix/Mediator.The Dicastery for the Doctrine of the Faith (DDF) issued the doctrinal note Mater Populi Fidelis on Nov. 4. It was approved by Pope Leo XIV and signed by DDF Prefect Cardinal Víctor Manuel Fernández on Oct. 7.According to the document, using “Co-Redemptrix” to explain Mary’s role in salvation “would not be appropriate.” The document is less harsh about using “Mediatrix” and says “if misunderstood, it could easily obscure or even contradict” Mary’s role in mediation.The document affirms Mary plays a role in both redemption and mediation because she freely cooperates with Jesus Christ. That role, it explains, is always “subordinate” to Christ, and it warned against using titles in a way that could be misconstrued to mitigate Christ as the sole Redeemer and sole Mediator.Catholic reactions have been mixed, with some seeing the clarification as helpful and others defending the titles as consistent with the understanding of Mary’s role as subordinate and asking the Vatican to formally define the doctrines themselves rather than simply issue a note on the titles.Positive reactions from ProtestantsCNA spoke with three Protestant scholars, all of whom welcomed the Vatican’s doctrinal note on titles for Mary.David Luy, theology professor at the North American Lutheran Seminary, told CNA he does not see the document as “Roman Catholics conceding anything to their tradition” but did see it as being written “with an attentiveness” toward certain concerns that Protestants raise.Although Protestant communities vary widely on how they view Mary and what titles are proper, he said concern over the titles in question “sprouts from a desire to uphold the distinctiveness of Christ as the one mediator.”Luy cited the second chapter of First Timothy. The translation of the text approved by the U.S. Catholic bishops states: “For there is one God. There is also one mediator between God and the human race, Christ Jesus, himself human, who gave himself as ransom for all.”He said Protestants often emphasize the need to “uphold the distinctive mediatorship of Christ” and saw the document as expressing a “sensibility to that central Protestant concern” while also being careful “in the way it develops Mary’s role in the economy of salvation.”“Does it relieve potential strain between Protestants and Catholics? The short answer would be yes,” Luy said.However, he said the concept of mediation “is probably where there’d be a need for just ongoing conversation.” He said Lutherans understand the term “mediation” as being “the means through which God acts in the world” and that “most Lutherans are going to be cautious” of language that describes Mary in terms of mediation.Catholic teaching recognizes Christ as “the one mediator,” according to Lumen Gentium, the dogmatic constitution on the Church issued by the Second Vatican Council in 1964. It teaches that humans cooperate with Christ’s mediation in a subordinate way and “the Church does not hesitate to profess this subordinate role of Mary.”The Rev. Cynthia Rigby, a theology professor at Austin Presbyterian Theological Seminary and co-author of “Blessed One: Protestant Perspectives on Mary,” told CNA she thinks the document could mark “a watershed moment” for relations between Catholics and Protestants.Rigby said Mary should be understood as a woman with “great faith,” and, under that framing, “Christians will identify her less as a secondary savior but as an exemplary Christian.” She said “the weight will shift from trying to explain how it is that Mary brokers salvation without rivaling Christ … to what we can learn about the joy of salvation through her example.”The Vatican document, however, goes much further than Rigby on Mary’s role. It states that she freely cooperates “in the work of human salvation through faith and obedience” during the time that Christ walked the earth and throughout the ongoing life of the Church rather than simply viewing her as an example to follow.Tom Krattenmaker, a Lutheran pastor and theology professor at Yale Divinity School, told CNA the document is “very welcome” and called Mariology “one of the major points distinguishing Christian traditions since the Reformation.”He said the guidance on titles and the explanation provided in the document are “extraordinarily helpful for ecumenical dialogue” because they affirm Christ as the sole redeemer and mediator and Pope Leo XIV “makes very clear that we can say so in ecumenical communality.”Krattenmaker said this “is a reason for Protestants to embrace the clear step forward he is making toward Christian unity.”The Vatican document did not expressly state that ecumenism was the intended goal. However, the subject of Catholic Marian devotions is a frequent point of contention. The document did not alter any doctrines in dispute but instead focused on titles the dicastery felt may cause confusion about what the Church actually teaches about Mary.
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Some Protestant scholars welcome Vatican document clarifying Marian titles #Catholic Pope Leo XIV places a crown on the Madonna of Sinti, Roma, and Walking Peoples during the audience of the Jubilee of the Roma, Sinti, and Traveling Peoples in Paul VI Hall at the Vatican on Oct. 18, 2025. / Credit: Filippo Monteforte/AFP via Getty Images Washington, D.C. Newsroom, Dec 15, 2025 / 06:00 am (CNA). Some Protestant scholars who spoke with CNA welcomed a Vatican document that clarified titles for the Blessed Virgin Mary that discouraged the use of Co-Redemptrix/Co-Redeemer and put limits on the use of Mediatrix/Mediator.The Dicastery for the Doctrine of the Faith (DDF) issued the doctrinal note Mater Populi Fidelis on Nov. 4. It was approved by Pope Leo XIV and signed by DDF Prefect Cardinal Víctor Manuel Fernández on Oct. 7.According to the document, using “Co-Redemptrix” to explain Mary’s role in salvation “would not be appropriate.” The document is less harsh about using “Mediatrix” and says “if misunderstood, it could easily obscure or even contradict” Mary’s role in mediation.The document affirms Mary plays a role in both redemption and mediation because she freely cooperates with Jesus Christ. That role, it explains, is always “subordinate” to Christ, and it warned against using titles in a way that could be misconstrued to mitigate Christ as the sole Redeemer and sole Mediator.Catholic reactions have been mixed, with some seeing the clarification as helpful and others defending the titles as consistent with the understanding of Mary’s role as subordinate and asking the Vatican to formally define the doctrines themselves rather than simply issue a note on the titles.Positive reactions from ProtestantsCNA spoke with three Protestant scholars, all of whom welcomed the Vatican’s doctrinal note on titles for Mary.David Luy, theology professor at the North American Lutheran Seminary, told CNA he does not see the document as “Roman Catholics conceding anything to their tradition” but did see it as being written “with an attentiveness” toward certain concerns that Protestants raise.Although Protestant communities vary widely on how they view Mary and what titles are proper, he said concern over the titles in question “sprouts from a desire to uphold the distinctiveness of Christ as the one mediator.”Luy cited the second chapter of First Timothy. The translation of the text approved by the U.S. Catholic bishops states: “For there is one God. There is also one mediator between God and the human race, Christ Jesus, himself human, who gave himself as ransom for all.”He said Protestants often emphasize the need to “uphold the distinctive mediatorship of Christ” and saw the document as expressing a “sensibility to that central Protestant concern” while also being careful “in the way it develops Mary’s role in the economy of salvation.”“Does it relieve potential strain between Protestants and Catholics? The short answer would be yes,” Luy said.However, he said the concept of mediation “is probably where there’d be a need for just ongoing conversation.” He said Lutherans understand the term “mediation” as being “the means through which God acts in the world” and that “most Lutherans are going to be cautious” of language that describes Mary in terms of mediation.Catholic teaching recognizes Christ as “the one mediator,” according to Lumen Gentium, the dogmatic constitution on the Church issued by the Second Vatican Council in 1964. It teaches that humans cooperate with Christ’s mediation in a subordinate way and “the Church does not hesitate to profess this subordinate role of Mary.”The Rev. Cynthia Rigby, a theology professor at Austin Presbyterian Theological Seminary and co-author of “Blessed One: Protestant Perspectives on Mary,” told CNA she thinks the document could mark “a watershed moment” for relations between Catholics and Protestants.Rigby said Mary should be understood as a woman with “great faith,” and, under that framing, “Christians will identify her less as a secondary savior but as an exemplary Christian.” She said “the weight will shift from trying to explain how it is that Mary brokers salvation without rivaling Christ … to what we can learn about the joy of salvation through her example.”The Vatican document, however, goes much further than Rigby on Mary’s role. It states that she freely cooperates “in the work of human salvation through faith and obedience” during the time that Christ walked the earth and throughout the ongoing life of the Church rather than simply viewing her as an example to follow.Tom Krattenmaker, a Lutheran pastor and theology professor at Yale Divinity School, told CNA the document is “very welcome” and called Mariology “one of the major points distinguishing Christian traditions since the Reformation.”He said the guidance on titles and the explanation provided in the document are “extraordinarily helpful for ecumenical dialogue” because they affirm Christ as the sole redeemer and mediator and Pope Leo XIV “makes very clear that we can say so in ecumenical communality.”Krattenmaker said this “is a reason for Protestants to embrace the clear step forward he is making toward Christian unity.”The Vatican document did not expressly state that ecumenism was the intended goal. However, the subject of Catholic Marian devotions is a frequent point of contention. The document did not alter any doctrines in dispute but instead focused on titles the dicastery felt may cause confusion about what the Church actually teaches about Mary.

