Santiago

Monumental censer at Christendom College chapel represents ‘grandeur of Christ the King’

“Now people need not go as far away as Spain to see this beautiful thing,” said Christendom College President Emeritus Timothy O’Donnell of the school chapel’s monumental thurible. / Credit: Photo courtesy of Christendom College

Ann Arbor, Michigan, Sep 28, 2025 / 06:00 am (CNA).

A tradition dating from the 11th century has been brought to Christendom College in Front Royal, Virginia, extending an enduring symbol of faith and pilgrimage. A jumbo-sized thurible, commissioned by the college and made in Spain, now embellishes the college’s Christ the King chapel.

The connections between Christendom College and the Catholic culture of Spain date back to even before the college’s founding in 1977. Its first president and co-founder, Warren Carroll, took students to Spain on several visits to learn Spain’s history and experience life at El Escorial monastery near Madrid.

Among other works, Carroll, a historian, authored “Isabel of Spain: The Catholic Queen” and “The Last Crusade: Spain 1936” with an interest in defending Catholic faith and culture, said Timothy O’Donnell, the college’s president emeritus, in an interview with CNA.

Drone shot of Christendom College’s Christ the King Chapel in Front Royal, Virginia. Credit: Photo courtesy of Christendom College
Drone shot of Christendom College’s Christ the King Chapel in Front Royal, Virginia. Credit: Photo courtesy of Christendom College

Believed to be one of the largest thuribles or censers in the world, the famed Botafumeiro is a giant thurible used at the Santiago de Compostela Cathedral in northern Spain, which has been a pilgrimage destination for centuries, rivaled only by Rome and Jerusalem.

According to tradition, it is the burial place of St. James the Greater, who evangelized the Iberian Peninsula. In a centuries-old tradition, the massive censer, which weighs hundreds of pounds, is swung from ropes when pulled by a team of eight men at the transept of the historic church on feast days. It weighs more than 176 pounds and is over 6 feet tall.

O’Donnell recalled that St. John Paul II said in a homily in 1982, as the first pilgrim pope to Santiago: “This place, so dear to Galicians and Spaniards alike, has in the past been a point of attraction and convergence for Europe and all of Christendom.”

According to O’Donnell: “I was so moved by that because that is the name of our college. So, on certain anniversaries, we would take pilgrimages to Santiago.”

Seeing the giant thurible there ultimately gave him the idea to reproduce such a symbol of faith. “I thought it would be awesome to have something like this in the new chapel.” He turned to Heritage Liturgical, which designed and realized the project.

Seeing the giant thurible at the Cathedral of Santiago de Compostela gave Timothy O'Donnell, speaking here at the chapel, the idea to reproduce such a symbol of faith in the college's chapel. Credit: Photo courtesy of Christendom College
Seeing the giant thurible at the Cathedral of Santiago de Compostela gave Timothy O’Donnell, speaking here at the chapel, the idea to reproduce such a symbol of faith in the college’s chapel. Credit: Photo courtesy of Christendom College

“Now people need not go as far away as Spain to see this beautiful thing and incense going up to heaven like the prayers of the faithful and angels going to God on high,” he said. In a tradition dating back to the Old Testament, costly incense was a sacrifice; after the coming of Christ, it joins our prayers with his perfect prayer and sacrifice.

Instead of producing an exact reproduction of the Botafumeiro in Spain, Heritage Liturgical executed a censer that echoes the design of the chapel. Enzo Selvaggi, principal and creative director of Heritage Liturgical, told CNA that Christendom’s monumental thurible was “designed in a cogent and well-defined Gothic Revival mode to fit the architecture of the college’s Chapel of Christ the King.”

Emilio León, a silversmith of Córdoba, Spain, was selected for the project and helped restore the original Botafumeiro. Starting in 2021, León sculpted and chiseled for a year and a half to complete the work, which is silver-plated brass.

In an email to CNA, León wrote: “I incorporated my spiritual and religious values, just as I do in all my work, giving my best effort, knowing that it is for the glory of God.” León belongs to a royal fraternity that preserves Catholic traditions such as Holy Week processions and the dignity of sacred spaces.

León is also working on other projects for Heritage Liturgical to be installed in the U.S. For Catholics in Spain, he continued, the Botafumeiro represents “the grandeur of Christ the King and the apostle James.”

