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Arthur Brooks at SEEK26: ‘Your job isn’t to win arguments, it’s to win a soul’ #Catholic Arthur Brooks gives a keynote address at SEEK 2026 on Jan. 4, 2026, in Columbus, Ohio. | Credit: Madalaine Elhabbal/CNA Jan 6, 2026 / 12:29 pm (CNA). New York Times bestselling author and Harvard professor Arthur Brooks encouraged attendees at SEEK 2026 to resist the temptation as missionaries to “fight fire with fire.”In his Jan. 4 keynote speech in Columbus, Ohio, Brooks said the world “is not just a cold world” but “a world that attacks you.” In this context, he said, it can be challenging not to fight back.However, he said, “your job isn’t to win arguments, it’s to win a soul.”Brooks teaches at the Harvard Kennedy School and Harvard Business School and has written multiple books on finding happiness and meaning in life, including “From Strength to Strength” and “Build the Life You Want,” which he coauthored with Oprah Winfrey. He also writes a column for The Free Press.Some 26,000 attendees have gathered through Jan. 5 in Columbus, Denver, and Fort Worth, Texas, for the SEEK 2026 conference organized by FOCUS.“The spirit of the missionary will take you into the heart of a culture war,” Brooks said. “And in that culture war, you won’t win with violence … as you can win with love.” Brooks recounted his experience giving a talk in Manchester, New Hampshire, in 2014 for an audience he said was “a very ideologically oriented group.”According to Brooks, he was the only speaker out of the 15 present who was not a presidential candidate. He said that during his address, he told his audience: “You’ve been hearing from political candidates who want your vote. And what they’re telling you is that you’re right and the people who disagree with you are stupid people and hate America, but I want you to remember something. Those people, they’re your neighbors, and they’re your family … It’s not that they hate America, it’s that they disagree with you.”When acting as a missionary, he said, the goal is to persuade people. “If you want to persuade them, you can’t do that with hatred, because nobody has ever been insulted into agreement,” Brooks said.‘Entering mission territory’Brooks concluded by telling about a retreat center that he and his wife, Ester, visit when they give marriage preparation. Inside the chapel of the retreat center, he said, there is a sign over the door to exit the chapel that reads: “You are now entering mission territory.”“So as you leave this beautiful, beautiful gathering tomorrow, the signs on the door of your hotel or this conference facility, any place that you find yourself as you leave this city, and effectively for the last time tomorrow, is that you’re entering mission territory,” Brooks said. “Let’s set the world on fire together.”Katie Tangeman, a sophomore at Northwest Missouri State University, said she came away from Brooks’ talk motivated to “just take a step back whenever I’m feeling frustrated or annoyed with somebody, or if they’re attacking me, to just see them as a beloved son or daughter of God and approach them with love instead of the contempt and hate that [Brooks] was talking about.”“Because that’s not being a good Christian,” she added.“I want to say the biggest thing I took away from Arthur Brooks’ talk tonight, his keynote speech, [is] that you can change the trajectory of how a conversation goes by battling it with kindness in a way,” said Andrew Stuart, an agricultural business major, also at Northwest Missouri State.
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Arthur Brooks at SEEK26: ‘Your job isn’t to win arguments, it’s to win a soul’ #Catholic Arthur Brooks gives a keynote address at SEEK 2026 on Jan. 4, 2026, in Columbus, Ohio. | Credit: Madalaine Elhabbal/CNA Jan 6, 2026 / 12:29 pm (CNA). New York Times bestselling author and Harvard professor Arthur Brooks encouraged attendees at SEEK 2026 to resist the temptation as missionaries to “fight fire with fire.”In his Jan. 4 keynote speech in Columbus, Ohio, Brooks said the world “is not just a cold world” but “a world that attacks you.” In this context, he said, it can be challenging not to fight back.However, he said, “your job isn’t to win arguments, it’s to win a soul.”Brooks teaches at the Harvard Kennedy School and Harvard Business School and has written multiple books on finding happiness and meaning in life, including “From Strength to Strength” and “Build the Life You Want,” which he coauthored with Oprah Winfrey. He also writes a column for The Free Press.Some 26,000 attendees have gathered through Jan. 5 in Columbus, Denver, and Fort Worth, Texas, for the SEEK 2026 conference organized by FOCUS.“The spirit of the missionary will take you into the heart of a culture war,” Brooks said. “And in that culture war, you won’t win with violence … as you can win with love.” Brooks recounted his experience giving a talk in Manchester, New Hampshire, in 2014 for an audience he said was “a very ideologically oriented group.”According to Brooks, he was the only speaker out of the 15 present who was not a presidential candidate. He said that during his address, he told his audience: “You’ve been hearing from political candidates who want your vote. And what they’re telling you is that you’re right and the people who disagree with you are stupid people and hate America, but I want you to remember something. Those people, they’re your neighbors, and they’re your family … It’s not that they hate America, it’s that they disagree with you.”When acting as a missionary, he said, the goal is to persuade people. “If you want to persuade them, you can’t do that with hatred, because nobody has ever been insulted into agreement,” Brooks said.‘Entering mission territory’Brooks concluded by telling about a retreat center that he and his wife, Ester, visit when they give marriage preparation. Inside the chapel of the retreat center, he said, there is a sign over the door to exit the chapel that reads: “You are now entering mission territory.”“So as you leave this beautiful, beautiful gathering tomorrow, the signs on the door of your hotel or this conference facility, any place that you find yourself as you leave this city, and effectively for the last time tomorrow, is that you’re entering mission territory,” Brooks said. “Let’s set the world on fire together.”Katie Tangeman, a sophomore at Northwest Missouri State University, said she came away from Brooks’ talk motivated to “just take a step back whenever I’m feeling frustrated or annoyed with somebody, or if they’re attacking me, to just see them as a beloved son or daughter of God and approach them with love instead of the contempt and hate that [Brooks] was talking about.”“Because that’s not being a good Christian,” she added.“I want to say the biggest thing I took away from Arthur Brooks’ talk tonight, his keynote speech, [is] that you can change the trajectory of how a conversation goes by battling it with kindness in a way,” said Andrew Stuart, an agricultural business major, also at Northwest Missouri State.

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Arthur Brooks gives a keynote address at SEEK 2026 on Jan. 4, 2026, in Columbus, Ohio. | Credit: Madalaine Elhabbal/CNA

Jan 6, 2026 / 12:29 pm (CNA).

New York Times bestselling author and Harvard professor Arthur Brooks encouraged attendees at SEEK 2026 to resist the temptation as missionaries to “fight fire with fire.”

In his Jan. 4 keynote speech in Columbus, Ohio, Brooks said the world “is not just a cold world” but “a world that attacks you.” In this context, he said, it can be challenging not to fight back.

However, he said, “your job isn’t to win arguments, it’s to win a soul.”

Brooks teaches at the Harvard Kennedy School and Harvard Business School and has written multiple books on finding happiness and meaning in life, including “From Strength to Strength” and “Build the Life You Want,” which he coauthored with Oprah Winfrey. He also writes a column for The Free Press.

Some 26,000 attendees have gathered through Jan. 5 in Columbus, Denver, and Fort Worth, Texas, for the SEEK 2026 conference organized by FOCUS.

“The spirit of the missionary will take you into the heart of a culture war,” Brooks said. “And in that culture war, you won’t win with violence … as you can win with love.” Brooks recounted his experience giving a talk in Manchester, New Hampshire, in 2014 for an audience he said was “a very ideologically oriented group.”

According to Brooks, he was the only speaker out of the 15 present who was not a presidential candidate. He said that during his address, he told his audience: “You’ve been hearing from political candidates who want your vote. And what they’re telling you is that you’re right and the people who disagree with you are stupid people and hate America, but I want you to remember something. Those people, they’re your neighbors, and they’re your family … It’s not that they hate America, it’s that they disagree with you.”

When acting as a missionary, he said, the goal is to persuade people. “If you want to persuade them, you can’t do that with hatred, because nobody has ever been insulted into agreement,” Brooks said.

‘Entering mission territory’

Brooks concluded by telling about a retreat center that he and his wife, Ester, visit when they give marriage preparation. Inside the chapel of the retreat center, he said, there is a sign over the door to exit the chapel that reads: “You are now entering mission territory.”

“So as you leave this beautiful, beautiful gathering tomorrow, the signs on the door of your hotel or this conference facility, any place that you find yourself as you leave this city, and effectively for the last time tomorrow, is that you’re entering mission territory,” Brooks said. “Let’s set the world on fire together.”

Katie Tangeman, a sophomore at Northwest Missouri State University, said she came away from Brooks’ talk motivated to “just take a step back whenever I’m feeling frustrated or annoyed with somebody, or if they’re attacking me, to just see them as a beloved son or daughter of God and approach them with love instead of the contempt and hate that [Brooks] was talking about.”

“Because that’s not being a good Christian,” she added.

“I want to say the biggest thing I took away from Arthur Brooks’ talk tonight, his keynote speech, [is] that you can change the trajectory of how a conversation goes by battling it with kindness in a way,” said Andrew Stuart, an agricultural business major, also at Northwest Missouri State.