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Pope Leo XIV places a crown on the Madonna of Sinti, Roma, and Walking Peoples during the audience of the Jubilee of the Roma, Sinti, and Traveling Peoples in Paul VI Hall at the Vatican on Oct. 18, 2025. / Credit: Filippo Monteforte/AFP via Getty Images

Washington, D.C. Newsroom, Dec 15, 2025 / 06:00 am (CNA).

Some Protestant scholars who spoke with CNA welcomed a Vatican document that clarified titles for the Blessed Virgin Mary that discouraged the use of Co-Redemptrix/Co-Redeemer and put limits on the use of Mediatrix/Mediator.

The Dicastery for the Doctrine of the Faith (DDF) issued the doctrinal note Mater Populi Fidelis on Nov. 4. It was approved by Pope Leo XIV and signed by DDF Prefect Cardinal Víctor Manuel Fernández on Oct. 7.

According to the document, using “Co-Redemptrix” to explain Mary’s role in salvation “would not be appropriate.” The document is less harsh about using “Mediatrix” and says “if misunderstood, it could easily obscure or even contradict” Mary’s role in mediation.

The document affirms Mary plays a role in both redemption and mediation because she freely cooperates with Jesus Christ. That role, it explains, is always “subordinate” to Christ, and it warned against using titles in a way that could be misconstrued to mitigate Christ as the sole Redeemer and sole Mediator.

Catholic reactions have been mixed, with some seeing the clarification as helpful and others defending the titles as consistent with the understanding of Mary’s role as subordinate and asking the Vatican to formally define the doctrines themselves rather than simply issue a note on the titles.

Positive reactions from Protestants

CNA spoke with three Protestant scholars, all of whom welcomed the Vatican’s doctrinal note on titles for Mary.

David Luy, theology professor at the North American Lutheran Seminary, told CNA he does not see the document as “Roman Catholics conceding anything to their tradition” but did see it as being written “with an attentiveness” toward certain concerns that Protestants raise.

Although Protestant communities vary widely on how they view Mary and what titles are proper, he said concern over the titles in question “sprouts from a desire to uphold the distinctiveness of Christ as the one mediator.”

Luy cited the second chapter of First Timothy. The translation of the text approved by the U.S. Catholic bishops states: “For there is one God. There is also one mediator between God and the human race, Christ Jesus, himself human, who gave himself as ransom for all.”

He said Protestants often emphasize the need to “uphold the distinctive mediatorship of Christ” and saw the document as expressing a “sensibility to that central Protestant concern” while also being careful “in the way it develops Mary’s role in the economy of salvation.”

“Does it relieve potential strain between Protestants and Catholics? The short answer would be yes,” Luy said.

However, he said the concept of mediation “is probably where there’d be a need for just ongoing conversation.” He said Lutherans understand the term “mediation” as being “the means through which God acts in the world” and that “most Lutherans are going to be cautious” of language that describes Mary in terms of mediation.

Catholic teaching recognizes Christ as “the one mediator,” according to Lumen Gentium, the dogmatic constitution on the Church issued by the Second Vatican Council in 1964. It teaches that humans cooperate with Christ’s mediation in a subordinate way and “the Church does not hesitate to profess this subordinate role of Mary.”

The Rev. Cynthia Rigby, a theology professor at Austin Presbyterian Theological Seminary and co-author of “Blessed One: Protestant Perspectives on Mary,” told CNA she thinks the document could mark “a watershed moment” for relations between Catholics and Protestants.

Rigby said Mary should be understood as a woman with “great faith,” and, under that framing, “Christians will identify her less as a secondary savior but as an exemplary Christian.” She said “the weight will shift from trying to explain how it is that Mary brokers salvation without rivaling Christ … to what we can learn about the joy of salvation through her example.”

The Vatican document, however, goes much further than Rigby on Mary’s role. It states that she freely cooperates “in the work of human salvation through faith and obedience” during the time that Christ walked the earth and throughout the ongoing life of the Church rather than simply viewing her as an example to follow.

Tom Krattenmaker, a Lutheran pastor and theology professor at Yale Divinity School, told CNA the document is “very welcome” and called Mariology “one of the major points distinguishing Christian traditions since the Reformation.”

He said the guidance on titles and the explanation provided in the document are “extraordinarily helpful for ecumenical dialogue” because they affirm Christ as the sole redeemer and mediator and Pope Leo XIV “makes very clear that we can say so in ecumenical communality.”

Krattenmaker said this “is a reason for Protestants to embrace the clear step forward he is making toward Christian unity.”

The Vatican document did not expressly state that ecumenism was the intended goal. However, the subject of Catholic Marian devotions is a frequent point of contention. The document did not alter any doctrines in dispute but instead focused on titles the dicastery felt may cause confusion about what the Church actually teaches about Mary.

