Mystery

‘Holiness of family life’: A look behind the icon depicting a mother of 8 #Catholic Father Richard Reiser, an iconographer based in Omaha, Nebraska, writes an icon of St. Bridget of Sweden with her family for FOCCUS Marriage Ministries’ 40th anniversary. / Credit: Photo courtesy of FOCCUS CNA Staff, Dec 13, 2025 / 06:00 am (CNA). When an iconographer began his work on a unique icon, he looked to the bones of the saint’s husband for help.FOCCUS Marriage Ministries, a Catholic marriage ministry, invited the priest-iconographer Father Richard Reiser to make an icon of St. Bridget of Sweden, a mystic and the mother of eight. The ministry is celebrating its 40th anniversary this year and chose St. Bridget to be the patron saint of its work.But there was one challenge. According to Reiser, historically there is no established iconographic prototype of an icon of St. Bridget of Sweden.So using his imagination and every historical source available — including the bones of St. Bridget’s husband — the priest developed an entirely new icon of a saint who has gone without an icon for hundreds of years.The domestic church “For me, iconography is first and foremost a form of prayer,” Reiser said. “The entire creative process is an act of listening to God and allowing the sacred story of a saint or mystery to take shape through layers of contemplation, color, and symbolism.”The end result was an icon ripe with symbolic meaning — at its heart, marriage and family.At the blessing ceremony of the icon are (left to right): FOCCUS Director of Ministry Father Michael Grewe, Archbishop Michael McGovern of Omaha, FOCCUS Executive Director Sheila Simpson, and Iconographer Father Richard Reiser. Credit: Photo courtesy of FOCCUSFOCCUS Marriage Ministries chose St. Bridget of Sweden to be its patron because of her commitment to marriage and the Church.St. Bridget’s life “beautifully reflects the heart of marriage ministry,” Sheila Simpson, who heads the archdiocese-owned nonprofit, told CNA.Now displayed in the hallway of the FOCCUS office in the Archdiocese of Omaha, Nebraska, the icon contains a quote from Pope Benedict XVI about the family as the domestic church as well as several symbols of the married couple’s life together. “The icon quietly teaches that marriage is both a covenant of grace and a living witness to the Gospel,” Reiser told CNA. With St. Bridget as its guiding light, FOCCUS is launching resources for couples whose marriages have unusual challenges, such as those who need their marriage convalidated by the Church, as well as those marrying later in life.FOCCUS is most well known for its inventories — questionnaires designed to help engaged couples prepare for marriage by initiating conversations about issues like finance and values. The additional, new questionnaires will have questions tailored for couples in unusual situations, including military couples, first responders, and deacons.Simpson said many couples say FOCCUS “became a turning point — not because it told them what to do, but because it helped them truly hear each other.”Windows into the divine Reiser said that one of the most “fascinating” parts of the icon-making process was consulting the bones of Ulf Gudmarsson, the husband of St. Bridget.“His bones indicated that he was significantly larger in stature than she was,” he said. “To honor historical accuracy while still emphasizing Bridget’s spiritual prominence, I placed her on a small set of steps so she would remain the central figure of the composition,” he explained. Icons are “created for contemplation and spiritual truth more than realism,” Reiser said. “They are windows into the divine — visual theology meant to open the heart and mind to God’s presence,” he continued. “They participate in the mystery of the Incarnation,” Reiser said. “The eternal Word of God takes visible form.”The icon depicts an emblem of the Third Order Franciscans, which the couple joined after they got married.In addition, Gudmarsson holds a staff with a shell, referencing the pilgrimage the couple took to northwestern Spain.It would be the last pilgrimage the couple ever made together. On the return journey from the pilgrimage, Gudmarsson grew ill and died soon after they returned to Sweden.As a widow, St. Bridget dedicated her life to Christ, founding the religious order now known as the Bridgettines, which still exists to this day.The icon of St. Bridget of Sweden and her family by Father Richard Reiser contains many symbols, such as the staff and shell, the 15 florets, and the clasp of St. Bridget’s cloak. Framing the icon are words from Pope Benedict XVI on the domestic church. Credit: Courtesy of FOCCUSAn icon of family and unityIconographers don’t paint — they write.“Every line, color, and gesture carries symbolic meaning,” Reiser said. “That is why we often say icons are ‘written’ rather than painted.”For instance, the 15 florets below St. Bridget of Sweden reference her 15 meditations on Christ’s passion. The cloak she wears has a brooch styled to symbolize the five wounds of Christ. Within the brooch is a relic of St. Bridget.“Writing the icon of St. Bridget of Sweden was a unique and grace-filled experience because, historically, there is no established iconographic prototype of her — especially not one depicting her with her family,” Reiser said. “Without a traditional image to follow, I drew from existing paintings of St. Bridget and shaped them within the contemplative, dignified structure of classical iconography.”With “no established icon tradition for Bridget’s family,” Reiser said he “consulted other family-centered icons, especially images of Christ with children, to discern how to portray children in an authentically iconographic style.”The paintings of the children visually form a circle, which Reiser said represents the unity of the family. One of the children, Ingeborg, holds bluebells, the national flower of St. Bridget’s homeland, Sweden.“Each of these details helps the icon speak not just as artwork but as a theological meditation on the holiness of family life,” Reiser said.
Read More

