sacrificed

Catholic University of America panel explores how Christians should think about AI

From left: Ross Douthat, media fellow at the Institute for Human Ecology; Will Wilson, CEO of AI company Antithesis; Father Michael Baggot, LC, professor of bioethics at the Pontifical Athenaeum Regina Apostolorum in Rome; and Brian J.A. Boyd, director for the Center for Ethics and Economic Justice at Loyola University New Orleans discuss AI and the Church on Sept. 23, 2025, at The Catholic University of America in Washington, D.C. / Credit: Tessa Gervasini/CNA

Washington, D.C., Sep 25, 2025 / 07:00 am (CNA).

The Catholic University of America (CUA) hosted a panel this week to discuss how Christians should think about the developing technology surrounding artificial intelligence (AI).

The Sept. 23 panel was hosted by CUA’s Institute for Human Ecology, which works to identify the economic, cultural, and social conditions vital for human flourishing. The group discussed the threats posed by AI, the future of the technology, and the Church’s place in the conversation. 

Ross Douthat, media fellow at the Institute for Human Ecology, led the discussion between Father Michael Baggot, LC, professor of bioethics at the Pontifical Athenaeum Regina Apostolorum in Rome; Will Wilson, CEO of AI company Antithesis; and Brian J.A. Boyd, director for the Center for Ethics and Economic Justice at Loyola University New Orleans.

Douthat asked the panelists what they each believe to be the greatest threat of the emerging technology as it poses new challenges to the defense of human dignity, justice, and labor.

According to Boyd, the potential loss of human connection is the most prominent threat of AI. He said: “To be human is to be created in and for relationships of love — by love of God. Our nature is made to be receptive to grace.”

AI becomes an issue if “our main relationship and reference point is talking to a computer rather than to humans,” Boyd said. “I think that is an existential threat, and something worth discussing.”

“If we’re habituated to look at the screen before we look at our neighbor … and AI is [the] constant reference point, it will make habits of prayer much more difficult to include. It will make it harder to learn to listen to the voice of God, because the answer is always in your pocket.”

Baggot said his greatest concern is that “artificial intimacy is going to distract us from, and deter us from, the deep interpersonal bonds that are central to our happiness and our flourishing.”

“Companies now grip not only our minds but also are capturing our affections,” Baggot said. “We can all read about these tragic cases of exploitation and manipulation that are only going to continue unless we put proper guardrails in place and also provide the information that allows us to have the kind of deep interpersonal relationships we were made for.”

While many people worry that AI could create “mass unemployment,” Wilson said he disagrees: “I think that this is a very silly fear because human desires and human wants are infinite, and therefore, we always find new things for people to do.”

Rather, Wilson shared his concern that humans will no longer create their own ideas and will lose their intelligence and knowledge.

“The trouble with AI is even if it’s not actually intelligent, it does a very good simulacrum of intelligence, and it’s very tempting to use it to substitute for human intelligence,” Wilson said. “It’s very possible that we’re entering a world where very soon any cognitive labor, any reason, [or] any thought will be a luxury.”

Catholic AI 

While there are dangers to AI, Baggot addressed the positive aspects the tool can offer, highlighting the benefits of Catholic AI companies. 

“I’ve been privileged to work on the Scholarly Advisory Board of Magisterium AI, which is basically a Catholic answer engine that’s very narrowly trained on reliable documents, magisterial documents, [and] theological texts,” Baggot said. 

Magisterium AI is a “system designed to give people reliable responses to their questions about the Catholic faith,” Baggot explained. “This is appealing to Catholics who want to go deeper, but it’s also quite appealing to people who have never really had the chance, or aren’t quite ready, to speak to another human person about their curiosities regarding Catholicism.”

Baggot explained that creators of the technology work hard to keep it from being “anthropomorphic” to avoid users confusing the AI with actual connection. He said: “We do not want people having an intimate relationship with it.”

While Magisterium AI can provide useful information, Baggot acknowledged that it is not a tool for spiritual direction. He said: “Spiritual direction … should be with another living, breathing human being who actually has insight into human experience [and] who can develop a relationship of real empathy and real compassion.”

The Church’s place in AI 

The panelists had differing viewpoints about the Church’s place in AI and how Christians should approach it. Wilson said he believes “the conversation about where the technology is going and what we’re going to do with it is happening among people who do not care … what any Christian church has to say on the topic.”

“It’s actually a little hard to blame them because Christians have basically sacrificed their place at the forefront of science and technology, which is where we were in centuries past,” Wilson said.

“Control goes to those who can deploy the most capital, and capital gets allocated very fast to people who are able to deploy very efficiently. And by and large, those people are not Christians because Christians aren’t really trying.”

Baggot said that while AI does pose dangers, the Church “has a lot of insight and wisdom” that can help guide the conversation. “The Church is in a privileged position to leverage its incredible patrimony, its reflection on the human person, [and] human flourishing.” 

“The Church has reflected a lot about the meaning and value of work, the subjective value of work. It’s not just about economic efficiency, but it’s about how I use my own God-given talents to grow as a person and then also to serve others in intrinsically valuable activities.”