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Ancient Advent Mass gains new interest among younger Catholics #Catholic The Rorate Caeli Advent Mass celebrated at The National Shrine of Our Lady of Champion. / Credit: The National Shrine of Our Lady of Champion CNA Staff, Dec 14, 2025 / 06:00 am (CNA). Advent is a season filled with rich Catholic traditions, but a slightly lesser-known one is growing in popularity among younger Catholics. The ancient liturgy of the Rorate Caeli Advent Mass honors the Blessed Virgin Mary through a Mass celebrated at dawn, in complete darkness, and lit only by candles, which symbolizes Christ, the Light of the World, entering into the world with Mary as the vessel. Emerging in the Middle Ages, the Rorate Caeli Mass gets its name from the prophecy of Isaiah. Rorate Caeli is Latin for “drop down, ye heavens.” These are the opening words of this liturgy’s Introit, which is used as an opening psalm or entrance antiphon and comes from Isaiah 45:8.Father Tony Stephens, rector at the National Shrine of Our Lady of Champion in Champion, Wisconsin, calls this Mass “a teachable moment.”“As all of us are gathered in the church, only lit with the candles, slowly the light begins coming in through the windows and it’s like the light of Christ,” he told CNA. The process symbolizes “the light of Christ coming into our lives, slowly but surely and progressively as we go through life.”“And just like that light begins to come in through the windows, as the physical sun rises, so in our journey as Catholics, the closer we get to Christ, the more his light shines in our life,” he said. Fr. Nathaneal Mudd, CPM, celebrates the Rorate Caeli Advent Mass at the National Shrine of Our Lady of Champion in 2024. Credit: The National Shrine of Our Lady of ChampionStephens has been rector of the National Shrine of Our Lady of Champion for two years but was scheduled to celebrate the Rorate Caeli Mass there for the first time on Dec. 13. The shrine is the first and only approved Marian apparition site in the United States. It was here that the Blessed Mother is believed to have appeared to Adele Brise in 1859. When speaking about the Blessed Mother’s role in Advent, Stephens described it as “a season of anticipating Our Lord, but when you look at the subtext of Advent, things about Mary are everywhere — in the readings and her role in salvation history is so important. And so that’s, again, part of the reason you have these special Marian Masses honoring her during this Advent season.”He also highlighted the fact that this ancient Mass is seeing a resurgence in popularity and credited Pope Benedict XVI, in part, for reintroducing Catholics to older, traditional practices and his “desire of the hermeneutic of continuity.” “He in his pontificate really emphasized a desire to have that continuity between the earlier traditions of the Church, even prior to the [Vatican II] council … looking at all of the rich liturgical heritage that we have as Catholics,” he added. The priest pointed out that young people are also searching for more traditional practices.“There is a great love, especially amongst young people, for things that are traditional,” he said, adding that the Mass also “appeals to the senses in a way that technology and phones don’t.” “The real light of a candle is way different than the electronic light put off by a cellphone screen,” he said. “A burning, living candle, the way it flickers, and you can’t recharge a candle — it gives everything it has like Jesus did on the cross. A candle burns with all its might to put off that light. And so there is a selflessness about that light of that candle that’s different than technology, and young people desire that kind of self-gift and authenticity.”Stephens said he hopes those who attend a Rorate Caeli Mass will leave with “an eager anticipation of Jesus coming at Christmastime.”“A Rorate Caeli Mass is one of those times that we can have a little consolation and we’re reminded of the author of all consolation and his mother,” he said.
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Ancient Advent Mass gains new interest among younger Catholics #Catholic The Rorate Caeli Advent Mass celebrated at The National Shrine of Our Lady of Champion. / Credit: The National Shrine of Our Lady of Champion CNA Staff, Dec 14, 2025 / 06:00 am (CNA). Advent is a season filled with rich Catholic traditions, but a slightly lesser-known one is growing in popularity among younger Catholics. The ancient liturgy of the Rorate Caeli Advent Mass honors the Blessed Virgin Mary through a Mass celebrated at dawn, in complete darkness, and lit only by candles, which symbolizes Christ, the Light of the World, entering into the world with Mary as the vessel. Emerging in the Middle Ages, the Rorate Caeli Mass gets its name from the prophecy of Isaiah. Rorate Caeli is Latin for “drop down, ye heavens.” These are the opening words of this liturgy’s Introit, which is used as an opening psalm or entrance antiphon and comes from Isaiah 45:8.Father Tony Stephens, rector at the National Shrine of Our Lady of Champion in Champion, Wisconsin, calls this Mass “a teachable moment.”“As all of us are gathered in the church, only lit with the candles, slowly the light begins coming in through the windows and it’s like the light of Christ,” he told CNA. The process symbolizes “the light of Christ coming into our lives, slowly but surely and progressively as we go through life.”“And just like that light begins to come in through the windows, as the physical sun rises, so in our journey as Catholics, the closer we get to Christ, the more his light shines in our life,” he said. Fr. Nathaneal Mudd, CPM, celebrates the Rorate Caeli Advent Mass at the National Shrine of Our Lady of Champion in 2024. Credit: The National Shrine of Our Lady of ChampionStephens has been rector of the National Shrine of Our Lady of Champion for two years but was scheduled to celebrate the Rorate Caeli Mass there for the first time on Dec. 13. The shrine is the first and only approved Marian apparition site in the United States. It was here that the Blessed Mother is believed to have appeared to Adele Brise in 1859. When speaking about the Blessed Mother’s role in Advent, Stephens described it as “a season of anticipating Our Lord, but when you look at the subtext of Advent, things about Mary are everywhere — in the readings and her role in salvation history is so important. And so that’s, again, part of the reason you have these special Marian Masses honoring her during this Advent season.”He also highlighted the fact that this ancient Mass is seeing a resurgence in popularity and credited Pope Benedict XVI, in part, for reintroducing Catholics to older, traditional practices and his “desire of the hermeneutic of continuity.” “He in his pontificate really emphasized a desire to have that continuity between the earlier traditions of the Church, even prior to the [Vatican II] council … looking at all of the rich liturgical heritage that we have as Catholics,” he added. The priest pointed out that young people are also searching for more traditional practices.“There is a great love, especially amongst young people, for things that are traditional,” he said, adding that the Mass also “appeals to the senses in a way that technology and phones don’t.” “The real light of a candle is way different than the electronic light put off by a cellphone screen,” he said. “A burning, living candle, the way it flickers, and you can’t recharge a candle — it gives everything it has like Jesus did on the cross. A candle burns with all its might to put off that light. And so there is a selflessness about that light of that candle that’s different than technology, and young people desire that kind of self-gift and authenticity.”Stephens said he hopes those who attend a Rorate Caeli Mass will leave with “an eager anticipation of Jesus coming at Christmastime.”“A Rorate Caeli Mass is one of those times that we can have a little consolation and we’re reminded of the author of all consolation and his mother,” he said.

unitedyam

The Rorate Caeli Advent Mass celebrated at The National Shrine of Our Lady of Champion. / Credit: The National Shrine of Our Lady of Champion

CNA Staff, Dec 14, 2025 / 06:00 am (CNA).

Advent is a season filled with rich Catholic traditions, but a slightly lesser-known one is growing in popularity among younger Catholics.

The ancient liturgy of the Rorate Caeli Advent Mass honors the Blessed Virgin Mary through a Mass celebrated at dawn, in complete darkness, and lit only by candles, which symbolizes Christ, the Light of the World, entering into the world with Mary as the vessel. 

Emerging in the Middle Ages, the Rorate Caeli Mass gets its name from the prophecy of Isaiah. Rorate Caeli is Latin for “drop down, ye heavens.” These are the opening words of this liturgy’s Introit, which is used as an opening psalm or entrance antiphon and comes from Isaiah 45:8.

Father Tony Stephens, rector at the National Shrine of Our Lady of Champion in Champion, Wisconsin, calls this Mass “a teachable moment.”

“As all of us are gathered in the church, only lit with the candles, slowly the light begins coming in through the windows and it’s like the light of Christ,” he told CNA. The process symbolizes “the light of Christ coming into our lives, slowly but surely and progressively as we go through life.”

“And just like that light begins to come in through the windows, as the physical sun rises, so in our journey as Catholics, the closer we get to Christ, the more his light shines in our life,” he said.

Fr. Nathaneal Mudd, CPM, celebrates the Rorate Caeli Advent Mass at the National Shrine of Our Lady of Champion in 2024. Credit: The National Shrine of Our Lady of Champion
Fr. Nathaneal Mudd, CPM, celebrates the Rorate Caeli Advent Mass at the National Shrine of Our Lady of Champion in 2024. Credit: The National Shrine of Our Lady of Champion

Stephens has been rector of the National Shrine of Our Lady of Champion for two years but was scheduled to celebrate the Rorate Caeli Mass there for the first time on Dec. 13. The shrine is the first and only approved Marian apparition site in the United States. It was here that the Blessed Mother is believed to have appeared to Adele Brise in 1859. 

When speaking about the Blessed Mother’s role in Advent, Stephens described it as “a season of anticipating Our Lord, but when you look at the subtext of Advent, things about Mary are everywhere — in the readings and her role in salvation history is so important. And so that’s, again, part of the reason you have these special Marian Masses honoring her during this Advent season.”

He also highlighted the fact that this ancient Mass is seeing a resurgence in popularity and credited Pope Benedict XVI, in part, for reintroducing Catholics to older, traditional practices and his “desire of the hermeneutic of continuity.” 

“He in his pontificate really emphasized a desire to have that continuity between the earlier traditions of the Church, even prior to the [Vatican II] council … looking at all of the rich liturgical heritage that we have as Catholics,” he added. 

The priest pointed out that young people are also searching for more traditional practices.

“There is a great love, especially amongst young people, for things that are traditional,” he said, adding that the Mass also “appeals to the senses in a way that technology and phones don’t.” 