‘Holiness of family life’: A look behind the icon depicting a mother of 8 #Catholic Father Richard Reiser, an iconographer based in Omaha, Nebraska, writes an icon of St. Bridget of Sweden with her family for FOCCUS Marriage Ministries’ 40th anniversary. / Credit: Photo courtesy of FOCCUS CNA Staff, Dec 13, 2025 / 06:00 am (CNA). When an iconographer began his work on a unique icon, he looked to the bones of the saint’s husband for help.FOCCUS Marriage Ministries, a Catholic marriage ministry, invited the priest-iconographer Father Richard Reiser to make an icon of St. Bridget of Sweden, a mystic and the mother of eight. The ministry is celebrating its 40th anniversary this year and chose St. Bridget to be the patron saint of its work.But there was one challenge. According to Reiser, historically there is no established iconographic prototype of an icon of St. Bridget of Sweden.So using his imagination and every historical source available — including the bones of St. Bridget’s husband — the priest developed an entirely new icon of a saint who has gone without an icon for hundreds of years.The domestic church “For me, iconography is first and foremost a form of prayer,” Reiser said. “The entire creative process is an act of listening to God and allowing the sacred story of a saint or mystery to take shape through layers of contemplation, color, and symbolism.”The end result was an icon ripe with symbolic meaning — at its heart, marriage and family.At the blessing ceremony of the icon are (left to right): FOCCUS Director of Ministry Father Michael Grewe, Archbishop Michael McGovern of Omaha, FOCCUS Executive Director Sheila Simpson, and Iconographer Father Richard Reiser. Credit: Photo courtesy of FOCCUSFOCCUS Marriage Ministries chose St. Bridget of Sweden to be its patron because of her commitment to marriage and the Church.St. Bridget’s life “beautifully reflects the heart of marriage ministry,” Sheila Simpson, who heads the archdiocese-owned nonprofit, told CNA.Now displayed in the hallway of the FOCCUS office in the Archdiocese of Omaha, Nebraska, the icon contains a quote from Pope Benedict XVI about the family as the domestic church as well as several symbols of the married couple’s life together. “The icon quietly teaches that marriage is both a covenant of grace and a living witness to the Gospel,” Reiser told CNA. With St. Bridget as its guiding light, FOCCUS is launching resources for couples whose marriages have unusual challenges, such as those who need their marriage convalidated by the Church, as well as those marrying later in life.FOCCUS is most well known for its inventories — questionnaires designed to help engaged couples prepare for marriage by initiating conversations about issues like finance and values. The additional, new questionnaires will have questions tailored for couples in unusual situations, including military couples, first responders, and deacons.Simpson said many couples say FOCCUS “became a turning point — not because it told them what to do, but because it helped them truly hear each other.”Windows into the divine Reiser said that one of the most “fascinating” parts of the icon-making process was consulting the bones of Ulf Gudmarsson, the husband of St. Bridget.“His bones indicated that he was significantly larger in stature than she was,” he said. “To honor historical accuracy while still emphasizing Bridget’s spiritual prominence, I placed her on a small set of steps so she would remain the central figure of the composition,” he explained. Icons are “created for contemplation and spiritual truth more than realism,” Reiser said. “They are windows into the divine — visual theology meant to open the heart and mind to God’s presence,” he continued. “They participate in the mystery of the Incarnation,” Reiser said. “The eternal Word of God takes visible form.”The icon depicts an emblem of the Third Order Franciscans, which the couple joined after they got married.In addition, Gudmarsson holds a staff with a shell, referencing the pilgrimage the couple took to northwestern Spain.It would be the last pilgrimage the couple ever made together. On the return journey from the pilgrimage, Gudmarsson grew ill and died soon after they returned to Sweden.As a widow, St. Bridget dedicated her life to Christ, founding the religious order now known as the Bridgettines, which still exists to this day.The icon of St. Bridget of Sweden and her family by Father Richard Reiser contains many symbols, such as the staff and shell, the 15 florets, and the clasp of St. Bridget’s cloak. Framing the icon are words from Pope Benedict XVI on the domestic church. Credit: Courtesy of FOCCUSAn icon of family and unityIconographers don’t paint — they write.“Every line, color, and gesture carries symbolic meaning,” Reiser said. “That is why we often say icons are ‘written’ rather than painted.”For instance, the 15 florets below St. Bridget of Sweden reference her 15 meditations on Christ’s passion. The cloak she wears has a brooch styled to symbolize the five wounds of Christ. Within the brooch is a relic of St. Bridget.“Writing the icon of St. Bridget of Sweden was a unique and grace-filled experience because, historically, there is no established iconographic prototype of her — especially not one depicting her with her family,” Reiser said. “Without a traditional image to follow, I drew from existing paintings of St. Bridget and shaped them within the contemplative, dignified structure of classical iconography.”With “no established icon tradition for Bridget’s family,” Reiser said he “consulted other family-centered icons, especially images of Christ with children, to discern how to portray children in an authentically iconographic style.”The paintings of the children visually form a circle, which Reiser said represents the unity of the family. One of the children, Ingeborg, holds bluebells, the national flower of St. Bridget’s homeland, Sweden.“Each of these details helps the icon speak not just as artwork but as a theological meditation on the holiness of family life,” Reiser said.

unitedyam

Father Richard Reiser, an iconographer based in Omaha, Nebraska, writes an icon of St. Bridget of Sweden with her family for FOCCUS Marriage Ministries’ 40th anniversary. / Credit: Photo courtesy of FOCCUS

CNA Staff, Dec 13, 2025 / 06:00 am (CNA).

When an iconographer began his work on a unique icon, he looked to the bones of the saint’s husband for help.

FOCCUS Marriage Ministries, a Catholic marriage ministry, invited the priest-iconographer Father Richard Reiser to make an icon of St. Bridget of Sweden, a mystic and the mother of eight. The ministry is celebrating its 40th anniversary this year and chose St. Bridget to be the patron saint of its work.

But there was one challenge. According to Reiser, historically there is no established iconographic prototype of an icon of St. Bridget of Sweden.

So using his imagination and every historical source available — including the bones of St. Bridget’s husband — the priest developed an entirely new icon of a saint who has gone without an icon for hundreds of years.

The domestic church 

“For me, iconography is first and foremost a form of prayer,” Reiser said. “The entire creative process is an act of listening to God and allowing the sacred story of a saint or mystery to take shape through layers of contemplation, color, and symbolism.”

The end result was an icon ripe with symbolic meaning — at its heart, marriage and family.

At the blessing ceremony of the icon are (left to right): FOCCUS Director of Ministry Father Michael Grewe, Archbishop Michael McGovern of Omaha, FOCCUS Executive Director Sheila Simpson, and Iconographer Father Richard Reiser. Credit: Photo courtesy of FOCCUS
At the blessing ceremony of the icon are (left to right): FOCCUS Director of Ministry Father Michael Grewe, Archbishop Michael McGovern of Omaha, FOCCUS Executive Director Sheila Simpson, and Iconographer Father Richard Reiser. Credit: Photo courtesy of FOCCUS

FOCCUS Marriage Ministries chose St. Bridget of Sweden to be its patron because of her commitment to marriage and the Church.