On feast days of the Church, Christendom's thurible is brought near the central altar where it is hoisted on chains and swung by senior students. Credit: Courtesy of Christendom College
On feast days of the Church, Christendom’s thurible is brought near the central altar where it is hoisted on chains and swung by senior students. Credit: Courtesy of Christendom College

Christendom’s thurible is normally displayed near the image of the Virgin Mary in the chapel. On feast days of the Church, it is brought near the central altar where it is hoisted on chains and swung by senior students, much in the tradition of Spain. The next feast day for swinging the grand censer will be the solemnity of Our Lord Jesus Christ, King of the Universe, on Nov. 23.

Selvaggi told CNA that in works produced by Heritage Liturgical, the Catholic principle of sacramentality applies at their conception so that designers and artists use matter, as do theologians, to “make a spiritual reality encounterable in the world.”

Both Selvaggi and León are working on other projects destined for the U.S., including helping to restore churches in Nebraska and Georgia, and designing mosaics for churches in Wisconsin. The message from the company affirmed that the new thurible at Christendom College is “captivating not only because of its size and beauty, but more importantly, because it reveals something that already exists: the love of God that causes us to send our prayers rising up to God.”

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Live musical performance honors life and legacy of St. Teresa of Calcutta

Soprano Catherine Wethington sings during a live performance of “Journey of Faith: A Musical Tribute to Mother Teresa” at Carnegie Hall. / Credit: Richard Termine

CNA Staff, Aug 31, 2025 / 06:00 am (CNA).

A live musical performance celebrating the life of St. Teresa of Calcutta will be taking center stage at the Music Center at Strathmore in Washington, D.C., on Sept. 6 after a successful performance at the historic Carnegie Hall in New York.

Journey of Faith: A Musical Tribute to Mother Teresa” highlights the life and legacy of Mother Teresa, especially her service to the poor through the order she founded — the Missionaries of Charity. 

The live musical event is conducted by Dante Santiago Anzolini and features the Baltimore Symphony Orchestra, baritone Sean Michael Plumb, and soprano Catherine Wethington, who also curated the show.

Catherine Wethington, the featured soprano and curator of "Journey of Faith: A Musical Tribute to Mother Teresa." Credit: DJ Corey Photography
Catherine Wethington, the featured soprano and curator of “Journey of Faith: A Musical Tribute to Mother Teresa.” Credit: DJ Corey Photography

In 2019, Wethington was invited to sing in a chamber music festival in the Balkans, which included a concert in Skopje, Macedonia — the hometown of Mother Teresa. There she visited a museum about the life and legacy of the beloved saint and was introduced to a piece of music titled “Divine Waltz, Hymn to Mother Teresa,” which was commissioned by Dijana Toksa for the saint’s 2016 canonization ceremony at the Vatican.

The piece, composed by Genc Tukiçi, uses a poem written by Mother Teresa upon leaving her homeland to accept her call to ministry and was built off a motif composed by her cousin, Lorenc Antoni. Wethington was invited in 2023 to be the soprano soloist for the piece’s Albanian premiere commemorating the 20th anniversary of Mother Teresa’s beatification. 

“The experience of performing this piece in Tirana and recognizing that St. Teresa continues to have a revolutionary impact on people’s lives today led me to create a program that celebrates her journey, her courage, and her faith,” Wethington told CNA in an interview.

The first half of the musical program focuses on Mother Teresa’s ministry to the sick and dying, and the belief that death is not the end but leads to something greater. The second half focuses on the saint’s earthly life — her childhood, her time in India, and her Catholic faith.

“The program is a combination of sacred and secular works that either place us in the physical location of her journey or highlight a part of her life from youthfulness to faithful struggle to global inspiration,” Wethington explained.

The soprano said she hopes “that people walk away from the evening recognizing that her message can impact our communities today, especially as we are surrounded by so much suffering.”

She added: “It’s tempting to place Mother Teresa on such a lofty pedestal that her impact seems beyond our reach. Her greatness didn’t spring from perfection, it grew from perseverance, faith, and relentless compassion in the face of overwhelming need.”

“Her most famous words ring like a challenge across the decades: ‘Small things done with great love will change the world.’ This isn’t mere sentiment, it’s a call to action,” Wethington said. “Her message was elegantly simple: love without condition, serve without pride, act without expecting reward. In doing so, she proved that even one gift, fully given, can transform the world. We can transform the world, too.”

Tickets to the performance in Washington, D.C., can be found here.

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