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Rest in peace: Looking back at notable Catholics who passed away in 2025 #Catholic Credit: udra11/Shutterstock Dec 31, 2025 / 06:00 am (CNA). The past year has seen several notable Catholics pass away — from public officials to the vicar of Christ himself.Here’s a rundown of some prominent Catholics around the world who left us in 2025:Pope Francis (Dec. 17, 1936 — April 21, 2025)The Holy Father, Pope Francis, passed away at 7:35 a.m. on Easter Monday, April 21, at his residence in the Vatican’s Casa Santa Marta. The 88-year-old pontiff led the Catholic Church for a little more than 12 years.The first Latin American pope in history as well as the first Jesuit pope, Francis led the Church through significant canonical and catechetical reforms, urging the faithful to reach out and minister to those on the margins of society while preaching the mercy of God.Upon his death he left the legacy of what Cardinal Kevin Farrell said was a life “dedicated to the service of God and his Church,” one that urged the faithful to “live the values of the Gospel with fidelity, courage, and universal love, especially for the poorest and most marginalized.”Pope Francis was succeeded in the chair of St. Peter by Pope Leo XIV on May 8.Mabel Landry Staton (Nov. 20, 1932 — Feb. 20, 2025)Mabel Landry Staton, a trailblazing athlete who briefly set an Olympic record at the 1952 Summer Olympics, died on Feb. 20 at age 92.Representing the United States at the Olympic games in Helsinki in 1952, Staton — known as “Dolly” after a nickname from her father — set a record in the long jump category at 19 feet 3.25 inches. Though the record only lasted for several minutes before New Zealand athlete Yvette Williams bested it, Staton would go on to win medals in the 1955 Pan American Games.The Philadelphia Inquirer reported that Staton served as a Eucharistic minister at St. Thomas More Church in Cherry Hill, New Jersey, as well as on the board of the Black Catholic Ministry of the Diocese of Camden.According to the Inquirer, Staton “could still outsprint some of the local high school boys in her 70s.”Alasdair MacIntyre (Jan. 12, 1929 — May 21, 2025)Alasdair MacIntyre, a towering figure in moral philosophy and a Catholic convert credited with reviving the discipline of virtue ethics, died on May 21 at age 96.His seminal 1981 work “After Virtue” reshaped contemporary moral and political philosophy, emphasizing virtue over utilitarian or deontological frameworks.Known by many as “the most important” modern Catholic philosopher, MacIntyre’s intellectual and spiritual journey spanned atheism, Marxism, Anglicanism, and ultimately Roman Catholicism.James Hitchcock (Feb. 13, 1938 — July 14, 2025)James Hitchcock — a noted historian of the Catholic Church, popular author, and longtime college professor — died on July 14 at age 87.Hitchcock was remembered by friends and colleagues as a man of prophetic insight who defended Church teaching and helped to make the Catholic intellectual tradition accessible for his students and readers.Hitchcock taught history at Saint Louis University from the late 1960s until 2013. Some of the most popular of the dozen books he wrote include his one-volume “History of the Catholic Church: From the Apostolic Age to the Third Millennium,” published in 2012 by Ignatius Press.Frank Caprio (Nov. 24, 1936 — Aug. 20, 2025)Frank Caprio, who served as a Providence, Rhode Island, municipal court judge for nearly 40 years and came to be known as “America’s nicest judge,” passed away on Aug. 20 from pancreatic cancer.Caprio gained worldwide fame for a lenient judicial style that blended justice, extreme empathy, and mercy when his courtroom was televised in a program called “Caught in Providence.”The program began in 1999 and went viral in 2017, achieving hundreds of millions of views since then. The show was nominated for a Daytime Emmy Award in 2021 and has a YouTube channel with nearly 3 million subscribers.Caprio told EWTN News in February that he always kept in mind something his father, a hardworking Italian immigrant with a fifth-grade education, had impressed upon him: “What might seem like a small fine to some was something that many couldn’t afford.”“Your case is dismissed” became Caprio’s signature phrase.Thomas A. Nelson (March 1, 1937 — Aug. 16, 2025)Thomas A. Nelson, the founder of TAN Books — a Catholic publishing house known for its books promoting traditional Catholicism in the post-Vatican II era — died Aug. 16 at age 88.Nelson, who had previously worked as a teacher, founded TAN Books and Publishers Inc. in Rockford, Illinois, in 1967 and an accompanying printing plant in 1978. In addition to being Nelson’s initials, TAN is an acronym for the Latin phrase “Tuum Adoramus Nomen” (“Let Us Adore Thy Name”).Under Nelson’s ownership, TAN became known for publishing orthodox Catholic books, including reprints of classic Catholic works on theology, Scripture, traditional devotions, the Traditional Latin Mass, and the lives of the saints as well as new titles on these subjects by contemporary authors.Katharine, Duchess of Kent (Feb. 22, 1933 — Sept. 4, 2025)The Duchess of Kent, who became the first senior British royal to be received into the Catholic Church since the 17th century, died on Sept. 4 at the age of 92.Renowned for her natural charm, compassion for the sick and downtrodden, and commitment to serving others, the duchess was a much-loved and hardworking British royal whose popularity was enhanced by her own personal suffering and self-effacing nature.She was received into the Church in January 1994 by Cardinal Basil Hume. Up until then, no senior royal had publicly been received into the Church since 1685.Katharine spoke favorably of the Church’s moral precepts. “I do love guidelines and the Catholic Church offers you guidelines,” she once told the BBC. “I have always wanted that in my life. I like to know what’s expected of me.”Sister Jean Dolores Schmidt (Aug. 21, 1919 — Oct. 9, 2025)Sister Jean Dolores Schmidt, the beloved Catholic nun who became known across the country at the age of 98 as the chaplain of the Loyola University Chicago men’s basketball team, died Oct. 9 at the age of 106.Sister Jean was born Dolores Bertha Schmidt on Aug. 21, 1919, to Joseph and Bertha Schmidt. She was raised in a devout Catholic home in San Francisco’s Castro District.In 1937, she joined the Sisters of Charity of the Blessed Virgin Mary and took the name Sister Jean Dolores. In 1991, she joined the staff at Loyola Chicago and three years later became part of the basketball team, first as an academic adviser before transitioning to chaplain.Sister Jean led the team in prayer before each game — praying for her players to be safe, for the referees to be fair, and for God’s assistance during the game.She also admitted to praying for the opposing team, though “not as hard.”Sister Mary Michael of the Eucharistic Heart of Jesus, PCPA (Feb. 25, 1931 — Nov. 10, 2025)Sister Mary Michael of the Eucharistic Heart of Jesus, PCPA, died on Nov. 10 at age 94 after roughly three-quarters of a century of religious life.Sister Mary Michael was the last of the original five nuns who, along with EWTN foundress Mother Angelica, began the Our Lady of the Angels Monastery in Irondale, Alabama.Born Evelyn Shinosky on Feb. 25, 1931, to Joseph and Helen Shinosky, she entered Sancta Clara Monastery in Canton, Ohio, on Aug. 15, 1951, and received the habit and her new name the following May.Her passing marked the end of an era at EWTN and at the monastery — one that saw both the launch of the global Catholic network and the expansion of the religious community to include the Shrine of the Most Blessed Sacrament of Our Lady of the Angels Monastery.Paul Badde (March 10, 1948 — Nov. 10, 2025)Paul Badde, author of many well-known books such as “Benedict Up Close,” “The Face of God,” and “The True Icon,” died on Nov. 10 at the age of 77 after a long illness. Badde was also a veteran contributor to EWTN and CNA Deutsch, CNA’s German-language news partner.Born in Schaag, Germany — a small village on the Lower Rhine — he studied philosophy and sociology in Freiburg as well as art history, history, and political science in Frankfurt. Before embarking on a journalistic career, Badde worked as a teacher for several years.A founding editor of Vatican Magazine, Paul and his wife, Ellen, had five children. Sister JoAnn Persch (June 27, 1934 — Nov. 14, 2025)Longtime immigrant rights advocate Sister JoAnn Persch died on Nov. 14 at age 91.Two weeks before her death, Persch attempted to bring Communion to detainees at the Broadview, Illinois, Immigration and Customs Enforcement (ICE) facility where for decades the Sisters of Mercy ministered to migrants and refugees. Officials denied her entry.Persch and Sister Pat Murphy were founding members of the Su Casa Catholic Worker House in Chicago, serving refugees from Central America who were survivors of war, torture, and political persecution.May the souls of the faithful departed, through the mercy of God, rest in peace.
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Rest in peace: Looking back at notable Catholics who passed away in 2025 #Catholic Credit: udra11/Shutterstock Dec 31, 2025 / 06:00 am (CNA). The past year has seen several notable Catholics pass away — from public officials to the vicar of Christ himself.Here’s a rundown of some prominent Catholics around the world who left us in 2025:Pope Francis (Dec. 17, 1936 — April 21, 2025)The Holy Father, Pope Francis, passed away at 7:35 a.m. on Easter Monday, April 21, at his residence in the Vatican’s Casa Santa Marta. The 88-year-old pontiff led the Catholic Church for a little more than 12 years.The first Latin American pope in history as well as the first Jesuit pope, Francis led the Church through significant canonical and catechetical reforms, urging the faithful to reach out and minister to those on the margins of society while preaching the mercy of God.Upon his death he left the legacy of what Cardinal Kevin Farrell said was a life “dedicated to the service of God and his Church,” one that urged the faithful to “live the values of the Gospel with fidelity, courage, and universal love, especially for the poorest and most marginalized.”Pope Francis was succeeded in the chair of St. Peter by Pope Leo XIV on May 8.Mabel Landry Staton (Nov. 20, 1932 — Feb. 20, 2025)Mabel Landry Staton, a trailblazing athlete who briefly set an Olympic record at the 1952 Summer Olympics, died on Feb. 20 at age 92.Representing the United States at the Olympic games in Helsinki in 1952, Staton — known as “Dolly” after a nickname from her father — set a record in the long jump category at 19 feet 3.25 inches. Though the record only lasted for several minutes before New Zealand athlete Yvette Williams bested it, Staton would go on to win medals in the 1955 Pan American Games.The Philadelphia Inquirer reported that Staton served as a Eucharistic minister at St. Thomas More Church in Cherry Hill, New Jersey, as well as on the board of the Black Catholic Ministry of the Diocese of Camden.According to the Inquirer, Staton “could still outsprint some of the local high school boys in her 70s.”Alasdair MacIntyre (Jan. 12, 1929 — May 21, 2025)Alasdair MacIntyre, a towering figure in moral philosophy and a Catholic convert credited with reviving the discipline of virtue ethics, died on May 21 at age 96.His seminal 1981 work “After Virtue” reshaped contemporary moral and political philosophy, emphasizing virtue over utilitarian or deontological frameworks.Known by many as “the most important” modern Catholic philosopher, MacIntyre’s intellectual and spiritual journey spanned atheism, Marxism, Anglicanism, and ultimately Roman Catholicism.James Hitchcock (Feb. 13, 1938 — July 14, 2025)James Hitchcock — a noted historian of the Catholic Church, popular author, and longtime college professor — died on July 14 at age 87.Hitchcock was remembered by friends and colleagues as a man of prophetic insight who defended Church teaching and helped to make the Catholic intellectual tradition accessible for his students and readers.Hitchcock taught history at Saint Louis University from the late 1960s until 2013. Some of the most popular of the dozen books he wrote include his one-volume “History of the Catholic Church: From the Apostolic Age to the Third Millennium,” published in 2012 by Ignatius Press.Frank Caprio (Nov. 24, 1936 — Aug. 20, 2025)Frank Caprio, who served as a Providence, Rhode Island, municipal court judge for nearly 40 years and came to be known as “America’s nicest judge,” passed away on Aug. 20 from pancreatic cancer.Caprio gained worldwide fame for a lenient judicial style that blended justice, extreme empathy, and mercy when his courtroom was televised in a program called “Caught in Providence.”The program began in 1999 and went viral in 2017, achieving hundreds of millions of views since then. The show was nominated for a Daytime Emmy Award in 2021 and has a YouTube channel with nearly 3 million subscribers.Caprio told EWTN News in February that he always kept in mind something his father, a hardworking Italian immigrant with a fifth-grade education, had impressed upon him: “What might seem like a small fine to some was something that many couldn’t afford.”“Your case is dismissed” became Caprio’s signature phrase.Thomas A. Nelson (March 1, 1937 — Aug. 16, 2025)Thomas A. Nelson, the founder of TAN Books — a Catholic publishing house known for its books promoting traditional Catholicism in the post-Vatican II era — died Aug. 16 at age 88.Nelson, who had previously worked as a teacher, founded TAN Books and Publishers Inc. in Rockford, Illinois, in 1967 and an accompanying printing plant in 1978. In addition to being Nelson’s initials, TAN is an acronym for the Latin phrase “Tuum Adoramus Nomen” (“Let Us Adore Thy Name”).Under Nelson’s ownership, TAN became known for publishing orthodox Catholic books, including reprints of classic Catholic works on theology, Scripture, traditional devotions, the Traditional Latin Mass, and the lives of the saints as well as new titles on these subjects by contemporary authors.Katharine, Duchess of Kent (Feb. 22, 1933 — Sept. 4, 2025)The Duchess of Kent, who became the first senior British royal to be received into the Catholic Church since the 17th century, died on Sept. 4 at the age of 92.Renowned for her natural charm, compassion for the sick and downtrodden, and commitment to serving others, the duchess was a much-loved and hardworking British royal whose popularity was enhanced by her own personal suffering and self-effacing nature.She was received into the Church in January 1994 by Cardinal Basil Hume. Up until then, no senior royal had publicly been received into the Church since 1685.Katharine spoke favorably of the Church’s moral precepts. “I do love guidelines and the Catholic Church offers you guidelines,” she once told the BBC. “I have always wanted that in my life. I like to know what’s expected of me.”Sister Jean Dolores Schmidt (Aug. 21, 1919 — Oct. 9, 2025)Sister Jean Dolores Schmidt, the beloved Catholic nun who became known across the country at the age of 98 as the chaplain of the Loyola University Chicago men’s basketball team, died Oct. 9 at the age of 106.Sister Jean was born Dolores Bertha Schmidt on Aug. 21, 1919, to Joseph and Bertha Schmidt. She was raised in a devout Catholic home in San Francisco’s Castro District.In 1937, she joined the Sisters of Charity of the Blessed Virgin Mary and took the name Sister Jean Dolores. In 1991, she joined the staff at Loyola Chicago and three years later became part of the basketball team, first as an academic adviser before transitioning to chaplain.Sister Jean led the team in prayer before each game — praying for her players to be safe, for the referees to be fair, and for God’s assistance during the game.She also admitted to praying for the opposing team, though “not as hard.”Sister Mary Michael of the Eucharistic Heart of Jesus, PCPA (Feb. 25, 1931 — Nov. 10, 2025)Sister Mary Michael of the Eucharistic Heart of Jesus, PCPA, died on Nov. 10 at age 94 after roughly three-quarters of a century of religious life.Sister Mary Michael was the last of the original five nuns who, along with EWTN foundress Mother Angelica, began the Our Lady of the Angels Monastery in Irondale, Alabama.Born Evelyn Shinosky on Feb. 25, 1931, to Joseph and Helen Shinosky, she entered Sancta Clara Monastery in Canton, Ohio, on Aug. 15, 1951, and received the habit and her new name the following May.Her passing marked the end of an era at EWTN and at the monastery — one that saw both the launch of the global Catholic network and the expansion of the religious community to include the Shrine of the Most Blessed Sacrament of Our Lady of the Angels Monastery.Paul Badde (March 10, 1948 — Nov. 10, 2025)Paul Badde, author of many well-known books such as “Benedict Up Close,” “The Face of God,” and “The True Icon,” died on Nov. 10 at the age of 77 after a long illness. Badde was also a veteran contributor to EWTN and CNA Deutsch, CNA’s German-language news partner.Born in Schaag, Germany — a small village on the Lower Rhine — he studied philosophy and sociology in Freiburg as well as art history, history, and political science in Frankfurt. Before embarking on a journalistic career, Badde worked as a teacher for several years.A founding editor of Vatican Magazine, Paul and his wife, Ellen, had five children. Sister JoAnn Persch (June 27, 1934 — Nov. 14, 2025)Longtime immigrant rights advocate Sister JoAnn Persch died on Nov. 14 at age 91.Two weeks before her death, Persch attempted to bring Communion to detainees at the Broadview, Illinois, Immigration and Customs Enforcement (ICE) facility where for decades the Sisters of Mercy ministered to migrants and refugees. Officials denied her entry.Persch and Sister Pat Murphy were founding members of the Su Casa Catholic Worker House in Chicago, serving refugees from Central America who were survivors of war, torture, and political persecution.May the souls of the faithful departed, through the mercy of God, rest in peace.