St. Bridget’s life “beautifully reflects the heart of marriage ministry,” Sheila Simpson, who heads the archdiocese-owned nonprofit, told CNA.

Now displayed in the hallway of the FOCCUS office in the Archdiocese of Omaha, Nebraska, the icon contains a quote from Pope Benedict XVI about the family as the domestic church as well as several symbols of the married couple’s life together. 

“The icon quietly teaches that marriage is both a covenant of grace and a living witness to the Gospel,” Reiser told CNA. 

With St. Bridget as its guiding light, FOCCUS is launching resources for couples whose marriages have unusual challenges, such as those who need their marriage convalidated by the Church, as well as those marrying later in life.

FOCCUS is most well known for its inventories — questionnaires designed to help engaged couples prepare for marriage by initiating conversations about issues like finance and values. The additional, new questionnaires will have questions tailored for couples in unusual situations, including military couples, first responders, and deacons.

Simpson said many couples say FOCCUS “became a turning point — not because it told them what to do, but because it helped them truly hear each other.”

Windows into the divine 

Reiser said that one of the most “fascinating” parts of the icon-making process was consulting the bones of Ulf Gudmarsson, the husband of St. Bridget.

“His bones indicated that he was significantly larger in stature than she was,” he said. 

“To honor historical accuracy while still emphasizing Bridget’s spiritual prominence, I placed her on a small set of steps so she would remain the central figure of the composition,” he explained. 

Icons are “created for contemplation and spiritual truth more than realism,” Reiser said. 

“They are windows into the divine — visual theology meant to open the heart and mind to God’s presence,” he continued. 

“They participate in the mystery of the Incarnation,” Reiser said. “The eternal Word of God takes visible form.”

The icon depicts an emblem of the Third Order Franciscans, which the couple joined after they got married.

In addition, Gudmarsson holds a staff with a shell, referencing the pilgrimage the couple took to northwestern Spain.

It would be the last pilgrimage the couple ever made together. On the return journey from the pilgrimage, Gudmarsson grew ill and died soon after they returned to Sweden.

As a widow, St. Bridget dedicated her life to Christ, founding the religious order now known as the Bridgettines, which still exists to this day.

The icon of St. Bridget of Sweden and her family by Father Richard Reiser contains many symbols, such as the staff and shell, the 15 florets, and the clasp of St. Bridget’s cloak. Framing the icon are words from Pope Benedict XVI on the domestic church. Credit: Courtesy of FOCCUS
The icon of St. Bridget of Sweden and her family by Father Richard Reiser contains many symbols, such as the staff and shell, the 15 florets, and the clasp of St. Bridget’s cloak. Framing the icon are words from Pope Benedict XVI on the domestic church. Credit: Courtesy of FOCCUS

An icon of family and unity

Iconographers don’t paint — they write.

“Every line, color, and gesture carries symbolic meaning,” Reiser said. “That is why we often say icons are ‘written’ rather than painted.”

For instance, the 15 florets below St. Bridget of Sweden reference her 15 meditations on Christ’s passion. The cloak she wears has a brooch styled to symbolize the five wounds of Christ. Within the brooch is a relic of St. Bridget.

“Writing the icon of St. Bridget of Sweden was a unique and grace-filled experience because, historically, there is no established iconographic prototype of her — especially not one depicting her with her family,” Reiser said. “Without a traditional image to follow, I drew from existing paintings of St. Bridget and shaped them within the contemplative, dignified structure of classical iconography.”

With “no established icon tradition for Bridget’s family,” Reiser said he “consulted other family-centered icons, especially images of Christ with children, to discern how to portray children in an authentically iconographic style.”

The paintings of the children visually form a circle, which Reiser said represents the unity of the family. One of the children, Ingeborg, holds bluebells, the national flower of St. Bridget’s homeland, Sweden.

“Each of these details helps the icon speak not just as artwork but as a theological meditation on the holiness of family life,” Reiser said.

