Author

‘God wants to cover us in robes of grace,’ Catholic fashion writer says #Catholic According to Catholic author Mary Harper, the way we dress can be a way to express faith, human dignity, and personal identity.Harper, author of “The Liturgical Style Guide,” in which she explores how faith should influence how we dress, noted that the Bible shows the symbolic importance of clothing: “It’s actually pretty amazing how, throughout both the Old Testament and the New … clothing is mentioned over 100 times... The majority of times, it’s meant to be a sign of God’s mercy and providence.”This symbolism appears from the very beginning of the Bible, she said in a recent interview posted by the Archdiocese of Miami. Mary Harper, author of “The Liturgical Style Guide,” explores how faith can influence even everyday dress. | Credit: Archdiocese of Miami After original sin, Adam and Eve tried to cover themselves by sewing together fig leaves, which Harper called “flimsy.”“What does God do? He literally slaughters an animal, the first sacrifice in Scripture. He covers them in leather garments because he wants them to have something that’s worthy, something that’s good, something that’s actually going to protect them and be lasting,” she explained.According to Harper, this biblical image helps us understand human dignity. “God wants to cover us in robes of grace,” she said, also recalling the parable of the prodigal son, when the father “puts a robe on him and a ring on him, as a reminder of his goodness and his dignity and his identity.”That’s why even something as ordinary as getting dressed every day can have a spiritual dimension. “Even through something that we do every day — getting dressed for the day — the Lord is speaking his providence over you. He desires to lavish you in grace. Even getting dressed in the morning is a way to remember putting on Christ, putting on your baptismal garment again, remembering who you are and who you’re called to be in Christ,” she pointed out.Harper grew up Catholic in New Orleans. She earned her master’s and bachelor’s degrees in theology from Ave Maria University and is the founder of LiturgicalStyle.com, a project dedicated to reflecting on the theological significance of clothing based on the Bible, the stories of the saints, and the liturgical calendar.She also writes for litanynyc.com a Catholic made-to-measure clothing company that seeks to apply the Church’s social teaching in its production process.Clothing as a form of Christian witness“Whether I intend it or not, my clothing is going to communicate something. You wear a school uniform, it tells you what school you go to; priests put on vestments that tell you about the liturgical season. Well, there’s great power in that,” she said.From that perspective, she added, clothing can become a form of Christian witness. “I have the capacity to communicate the Gospel through my very garments, through intentionality, creativity, and beauty.”The author also cautioned that the Christian view of modesty avoids two extremes: absolute individualism and fear of the body.“One extreme is, I can wear whatever I want, I don’t care what anyone else thinks about it. At the same time, we don’t want to get to the point of, ‘I don’t know how to dress myself well, and I’m so scared of doing the wrong thing … [and] nothing can show because my body is bad,’” she explained.“The Church has never said that,” Harper added, noting that Christian teaching on the goodness of the human body is developed in depth in St. John Paul II’s theology of the body.More than strict rules, she argued, the key lies in discerning: “What is it that I want to communicate through what I’m wearing?” Harper also explained that modesty involves considering the context and the activity.“It is my responsibility to wear something that makes sense for the activity at hand, for the environment that I’m in, and that allows me to be fully present. That’s a service to everyone around me and to myself,” she stated, citing as an example the impracticality of wearing flip flops to hike in the Rocky Mountains.Drawing inspiration from the saintsHarper also proposed a creative idea for living out one’s faith in everyday life: finding inspiration in the saints when choosing what to wear.This does not mean, she clarified, that we imitate them literally. “I’m not telling you to go around wearing a Carmelite habit,” she joked.Rather, she suggested small symbolic gestures: “If you have Western boots, you can say you’re wearing them in honor of St. Teresa of the Andes,” who loved horseback riding. Or “when you wear jeans, you can think of her, because she just loved to be this great adventurer and going into the mountains” and “I’m going to ask her to pray for me."Creativity and freedom in the Christian lifeFor Harper, the relationship between faith and clothing should not become a source of scrupulosity or pressure.