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A Rose-ringed parakeet (Psittacula krameri) and her two chicks in a tree hole, National Botanical Garden, Dhaka, Bangladesh.
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A Rose-ringed parakeet (Psittacula krameri) and her two chicks in a tree hole, National Botanical Garden, Dhaka, Bangladesh.
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An Airstream Safari trailer in Joshua Tree National Park at dusk. Airstream founder Wally Byam died on this day in 1962.
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A dragon blood tree (Dracaena cinnabari) in the Diksam Plateau, on the island of Socotra, Yemen.
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Deelerwoud, (the eastern part.) Oak with emerging young leaves and a dead tree in front of it.
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Here is a new version of the “Christmas tree cluster.” NGC 2264 is a cluster of young stars between one and five million years old. (For comparison, the Sun is a middle-aged star about 5 billion years old – about 1,000 times older.)
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An Indian coral tree (Erythrina variegata) blossoming in the south-west monsoon at Mallalli falls on the Kumaradhara River, Karnataka, India
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A solitary mangrove tree on the emerald tropical beach. Havelock Island (Swaraj Dweep), Andaman and Nicobar Islands, Andaman Sea, Indian Ocean.
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Southwest portal with Tree of Jesse of St Lamberti Church in Münster, North Rhine-Westphalia, Germany
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Reimagining Jerry N. Uelsmann’s “Untitled” (1967) through the lens of Leonid Afremov’s style creates a vibrant tapestry of surrealism. Imagine Uelsmann’s intricate blend of multiple exposures bathed in neon green, electric blue, and vibrant magenta hues, all set against a dark, atmospheric backdrop. Afremov’s signature brushstrokes, reminiscent of oil palette knives, infuse the composition with dynamic movement and emotion. This interpretation pays homage to Uelsmann’s original concept of blending reality and imagination while incorporating Afremov’s distinctive artistic vigor, resulting in a visually captivating piece that enchants with its neon brilliance and dreamlike ambiance.
Read MoreReimagining Jerry N. Uelsmann’s “Untitled” (1967) in the style of Leonid Afremov transforms the photomontage into a vibrant tapestry of surrealism. Picture Uelsmann’s intricate blend of multiple exposures now saturated with neon green, electric blue, and vibrant magenta, set against a dark, atmospheric backdrop. Afremov’s trademark brushstrokes, akin to oil palette knives, infuse the composition with dynamic movement and emotion. This approach honors Uelsmann’s original concept of blending reality and imagination while incorporating Afremov’s distinctive artistic vigor, resulting in a visually arresting piece that dazzles with its neon brilliance and dreamlike ambiance.
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