Read More
Christmas 2025: Handmade gifts from 14 Catholic monasteries #Catholic The contemplative Sisters of the Monastery of Bethlehem in Livingston Manor, New York, support themselves by offering their hand-painted chinaware and other unique gifts for sale. / Credit: Monastery of Bethlehem Washington, D.C. Newsroom, Dec 6, 2025 / 06:00 am (CNA). Many monasteries and communities of religious brothers and sisters depend on proceeds from the sales of their products to sustain their lives of prayer and service throughout the year. These days, most have online gift shops that will ship your purchases to arrive before Christmas.Here’s a guide to some of our favorite handmade gifts to give and receive this year:Fudge and candyMonk Bakery Gifts, Monastery of the Holy Spirit: Monks in Conyers, Georgia, make their famous fudge with premium chocolate and real butter. Try a 12-ounce gift box for . And for a taste of Georgia, try their Southern Touch fudge, “made with real peach morsels, pecans, and a touch of peach brandy.”Monastery Candy, Our Lady of the Mississippi Abbey: These contemplative nuns in Dubuque, Iowa, are known for their delicious caramels, which they make by hand to support their way of life. A 9-ounce box of chocolate-covered caramels sells for .55.Monastery Creamed Honey, Holy Cross Abbey: The monks at Our Lady of the Holy Cross Abbey in Berryville, Virginia, support themselves financially through their own labor, a characteristic of the Cistercian order’s way of life. Their 100% natural Monastery Creamed Honey, locally sourced in the Shenandoah Valley of Virginia, makes a great gift. A set of four 10-ounce tubs includes natural-, cinnamon-, almond-, and brandy-flavored honey and sells for .95. Add some delicious chocolate truffles to the order for a sure-to-be-appreciated Christmas gift.CookiesClarisa Cookies, Capuchin Poor Clare Sisters: The Capuchin Poor Clare nuns make their famous butter cookies from their monastery in Denver. The “Clarisas” come in a beautiful gift box featuring an image of St. Clare and sell for for a 1.5-pound box.Monks’ Biscotti, Abbey of the Genesee: The Trappist monks of the Abbey of the Genesee have been baking from their monastery in western New York since 1953. As their website explains: “The bakery supports the monastery’s primary mission, which is to pray for the world.” The twice-baked biscotti is a popular item, which makes a great gift basket when combined with monk-made coffee and a mug. A bundle of four boxes of biscotti in a variety of flavors sells for .99. Springerele Christmas cookies, Sisters of St. Benedict: The Benedictine religious sisters are known for their Springerele cookies, a traditional German treat with an “Old World” charm. A package of six cookies, each bearing a different, intricate design, sells for . CoffeeMystic Monk Coffee, Carmelites Monks of Wyoming Monastery: The Monks of the Most Blessed Virgin Mary of Mount Carmel live a cloistered life in the Rocky Mountains in the Diocese of Cheyenne, Wyoming. They help support themselves through Mystic Monk Coffee, which they roast in small batches. The website CoffeeReview.com ranks their coffee among the highest of the coffees it reviews. A 12-ounce bag of their most popular flavor, Jingle Bell Java, sells for .95 in the EWTN Religious Catalogue. Visit their website for more coffee selections.FruitcakeBrandy-dipped fruitcake, New Camaldoli Hermitage: With all due respect, this is not your grandmother’s fruitcake. The monks of New Camaldoli Hermitage in Big Sur, California, offer a fruitcake soaked in brandy and aged for three months. It “has converted many a fruitcake ‘atheist,’” according to its creators. Order a 1-pound fruitcake for .98.Kentucky Bourbon Fruitcake, Monks of the Abbey of Gethsemani: At their monastery in New Haven, Kentucky, Trappist monks offer a 20-ounce Kentucky Bourbon Fruitcake along with a jar of Trappist Apricot-Pineapple preserves and a jar of Trappist Quince Jelly, which makes a lovely Christmas gift for .50.BeerBirra Nursia, Benedictine Monks of Norcia: In 2012, a community of Benedictine monks revived the order’s ancient beer-making tradition at their 16th-century monastery in Nursia, the birthplace of St. Benedict. Tragically, four years later, a devastating earthquake struck, seriously damaging their monastery and threatening their way of life. Today, their monastery is open again thanks to money raised in part from the beer they make and sell and export to the United States and elsewhere. Beer in 750-milliliter (25-ounce) bottles is available at their U.S. online store for .99 each.Handmade Christmas-themed giftsChristmas Boutique, Monastery of Bethlehem: The contemplative Sisters of the Monastery of Bethlehem in Livingston Manor, New York, support themselves by offering their hand-painted chinaware and other unique gifts for sale. This Christmas their online shop features several Christmas-related items that would make wonderful gifts. A beautiful hand-carved Nativity, made in the sisters’ monastery in Mougères, France, includes Joseph, Mary, the baby Jesus, and a wooden manger, and sells for 0. This is a great value for a keepsake that is sure to be passed down from generation to generation. Or why not come bearing the gift of myrrh this Christmas with an attractive tin of imported incense ()? Also available: a pack of five Christmas greeting cards, hand-calligraphed by the sisters and duplicated on fine paper. Each card features a mystery of the lives of Jesus and Mary.Custom rosaries, Carmelite Monastery of the Sacred Hearts: The cloistered nuns of the Carmelite Monastery of the Sacred Hearts in Colorado also offer several handmade items that would make beautiful gifts including custom, handmade rosaries. Those interested can choose their own beads, crucifix, centerpiece, the option to add decorative caps and side medals, and whether you would like the rosary to be a one-decade, five-decade, or 15-decade rosary.Gifts from the Holy LandHoly Land gifts, Franciscan Monastery of the Holy Land in America: The Franciscan friars based at their monastery in Washington, D.C., are dedicated to supporting and protecting the sacred sites and people of the Holy Land. They sell products made by artisans in the Holy Land to help their businesses so they can continue to live in the land of their forefathers. Among the gifts at the Holy Land gift shop are hand-painted ceramic candleholders made by a young artist in Bethlehem; olive wood Nativity sets, crosses, and rosaries; and olive oil soap. Visit the Holy Land Gift Shop here. Soaps and candlesCloister Shoppe, Summit Dominicans: The nuns from the Dominican Monastery of Our Lady of the Rosary in Summit, New Jersey, live a life of prayer through Eucharistic adoration and dedication to the rosary. To support this way of life they create handmade candles and skin-care products, which they sell at their Cloister Shoppe. Create your own Christmas gift bag of two bars of soap, a hand cream, a jar candle, a face moisturizer, and a handmade rosary made from olive wood beads from the Holy Land for . Throw in a pair of Bayberry Christmas Eve Tapers for to give your holiday table a festive glow.
Read More