“Sometimes we can get so caught up saying, ‘If I’m a ‘real Catholic,’ then I’m going to dress in this particular way.’ I think it’s really easy to get kind of scrupulous when it comes to clothing,” she reflected.Instead, she recommended bringing the matter to prayer and discernment with trusted individuals. “If you have any concern about, ‘Am I dressing in a way that is good?’, talk to someone who knows your heart,” she advised.Finally, Harper encouraged living out Christian creativity in these everyday details as well: “The Holy Spirit is creative."“When you get dressed for the day, if you just say, ‘Come, Holy Spirit,’ he’s going to show up. It’s going to be awesome and joyful, and it’ll be more fun.”This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
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‘God wants to cover us in robes of grace,’ Catholic fashion writer says #Catholic According to Catholic author Mary Harper, the way we dress can be a way to express faith, human dignity, and personal identity.Harper, author of “The Liturgical Style Guide,” in which she explores how faith should influence how we dress, noted that the Bible shows the symbolic importance of clothing: “It’s actually pretty amazing how, throughout both the Old Testament and the New … clothing is mentioned over 100 times… The majority of times, it’s meant to be a sign of God’s mercy and providence.”This symbolism appears from the very beginning of the Bible, she said in a recent interview posted by the Archdiocese of Miami. Mary Harper, author of “The Liturgical Style Guide,” explores how faith can influence even everyday dress. | Credit: Archdiocese of Miami After original sin, Adam and Eve tried to cover themselves by sewing together fig leaves, which Harper called “flimsy.”“What does God do? He literally slaughters an animal, the first sacrifice in Scripture. He covers them in leather garments because he wants them to have something that’s worthy, something that’s good, something that’s actually going to protect them and be lasting,” she explained.According to Harper, this biblical image helps us understand human dignity. “God wants to cover us in robes of grace,” she said, also recalling the parable of the prodigal son, when the father “puts a robe on him and a ring on him, as a reminder of his goodness and his dignity and his identity.”That’s why even something as ordinary as getting dressed every day can have a spiritual dimension. “Even through something that we do every day — getting dressed for the day — the Lord is speaking his providence over you. He desires to lavish you in grace. Even getting dressed in the morning is a way to remember putting on Christ, putting on your baptismal garment again, remembering who you are and who you’re called to be in Christ,” she pointed out.Harper grew up Catholic in New Orleans. She earned her master’s and bachelor’s degrees in theology from Ave Maria University and is the founder of LiturgicalStyle.com, a project dedicated to reflecting on the theological significance of clothing based on the Bible, the stories of the saints, and the liturgical calendar.She also writes for litanynyc.com a Catholic made-to-measure clothing company that seeks to apply the Church’s social teaching in its production process.Clothing as a form of Christian witness“Whether I intend it or not, my clothing is going to communicate something. You wear a school uniform, it tells you what school you go to; priests put on vestments that tell you about the liturgical season. Well, there’s great power in that,” she said.From that perspective, she added, clothing can become a form of Christian witness. “I have the capacity to communicate the Gospel through my very garments, through intentionality, creativity, and beauty.”The author also cautioned that the Christian view of modesty avoids two extremes: absolute individualism and fear of the body.“One extreme is, I can wear whatever I want, I don’t care what anyone else thinks about it. At the same time, we don’t want to get to the point of, ‘I don’t know how to dress myself well, and I’m so scared of doing the wrong thing … [and] nothing can show because my body is bad,’” she explained.“The Church has never said that,” Harper added, noting that Christian teaching on the goodness of the human body is developed in depth in St. John Paul II’s theology of the body.More than strict rules, she argued, the key lies in discerning: “What is it that I want to communicate through what I’m wearing?” Harper also explained that modesty involves considering the context and the activity.