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‘Triumph of the Heart’ tells powerful story of St. Maximilian Kolbe

From left to right: Actor Marcin Kwaśny as Maximilian Kolbe and Christopher Sherwood as Karl Fritzsch in “Triumph of the Heart.” / Credit: Triumph of the Heart movie/Sherwood Fellows

CNA Staff, Sep 6, 2025 / 06:00 am (CNA).

Anthony D’Ambrosio grew up Catholic and always viewed his faith as one of the most important aspects of his life — even entering seminary for a brief period of time. However, he felt called to leave seminary and go into youth ministry. He fell in love and was about to get engaged when he was diagnosed with a life-altering medical condition — a chronic mold infection with a major symptom being severe and even life-threatening insomnia.

D’Ambrosio’s relationship ended, he couldn’t maintain a job, and his faith unraveled. It was during the sleepless nights that he began to discover the story of St. Maximilian Kolbe, which led to creating a movie about the saint — “Triumph of the Heart.” It will be released in theaters on Sept. 12.

St. Maximilian Kolbe was a Polish Franciscan friar, priest, and martyr who volunteered to die in place of another man in the German death camp of Auschwitz. Kolbe spent the last 14 days of his life in a starvation bunker alongside nine other men. “Triumph of the Heart” focuses on Kolbe’s last days on earth spent in the starvation bunker.

While writing the film, D’Ambrosio began to see his own battle with insomnia as “being a bit of a stand-in for starvation,” he told CNA in an interview. The fact that Kolbe was also able to accompany three other men “to that miracle of staying alive for 14 days without food or water with him” was also meaningful for D’Ambrosio because “I knew that if Kolbe could have helped men in that situation to find a reason to live, that he could help me to find a reason to live.”

As D’Ambrosio spent more and more time with Kolbe’s story, he began to “see what true sanctity looked like, what love looked like.”

“This idea that he had volunteered to take on the suffering of these men in order to be with them — that really began to melt my own heart and to open me back up to God’s presence,” he added.

It was then that D’Ambrosio began his journey to create the film. He began to write the script, pilgrimaged several times to Poland to learn more about Kolbe, lived with the Franciscan friars in Poland, studied his story with the librarian who handles his archives, and ultimately worked with an American crew and partnered with Poles to tell the martyr’s story.

A portrayal seen in "Triumph of the Heart" of Maximilian Kolbe, along with the other men, in the starvation bunker. Credit: Triumph of the Heart movie/Sherwood Fellows
A portrayal seen in “Triumph of the Heart” of Maximilian Kolbe, along with the other men, in the starvation bunker. Credit: Triumph of the Heart movie/Sherwood Fellows

Despite facing numerous challenges while making the film, D’Ambrosio said the most beautiful aspect was seeing “how generous the Catholic world has been.”

“Triumph of the Heart” was an entirely crowdfunded movie — meaning all production costs were covered thanks to donations from individuals.

D’Ambrosio shared that not only did everyday Catholics generously donate financially, but they also donated airline miles for the crew to be able to travel and many volunteered to go to Poland on their own dime to help with the production while the team was there for three months filming.

“I mean the whole movie is just a compilation of the stories of people who have sacrificed immensely in order to tell the story,” D’Ambrosio said.

When reflecting on the life and story of Kolbe, D’Ambrosio said it serves as a great reminder to Catholics that “when everything is hopeless, really, truly, love has the power to overcome darkness and to change the world.”

“The choice to have to maintain love and hope and faith in the face of darkness is the most powerful expression of God’s love and presence that any person can offer the world,” he added.

Despite having his life’s work destroyed by the Nazis and witness his country of Poland be conquered and destroyed by the Germans, Kolbe maintained his faith, and for D’Ambrosio “that has been the part of his life that has resounded the most throughout history and throughout time.”

“I think for anybody that is struggling in any way in their lives right now, they can look at his suffering and look at the fruit of it and make sense in many ways — maybe not make sense but they can like find a balm and find a compass for their own action the way that I did,” he said.

D’Ambrosio emphasized that the movie is primarily about hope and said he finds it “very apropos that this year was declared to be a Jubilee of Hope and that somehow Kolbe’s movie and his story is coming out in the jubilee year.”

The filmmaker said he hopes viewers “will come away with this catharsis — with this feeling of all of that was worth it if that’s what heaven is like.”

“I think that the way that the movie leaves people is like a little promise of ‘Hey, it’s going to be OK. The place we’re going is better and all of the suffering and trials and tribulations that you go through here now and all the crosses that you bear, they will be fully redeemed and you will be completely filled up and made new.’”

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Lamb on a throne wearing a crown, puffy clouds in the sky – using Psychedelic Color – In the Style of van Gogh #AIart

A majestic lamb seated on a throne, adorned with a radiant crown, symbolizes a powerful blend of humility and royalty. This image, often associated with Jesus Christ, embodies the concept of innocence and purity exalted to the highest form of honor and authority. The lamb, a traditional symbol of sacrifice and redemption, as Jesus sacrificed Himself for us! contrasts with the grandeur of the throne and crown, highlighting the transformative power of meekness and grace. This portrayal evokes a sense of awe and reverence, inviting contemplation on the profound themes of sacrifice, triumph, and divine kingship of Jesus!
Lamb of God, Lamb, throne, Jesus Christ, Jesus, van Gogh, sacrificed

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