“The real light of a candle is way different than the electronic light put off by a cellphone screen,” he said. “A burning, living candle, the way it flickers, and you can’t recharge a candle — it gives everything it has like Jesus did on the cross. A candle burns with all its might to put off that light. And so there is a selflessness about that light of that candle that’s different than technology, and young people desire that kind of self-gift and authenticity.”

Stephens said he hopes those who attend a Rorate Caeli Mass will leave with “an eager anticipation of Jesus coming at Christmastime.”

“A Rorate Caeli Mass is one of those times that we can have a little consolation and we’re reminded of the author of all consolation and his mother,” he said.

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New print journal for ‘intellectual Catholic women’ to be released in April #Catholic Promo photo for the The Better Part Journal of shadows of Madonna lilies for the Blessed Virgin Mary. / Credit: Photo courtesy of Heidi Bollich-Erne Washington, D.C. Newsroom, Dec 7, 2025 / 09:00 am (CNA). While teaching an ethics and culture course, Heidi Bollich-Erne was looking for a journal featuring the work of Catholic women for her students to read. After being told that it simply didn’t exist, she decided to create one herself.With the help of a team of women, Bollich-Erne has founded what she calls the “first intellectual Catholic women’s journal.” Its purpose is to not only define the feminine genius but also to show how faithful women can embody its beauty in their daily lives. “I want women to find a home, a place that values their work. The journal itself is edited, written, and published solely by Catholic women,” Bollich-Erne told CNA. “The way that women write, the way that we express ourselves is very different. That’s just who we are. That’s part of the genius of women.”The Better Part Journal is intended to give women of the Church “hope” by discussing issues that are relevant to them. The first edition of the journal will be released in April 2026. Before starting the journal, Bollich-Erne studied theology at the University of St. Thomas, where she “fell in love with philosophy.” She went to the Center for Thomistic Studies for her master’s degree in Thomistic philosophy but took a break from her doctorate and started teaching. She is now based in Texas where she has taught high school, college preparation, college, and adults. While teaching, she tried to find content to help guide discussion on gender complementarity but couldn’t find much written by Catholic women.“I thought, ‘I want to read more intellectual women,’ but it was a struggle… So I found a friend who works at a university and I said: ‘Can you recommend … an intellectual Catholic women’s magazine? She got back to me a few days later and said, ‘It doesn’t exist.’”Bollich-Erne started The Better Part Journal by first launching a company called JBG Publishings as “a home” for the journal. She wanted to ensure the publication would not be independently published but be part of a company that would help it to grow.Bollich-Erne named the company with the initials of her father, who passed away a few years prior. His passing “was a realization that ‘life is too short,’”  Bollich-Erne said. “I need to love what I do; I need to really work to find meaning.’”Heidi Bollich-Erne is the founding editor and editor-in-chief of The Better Part Journal, the first intellectual Catholic women’s journal. She holds an undergraduate degree in theology from the University of St. Thomas and a master’s in Thomistic Philosophy from the Center for Thomistic Studies. Credit: Photo courtesy of Heidi Bollich-ErneThe Better Part Journal’s mission“The purpose of the journal is to bring together the voices of intellectual Catholic women who are faithful to the magisterium,” Bollich-Erne said. “I want voices of all backgrounds. I want women of all areas of discipline. I want academics. I want nonacademics. I want all women contributing to this conversation.”“We all throw around the ‘feminine genius,’ but when you ask someone to stop and give an actual definition, most people can’t,” Bollich-Erne said. Most people define it with a quote by St. John Paul II who coined the term in his apostolic letter Mulieris Dignitatem to describe the unique gifts and qualities women possess, but, she said, “that’s a quote, not a definition.” “There’s a lot of work that needs to be done in this area, and I know there’s room for it to be done on a theological, philosophical level. So the idea was that we would … define the feminine genius and then show it. Live it. It’s not a theology journal and it’s not a philosophy journal. It’s truly interdisciplinary.”The first issue of the journal is called “Uncharted” and will tackle a number of topics.“As soon as women realized that I was serious about truly hearing their voices and not editing them out or telling them what they can and can’t write about, they gave us some really amazing work. I’ve just been blown away. I’m only so creative, but I have a great team.”The journal will feature articles covering neuroscience and theology and apply it to Mary and the Incarnation. It will have columns by doctors and scientists to look at “faith in the formula” and “applying science to religion.”There will be discussion of issues women face including body image, infertility, and violence. Articles will explore “the psychology of fairy tales and what that does to young girls growing up, whether that be positive or negative,” Bollich-Erne said. It will look into “what we are exposed to …from the media and what it does to us.”“The beauty behind the journal has been the women that have come forth to lend their voices,” Bollich-Erne said. “It’s been really amazing to see how excited they are about freedom of voice. It’s been something I wasn’t expecting.”A print journal in a digital eraDespite a shift in media from print to online formats, The Better Part Journal will only be released in print copies because, Bollich-Erne said, “I want it to be lasting.”“I am a tactile person. I like to hold a book. I wanted it to be something that is kept. So obviously that’s print,” Bollich-Erne said. “But then if you want to keep it has to be high quality.”The journal will use original photographs and crafted artwork to accompany the written works. “It is stunning. It looks like a book,” Bollich-Erne said. “The idea is that you read it, you keep it, and you put it on your bookshelf and you never get rid of it because the topics are lasting.”For an article to be included, it has to be “something that I think women will find valuable, whether you’re an academic or a high school student,” Bollich-Erne said. “It has to be something that all women find valuable, or we cannot print it.”“Many women have said they’re excited to hold their work and see it in print as opposed to scrolling past the work. There’s nothing wrong with online formats; it gives voices to a lot of people, but this is just different.”“I had an author tell me, ‘I don’t write anymore for anyone,’ because, she said, ‘I am so tired of my work just disappearing. It’s online for a week. I spent all this work, all this time, and it was something substantial that I really cared about, and it’s just gone.’” “She signed up with us for a column specifically because we are in print. The idea is that this work is kept forever.”The print journals will be published twice a year only, because “I want it to be something that takes a while to digest,” Bollich-Erne said. “Beautiful things take time.”Looking to the futureJGB Publishings has “goals to expand substantially over the next five to 10 years,” Bollich-Erne said. The company will “take care of” the journal to ensure its message can “grow and expand.”“To be able, as women in the Church, to truly have a serious conversation about all of these things … we are going to forge our future,” Bollich-Erne said. “We’re going to step forward in hope and show the world this is what an intelligent Catholic woman looks like.”“We’re not stifled. We’re not sad. We’re not miserable people. We are happy. We are excited about life, and we are treated with respect. We are loved and we love who we are,” Bollich-Erne said. “I want people, especially women, of all ages to see that and to understand that.”
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New print journal for ‘intellectual Catholic women’ to be released in April #Catholic Promo photo for the The Better Part Journal of shadows of Madonna lilies for the Blessed Virgin Mary. / Credit: Photo courtesy of Heidi Bollich-Erne Washington, D.C. Newsroom, Dec 7, 2025 / 09:00 am (CNA). While teaching an ethics and culture course, Heidi Bollich-Erne was looking for a journal featuring the work of Catholic women for her students to read. After being told that it simply didn’t exist, she decided to create one herself.With the help of a team of women, Bollich-Erne has founded what she calls the “first intellectual Catholic women’s journal.” Its purpose is to not only define the feminine genius but also to show how faithful women can embody its beauty in their daily lives. “I want women to find a home, a place that values their work. The journal itself is edited, written, and published solely by Catholic women,” Bollich-Erne told CNA. “The way that women write, the way that we express ourselves is very different. That’s just who we are. That’s part of the genius of women.”The Better Part Journal is intended to give women of the Church “hope” by discussing issues that are relevant to them. The first edition of the journal will be released in April 2026. Before starting the journal, Bollich-Erne studied theology at the University of St. Thomas, where she “fell in love with philosophy.” She went to the Center for Thomistic Studies for her master’s degree in Thomistic philosophy but took a break from her doctorate and started teaching. She is now based in Texas where she has taught high school, college preparation, college, and adults. While teaching, she tried to find content to help guide discussion on gender complementarity but couldn’t find much written by Catholic women.“I thought, ‘I want to read more intellectual women,’ but it was a struggle… So I found a friend who works at a university and I said: ‘Can you recommend … an intellectual Catholic women’s magazine? She got back to me a few days later and said, ‘It doesn’t exist.’”Bollich-Erne started The Better Part Journal by first launching a company called JBG Publishings as “a home” for the journal. She wanted to ensure the publication would not be independently published but be part of a company that would help it to grow.Bollich-Erne named the company with the initials of her father, who passed away a few years prior. His passing “was a realization that ‘life is too short,’”  Bollich-Erne said. “I need to love what I do; I need to really work to find meaning.’”Heidi Bollich-Erne is the founding editor and editor-in-chief of The Better Part Journal, the first intellectual Catholic women’s journal. She holds an undergraduate degree in theology from the University of St. Thomas and a master’s in Thomistic Philosophy from the Center for Thomistic Studies. Credit: Photo courtesy of Heidi Bollich-ErneThe Better Part Journal’s mission“The purpose of the journal is to bring together the voices of intellectual Catholic women who are faithful to the magisterium,” Bollich-Erne said. “I want voices of all backgrounds. I want women of all areas of discipline. I want academics. I want nonacademics. I want all women contributing to this conversation.”“We all throw around the ‘feminine genius,’ but when you ask someone to stop and give an actual definition, most people can’t,” Bollich-Erne said. Most people define it with a quote by St. John Paul II who coined the term in his apostolic letter Mulieris Dignitatem to describe the unique gifts and qualities women possess, but, she said, “that’s a quote, not a definition.” “There’s a lot of work that needs to be done in this area, and I know there’s room for it to be done on a theological, philosophical level. So the idea was that we would … define the feminine genius and then show it. Live it. It’s not a theology journal and it’s not a philosophy journal. It’s truly interdisciplinary.”The first issue of the journal is called “Uncharted” and will tackle a number of topics.“As soon as women realized that I was serious about truly hearing their voices and not editing them out or telling them what they can and can’t write about, they gave us some really amazing work. I’ve just been blown away. I’m only so creative, but I have a great team.”The journal will feature articles covering neuroscience and theology and apply it to Mary and the Incarnation. It will have columns by doctors and scientists to look at “faith in the formula” and “applying science to religion.”There will be discussion of issues women face including body image, infertility, and violence. Articles will explore “the psychology of fairy tales and what that does to young girls growing up, whether that be positive or negative,” Bollich-Erne said. It will look into “what we are exposed to …from the media and what it does to us.”“The beauty behind the journal has been the women that have come forth to lend their voices,” Bollich-Erne said. “It’s been really amazing to see how excited they are about freedom of voice. It’s been something I wasn’t expecting.”A print journal in a digital eraDespite a shift in media from print to online formats, The Better Part Journal will only be released in print copies because, Bollich-Erne said, “I want it to be lasting.”“I am a tactile person. I like to hold a book. I wanted it to be something that is kept. So obviously that’s print,” Bollich-Erne said. “But then if you want to keep it has to be high quality.”The journal will use original photographs and crafted artwork to accompany the written works. “It is stunning. It looks like a book,” Bollich-Erne said. “The idea is that you read it, you keep it, and you put it on your bookshelf and you never get rid of it because the topics are lasting.”For an article to be included, it has to be “something that I think women will find valuable, whether you’re an academic or a high school student,” Bollich-Erne said. “It has to be something that all women find valuable, or we cannot print it.”“Many women have said they’re excited to hold their work and see it in print as opposed to scrolling past the work. There’s nothing wrong with online formats; it gives voices to a lot of people, but this is just different.”“I had an author tell me, ‘I don’t write anymore for anyone,’ because, she said, ‘I am so tired of my work just disappearing. It’s online for a week. I spent all this work, all this time, and it was something substantial that I really cared about, and it’s just gone.’” “She signed up with us for a column specifically because we are in print. The idea is that this work is kept forever.”The print journals will be published twice a year only, because “I want it to be something that takes a while to digest,” Bollich-Erne said. “Beautiful things take time.”Looking to the futureJGB Publishings has “goals to expand substantially over the next five to 10 years,” Bollich-Erne said. The company will “take care of” the journal to ensure its message can “grow and expand.”“To be able, as women in the Church, to truly have a serious conversation about all of these things … we are going to forge our future,” Bollich-Erne said. “We’re going to step forward in hope and show the world this is what an intelligent Catholic woman looks like.”“We’re not stifled. We’re not sad. We’re not miserable people. We are happy. We are excited about life, and we are treated with respect. We are loved and we love who we are,” Bollich-Erne said. “I want people, especially women, of all ages to see that and to understand that.”