Christmas 2025: Handmade gifts from 14 Catholic monasteries #Catholic The contemplative Sisters of the Monastery of Bethlehem in Livingston Manor, New York, support themselves by offering their hand-painted chinaware and other unique gifts for sale. / Credit: Monastery of Bethlehem Washington, D.C. Newsroom, Dec 6, 2025 / 06:00 am (CNA). Many monasteries and communities of religious brothers and sisters depend on proceeds from the sales of their products to sustain their lives of prayer and service throughout the year. These days, most have online gift shops that will ship your purchases to arrive before Christmas.Here’s a guide to some of our favorite handmade gifts to give and receive this year:Fudge and candyMonk Bakery Gifts, Monastery of the Holy Spirit: Monks in Conyers, Georgia, make their famous fudge with premium chocolate and real butter. Try a 12-ounce gift box for $15. And for a taste of Georgia, try their Southern Touch fudge, “made with real peach morsels, pecans, and a touch of peach brandy.”Monastery Candy, Our Lady of the Mississippi Abbey: These contemplative nuns in Dubuque, Iowa, are known for their delicious caramels, which they make by hand to support their way of life. A 9-ounce box of chocolate-covered caramels sells for $16.55.Monastery Creamed Honey, Holy Cross Abbey: The monks at Our Lady of the Holy Cross Abbey in Berryville, Virginia, support themselves financially through their own labor, a characteristic of the Cistercian order’s way of life. Their 100% natural Monastery Creamed Honey, locally sourced in the Shenandoah Valley of Virginia, makes a great gift. A set of four 10-ounce tubs includes natural-, cinnamon-, almond-, and brandy-flavored honey and sells for $35.95. Add some delicious chocolate truffles to the order for a sure-to-be-appreciated Christmas gift.CookiesClarisa Cookies, Capuchin Poor Clare Sisters: The Capuchin Poor Clare nuns make their famous butter cookies from their monastery in Denver. The “Clarisas” come in a beautiful gift box featuring an image of St. Clare and sell for $18 for a 1.5-pound box.Monks’ Biscotti, Abbey of the Genesee: The Trappist monks of the Abbey of the Genesee have been baking from their monastery in western New York since 1953. As their website explains: “The bakery supports the monastery’s primary mission, which is to pray for the world.” The twice-baked biscotti is a popular item, which makes a great gift basket when combined with monk-made coffee and a mug. A bundle of four boxes of biscotti in a variety of flavors sells for $33.99. Springerele Christmas cookies, Sisters of St. Benedict: The Benedictine religious sisters are known for their Springerele cookies, a traditional German treat with an “Old World” charm. A package of six cookies, each bearing a different, intricate design, sells for $11. CoffeeMystic Monk Coffee, Carmelites Monks of Wyoming Monastery: The Monks of the Most Blessed Virgin Mary of Mount Carmel live a cloistered life in the Rocky Mountains in the Diocese of Cheyenne, Wyoming. They help support themselves through Mystic Monk Coffee, which they roast in small batches. The website CoffeeReview.com ranks their coffee among the highest of the coffees it reviews. A 12-ounce bag of their most popular flavor, Jingle Bell Java, sells for $14.95 in the EWTN Religious Catalogue. Visit their website for more coffee selections.FruitcakeBrandy-dipped fruitcake, New Camaldoli Hermitage: With all due respect, this is not your grandmother’s fruitcake. The monks of New Camaldoli Hermitage in Big Sur, California, offer a fruitcake soaked in brandy and aged for three months. It “has converted many a fruitcake ‘atheist,’” according to its creators. Order a 1-pound fruitcake for $27.98.Kentucky Bourbon Fruitcake, Monks of the Abbey of Gethsemani: At their monastery in New Haven, Kentucky, Trappist monks offer a 20-ounce Kentucky Bourbon Fruitcake along with a jar of Trappist Apricot-Pineapple preserves and a jar of Trappist Quince Jelly, which makes a lovely Christmas gift for $33.50.BeerBirra Nursia, Benedictine Monks of Norcia: In 2012, a community of Benedictine monks revived the order’s ancient beer-making tradition at their 16th-century monastery in Nursia, the birthplace of St. Benedict. Tragically, four years later, a devastating earthquake struck, seriously damaging their monastery and threatening their way of life. Today, their monastery is open again thanks to money raised in part from the beer they make and sell and export to the United States and elsewhere. Beer in 750-milliliter (25-ounce) bottles is available at their U.S. online store for $15.99 each.Handmade Christmas-themed giftsChristmas Boutique, Monastery of Bethlehem: The contemplative Sisters of the Monastery of Bethlehem in Livingston Manor, New York, support themselves by offering their hand-painted chinaware and other unique gifts for sale. This Christmas their online shop features several Christmas-related items that would make wonderful gifts. A beautiful hand-carved Nativity, made in the sisters’ monastery in Mougères, France, includes Joseph, Mary, the baby Jesus, and a wooden manger, and sells for $180. This is a great value for a keepsake that is sure to be passed down from generation to generation. Or why not come bearing the gift of myrrh this Christmas with an attractive tin of imported incense ($56)? Also available: a pack of five Christmas greeting cards, hand-calligraphed by the sisters and duplicated on fine paper. Each card features a mystery of the lives of Jesus and Mary.Custom rosaries, Carmelite Monastery of the Sacred Hearts: The cloistered nuns of the Carmelite Monastery of the Sacred Hearts in Colorado also offer several handmade items that would make beautiful gifts including custom, handmade rosaries. Those interested can choose their own beads, crucifix, centerpiece, the option to add decorative caps and side medals, and whether you would like the rosary to be a one-decade, five-decade, or 15-decade rosary.Gifts from the Holy LandHoly Land gifts, Franciscan Monastery of the Holy Land in America: The Franciscan friars based at their monastery in Washington, D.C., are dedicated to supporting and protecting the sacred sites and people of the Holy Land. They sell products made by artisans in the Holy Land to help their businesses so they can continue to live in the land of their forefathers. Among the gifts at the Holy Land gift shop are hand-painted ceramic candleholders made by a young artist in Bethlehem; olive wood Nativity sets, crosses, and rosaries; and olive oil soap. Visit the Holy Land Gift Shop here. Soaps and candlesCloister Shoppe, Summit Dominicans: The nuns from the Dominican Monastery of Our Lady of the Rosary in Summit, New Jersey, live a life of prayer through Eucharistic adoration and dedication to the rosary. To support this way of life they create handmade candles and skin-care products, which they sell at their Cloister Shoppe. Create your own Christmas gift bag of two bars of soap, a hand cream, a jar candle, a face moisturizer, and a handmade rosary made from olive wood beads from the Holy Land for $50. Throw in a pair of Bayberry Christmas Eve Tapers for $18 to give your holiday table a festive glow.

unitedyam

The contemplative Sisters of the Monastery of Bethlehem in Livingston Manor, New York, support themselves by offering their hand-painted chinaware and other unique gifts for sale. / Credit: Monastery of Bethlehem

Washington, D.C. Newsroom, Dec 6, 2025 / 06:00 am (CNA).

Many monasteries and communities of religious brothers and sisters depend on proceeds from the sales of their products to sustain their lives of prayer and service throughout the year. These days, most have online gift shops that will ship your purchases to arrive before Christmas.