unitedyam

Credit: udra11/Shutterstock

Dec 31, 2025 / 06:00 am (CNA).

The past year has seen several notable Catholics pass away — from public officials to the vicar of Christ himself.

Here’s a rundown of some prominent Catholics around the world who left us in 2025:

Pope Francis (Dec. 17, 1936 — April 21, 2025)

The Holy Father, Pope Francis, passed away at 7:35 a.m. on Easter Monday, April 21, at his residence in the Vatican’s Casa Santa Marta. The 88-year-old pontiff led the Catholic Church for a little more than 12 years.

The first Latin American pope in history as well as the first Jesuit pope, Francis led the Church through significant canonical and catechetical reforms, urging the faithful to reach out and minister to those on the margins of society while preaching the mercy of God.

Upon his death he left the legacy of what Cardinal Kevin Farrell said was a life “dedicated to the service of God and his Church,” one that urged the faithful to “live the values of the Gospel with fidelity, courage, and universal love, especially for the poorest and most marginalized.”

Pope Francis was succeeded in the chair of St. Peter by Pope Leo XIV on May 8.

Mabel Landry Staton (Nov. 20, 1932 — Feb. 20, 2025)

Mabel Landry Staton, a trailblazing athlete who briefly set an Olympic record at the 1952 Summer Olympics, died on Feb. 20 at age 92.

Representing the United States at the Olympic games in Helsinki in 1952, Staton — known as “Dolly” after a nickname from her father — set a record in the long jump category at 19 feet 3.25 inches. Though the record only lasted for several minutes before New Zealand athlete Yvette Williams bested it, Staton would go on to win medals in the 1955 Pan American Games.

The Philadelphia Inquirer reported that Staton served as a Eucharistic minister at St. Thomas More Church in Cherry Hill, New Jersey, as well as on the board of the Black Catholic Ministry of the Diocese of Camden.

According to the Inquirer, Staton “could still outsprint some of the local high school boys in her 70s.”

Alasdair MacIntyre (Jan. 12, 1929 — May 21, 2025)

Alasdair MacIntyre, a towering figure in moral philosophy and a Catholic convert credited with reviving the discipline of virtue ethics, died on May 21 at age 96.

His seminal 1981 work “After Virtue” reshaped contemporary moral and political philosophy, emphasizing virtue over utilitarian or deontological frameworks.

Known by many as “the most important” modern Catholic philosopher, MacIntyre’s intellectual and spiritual journey spanned atheism, Marxism, Anglicanism, and ultimately Roman Catholicism.

James Hitchcock (Feb. 13, 1938 — July 14, 2025)

James Hitchcock — a noted historian of the Catholic Church, popular author, and longtime college professor — died on July 14 at age 87.

Hitchcock was remembered by friends and colleagues as a man of prophetic insight who defended Church teaching and helped to make the Catholic intellectual tradition accessible for his students and readers.

Hitchcock taught history at Saint Louis University from the late 1960s until 2013. Some of the most popular of the dozen books he wrote include his one-volume “History of the Catholic Church: From the Apostolic Age to the Third Millennium,” published in 2012 by Ignatius Press.

Frank Caprio (Nov. 24, 1936 — Aug. 20, 2025)

Frank Caprio, who served as a Providence, Rhode Island, municipal court judge for nearly 40 years and came to be known as “America’s nicest judge,” passed away on Aug. 20 from pancreatic cancer.

Caprio gained worldwide fame for a lenient judicial style that blended justice, extreme empathy, and mercy when his courtroom was televised in a program called “Caught in Providence.”