unitedyam

Promo photo for the The Better Part Journal of shadows of Madonna lilies for the Blessed Virgin Mary. / Credit: Photo courtesy of Heidi Bollich-Erne

Washington, D.C. Newsroom, Dec 7, 2025 / 09:00 am (CNA).

While teaching an ethics and culture course, Heidi Bollich-Erne was looking for a journal featuring the work of Catholic women for her students to read. After being told that it simply didn’t exist, she decided to create one herself.

With the help of a team of women, Bollich-Erne has founded what she calls the “first intellectual Catholic women’s journal.” Its purpose is to not only define the feminine genius but also to show how faithful women can embody its beauty in their daily lives. 

“I want women to find a home, a place that values their work. The journal itself is edited, written, and published solely by Catholic women,” Bollich-Erne told CNA. “The way that women write, the way that we express ourselves is very different. That’s just who we are. That’s part of the genius of women.”

The Better Part Journal is intended to give women of the Church “hope” by discussing issues that are relevant to them. The first edition of the journal will be released in April 2026. 

Before starting the journal, Bollich-Erne studied theology at the University of St. Thomas, where she “fell in love with philosophy.” She went to the Center for Thomistic Studies for her master’s degree in Thomistic philosophy but took a break from her doctorate and started teaching. 

She is now based in Texas where she has taught high school, college preparation, college, and adults. While teaching, she tried to find content to help guide discussion on gender complementarity but couldn’t find much written by Catholic women.

“I thought, ‘I want to read more intellectual women,’ but it was a struggle… So I found a friend who works at a university and I said: ‘Can you recommend … an intellectual Catholic women’s magazine? She got back to me a few days later and said, ‘It doesn’t exist.’”

Bollich-Erne started The Better Part Journal by first launching a company called JBG Publishings as “a home” for the journal. She wanted to ensure the publication would not be independently published but be part of a company that would help it to grow.

Bollich-Erne named the company with the initials of her father, who passed away a few years prior. His passing “was a realization that ‘life is too short,’”  Bollich-Erne said. “I need to love what I do; I need to really work to find meaning.’”

Heidi Bollich-Erne is the founding editor and editor-in-chief of The Better Part Journal, the first intellectual Catholic women’s journal. She holds an undergraduate degree in theology from the University of St. Thomas and a master's in Thomistic Philosophy from the Center for Thomistic Studies. Credit: Photo courtesy of Heidi Bollich-Erne
Heidi Bollich-Erne is the founding editor and editor-in-chief of The Better Part Journal, the first intellectual Catholic women’s journal. She holds an undergraduate degree in theology from the University of St. Thomas and a master’s in Thomistic Philosophy from the Center for Thomistic Studies. Credit: Photo courtesy of Heidi Bollich-Erne

The Better Part Journal’s mission

“The purpose of the journal is to bring together the voices of intellectual Catholic women who are faithful to the magisterium,” Bollich-Erne said. “I want voices of all backgrounds. I want women of all areas of discipline. I want academics. I want nonacademics. I want all women contributing to this conversation.”