Here’s a guide to some of our favorite handmade gifts to give and receive this year:

Fudge and candy

Monk Bakery Gifts, Monastery of the Holy Spirit: Monks in Conyers, Georgia, make their famous fudge with premium chocolate and real butter. Try a 12-ounce gift box for $15. And for a taste of Georgia, try their Southern Touch fudge, “made with real peach morsels, pecans, and a touch of peach brandy.”

Monastery Candy, Our Lady of the Mississippi Abbey: These contemplative nuns in Dubuque, Iowa, are known for their delicious caramels, which they make by hand to support their way of life. A 9-ounce box of chocolate-covered caramels sells for $16.55.

Monastery Creamed Honey, Holy Cross Abbey: The monks at Our Lady of the Holy Cross Abbey in Berryville, Virginia, support themselves financially through their own labor, a characteristic of the Cistercian order’s way of life. Their 100% natural Monastery Creamed Honey, locally sourced in the Shenandoah Valley of Virginia, makes a great gift. A set of four 10-ounce tubs includes natural-, cinnamon-, almond-, and brandy-flavored honey and sells for $35.95. Add some delicious chocolate truffles to the order for a sure-to-be-appreciated Christmas gift.

Cookies

Clarisa Cookies, Capuchin Poor Clare Sisters: The Capuchin Poor Clare nuns make their famous butter cookies from their monastery in Denver. The “Clarisas” come in a beautiful gift box featuring an image of St. Clare and sell for $18 for a 1.5-pound box.

Monks’ Biscotti, Abbey of the Genesee: The Trappist monks of the Abbey of the Genesee have been baking from their monastery in western New York since 1953. As their website explains: “The bakery supports the monastery’s primary mission, which is to pray for the world.” The twice-baked biscotti is a popular item, which makes a great gift basket when combined with monk-made coffee and a mug. A bundle of four boxes of biscotti in a variety of flavors sells for $33.99. 

Springerele Christmas cookies, Sisters of St. Benedict: The Benedictine religious sisters are known for their Springerele cookies, a traditional German treat with an “Old World” charm. A package of six cookies, each bearing a different, intricate design, sells for $11. 

Coffee

Mystic Monk Coffee, Carmelites Monks of Wyoming Monastery: The Monks of the Most Blessed Virgin Mary of Mount Carmel live a cloistered life in the Rocky Mountains in the Diocese of Cheyenne, Wyoming. They help support themselves through Mystic Monk Coffee, which they roast in small batches. The website CoffeeReview.com ranks their coffee among the highest of the coffees it reviews. A 12-ounce bag of their most popular flavor, Jingle Bell Java, sells for $14.95 in the EWTN Religious Catalogue. Visit their website for more coffee selections.

Fruitcake

Brandy-dipped fruitcake, New Camaldoli Hermitage: With all due respect, this is not your grandmother’s fruitcake. The monks of New Camaldoli Hermitage in Big Sur, California, offer a fruitcake soaked in brandy and aged for three months. It “has converted many a fruitcake ‘atheist,’” according to its creators. Order a 1-pound fruitcake for $27.98.

Kentucky Bourbon Fruitcake, Monks of the Abbey of Gethsemani: At their monastery in New Haven, Kentucky, Trappist monks offer a 20-ounce Kentucky Bourbon Fruitcake along with a jar of Trappist Apricot-Pineapple preserves and a jar of Trappist Quince Jelly, which makes a lovely Christmas gift for $33.50.

Beer

Birra Nursia, Benedictine Monks of Norcia: In 2012, a community of Benedictine monks revived the order’s ancient beer-making tradition at their 16th-century monastery in Nursia, the birthplace of St. Benedict. Tragically, four years later, a devastating earthquake struck, seriously damaging their monastery and threatening their way of life. Today, their monastery is open again thanks to money raised in part from the beer they make and sell and export to the United States and elsewhere. Beer in 750-milliliter (25-ounce) bottles is available at their U.S. online store for $15.99 each.

Handmade Christmas-themed gifts

Christmas Boutique, Monastery of Bethlehem: The contemplative Sisters of the Monastery of Bethlehem in Livingston Manor, New York, support themselves by offering their hand-painted chinaware and other unique gifts for sale. This Christmas their online shop features several Christmas-related items that would make wonderful gifts. 

A beautiful hand-carved Nativity, made in the sisters’ monastery in Mougères, France, includes Joseph, Mary, the baby Jesus, and a wooden manger, and sells for $180. This is a great value for a keepsake that is sure to be passed down from generation to generation. Or why not come bearing the gift of myrrh this Christmas with an attractive tin of imported incense ($56)? Also available: a pack of five Christmas greeting cards, hand-calligraphed by the sisters and duplicated on fine paper. Each card features a mystery of the lives of Jesus and Mary.

Custom rosaries, Carmelite Monastery of the Sacred Hearts: The cloistered nuns of the Carmelite Monastery of the Sacred Hearts in Colorado also offer several handmade items that would make beautiful gifts including custom, handmade rosaries. Those interested can choose their own beads, crucifix, centerpiece, the option to add decorative caps and side medals, and whether you would like the rosary to be a one-decade, five-decade, or 15-decade rosary.

Gifts from the Holy Land

Holy Land gifts, Franciscan Monastery of the Holy Land in America: The Franciscan friars based at their monastery in Washington, D.C., are dedicated to supporting and protecting the sacred sites and people of the Holy Land. They sell products made by artisans in the Holy Land to help their businesses so they can continue to live in the land of their forefathers. Among the gifts at the Holy Land gift shop are hand-painted ceramic candleholders made by a young artist in Bethlehem; olive wood Nativity sets, crosses, and rosaries; and olive oil soap. Visit the Holy Land Gift Shop here. 

Soaps and candles

Cloister Shoppe, Summit Dominicans: The nuns from the Dominican Monastery of Our Lady of the Rosary in Summit, New Jersey, live a life of prayer through Eucharistic adoration and dedication to the rosary. To support this way of life they create handmade candles and skin-care products, which they sell at their Cloister Shoppe. Create your own Christmas gift bag of two bars of soap, a hand cream, a jar candle, a face moisturizer, and a handmade rosary made from olive wood beads from the Holy Land for $50. Throw in a pair of Bayberry Christmas Eve Tapers for $18 to give your holiday table a festive glow.