The program began in 1999 and went viral in 2017, achieving hundreds of millions of views since then. The show was nominated for a Daytime Emmy Award in 2021 and has a YouTube channel with nearly 3 million subscribers.

Caprio told EWTN News in February that he always kept in mind something his father, a hardworking Italian immigrant with a fifth-grade education, had impressed upon him: “What might seem like a small fine to some was something that many couldn’t afford.”

“Your case is dismissed” became Caprio’s signature phrase.

Thomas A. Nelson (March 1, 1937 — Aug. 16, 2025)

Thomas A. Nelson, the founder of TAN Books — a Catholic publishing house known for its books promoting traditional Catholicism in the post-Vatican II era — died Aug. 16 at age 88.

Nelson, who had previously worked as a teacher, founded TAN Books and Publishers Inc. in Rockford, Illinois, in 1967 and an accompanying printing plant in 1978. In addition to being Nelson’s initials, TAN is an acronym for the Latin phrase “Tuum Adoramus Nomen” (“Let Us Adore Thy Name”).

Under Nelson’s ownership, TAN became known for publishing orthodox Catholic books, including reprints of classic Catholic works on theology, Scripture, traditional devotions, the Traditional Latin Mass, and the lives of the saints as well as new titles on these subjects by contemporary authors.

Katharine, Duchess of Kent (Feb. 22, 1933 — Sept. 4, 2025)

The Duchess of Kent, who became the first senior British royal to be received into the Catholic Church since the 17th century, died on Sept. 4 at the age of 92.

Renowned for her natural charm, compassion for the sick and downtrodden, and commitment to serving others, the duchess was a much-loved and hardworking British royal whose popularity was enhanced by her own personal suffering and self-effacing nature.

She was received into the Church in January 1994 by Cardinal Basil Hume. Up until then, no senior royal had publicly been received into the Church since 1685.

Katharine spoke favorably of the Church’s moral precepts. “I do love guidelines and the Catholic Church offers you guidelines,” she once told the BBC. “I have always wanted that in my life. I like to know what’s expected of me.”

Sister Jean Dolores Schmidt (Aug. 21, 1919 — Oct. 9, 2025)

Sister Jean Dolores Schmidt, the beloved Catholic nun who became known across the country at the age of 98 as the chaplain of the Loyola University Chicago men’s basketball team, died Oct. 9 at the age of 106.

Sister Jean was born Dolores Bertha Schmidt on Aug. 21, 1919, to Joseph and Bertha Schmidt. She was raised in a devout Catholic home in San Francisco’s Castro District.

In 1937, she joined the Sisters of Charity of the Blessed Virgin Mary and took the name Sister Jean Dolores. In 1991, she joined the staff at Loyola Chicago and three years later became part of the basketball team, first as an academic adviser before transitioning to chaplain.

Sister Jean led the team in prayer before each game — praying for her players to be safe, for the referees to be fair, and for God’s assistance during the game.

She also admitted to praying for the opposing team, though “not as hard.”

Sister Mary Michael of the Eucharistic Heart of Jesus, PCPA (Feb. 25, 1931 — Nov. 10, 2025)

Sister Mary Michael of the Eucharistic Heart of Jesus, PCPA, died on Nov. 10 at age 94 after roughly three-quarters of a century of religious life.

Sister Mary Michael was the last of the original five nuns who, along with EWTN foundress Mother Angelica, began the Our Lady of the Angels Monastery in Irondale, Alabama.

Born Evelyn Shinosky on Feb. 25, 1931, to Joseph and Helen Shinosky, she entered Sancta Clara Monastery in Canton, Ohio, on Aug. 15, 1951, and received the habit and her new name the following May.

Her passing marked the end of an era at EWTN and at the monastery — one that saw both the launch of the global Catholic network and the expansion of the religious community to include the Shrine of the Most Blessed Sacrament of Our Lady of the Angels Monastery.

Paul Badde (March 10, 1948 — Nov. 10, 2025)

Paul Badde, author of many well-known books such as “Benedict Up Close,” “The Face of God,” and “The True Icon,” died on Nov. 10 at the age of 77 after a long illness. Badde was also a veteran contributor to EWTN and CNA Deutsch, CNA’s German-language news partner.

Born in Schaag, Germany — a small village on the Lower Rhine — he studied philosophy and sociology in Freiburg as well as art history, history, and political science in Frankfurt. Before embarking on a journalistic career, Badde worked as a teacher for several years.

A founding editor of Vatican Magazine, Paul and his wife, Ellen, had five children.

Sister JoAnn Persch (June 27, 1934 — Nov. 14, 2025)

Longtime immigrant rights advocate Sister JoAnn Persch died on Nov. 14 at age 91.

Two weeks before her death, Persch attempted to bring Communion to detainees at the Broadview, Illinois, Immigration and Customs Enforcement (ICE) facility where for decades the Sisters of Mercy ministered to migrants and refugees. Officials denied her entry.

Persch and Sister Pat Murphy were founding members of the Su Casa Catholic Worker House in Chicago, serving refugees from Central America who were survivors of war, torture, and political persecution.

May the souls of the faithful departed, through the mercy of God, rest in peace.

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Some Protestant scholars welcome Vatican document clarifying Marian titles #Catholic Pope Leo XIV places a crown on the Madonna of Sinti, Roma, and Walking Peoples during the audience of the Jubilee of the Roma, Sinti, and Traveling Peoples in Paul VI Hall at the Vatican on Oct. 18, 2025. / Credit: Filippo Monteforte/AFP via Getty Images Washington, D.C. Newsroom, Dec 15, 2025 / 06:00 am (CNA). Some Protestant scholars who spoke with CNA welcomed a Vatican document that clarified titles for the Blessed Virgin Mary that discouraged the use of Co-Redemptrix/Co-Redeemer and put limits on the use of Mediatrix/Mediator.The Dicastery for the Doctrine of the Faith (DDF) issued the doctrinal note Mater Populi Fidelis on Nov. 4. It was approved by Pope Leo XIV and signed by DDF Prefect Cardinal Víctor Manuel Fernández on Oct. 7.According to the document, using “Co-Redemptrix” to explain Mary’s role in salvation “would not be appropriate.” The document is less harsh about using “Mediatrix” and says “if misunderstood, it could easily obscure or even contradict” Mary’s role in mediation.The document affirms Mary plays a role in both redemption and mediation because she freely cooperates with Jesus Christ. That role, it explains, is always “subordinate” to Christ, and it warned against using titles in a way that could be misconstrued to mitigate Christ as the sole Redeemer and sole Mediator.Catholic reactions have been mixed, with some seeing the clarification as helpful and others defending the titles as consistent with the understanding of Mary’s role as subordinate and asking the Vatican to formally define the doctrines themselves rather than simply issue a note on the titles.Positive reactions from ProtestantsCNA spoke with three Protestant scholars, all of whom welcomed the Vatican’s doctrinal note on titles for Mary.David Luy, theology professor at the North American Lutheran Seminary, told CNA he does not see the document as “Roman Catholics conceding anything to their tradition” but did see it as being written “with an attentiveness” toward certain concerns that Protestants raise.Although Protestant communities vary widely on how they view Mary and what titles are proper, he said concern over the titles in question “sprouts from a desire to uphold the distinctiveness of Christ as the one mediator.”Luy cited the second chapter of First Timothy. The translation of the text approved by the U.S. Catholic bishops states: “For there is one God. There is also one mediator between God and the human race, Christ Jesus, himself human, who gave himself as ransom for all.”He said Protestants often emphasize the need to “uphold the distinctive mediatorship of Christ” and saw the document as expressing a “sensibility to that central Protestant concern” while also being careful “in the way it develops Mary’s role in the economy of salvation.”“Does it relieve potential strain between Protestants and Catholics? The short answer would be yes,” Luy said.However, he said the concept of mediation “is probably where there’d be a need for just ongoing conversation.” He said Lutherans understand the term “mediation” as being “the means through which God acts in the world” and that “most Lutherans are going to be cautious” of language that describes Mary in terms of mediation.Catholic teaching recognizes Christ as “the one mediator,” according to Lumen Gentium, the dogmatic constitution on the Church issued by the Second Vatican Council in 1964. It teaches that humans cooperate with Christ’s mediation in a subordinate way and “the Church does not hesitate to profess this subordinate role of Mary.”The Rev. Cynthia Rigby, a theology professor at Austin Presbyterian Theological Seminary and co-author of “Blessed One: Protestant Perspectives on Mary,” told CNA she thinks the document could mark “a watershed moment” for relations between Catholics and Protestants.Rigby said Mary should be understood as a woman with “great faith,” and, under that framing, “Christians will identify her less as a secondary savior but as an exemplary Christian.” She said “the weight will shift from trying to explain how it is that Mary brokers salvation without rivaling Christ … to what we can learn about the joy of salvation through her example.”The Vatican document, however, goes much further than Rigby on Mary’s role. It states that she freely cooperates “in the work of human salvation through faith and obedience” during the time that Christ walked the earth and throughout the ongoing life of the Church rather than simply viewing her as an example to follow.Tom Krattenmaker, a Lutheran pastor and theology professor at Yale Divinity School, told CNA the document is “very welcome” and called Mariology “one of the major points distinguishing Christian traditions since the Reformation.”He said the guidance on titles and the explanation provided in the document are “extraordinarily helpful for ecumenical dialogue” because they affirm Christ as the sole redeemer and mediator and Pope Leo XIV “makes very clear that we can say so in ecumenical communality.”Krattenmaker said this “is a reason for Protestants to embrace the clear step forward he is making toward Christian unity.”The Vatican document did not expressly state that ecumenism was the intended goal. However, the subject of Catholic Marian devotions is a frequent point of contention. The document did not alter any doctrines in dispute but instead focused on titles the dicastery felt may cause confusion about what the Church actually teaches about Mary.
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Some Protestant scholars welcome Vatican document clarifying Marian titles #Catholic Pope Leo XIV places a crown on the Madonna of Sinti, Roma, and Walking Peoples during the audience of the Jubilee of the Roma, Sinti, and Traveling Peoples in Paul VI Hall at the Vatican on Oct. 18, 2025. / Credit: Filippo Monteforte/AFP via Getty Images Washington, D.C. Newsroom, Dec 15, 2025 / 06:00 am (CNA). Some Protestant scholars who spoke with CNA welcomed a Vatican document that clarified titles for the Blessed Virgin Mary that discouraged the use of Co-Redemptrix/Co-Redeemer and put limits on the use of Mediatrix/Mediator.The Dicastery for the Doctrine of the Faith (DDF) issued the doctrinal note Mater Populi Fidelis on Nov. 4. It was approved by Pope Leo XIV and signed by DDF Prefect Cardinal Víctor Manuel Fernández on Oct. 7.According to the document, using “Co-Redemptrix” to explain Mary’s role in salvation “would not be appropriate.” The document is less harsh about using “Mediatrix” and says “if misunderstood, it could easily obscure or even contradict” Mary’s role in mediation.The document affirms Mary plays a role in both redemption and mediation because she freely cooperates with Jesus Christ. That role, it explains, is always “subordinate” to Christ, and it warned against using titles in a way that could be misconstrued to mitigate Christ as the sole Redeemer and sole Mediator.Catholic reactions have been mixed, with some seeing the clarification as helpful and others defending the titles as consistent with the understanding of Mary’s role as subordinate and asking the Vatican to formally define the doctrines themselves rather than simply issue a note on the titles.Positive reactions from ProtestantsCNA spoke with three Protestant scholars, all of whom welcomed the Vatican’s doctrinal note on titles for Mary.David Luy, theology professor at the North American Lutheran Seminary, told CNA he does not see the document as “Roman Catholics conceding anything to their tradition” but did see it as being written “with an attentiveness” toward certain concerns that Protestants raise.Although Protestant communities vary widely on how they view Mary and what titles are proper, he said concern over the titles in question “sprouts from a desire to uphold the distinctiveness of Christ as the one mediator.”Luy cited the second chapter of First Timothy. The translation of the text approved by the U.S. Catholic bishops states: “For there is one God. There is also one mediator between God and the human race, Christ Jesus, himself human, who gave himself as ransom for all.”He said Protestants often emphasize the need to “uphold the distinctive mediatorship of Christ” and saw the document as expressing a “sensibility to that central Protestant concern” while also being careful “in the way it develops Mary’s role in the economy of salvation.”“Does it relieve potential strain between Protestants and Catholics? The short answer would be yes,” Luy said.However, he said the concept of mediation “is probably where there’d be a need for just ongoing conversation.” He said Lutherans understand the term “mediation” as being “the means through which God acts in the world” and that “most Lutherans are going to be cautious” of language that describes Mary in terms of mediation.Catholic teaching recognizes Christ as “the one mediator,” according to Lumen Gentium, the dogmatic constitution on the Church issued by the Second Vatican Council in 1964. It teaches that humans cooperate with Christ’s mediation in a subordinate way and “the Church does not hesitate to profess this subordinate role of Mary.”The Rev. Cynthia Rigby, a theology professor at Austin Presbyterian Theological Seminary and co-author of “Blessed One: Protestant Perspectives on Mary,” told CNA she thinks the document could mark “a watershed moment” for relations between Catholics and Protestants.Rigby said Mary should be understood as a woman with “great faith,” and, under that framing, “Christians will identify her less as a secondary savior but as an exemplary Christian.” She said “the weight will shift from trying to explain how it is that Mary brokers salvation without rivaling Christ … to what we can learn about the joy of salvation through her example.”The Vatican document, however, goes much further than Rigby on Mary’s role. It states that she freely cooperates “in the work of human salvation through faith and obedience” during the time that Christ walked the earth and throughout the ongoing life of the Church rather than simply viewing her as an example to follow.Tom Krattenmaker, a Lutheran pastor and theology professor at Yale Divinity School, told CNA the document is “very welcome” and called Mariology “one of the major points distinguishing Christian traditions since the Reformation.”He said the guidance on titles and the explanation provided in the document are “extraordinarily helpful for ecumenical dialogue” because they affirm Christ as the sole redeemer and mediator and Pope Leo XIV “makes very clear that we can say so in ecumenical communality.”Krattenmaker said this “is a reason for Protestants to embrace the clear step forward he is making toward Christian unity.”The Vatican document did not expressly state that ecumenism was the intended goal. However, the subject of Catholic Marian devotions is a frequent point of contention. The document did not alter any doctrines in dispute but instead focused on titles the dicastery felt may cause confusion about what the Church actually teaches about Mary.