“We all throw around the ‘feminine genius,’ but when you ask someone to stop and give an actual definition, most people can’t,” Bollich-Erne said. Most people define it with a quote by St. John Paul II who coined the term in his apostolic letter Mulieris Dignitatem to describe the unique gifts and qualities women possess, but, she said, “that’s a quote, not a definition.” 

“There’s a lot of work that needs to be done in this area, and I know there’s room for it to be done on a theological, philosophical level. So the idea was that we would … define the feminine genius and then show it. Live it. It’s not a theology journal and it’s not a philosophy journal. It’s truly interdisciplinary.”

The first issue of the journal is called “Uncharted” and will tackle a number of topics.

“As soon as women realized that I was serious about truly hearing their voices and not editing them out or telling them what they can and can’t write about, they gave us some really amazing work. I’ve just been blown away. I’m only so creative, but I have a great team.”

The journal will feature articles covering neuroscience and theology and apply it to Mary and the Incarnation. It will have columns by doctors and scientists to look at “faith in the formula” and “applying science to religion.”

There will be discussion of issues women face including body image, infertility, and violence. Articles will explore “the psychology of fairy tales and what that does to young girls growing up, whether that be positive or negative,” Bollich-Erne said. It will look into “what we are exposed to …from the media and what it does to us.”

“The beauty behind the journal has been the women that have come forth to lend their voices,” Bollich-Erne said. “It’s been really amazing to see how excited they are about freedom of voice. It’s been something I wasn’t expecting.”

A print journal in a digital era

Despite a shift in media from print to online formats, The Better Part Journal will only be released in print copies because, Bollich-Erne said, “I want it to be lasting.”

“I am a tactile person. I like to hold a book. I wanted it to be something that is kept. So obviously that’s print,” Bollich-Erne said. “But then if you want to keep it has to be high quality.”

The journal will use original photographs and crafted artwork to accompany the written works. 

“It is stunning. It looks like a book,” Bollich-Erne said. “The idea is that you read it, you keep it, and you put it on your bookshelf and you never get rid of it because the topics are lasting.”

For an article to be included, it has to be “something that I think women will find valuable, whether you’re an academic or a high school student,” Bollich-Erne said. “It has to be something that all women find valuable, or we cannot print it.”

“Many women have said they’re excited to hold their work and see it in print as opposed to scrolling past the work. There’s nothing wrong with online formats; it gives voices to a lot of people, but this is just different.”

“I had an author tell me, ‘I don’t write anymore for anyone,’ because, she said, ‘I am so tired of my work just disappearing. It’s online for a week. I spent all this work, all this time, and it was something substantial that I really cared about, and it’s just gone.’” 

“She signed up with us for a column specifically because we are in print. The idea is that this work is kept forever.”

The print journals will be published twice a year only, because “I want it to be something that takes a while to digest,” Bollich-Erne said. “Beautiful things take time.”

Looking to the future

JGB Publishings has “goals to expand substantially over the next five to 10 years,” Bollich-Erne said. The company will “take care of” the journal to ensure its message can “grow and expand.”

“To be able, as women in the Church, to truly have a serious conversation about all of these things … we are going to forge our future,” Bollich-Erne said. “We’re going to step forward in hope and show the world this is what an intelligent Catholic woman looks like.”

“We’re not stifled. We’re not sad. We’re not miserable people. We are happy. We are excited about life, and we are treated with respect. We are loved and we love who we are,” Bollich-Erne said. “I want people, especially women, of all ages to see that and to understand that.”

Read More
PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit #Catholic Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library New York City, New York, Nov 30, 2025 / 08:00 am (CNA). Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England. Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan LibraryDavid appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New YorkProphets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York LibraryThe central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public LibraryLate 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public LibraryIn the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public LibraryScenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York LibraryIn his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York LibraryThis high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York LibraryMore’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York LibraryThe branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.
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PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit #Catholic Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library New York City, New York, Nov 30, 2025 / 08:00 am (CNA). Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England. Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan LibraryDavid appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New YorkProphets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York LibraryThe central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public LibraryLate 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public LibraryIn the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public LibraryScenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York LibraryIn his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York LibraryThis high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York LibraryMore’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York LibraryThe branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

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Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library

New York City, New York, Nov 30, 2025 / 08:00 am (CNA).

Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England.

Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan Library
Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan Library

David appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” 

These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.

King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New York
King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New York
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York Library
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York Library

The central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. 

Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public Library
Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public Library
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public Library
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public Library

In the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”

Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public Library
Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public Library
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York Library
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York Library

In his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.

St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York Library
St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York Library

This high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”

The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s "Sir Thomas More," positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York Library
The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York Library

More’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. 

A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York Library
A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York Library

The branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.

David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.

Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

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CatholicVote report examines moral implications of immigration enforcement #Catholic A person detained is taken to a parking lot on the far north side of the city before being transferred to an Immigration and Customs Enforcement facility in Chicago on Oct. 31, 2025. / Credit: Jamie Kelter Davis/Getty Images Washington, D.C. Newsroom, Nov 13, 2025 / 18:26 pm (CNA). The Catholic advocacy organization CatholicVote has released a report examining the Trump administration’s immigration enforcement efforts, concluding Christians must balance charity toward the immigrant with the common good of the receiving state.The report, titled “Immigration Enforcement and the Christian Conscience,” comes on the heels of the special message on immigration released by the U.S. Conference of Catholic Bishops (USCCB) at its fall plenary meeting this past week. “A faithful Catholic approach to immigration begins not with politics but with people. Compassion, hospitality, and solidarity with the poor are not optional virtues,” CatholicVote President and CEO Kelsey Reinhardt said in a press release accompanying the report. “They are at the center of the Gospel,” she added. “Yet, mercy and justice travel together. One without the other distorts both.”The report by author Benjamin Mann labels the Biden administration’s border policies as “reckless” and credits them for resulting in human trafficking, sexual exploitation of immigrants without legal status, and rampant drug cartels. “Catholics who advocate strong but humane immigration enforcement are sometimes accused of disobeying their bishops or the pope, and even violating Church teaching,” the report states. “Properly speaking, there is no such thing as an official ‘Catholic position’ on the practical details of immigration policy.”The report says that “despite what some Church leaders in America have indicated, a faithful Catholic can support strong and humane immigration law enforcement — by means such as physical barriers, detention, and deportation — without violating the teaching of the Church.” The report asserts that Catholic teaching on immigration has been distorted by “an ideological immigration lobby” within the Church that “has sought to present amnesty, minimal law enforcement, and more legal immigration as the only acceptable position for Catholics.” “This is not an act of disobedience or disrespect toward the Church hierarchy but a legitimate difference of opinion according to magisterial teaching,” the report says. “The truth is that faithful Catholics can certainly disagree with the anti-enforcement position — even if some bishops happen to share the policy preferences of these activists. Such disagreement is not a dissent from Church teaching,” the document continues, citing “recent popes” as having said the Catholic Church “has no ‘official position’ on the practical details of issues like immigration policy.” “Rather, our faith teaches a set of broad moral principles about immigration, and their application in public life is a matter of practical judgment for laypersons,” the report said.The CatholicVote document further argues that “it is actually immoral in the eyes of the Church for a country to accept immigrants to the detriment of its own citizens,” citing paragraph 1903 of the Catechism of the Catholic Church, which states: “Authority is exercised legitimately only when it seeks the common good of the group concerned and if it employs morally licit means to attain it. If rulers were to enact unjust laws or take measures contrary to the moral order, such arrangements would not be binding in conscience. In such a case, ‘authority breaks down completely and results in shameful abuse.’”
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CatholicVote report examines moral implications of immigration enforcement #Catholic A person detained is taken to a parking lot on the far north side of the city before being transferred to an Immigration and Customs Enforcement facility in Chicago on Oct. 31, 2025. / Credit: Jamie Kelter Davis/Getty Images Washington, D.C. Newsroom, Nov 13, 2025 / 18:26 pm (CNA). The Catholic advocacy organization CatholicVote has released a report examining the Trump administration’s immigration enforcement efforts, concluding Christians must balance charity toward the immigrant with the common good of the receiving state.The report, titled “Immigration Enforcement and the Christian Conscience,” comes on the heels of the special message on immigration released by the U.S. Conference of Catholic Bishops (USCCB) at its fall plenary meeting this past week. “A faithful Catholic approach to immigration begins not with politics but with people. Compassion, hospitality, and solidarity with the poor are not optional virtues,” CatholicVote President and CEO Kelsey Reinhardt said in a press release accompanying the report. “They are at the center of the Gospel,” she added. “Yet, mercy and justice travel together. One without the other distorts both.”The report by author Benjamin Mann labels the Biden administration’s border policies as “reckless” and credits them for resulting in human trafficking, sexual exploitation of immigrants without legal status, and rampant drug cartels. “Catholics who advocate strong but humane immigration enforcement are sometimes accused of disobeying their bishops or the pope, and even violating Church teaching,” the report states. “Properly speaking, there is no such thing as an official ‘Catholic position’ on the practical details of immigration policy.”The report says that “despite what some Church leaders in America have indicated, a faithful Catholic can support strong and humane immigration law enforcement — by means such as physical barriers, detention, and deportation — without violating the teaching of the Church.” The report asserts that Catholic teaching on immigration has been distorted by “an ideological immigration lobby” within the Church that “has sought to present amnesty, minimal law enforcement, and more legal immigration as the only acceptable position for Catholics.” “This is not an act of disobedience or disrespect toward the Church hierarchy but a legitimate difference of opinion according to magisterial teaching,” the report says. “The truth is that faithful Catholics can certainly disagree with the anti-enforcement position — even if some bishops happen to share the policy preferences of these activists. Such disagreement is not a dissent from Church teaching,” the document continues, citing “recent popes” as having said the Catholic Church “has no ‘official position’ on the practical details of issues like immigration policy.” “Rather, our faith teaches a set of broad moral principles about immigration, and their application in public life is a matter of practical judgment for laypersons,” the report said.The CatholicVote document further argues that “it is actually immoral in the eyes of the Church for a country to accept immigrants to the detriment of its own citizens,” citing paragraph 1903 of the Catechism of the Catholic Church, which states: “Authority is exercised legitimately only when it seeks the common good of the group concerned and if it employs morally licit means to attain it. If rulers were to enact unjust laws or take measures contrary to the moral order, such arrangements would not be binding in conscience. In such a case, ‘authority breaks down completely and results in shameful abuse.’”