Read More
PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit #Catholic Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library New York City, New York, Nov 30, 2025 / 08:00 am (CNA). Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England. Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan LibraryDavid appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New YorkProphets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York LibraryThe central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public LibraryLate 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public LibraryIn the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public LibraryScenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York LibraryIn his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York LibraryThis high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York LibraryMore’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York LibraryThe branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.
Read More

PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit #Catholic Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library New York City, New York, Nov 30, 2025 / 08:00 am (CNA). Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England. Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan LibraryDavid appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New YorkProphets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York LibraryThe central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public LibraryLate 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public LibraryIn the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public LibraryScenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York LibraryIn his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York LibraryThis high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York LibraryMore’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York LibraryThe branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

unitedyam

Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library

New York City, New York, Nov 30, 2025 / 08:00 am (CNA).

Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England.

Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan Library
Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan Library

David appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” 

These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.

King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New York
King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New York
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York Library
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York Library

The central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. 

Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public Library
Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public Library
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public Library
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public Library

In the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”

Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public Library
Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public Library
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York Library
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York Library

In his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.

St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York Library
St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York Library

This high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”

The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s "Sir Thomas More," positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York Library
The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York Library

More’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. 

A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York Library
A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York Library

The branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.

David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.

Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

Read More
16,000 teens attend Mass together to conclude NCYC #Catholic Priests process into Lucas Oil Stadium on Nov. 22, 2025, for the concluding Mass in Lucas Oil Stadium at the National Catholic Youth Conference in Indianapolis. / Credit: Tessa Gervasini/CNA Indianapolis, Indiana, Nov 24, 2025 / 10:35 am (CNA). The 2025 National Catholic Youth Conferences (NCYC) concluded with a nighttime Mass drawing around 16,000 teenagers.After three days of prayer, community, sacraments, and a conversation with Pope Leo XIV, young Catholics packed into Lucas Oil Stadium in Indianapolis to end the conference with Mass on Nov. 22. Archbishop Nelson Pérez told CNA it was “beautiful” to celebrate the Mass alongside 25 of his brother bishops and more than 240 priests. “It’s the Church in its splendor,” Pérez said. “Tonight, we experienced the Church in its splendor.” The final Mass was celebrated on the Saturday before the solemnity of Christ the King. In his homily, Pérez said: “When I think about a king, I think about palaces and big thrones and power and authority.”“But when Jesus talks about king it’s … different,” Pérez said. “His throne is a cross. His crown is not made of gold and gems. It’s made of thorns. He doesn’t wear fancy, beautiful, priceless rings on his hands. He has nails.”The “very mystery of the life and the death of Christ, the King, and all of our lives is actually a dying and a rising — dying to sin, dying to the parts of our humanity that might be warped and wounded, and rising to new life to renewal of our soul.”Then “that process goes over and over over and over and over again until we die in Christ for the last time and then rise with him,” Pérez said. “How blessed, how filled with hope we are.”Pérez reminds teens: ‘Christ loves you just as you are’Pérez concluded his homily by tying his message back to what Pope Leo told the teens in his digital encounter with them on Nov. 21. Pérez told the teenagers Pope Leo spoke with them because he loves them.Pope Leo has “gathered with youth all over the place, especially this summer, [during] the Jubilee of Youth,” Pérez said. The pope’s “message is profound, powerful, and simple at the same time: ‘Christ loves you just as you are.’”Pérez reminded the crowd to listen to what the pope said to them. “Think of your closest friends. If they were hurting, you would walk with them, listen, and stay close,” the pope said. “Our relation with Jesus is similar. He knows when life feels heavy, even when we do not feel his presence, our faith tells us he is there.”“To entrust our struggles to Jesus, we have to spend time in prayer … We can speak honestly about what’s in our hearts,” Pérez said, quoting the pope. “That is why daily moments of silence are so important, whether through adoration, reading Scripture, or simply talking to him.”“‘Little by little, we learn to hear his voice, both from within and through the people he sends us. As you grow closer to Jesus,’ he said to us, ‘Do not fear what he may ask of you. If he challenges you to make changes in your life, it’s always because he wants to give you greater joy and freedom. God is never outdone in generosity.’”“The pope’s digital visit was what made this NCYC epic, really epic and different from any other,” Pérez told CNA. The success was from “the excitement of our youth to welcome the Holy Father” and Pope Leo’s “generosity and willingness” to speak with them. Being a part of the conference and seeing so many young Catholics at Mass together made Pérez feel “hopeful,” he said. “In a world and a country that’s so divided right now and violent at times, after this, I’m just so full of hope. It’s almost like we’re going to be OK.”“It’s incredible to see the young Church alive,” Pérez said. “It’s such a beautiful, beautiful gathering.”
Read More