unitedyam

Pope Leo XIV places a crown on the Madonna of Sinti, Roma, and Walking Peoples during the audience of the Jubilee of the Roma, Sinti, and Traveling Peoples in Paul VI Hall at the Vatican on Oct. 18, 2025. / Credit: Filippo Monteforte/AFP via Getty Images

Washington, D.C. Newsroom, Dec 15, 2025 / 06:00 am (CNA).

Some Protestant scholars who spoke with CNA welcomed a Vatican document that clarified titles for the Blessed Virgin Mary that discouraged the use of Co-Redemptrix/Co-Redeemer and put limits on the use of Mediatrix/Mediator.

The Dicastery for the Doctrine of the Faith (DDF) issued the doctrinal note Mater Populi Fidelis on Nov. 4. It was approved by Pope Leo XIV and signed by DDF Prefect Cardinal Víctor Manuel Fernández on Oct. 7.

According to the document, using “Co-Redemptrix” to explain Mary’s role in salvation “would not be appropriate.” The document is less harsh about using “Mediatrix” and says “if misunderstood, it could easily obscure or even contradict” Mary’s role in mediation.

The document affirms Mary plays a role in both redemption and mediation because she freely cooperates with Jesus Christ. That role, it explains, is always “subordinate” to Christ, and it warned against using titles in a way that could be misconstrued to mitigate Christ as the sole Redeemer and sole Mediator.

Catholic reactions have been mixed, with some seeing the clarification as helpful and others defending the titles as consistent with the understanding of Mary’s role as subordinate and asking the Vatican to formally define the doctrines themselves rather than simply issue a note on the titles.

Positive reactions from Protestants

CNA spoke with three Protestant scholars, all of whom welcomed the Vatican’s doctrinal note on titles for Mary.

David Luy, theology professor at the North American Lutheran Seminary, told CNA he does not see the document as “Roman Catholics conceding anything to their tradition” but did see it as being written “with an attentiveness” toward certain concerns that Protestants raise.

Although Protestant communities vary widely on how they view Mary and what titles are proper, he said concern over the titles in question “sprouts from a desire to uphold the distinctiveness of Christ as the one mediator.”

Luy cited the second chapter of First Timothy. The translation of the text approved by the U.S. Catholic bishops states: “For there is one God. There is also one mediator between God and the human race, Christ Jesus, himself human, who gave himself as ransom for all.”

He said Protestants often emphasize the need to “uphold the distinctive mediatorship of Christ” and saw the document as expressing a “sensibility to that central Protestant concern” while also being careful “in the way it develops Mary’s role in the economy of salvation.”

“Does it relieve potential strain between Protestants and Catholics? The short answer would be yes,” Luy said.

However, he said the concept of mediation “is probably where there’d be a need for just ongoing conversation.” He said Lutherans understand the term “mediation” as being “the means through which God acts in the world” and that “most Lutherans are going to be cautious” of language that describes Mary in terms of mediation.

Catholic teaching recognizes Christ as “the one mediator,” according to Lumen Gentium, the dogmatic constitution on the Church issued by the Second Vatican Council in 1964. It teaches that humans cooperate with Christ’s mediation in a subordinate way and “the Church does not hesitate to profess this subordinate role of Mary.”

The Rev. Cynthia Rigby, a theology professor at Austin Presbyterian Theological Seminary and co-author of “Blessed One: Protestant Perspectives on Mary,” told CNA she thinks the document could mark “a watershed moment” for relations between Catholics and Protestants.

Rigby said Mary should be understood as a woman with “great faith,” and, under that framing, “Christians will identify her less as a secondary savior but as an exemplary Christian.” She said “the weight will shift from trying to explain how it is that Mary brokers salvation without rivaling Christ … to what we can learn about the joy of salvation through her example.”

The Vatican document, however, goes much further than Rigby on Mary’s role. It states that she freely cooperates “in the work of human salvation through faith and obedience” during the time that Christ walked the earth and throughout the ongoing life of the Church rather than simply viewing her as an example to follow.

Tom Krattenmaker, a Lutheran pastor and theology professor at Yale Divinity School, told CNA the document is “very welcome” and called Mariology “one of the major points distinguishing Christian traditions since the Reformation.”

He said the guidance on titles and the explanation provided in the document are “extraordinarily helpful for ecumenical dialogue” because they affirm Christ as the sole redeemer and mediator and Pope Leo XIV “makes very clear that we can say so in ecumenical communality.”

Krattenmaker said this “is a reason for Protestants to embrace the clear step forward he is making toward Christian unity.”

The Vatican document did not expressly state that ecumenism was the intended goal. However, the subject of Catholic Marian devotions is a frequent point of contention. The document did not alter any doctrines in dispute but instead focused on titles the dicastery felt may cause confusion about what the Church actually teaches about Mary.