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A person detained is taken to a parking lot on the far north side of the city before being transferred to an Immigration and Customs Enforcement facility in Chicago on Oct. 31, 2025. / Credit: Jamie Kelter Davis/Getty Images

Washington, D.C. Newsroom, Nov 13, 2025 / 18:26 pm (CNA).

The Catholic advocacy organization CatholicVote has released a report examining the Trump administration’s immigration enforcement efforts, concluding Christians must balance charity toward the immigrant with the common good of the receiving state.

The report, titled “Immigration Enforcement and the Christian Conscience,” comes on the heels of the special message on immigration released by the U.S. Conference of Catholic Bishops (USCCB) at its fall plenary meeting this past week. 

“A faithful Catholic approach to immigration begins not with politics but with people. Compassion, hospitality, and solidarity with the poor are not optional virtues,” CatholicVote President and CEO Kelsey Reinhardt said in a press release accompanying the report.

“They are at the center of the Gospel,” she added. “Yet, mercy and justice travel together. One without the other distorts both.”

The report by author Benjamin Mann labels the Biden administration’s border policies as “reckless” and credits them for resulting in human trafficking, sexual exploitation of immigrants without legal status, and rampant drug cartels. 

“Catholics who advocate strong but humane immigration enforcement are sometimes accused of disobeying their bishops or the pope, and even violating Church teaching,” the report states. “Properly speaking, there is no such thing as an official ‘Catholic position’ on the practical details of immigration policy.”

The report says that “despite what some Church leaders in America have indicated, a faithful Catholic can support strong and humane immigration law enforcement — by means such as physical barriers, detention, and deportation — without violating the teaching of the Church.” 

The report asserts that Catholic teaching on immigration has been distorted by “an ideological immigration lobby” within the Church that “has sought to present amnesty, minimal law enforcement, and more legal immigration as the only acceptable position for Catholics.” 

“This is not an act of disobedience or disrespect toward the Church hierarchy but a legitimate difference of opinion according to magisterial teaching,” the report says. 

“The truth is that faithful Catholics can certainly disagree with the anti-enforcement position — even if some bishops happen to share the policy preferences of these activists. Such disagreement is not a dissent from Church teaching,” the document continues, citing “recent popes” as having said the Catholic Church “has no ‘official position’ on the practical details of issues like immigration policy.” 

“Rather, our faith teaches a set of broad moral principles about immigration, and their application in public life is a matter of practical judgment for laypersons,” the report said.

The CatholicVote document further argues that “it is actually immoral in the eyes of the Church for a country to accept immigrants to the detriment of its own citizens,” citing paragraph 1903 of the Catechism of the Catholic Church, which states: “Authority is exercised legitimately only when it seeks the common good of the group concerned and if it employs morally licit means to attain it. If rulers were to enact unjust laws or take measures contrary to the moral order, such arrangements would not be binding in conscience. In such a case, ‘authority breaks down completely and results in shameful abuse.’”