16,000 teens attend Mass together to conclude NCYC #Catholic Priests process into Lucas Oil Stadium on Nov. 22, 2025, for the concluding Mass in Lucas Oil Stadium at the National Catholic Youth Conference in Indianapolis. / Credit: Tessa Gervasini/CNA Indianapolis, Indiana, Nov 24, 2025 / 10:35 am (CNA). The 2025 National Catholic Youth Conferences (NCYC) concluded with a nighttime Mass drawing around 16,000 teenagers.After three days of prayer, community, sacraments, and a conversation with Pope Leo XIV, young Catholics packed into Lucas Oil Stadium in Indianapolis to end the conference with Mass on Nov. 22. Archbishop Nelson Pérez told CNA it was “beautiful” to celebrate the Mass alongside 25 of his brother bishops and more than 240 priests. “It’s the Church in its splendor,” Pérez said. “Tonight, we experienced the Church in its splendor.” The final Mass was celebrated on the Saturday before the solemnity of Christ the King. In his homily, Pérez said: “When I think about a king, I think about palaces and big thrones and power and authority.”“But when Jesus talks about king it’s … different,” Pérez said. “His throne is a cross. His crown is not made of gold and gems. It’s made of thorns. He doesn’t wear fancy, beautiful, priceless rings on his hands. He has nails.”The “very mystery of the life and the death of Christ, the King, and all of our lives is actually a dying and a rising — dying to sin, dying to the parts of our humanity that might be warped and wounded, and rising to new life to renewal of our soul.”Then “that process goes over and over over and over and over again until we die in Christ for the last time and then rise with him,” Pérez said. “How blessed, how filled with hope we are.”Pérez reminds teens: ‘Christ loves you just as you are’Pérez concluded his homily by tying his message back to what Pope Leo told the teens in his digital encounter with them on Nov. 21. Pérez told the teenagers Pope Leo spoke with them because he loves them.Pope Leo has “gathered with youth all over the place, especially this summer, [during] the Jubilee of Youth,” Pérez said. The pope’s “message is profound, powerful, and simple at the same time: ‘Christ loves you just as you are.’”Pérez reminded the crowd to listen to what the pope said to them. “Think of your closest friends. If they were hurting, you would walk with them, listen, and stay close,” the pope said. “Our relation with Jesus is similar. He knows when life feels heavy, even when we do not feel his presence, our faith tells us he is there.”“To entrust our struggles to Jesus, we have to spend time in prayer … We can speak honestly about what’s in our hearts,” Pérez said, quoting the pope. “That is why daily moments of silence are so important, whether through adoration, reading Scripture, or simply talking to him.”“‘Little by little, we learn to hear his voice, both from within and through the people he sends us. As you grow closer to Jesus,’ he said to us, ‘Do not fear what he may ask of you. If he challenges you to make changes in your life, it’s always because he wants to give you greater joy and freedom. God is never outdone in generosity.’”“The pope’s digital visit was what made this NCYC epic, really epic and different from any other,” Pérez told CNA. The success was from “the excitement of our youth to welcome the Holy Father” and Pope Leo’s “generosity and willingness” to speak with them. Being a part of the conference and seeing so many young Catholics at Mass together made Pérez feel “hopeful,” he said. “In a world and a country that’s so divided right now and violent at times, after this, I’m just so full of hope. It’s almost like we’re going to be OK.”“It’s incredible to see the young Church alive,” Pérez said. “It’s such a beautiful, beautiful gathering.”

unitedyam

Priests process into Lucas Oil Stadium on Nov. 22, 2025, for the concluding Mass in Lucas Oil Stadium at the National Catholic Youth Conference in Indianapolis. / Credit: Tessa Gervasini/CNA

Indianapolis, Indiana, Nov 24, 2025 / 10:35 am (CNA).

The 2025 National Catholic Youth Conferences (NCYC) concluded with a nighttime Mass drawing around 16,000 teenagers.

After three days of prayer, community, sacraments, and a conversation with Pope Leo XIV, young Catholics packed into Lucas Oil Stadium in Indianapolis to end the conference with Mass on Nov. 22. Archbishop Nelson Pérez told CNA it was “beautiful” to celebrate the Mass alongside 25 of his brother bishops and more than 240 priests. 

“It’s the Church in its splendor,” Pérez said. “Tonight, we experienced the Church in its splendor.” 

The final Mass was celebrated on the Saturday before the solemnity of Christ the King. In his homily, Pérez said: “When I think about a king, I think about palaces and big thrones and power and authority.”

“But when Jesus talks about king it’s … different,” Pérez said. “His throne is a cross. His crown is not made of gold and gems. It’s made of thorns. He doesn’t wear fancy, beautiful, priceless rings on his hands. He has nails.”

The “very mystery of the life and the death of Christ, the King, and all of our lives is actually a dying and a rising — dying to sin, dying to the parts of our humanity that might be warped and wounded, and rising to new life to renewal of our soul.”

Then “that process goes over and over over and over and over again until we die in Christ for the last time and then rise with him,” Pérez said. “How blessed, how filled with hope we are.”

Pérez reminds teens: ‘Christ loves you just as you are’

Pérez concluded his homily by tying his message back to what Pope Leo told the teens in his digital encounter with them on Nov. 21. Pérez told the teenagers Pope Leo spoke with them because he loves them.

Pope Leo has “gathered with youth all over the place, especially this summer, [during] the Jubilee of Youth,” Pérez said. The pope’s “message is profound, powerful, and simple at the same time: ‘Christ loves you just as you are.’”

Pérez reminded the crowd to listen to what the pope said to them. “Think of your closest friends. If they were hurting, you would walk with them, listen, and stay close,” the pope said. “Our relation with Jesus is similar. He knows when life feels heavy, even when we do not feel his presence, our faith tells us he is there.”

“To entrust our struggles to Jesus, we have to spend time in prayer … We can speak honestly about what’s in our hearts,” Pérez said, quoting the pope. “That is why daily moments of silence are so important, whether through adoration, reading Scripture, or simply talking to him.”

“‘Little by little, we learn to hear his voice, both from within and through the people he sends us. As you grow closer to Jesus,’ he said to us, ‘Do not fear what he may ask of you. If he challenges you to make changes in your life, it’s always because he wants to give you greater joy and freedom. God is never outdone in generosity.’”

“The pope’s digital visit was what made this NCYC epic, really epic and different from any other,” Pérez told CNA. The success was from “the excitement of our youth to welcome the Holy Father” and Pope Leo’s “generosity and willingness” to speak with them. 

Being a part of the conference and seeing so many young Catholics at Mass together made Pérez feel “hopeful,” he said. “In a world and a country that’s so divided right now and violent at times, after this, I’m just so full of hope. It’s almost like we’re going to be OK.”

“It’s incredible to see the young Church alive,” Pérez said. “It’s such a beautiful, beautiful gathering.”

Read More
#Mystery Readers will be enthralled by this book!
Read More

#Mystery Readers will be enthralled by this book!

unitedyam

Mystery Readers will be enthralled by this book!

L. D. C. Fitzgerald, renowned author of two nonfiction books about Kennedy, brings you ‘Saving Jackie K’, a science fiction odyssey with a time-travel twist on one of the most significant conspiracy theories of modern times. This gripping tale blends fact and fiction to unravel the greatest mystery of the 20th century. ‘Saving Jackie K’ offers a thrilling, intellectual journey and is the most provocative science fiction thriller you’ll ever read.

Read More