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Ancient Advent Mass gains new interest among younger Catholics #Catholic The Rorate Caeli Advent Mass celebrated at The National Shrine of Our Lady of Champion. / Credit: The National Shrine of Our Lady of Champion CNA Staff, Dec 14, 2025 / 06:00 am (CNA). Advent is a season filled with rich Catholic traditions, but a slightly lesser-known one is growing in popularity among younger Catholics. The ancient liturgy of the Rorate Caeli Advent Mass honors the Blessed Virgin Mary through a Mass celebrated at dawn, in complete darkness, and lit only by candles, which symbolizes Christ, the Light of the World, entering into the world with Mary as the vessel. Emerging in the Middle Ages, the Rorate Caeli Mass gets its name from the prophecy of Isaiah. Rorate Caeli is Latin for “drop down, ye heavens.” These are the opening words of this liturgy’s Introit, which is used as an opening psalm or entrance antiphon and comes from Isaiah 45:8.Father Tony Stephens, rector at the National Shrine of Our Lady of Champion in Champion, Wisconsin, calls this Mass “a teachable moment.”“As all of us are gathered in the church, only lit with the candles, slowly the light begins coming in through the windows and it’s like the light of Christ,” he told CNA. The process symbolizes “the light of Christ coming into our lives, slowly but surely and progressively as we go through life.”“And just like that light begins to come in through the windows, as the physical sun rises, so in our journey as Catholics, the closer we get to Christ, the more his light shines in our life,” he said. Fr. Nathaneal Mudd, CPM, celebrates the Rorate Caeli Advent Mass at the National Shrine of Our Lady of Champion in 2024. Credit: The National Shrine of Our Lady of ChampionStephens has been rector of the National Shrine of Our Lady of Champion for two years but was scheduled to celebrate the Rorate Caeli Mass there for the first time on Dec. 13. The shrine is the first and only approved Marian apparition site in the United States. It was here that the Blessed Mother is believed to have appeared to Adele Brise in 1859. When speaking about the Blessed Mother’s role in Advent, Stephens described it as “a season of anticipating Our Lord, but when you look at the subtext of Advent, things about Mary are everywhere — in the readings and her role in salvation history is so important. And so that’s, again, part of the reason you have these special Marian Masses honoring her during this Advent season.”He also highlighted the fact that this ancient Mass is seeing a resurgence in popularity and credited Pope Benedict XVI, in part, for reintroducing Catholics to older, traditional practices and his “desire of the hermeneutic of continuity.” “He in his pontificate really emphasized a desire to have that continuity between the earlier traditions of the Church, even prior to the [Vatican II] council … looking at all of the rich liturgical heritage that we have as Catholics,” he added. The priest pointed out that young people are also searching for more traditional practices.“There is a great love, especially amongst young people, for things that are traditional,” he said, adding that the Mass also “appeals to the senses in a way that technology and phones don’t.” “The real light of a candle is way different than the electronic light put off by a cellphone screen,” he said. “A burning, living candle, the way it flickers, and you can’t recharge a candle — it gives everything it has like Jesus did on the cross. A candle burns with all its might to put off that light. And so there is a selflessness about that light of that candle that’s different than technology, and young people desire that kind of self-gift and authenticity.”Stephens said he hopes those who attend a Rorate Caeli Mass will leave with “an eager anticipation of Jesus coming at Christmastime.”“A Rorate Caeli Mass is one of those times that we can have a little consolation and we’re reminded of the author of all consolation and his mother,” he said.
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Ancient Advent Mass gains new interest among younger Catholics #Catholic The Rorate Caeli Advent Mass celebrated at The National Shrine of Our Lady of Champion. / Credit: The National Shrine of Our Lady of Champion CNA Staff, Dec 14, 2025 / 06:00 am (CNA). Advent is a season filled with rich Catholic traditions, but a slightly lesser-known one is growing in popularity among younger Catholics. The ancient liturgy of the Rorate Caeli Advent Mass honors the Blessed Virgin Mary through a Mass celebrated at dawn, in complete darkness, and lit only by candles, which symbolizes Christ, the Light of the World, entering into the world with Mary as the vessel. Emerging in the Middle Ages, the Rorate Caeli Mass gets its name from the prophecy of Isaiah. Rorate Caeli is Latin for “drop down, ye heavens.” These are the opening words of this liturgy’s Introit, which is used as an opening psalm or entrance antiphon and comes from Isaiah 45:8.Father Tony Stephens, rector at the National Shrine of Our Lady of Champion in Champion, Wisconsin, calls this Mass “a teachable moment.”“As all of us are gathered in the church, only lit with the candles, slowly the light begins coming in through the windows and it’s like the light of Christ,” he told CNA. The process symbolizes “the light of Christ coming into our lives, slowly but surely and progressively as we go through life.”“And just like that light begins to come in through the windows, as the physical sun rises, so in our journey as Catholics, the closer we get to Christ, the more his light shines in our life,” he said. Fr. Nathaneal Mudd, CPM, celebrates the Rorate Caeli Advent Mass at the National Shrine of Our Lady of Champion in 2024. Credit: The National Shrine of Our Lady of ChampionStephens has been rector of the National Shrine of Our Lady of Champion for two years but was scheduled to celebrate the Rorate Caeli Mass there for the first time on Dec. 13. The shrine is the first and only approved Marian apparition site in the United States. It was here that the Blessed Mother is believed to have appeared to Adele Brise in 1859. When speaking about the Blessed Mother’s role in Advent, Stephens described it as “a season of anticipating Our Lord, but when you look at the subtext of Advent, things about Mary are everywhere — in the readings and her role in salvation history is so important. And so that’s, again, part of the reason you have these special Marian Masses honoring her during this Advent season.”He also highlighted the fact that this ancient Mass is seeing a resurgence in popularity and credited Pope Benedict XVI, in part, for reintroducing Catholics to older, traditional practices and his “desire of the hermeneutic of continuity.” “He in his pontificate really emphasized a desire to have that continuity between the earlier traditions of the Church, even prior to the [Vatican II] council … looking at all of the rich liturgical heritage that we have as Catholics,” he added. The priest pointed out that young people are also searching for more traditional practices.“There is a great love, especially amongst young people, for things that are traditional,” he said, adding that the Mass also “appeals to the senses in a way that technology and phones don’t.” “The real light of a candle is way different than the electronic light put off by a cellphone screen,” he said. “A burning, living candle, the way it flickers, and you can’t recharge a candle — it gives everything it has like Jesus did on the cross. A candle burns with all its might to put off that light. And so there is a selflessness about that light of that candle that’s different than technology, and young people desire that kind of self-gift and authenticity.”Stephens said he hopes those who attend a Rorate Caeli Mass will leave with “an eager anticipation of Jesus coming at Christmastime.”“A Rorate Caeli Mass is one of those times that we can have a little consolation and we’re reminded of the author of all consolation and his mother,” he said.

unitedyam

The Rorate Caeli Advent Mass celebrated at The National Shrine of Our Lady of Champion. / Credit: The National Shrine of Our Lady of Champion

CNA Staff, Dec 14, 2025 / 06:00 am (CNA).

Advent is a season filled with rich Catholic traditions, but a slightly lesser-known one is growing in popularity among younger Catholics.

The ancient liturgy of the Rorate Caeli Advent Mass honors the Blessed Virgin Mary through a Mass celebrated at dawn, in complete darkness, and lit only by candles, which symbolizes Christ, the Light of the World, entering into the world with Mary as the vessel. 

Emerging in the Middle Ages, the Rorate Caeli Mass gets its name from the prophecy of Isaiah. Rorate Caeli is Latin for “drop down, ye heavens.” These are the opening words of this liturgy’s Introit, which is used as an opening psalm or entrance antiphon and comes from Isaiah 45:8.

Father Tony Stephens, rector at the National Shrine of Our Lady of Champion in Champion, Wisconsin, calls this Mass “a teachable moment.”

“As all of us are gathered in the church, only lit with the candles, slowly the light begins coming in through the windows and it’s like the light of Christ,” he told CNA. The process symbolizes “the light of Christ coming into our lives, slowly but surely and progressively as we go through life.”

“And just like that light begins to come in through the windows, as the physical sun rises, so in our journey as Catholics, the closer we get to Christ, the more his light shines in our life,” he said.

Fr. Nathaneal Mudd, CPM, celebrates the Rorate Caeli Advent Mass at the National Shrine of Our Lady of Champion in 2024. Credit: The National Shrine of Our Lady of Champion
Fr. Nathaneal Mudd, CPM, celebrates the Rorate Caeli Advent Mass at the National Shrine of Our Lady of Champion in 2024. Credit: The National Shrine of Our Lady of Champion

Stephens has been rector of the National Shrine of Our Lady of Champion for two years but was scheduled to celebrate the Rorate Caeli Mass there for the first time on Dec. 13. The shrine is the first and only approved Marian apparition site in the United States. It was here that the Blessed Mother is believed to have appeared to Adele Brise in 1859. 

When speaking about the Blessed Mother’s role in Advent, Stephens described it as “a season of anticipating Our Lord, but when you look at the subtext of Advent, things about Mary are everywhere — in the readings and her role in salvation history is so important. And so that’s, again, part of the reason you have these special Marian Masses honoring her during this Advent season.”

He also highlighted the fact that this ancient Mass is seeing a resurgence in popularity and credited Pope Benedict XVI, in part, for reintroducing Catholics to older, traditional practices and his “desire of the hermeneutic of continuity.” 

“He in his pontificate really emphasized a desire to have that continuity between the earlier traditions of the Church, even prior to the [Vatican II] council … looking at all of the rich liturgical heritage that we have as Catholics,” he added. 

The priest pointed out that young people are also searching for more traditional practices.

“There is a great love, especially amongst young people, for things that are traditional,” he said, adding that the Mass also “appeals to the senses in a way that technology and phones don’t.” 

“The real light of a candle is way different than the electronic light put off by a cellphone screen,” he said. “A burning, living candle, the way it flickers, and you can’t recharge a candle — it gives everything it has like Jesus did on the cross. A candle burns with all its might to put off that light. And so there is a selflessness about that light of that candle that’s different than technology, and young people desire that kind of self-gift and authenticity.”

Stephens said he hopes those who attend a Rorate Caeli Mass will leave with “an eager anticipation of Jesus coming at Christmastime.”

“A Rorate Caeli Mass is one of those times that we can have a little consolation and we’re reminded of the author of all consolation and his mother,” he said.