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7 fascinating facts about St. Martin de Porres, the first Black saint of the Americas #Catholic St. Martin de Porres. / Credit: AnonymousUnknown author, Public domain, via Wikimedia Commons CNA Staff, Nov 3, 2025 / 04:00 am (CNA). On Nov. 3, the Catholic Church celebrates the feast of St. Martin de Porres, a Peruvian Dominican brother who lived a life of humble service and charity and became the first Black saint of the Americas.Here are seven fascinating facts about this inspiring saint:1. His father refused to acknowledge him. De Porres was born in Lima, Peru, in 1579. He was the son of a Spanish nobleman and former Panamanian Black slave. His father, Don Juan de Porres, refused to publicly acknowledge the boy as his own because Martin was Black, like his mother. Being biracial would prove challenging for Martin de Porres throughout his life. 2. He started practicing medicine before he was 13. De Porres served as an apprentice to a doctor, and before the age of 13 he began to learn the practice of medicine. He would eventually become a barber, which at the time performed minor medical and surgical procedures like pulling teeth or emptying abscesses. 3. He faced discrimination as a Dominican. De Porres entered the Dominican order in 1603. Becoming a Dominican brother proved to be challenging for de Porres because a Peruvian law at the time prevented people of mixed race from joining religious orders. Therefore, he lived with the community and did manual work, earning himself the nickname “the saint of the broom” for his diligence in cleaning the Dominicans’ quarters.Eventually he was allowed to enter the order, despite the law, and worked in the infirmary tending to the sick and among the impoverished of Peru. “I cure them, but God heals them,” de Porres would say when curing the sick. He also had the task of begging for alms that the community would use to clothe and feed the poor. He also established an orphanage and planted an orchard from which those in need could freely take a day’s supply of fruit. 4. He levitated and bilocated. De Porres was deeply prayerful, so much so that many of the brothers witnessed him levitating in intense prayer and embracing the crucified cross. De Porres reportedly also had the gift of bilocation, and some of his contemporaries said they encountered him in places as far off as Japan even as he remained in Lima. Some claimed he had appeared to them supernaturally behind locked doors or under otherwise impossible circumstances. 5. He refused to eat meat. De Porres loved animals. He refused to eat meat and ran a veterinary hospital for sick animals that seemed to seek out his help. Portrayals of the saint often include cats, dogs, and even the rats to whom he showed compassion.6. He is the patron saint of multiple manual labor occupations. De Porres was known for the various assignments he carried out and which earned him the title of patron saint of barbers, the sick, and street cleaners. On the 50th anniversary of St. Martin de Porres’ canonization, Father Juan Anguerri, director of the St. Martin de Porres Home for the Poor, said: “These are often thankless tasks, but yet through his humble service, St. Martin sent a message to revitalize these jobs.”7. He was canonized more than 300 years after his death. Martin de Porres died on Nov. 3, 1639, at age 60. He was canonized by Pope John XXIII on May 16, 1962. At his canonization Mass, John XXIII called him “Martin of Charity.”  This story was first published on Nov. 3, 2021, and has been updated.
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7 fascinating facts about St. Martin de Porres, the first Black saint of the Americas #Catholic St. Martin de Porres. / Credit: AnonymousUnknown author, Public domain, via Wikimedia Commons CNA Staff, Nov 3, 2025 / 04:00 am (CNA). On Nov. 3, the Catholic Church celebrates the feast of St. Martin de Porres, a Peruvian Dominican brother who lived a life of humble service and charity and became the first Black saint of the Americas.Here are seven fascinating facts about this inspiring saint:1. His father refused to acknowledge him. De Porres was born in Lima, Peru, in 1579. He was the son of a Spanish nobleman and former Panamanian Black slave. His father, Don Juan de Porres, refused to publicly acknowledge the boy as his own because Martin was Black, like his mother. Being biracial would prove challenging for Martin de Porres throughout his life. 2. He started practicing medicine before he was 13. De Porres served as an apprentice to a doctor, and before the age of 13 he began to learn the practice of medicine. He would eventually become a barber, which at the time performed minor medical and surgical procedures like pulling teeth or emptying abscesses. 3. He faced discrimination as a Dominican. De Porres entered the Dominican order in 1603. Becoming a Dominican brother proved to be challenging for de Porres because a Peruvian law at the time prevented people of mixed race from joining religious orders. Therefore, he lived with the community and did manual work, earning himself the nickname “the saint of the broom” for his diligence in cleaning the Dominicans’ quarters.Eventually he was allowed to enter the order, despite the law, and worked in the infirmary tending to the sick and among the impoverished of Peru. “I cure them, but God heals them,” de Porres would say when curing the sick. He also had the task of begging for alms that the community would use to clothe and feed the poor. He also established an orphanage and planted an orchard from which those in need could freely take a day’s supply of fruit. 4. He levitated and bilocated. De Porres was deeply prayerful, so much so that many of the brothers witnessed him levitating in intense prayer and embracing the crucified cross. De Porres reportedly also had the gift of bilocation, and some of his contemporaries said they encountered him in places as far off as Japan even as he remained in Lima. Some claimed he had appeared to them supernaturally behind locked doors or under otherwise impossible circumstances. 5. He refused to eat meat. De Porres loved animals. He refused to eat meat and ran a veterinary hospital for sick animals that seemed to seek out his help. Portrayals of the saint often include cats, dogs, and even the rats to whom he showed compassion.6. He is the patron saint of multiple manual labor occupations. De Porres was known for the various assignments he carried out and which earned him the title of patron saint of barbers, the sick, and street cleaners. On the 50th anniversary of St. Martin de Porres’ canonization, Father Juan Anguerri, director of the St. Martin de Porres Home for the Poor, said: “These are often thankless tasks, but yet through his humble service, St. Martin sent a message to revitalize these jobs.”7. He was canonized more than 300 years after his death. Martin de Porres died on Nov. 3, 1639, at age 60. He was canonized by Pope John XXIII on May 16, 1962. At his canonization Mass, John XXIII called him “Martin of Charity.”  This story was first published on Nov. 3, 2021, and has been updated.

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St. Martin de Porres. / Credit: AnonymousUnknown author, Public domain, via Wikimedia Commons

CNA Staff, Nov 3, 2025 / 04:00 am (CNA).

On Nov. 3, the Catholic Church celebrates the feast of St. Martin de Porres, a Peruvian Dominican brother who lived a life of humble service and charity and became the first Black saint of the Americas.

Here are seven fascinating facts about this inspiring saint:

1. His father refused to acknowledge him.

De Porres was born in Lima, Peru, in 1579. He was the son of a Spanish nobleman and former Panamanian Black slave. His father, Don Juan de Porres, refused to publicly acknowledge the boy as his own because Martin was Black, like his mother. Being biracial would prove challenging for Martin de Porres throughout his life. 

2. He started practicing medicine before he was 13.

De Porres served as an apprentice to a doctor, and before the age of 13 he began to learn the practice of medicine. He would eventually become a barber, which at the time performed minor medical and surgical procedures like pulling teeth or emptying abscesses. 

3. He faced discrimination as a Dominican.

De Porres entered the Dominican order in 1603. Becoming a Dominican brother proved to be challenging for de Porres because a Peruvian law at the time prevented people of mixed race from joining religious orders. Therefore, he lived with the community and did manual work, earning himself the nickname “the saint of the broom” for his diligence in cleaning the Dominicans’ quarters.

Eventually he was allowed to enter the order, despite the law, and worked in the infirmary tending to the sick and among the impoverished of Peru. “I cure them, but God heals them,” de Porres would say when curing the sick. He also had the task of begging for alms that the community would use to clothe and feed the poor. He also established an orphanage and planted an orchard from which those in need could freely take a day’s supply of fruit. 

4. He levitated and bilocated.

De Porres was deeply prayerful, so much so that many of the brothers witnessed him levitating in intense prayer and embracing the crucified cross. De Porres reportedly also had the gift of bilocation, and some of his contemporaries said they encountered him in places as far off as Japan even as he remained in Lima. Some claimed he had appeared to them supernaturally behind locked doors or under otherwise impossible circumstances. 

5. He refused to eat meat.

De Porres loved animals. He refused to eat meat and ran a veterinary hospital for sick animals that seemed to seek out his help. Portrayals of the saint often include cats, dogs, and even the rats to whom he showed compassion.

6. He is the patron saint of multiple manual labor occupations.

De Porres was known for the various assignments he carried out and which earned him the title of patron saint of barbers, the sick, and street cleaners. On the 50th anniversary of St. Martin de Porres’ canonization, Father Juan Anguerri, director of the St. Martin de Porres Home for the Poor, said: “These are often thankless tasks, but yet through his humble service, St. Martin sent a message to revitalize these jobs.”

7. He was canonized more than 300 years after his death.

Martin de Porres died on Nov. 3, 1639, at age 60. He was canonized by Pope John XXIII on May 16, 1962. At his canonization Mass, John XXIII called him “Martin of Charity.” 

This story was first published on Nov. 3, 2021, and has been updated.

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Picture of the day Portrait of French novelist Jules Verne taken in 1884 by Étienne Carjat. Known for his adventure novels taking into account the technological progress of his time, he’s the second most-translated author in the world. He died on this day 120 years ago. #ImageOfTheDay
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Picture of the day Portrait of French novelist Jules Verne taken in 1884 by Étienne Carjat. Known for his adventure novels taking into account the technological progress of his time, he’s the second most-translated author in the world. He died on this day 120 years ago. #ImageOfTheDay

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Picture of the day
Portrait of French novelist Jules Verne taken in 1884 by Étienne Carjat. Known for his adventure novels taking into account the technological progress of his time, he’s the second most-translated author in the world. He died on this day 120 years ago.
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Picture of the day Portrait of French author George Sand by photographer Nadar in 1864. One of the most popular writers in Europe in her lifetime, she stood up for women, criticized marriage and fought against the prejudices of a conservative society. #ImageOfTheDay
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Picture of the day Portrait of French author George Sand by photographer Nadar in 1864. One of the most popular writers in Europe in her lifetime, she stood up for women, criticized marriage and fought against the prejudices of a conservative society. #ImageOfTheDay

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Picture of the day
Portrait of French author George Sand by photographer Nadar in 1864. One of the most popular writers in Europe in her lifetime, she stood up for women, criticized marriage and fought against the prejudices of a conservative society.
Read More