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New print journal for ‘intellectual Catholic women’ to be released in April #Catholic Promo photo for the The Better Part Journal of shadows of Madonna lilies for the Blessed Virgin Mary. / Credit: Photo courtesy of Heidi Bollich-Erne Washington, D.C. Newsroom, Dec 7, 2025 / 09:00 am (CNA). While teaching an ethics and culture course, Heidi Bollich-Erne was looking for a journal featuring the work of Catholic women for her students to read. After being told that it simply didn’t exist, she decided to create one herself.With the help of a team of women, Bollich-Erne has founded what she calls the “first intellectual Catholic women’s journal.” Its purpose is to not only define the feminine genius but also to show how faithful women can embody its beauty in their daily lives. “I want women to find a home, a place that values their work. The journal itself is edited, written, and published solely by Catholic women,” Bollich-Erne told CNA. “The way that women write, the way that we express ourselves is very different. That’s just who we are. That’s part of the genius of women.”The Better Part Journal is intended to give women of the Church “hope” by discussing issues that are relevant to them. The first edition of the journal will be released in April 2026. Before starting the journal, Bollich-Erne studied theology at the University of St. Thomas, where she “fell in love with philosophy.” She went to the Center for Thomistic Studies for her master’s degree in Thomistic philosophy but took a break from her doctorate and started teaching. She is now based in Texas where she has taught high school, college preparation, college, and adults. While teaching, she tried to find content to help guide discussion on gender complementarity but couldn’t find much written by Catholic women.“I thought, ‘I want to read more intellectual women,’ but it was a struggle… So I found a friend who works at a university and I said: ‘Can you recommend … an intellectual Catholic women’s magazine? She got back to me a few days later and said, ‘It doesn’t exist.’”Bollich-Erne started The Better Part Journal by first launching a company called JBG Publishings as “a home” for the journal. She wanted to ensure the publication would not be independently published but be part of a company that would help it to grow.Bollich-Erne named the company with the initials of her father, who passed away a few years prior. His passing “was a realization that ‘life is too short,’”  Bollich-Erne said. “I need to love what I do; I need to really work to find meaning.’”Heidi Bollich-Erne is the founding editor and editor-in-chief of The Better Part Journal, the first intellectual Catholic women’s journal. She holds an undergraduate degree in theology from the University of St. Thomas and a master’s in Thomistic Philosophy from the Center for Thomistic Studies. Credit: Photo courtesy of Heidi Bollich-ErneThe Better Part Journal’s mission“The purpose of the journal is to bring together the voices of intellectual Catholic women who are faithful to the magisterium,” Bollich-Erne said. “I want voices of all backgrounds. I want women of all areas of discipline. I want academics. I want nonacademics. I want all women contributing to this conversation.”“We all throw around the ‘feminine genius,’ but when you ask someone to stop and give an actual definition, most people can’t,” Bollich-Erne said. Most people define it with a quote by St. John Paul II who coined the term in his apostolic letter Mulieris Dignitatem to describe the unique gifts and qualities women possess, but, she said, “that’s a quote, not a definition.” “There’s a lot of work that needs to be done in this area, and I know there’s room for it to be done on a theological, philosophical level. So the idea was that we would … define the feminine genius and then show it. Live it. It’s not a theology journal and it’s not a philosophy journal. It’s truly interdisciplinary.”The first issue of the journal is called “Uncharted” and will tackle a number of topics.“As soon as women realized that I was serious about truly hearing their voices and not editing them out or telling them what they can and can’t write about, they gave us some really amazing work. I’ve just been blown away. I’m only so creative, but I have a great team.”The journal will feature articles covering neuroscience and theology and apply it to Mary and the Incarnation. It will have columns by doctors and scientists to look at “faith in the formula” and “applying science to religion.”There will be discussion of issues women face including body image, infertility, and violence. Articles will explore “the psychology of fairy tales and what that does to young girls growing up, whether that be positive or negative,” Bollich-Erne said. It will look into “what we are exposed to …from the media and what it does to us.”“The beauty behind the journal has been the women that have come forth to lend their voices,” Bollich-Erne said. “It’s been really amazing to see how excited they are about freedom of voice. It’s been something I wasn’t expecting.”A print journal in a digital eraDespite a shift in media from print to online formats, The Better Part Journal will only be released in print copies because, Bollich-Erne said, “I want it to be lasting.”“I am a tactile person. I like to hold a book. I wanted it to be something that is kept. So obviously that’s print,” Bollich-Erne said. “But then if you want to keep it has to be high quality.”The journal will use original photographs and crafted artwork to accompany the written works. “It is stunning. It looks like a book,” Bollich-Erne said. “The idea is that you read it, you keep it, and you put it on your bookshelf and you never get rid of it because the topics are lasting.”For an article to be included, it has to be “something that I think women will find valuable, whether you’re an academic or a high school student,” Bollich-Erne said. “It has to be something that all women find valuable, or we cannot print it.”“Many women have said they’re excited to hold their work and see it in print as opposed to scrolling past the work. There’s nothing wrong with online formats; it gives voices to a lot of people, but this is just different.”“I had an author tell me, ‘I don’t write anymore for anyone,’ because, she said, ‘I am so tired of my work just disappearing. It’s online for a week. I spent all this work, all this time, and it was something substantial that I really cared about, and it’s just gone.’” “She signed up with us for a column specifically because we are in print. The idea is that this work is kept forever.”The print journals will be published twice a year only, because “I want it to be something that takes a while to digest,” Bollich-Erne said. “Beautiful things take time.”Looking to the futureJGB Publishings has “goals to expand substantially over the next five to 10 years,” Bollich-Erne said. The company will “take care of” the journal to ensure its message can “grow and expand.”“To be able, as women in the Church, to truly have a serious conversation about all of these things … we are going to forge our future,” Bollich-Erne said. “We’re going to step forward in hope and show the world this is what an intelligent Catholic woman looks like.”“We’re not stifled. We’re not sad. We’re not miserable people. We are happy. We are excited about life, and we are treated with respect. We are loved and we love who we are,” Bollich-Erne said. “I want people, especially women, of all ages to see that and to understand that.”
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New print journal for ‘intellectual Catholic women’ to be released in April #Catholic Promo photo for the The Better Part Journal of shadows of Madonna lilies for the Blessed Virgin Mary. / Credit: Photo courtesy of Heidi Bollich-Erne Washington, D.C. Newsroom, Dec 7, 2025 / 09:00 am (CNA). While teaching an ethics and culture course, Heidi Bollich-Erne was looking for a journal featuring the work of Catholic women for her students to read. After being told that it simply didn’t exist, she decided to create one herself.With the help of a team of women, Bollich-Erne has founded what she calls the “first intellectual Catholic women’s journal.” Its purpose is to not only define the feminine genius but also to show how faithful women can embody its beauty in their daily lives. “I want women to find a home, a place that values their work. The journal itself is edited, written, and published solely by Catholic women,” Bollich-Erne told CNA. “The way that women write, the way that we express ourselves is very different. That’s just who we are. That’s part of the genius of women.”The Better Part Journal is intended to give women of the Church “hope” by discussing issues that are relevant to them. The first edition of the journal will be released in April 2026. Before starting the journal, Bollich-Erne studied theology at the University of St. Thomas, where she “fell in love with philosophy.” She went to the Center for Thomistic Studies for her master’s degree in Thomistic philosophy but took a break from her doctorate and started teaching. She is now based in Texas where she has taught high school, college preparation, college, and adults. While teaching, she tried to find content to help guide discussion on gender complementarity but couldn’t find much written by Catholic women.“I thought, ‘I want to read more intellectual women,’ but it was a struggle… So I found a friend who works at a university and I said: ‘Can you recommend … an intellectual Catholic women’s magazine? She got back to me a few days later and said, ‘It doesn’t exist.’”Bollich-Erne started The Better Part Journal by first launching a company called JBG Publishings as “a home” for the journal. She wanted to ensure the publication would not be independently published but be part of a company that would help it to grow.Bollich-Erne named the company with the initials of her father, who passed away a few years prior. His passing “was a realization that ‘life is too short,’”  Bollich-Erne said. “I need to love what I do; I need to really work to find meaning.’”Heidi Bollich-Erne is the founding editor and editor-in-chief of The Better Part Journal, the first intellectual Catholic women’s journal. She holds an undergraduate degree in theology from the University of St. Thomas and a master’s in Thomistic Philosophy from the Center for Thomistic Studies. Credit: Photo courtesy of Heidi Bollich-ErneThe Better Part Journal’s mission“The purpose of the journal is to bring together the voices of intellectual Catholic women who are faithful to the magisterium,” Bollich-Erne said. “I want voices of all backgrounds. I want women of all areas of discipline. I want academics. I want nonacademics. I want all women contributing to this conversation.”“We all throw around the ‘feminine genius,’ but when you ask someone to stop and give an actual definition, most people can’t,” Bollich-Erne said. Most people define it with a quote by St. John Paul II who coined the term in his apostolic letter Mulieris Dignitatem to describe the unique gifts and qualities women possess, but, she said, “that’s a quote, not a definition.” “There’s a lot of work that needs to be done in this area, and I know there’s room for it to be done on a theological, philosophical level. So the idea was that we would … define the feminine genius and then show it. Live it. It’s not a theology journal and it’s not a philosophy journal. It’s truly interdisciplinary.”The first issue of the journal is called “Uncharted” and will tackle a number of topics.“As soon as women realized that I was serious about truly hearing their voices and not editing them out or telling them what they can and can’t write about, they gave us some really amazing work. I’ve just been blown away. I’m only so creative, but I have a great team.”The journal will feature articles covering neuroscience and theology and apply it to Mary and the Incarnation. It will have columns by doctors and scientists to look at “faith in the formula” and “applying science to religion.”There will be discussion of issues women face including body image, infertility, and violence. Articles will explore “the psychology of fairy tales and what that does to young girls growing up, whether that be positive or negative,” Bollich-Erne said. It will look into “what we are exposed to …from the media and what it does to us.”“The beauty behind the journal has been the women that have come forth to lend their voices,” Bollich-Erne said. “It’s been really amazing to see how excited they are about freedom of voice. It’s been something I wasn’t expecting.”A print journal in a digital eraDespite a shift in media from print to online formats, The Better Part Journal will only be released in print copies because, Bollich-Erne said, “I want it to be lasting.”“I am a tactile person. I like to hold a book. I wanted it to be something that is kept. So obviously that’s print,” Bollich-Erne said. “But then if you want to keep it has to be high quality.”The journal will use original photographs and crafted artwork to accompany the written works. “It is stunning. It looks like a book,” Bollich-Erne said. “The idea is that you read it, you keep it, and you put it on your bookshelf and you never get rid of it because the topics are lasting.”For an article to be included, it has to be “something that I think women will find valuable, whether you’re an academic or a high school student,” Bollich-Erne said. “It has to be something that all women find valuable, or we cannot print it.”“Many women have said they’re excited to hold their work and see it in print as opposed to scrolling past the work. There’s nothing wrong with online formats; it gives voices to a lot of people, but this is just different.”“I had an author tell me, ‘I don’t write anymore for anyone,’ because, she said, ‘I am so tired of my work just disappearing. It’s online for a week. I spent all this work, all this time, and it was something substantial that I really cared about, and it’s just gone.’” “She signed up with us for a column specifically because we are in print. The idea is that this work is kept forever.”The print journals will be published twice a year only, because “I want it to be something that takes a while to digest,” Bollich-Erne said. “Beautiful things take time.”Looking to the futureJGB Publishings has “goals to expand substantially over the next five to 10 years,” Bollich-Erne said. The company will “take care of” the journal to ensure its message can “grow and expand.”“To be able, as women in the Church, to truly have a serious conversation about all of these things … we are going to forge our future,” Bollich-Erne said. “We’re going to step forward in hope and show the world this is what an intelligent Catholic woman looks like.”“We’re not stifled. We’re not sad. We’re not miserable people. We are happy. We are excited about life, and we are treated with respect. We are loved and we love who we are,” Bollich-Erne said. “I want people, especially women, of all ages to see that and to understand that.”

unitedyam

Promo photo for the The Better Part Journal of shadows of Madonna lilies for the Blessed Virgin Mary. / Credit: Photo courtesy of Heidi Bollich-Erne

Washington, D.C. Newsroom, Dec 7, 2025 / 09:00 am (CNA).

While teaching an ethics and culture course, Heidi Bollich-Erne was looking for a journal featuring the work of Catholic women for her students to read. After being told that it simply didn’t exist, she decided to create one herself.

With the help of a team of women, Bollich-Erne has founded what she calls the “first intellectual Catholic women’s journal.” Its purpose is to not only define the feminine genius but also to show how faithful women can embody its beauty in their daily lives. 

“I want women to find a home, a place that values their work. The journal itself is edited, written, and published solely by Catholic women,” Bollich-Erne told CNA. “The way that women write, the way that we express ourselves is very different. That’s just who we are. That’s part of the genius of women.”

The Better Part Journal is intended to give women of the Church “hope” by discussing issues that are relevant to them. The first edition of the journal will be released in April 2026. 

Before starting the journal, Bollich-Erne studied theology at the University of St. Thomas, where she “fell in love with philosophy.” She went to the Center for Thomistic Studies for her master’s degree in Thomistic philosophy but took a break from her doctorate and started teaching. 

She is now based in Texas where she has taught high school, college preparation, college, and adults. While teaching, she tried to find content to help guide discussion on gender complementarity but couldn’t find much written by Catholic women.

“I thought, ‘I want to read more intellectual women,’ but it was a struggle… So I found a friend who works at a university and I said: ‘Can you recommend … an intellectual Catholic women’s magazine? She got back to me a few days later and said, ‘It doesn’t exist.’”

Bollich-Erne started The Better Part Journal by first launching a company called JBG Publishings as “a home” for the journal. She wanted to ensure the publication would not be independently published but be part of a company that would help it to grow.

Bollich-Erne named the company with the initials of her father, who passed away a few years prior. His passing “was a realization that ‘life is too short,’”  Bollich-Erne said. “I need to love what I do; I need to really work to find meaning.’”

Heidi Bollich-Erne is the founding editor and editor-in-chief of The Better Part Journal, the first intellectual Catholic women’s journal. She holds an undergraduate degree in theology from the University of St. Thomas and a master's in Thomistic Philosophy from the Center for Thomistic Studies. Credit: Photo courtesy of Heidi Bollich-Erne
Heidi Bollich-Erne is the founding editor and editor-in-chief of The Better Part Journal, the first intellectual Catholic women’s journal. She holds an undergraduate degree in theology from the University of St. Thomas and a master’s in Thomistic Philosophy from the Center for Thomistic Studies. Credit: Photo courtesy of Heidi Bollich-Erne

The Better Part Journal’s mission

“The purpose of the journal is to bring together the voices of intellectual Catholic women who are faithful to the magisterium,” Bollich-Erne said. “I want voices of all backgrounds. I want women of all areas of discipline. I want academics. I want nonacademics. I want all women contributing to this conversation.”

“We all throw around the ‘feminine genius,’ but when you ask someone to stop and give an actual definition, most people can’t,” Bollich-Erne said. Most people define it with a quote by St. John Paul II who coined the term in his apostolic letter Mulieris Dignitatem to describe the unique gifts and qualities women possess, but, she said, “that’s a quote, not a definition.” 

“There’s a lot of work that needs to be done in this area, and I know there’s room for it to be done on a theological, philosophical level. So the idea was that we would … define the feminine genius and then show it. Live it. It’s not a theology journal and it’s not a philosophy journal. It’s truly interdisciplinary.”

The first issue of the journal is called “Uncharted” and will tackle a number of topics.

“As soon as women realized that I was serious about truly hearing their voices and not editing them out or telling them what they can and can’t write about, they gave us some really amazing work. I’ve just been blown away. I’m only so creative, but I have a great team.”

The journal will feature articles covering neuroscience and theology and apply it to Mary and the Incarnation. It will have columns by doctors and scientists to look at “faith in the formula” and “applying science to religion.”

There will be discussion of issues women face including body image, infertility, and violence. Articles will explore “the psychology of fairy tales and what that does to young girls growing up, whether that be positive or negative,” Bollich-Erne said. It will look into “what we are exposed to …from the media and what it does to us.”

“The beauty behind the journal has been the women that have come forth to lend their voices,” Bollich-Erne said. “It’s been really amazing to see how excited they are about freedom of voice. It’s been something I wasn’t expecting.”

A print journal in a digital era

Despite a shift in media from print to online formats, The Better Part Journal will only be released in print copies because, Bollich-Erne said, “I want it to be lasting.”

“I am a tactile person. I like to hold a book. I wanted it to be something that is kept. So obviously that’s print,” Bollich-Erne said. “But then if you want to keep it has to be high quality.”

The journal will use original photographs and crafted artwork to accompany the written works. 

“It is stunning. It looks like a book,” Bollich-Erne said. “The idea is that you read it, you keep it, and you put it on your bookshelf and you never get rid of it because the topics are lasting.”

For an article to be included, it has to be “something that I think women will find valuable, whether you’re an academic or a high school student,” Bollich-Erne said. “It has to be something that all women find valuable, or we cannot print it.”

“Many women have said they’re excited to hold their work and see it in print as opposed to scrolling past the work. There’s nothing wrong with online formats; it gives voices to a lot of people, but this is just different.”

“I had an author tell me, ‘I don’t write anymore for anyone,’ because, she said, ‘I am so tired of my work just disappearing. It’s online for a week. I spent all this work, all this time, and it was something substantial that I really cared about, and it’s just gone.’” 

“She signed up with us for a column specifically because we are in print. The idea is that this work is kept forever.”

The print journals will be published twice a year only, because “I want it to be something that takes a while to digest,” Bollich-Erne said. “Beautiful things take time.”

Looking to the future

JGB Publishings has “goals to expand substantially over the next five to 10 years,” Bollich-Erne said. The company will “take care of” the journal to ensure its message can “grow and expand.”

“To be able, as women in the Church, to truly have a serious conversation about all of these things … we are going to forge our future,” Bollich-Erne said. “We’re going to step forward in hope and show the world this is what an intelligent Catholic woman looks like.”

“We’re not stifled. We’re not sad. We’re not miserable people. We are happy. We are excited about life, and we are treated with respect. We are loved and we love who we are,” Bollich-Erne said. “I want people, especially women, of all ages to see that and to understand that.”

Read More
PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit #Catholic Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library New York City, New York, Nov 30, 2025 / 08:00 am (CNA). Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England. Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan LibraryDavid appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New YorkProphets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York LibraryThe central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public LibraryLate 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public LibraryIn the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public LibraryScenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York LibraryIn his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York LibraryThis high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York LibraryMore’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York LibraryThe branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.
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PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit #Catholic Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library New York City, New York, Nov 30, 2025 / 08:00 am (CNA). Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England. Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan LibraryDavid appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New YorkProphets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York LibraryThe central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public LibraryLate 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public LibraryIn the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public LibraryScenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York LibraryIn his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York LibraryThis high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York LibraryMore’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York LibraryThe branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

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Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library

New York City, New York, Nov 30, 2025 / 08:00 am (CNA).

Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England.

Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan Library
Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan Library

David appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” 

These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.

King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New York
King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New York
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York Library
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York Library

The central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. 

Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public Library
Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public Library
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public Library
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public Library

In the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”

Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public Library
Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public Library
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York Library
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York Library

In his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.

St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York Library
St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York Library

This high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”

The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s "Sir Thomas More," positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York Library
The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York Library

More’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. 

A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York Library
A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York Library

The branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.

David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.

Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

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