“It is my responsibility to wear something that makes sense for the activity at hand, for the environment that I’m in, and that allows me to be fully present. That’s a service to everyone around me and to myself,” she stated, citing as an example the impracticality of wearing flip flops to hike in the Rocky Mountains.Drawing inspiration from the saintsHarper also proposed a creative idea for living out one’s faith in everyday life: finding inspiration in the saints when choosing what to wear.This does not mean, she clarified, that we imitate them literally. “I’m not telling you to go around wearing a Carmelite habit,” she joked.Rather, she suggested small symbolic gestures: “If you have Western boots, you can say you’re wearing them in honor of St. Teresa of the Andes,” who loved horseback riding. Or “when you wear jeans, you can think of her, because she just loved to be this great adventurer and going into the mountains” and “I’m going to ask her to pray for me."Creativity and freedom in the Christian lifeFor Harper, the relationship between faith and clothing should not become a source of scrupulosity or pressure.“Sometimes we can get so caught up saying, ‘If I’m a ‘real Catholic,’ then I’m going to dress in this particular way.’ I think it’s really easy to get kind of scrupulous when it comes to clothing,” she reflected.Instead, she recommended bringing the matter to prayer and discernment with trusted individuals. “If you have any concern about, ‘Am I dressing in a way that is good?’, talk to someone who knows your heart,” she advised.Finally, Harper encouraged living out Christian creativity in these everyday details as well: “The Holy Spirit is creative."“When you get dressed for the day, if you just say, ‘Come, Holy Spirit,’ he’s going to show up. It’s going to be awesome and joyful, and it’ll be more fun.”This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

unitedyam

Mary Harper explains the positive dimension of choosing what to wear and what it can express, urging Catholics to invite the Holy Spirit into their fashion choices.

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Servant of God Sister Thea Bowman’s voice needed ‘more than ever’ #Catholic African American Servant of God Sister Thea Bowman’s ability to bridge divides shines as a witness needed today, according to those who knew her, and her cause for canonization may create a pathway for other African Americans on their ways to sainthood.More than three decades after her death, Bowman should be remembered for “her charism, gifts, prophetic voice, charismatic personality, and real strong commitment to the Church — truly being Catholic,” Bishop Joseph Kopacz of the Diocese of Jackson, Mississippi, told EWTN News.Bowman, the granddaughter of a slave, challenged the Church in the 20th century to confront its history of racial exclusion and to embrace Black Catholics through her work as a scholar, teacher, and speaker.The Diocese of Jackson officially closed its proceedings regarding her potential sainthood on Feb. 9 after Kopacz opened her cause in November 2018. The records are now being sent to the Dicastery for the Causes of Saints at the Vatican.“People around the world will be very excited and will celebrate what we hope will be the occasion of her canonization. And that’s because people, Catholic and non-Catholics alike, are drawn to her story,” Veryl Miles, law professor and leader of the Sister Thea Bowman Committee at The Catholic University of America, told EWTN News.Sister Thea’s life and legacyBowman was born Dec. 29, 1937, in Yazoo City, Mississippi, and was given the name Bertha Elizabeth Bowman. While her family was Methodist, Bowman was called to the Catholic faith at a young age.“At 9 years old, she told her parents she wanted to be Catholic. The sisters who were teaching at the school, the parish where she was, had such an impact on her. Then six years later, she joined their religious community,” Kopacz said.She joined the Franciscan Sisters of Perpetual Adoration at age 15 and enrolled in Viterbo University, which was run by the Franciscan sisters. Three years into formation, she took the religious name Thea, which means “of God” and is a version of her father’s name, Theon.“She was so focused on serving the Lord as a religious, and in this community, because they loved her as a young child,” Kopaz said. Bowman knew: “This is who I know. This is who I love. This is where I want to be.”She was the first and only African American woman in her religious community, often facing racism both within and beyond the Church, leading her to become an advocate for the dignity of Black people, their culture, and Black Catholic spirituality.Bowman went on to study at The Catholic University of America, earning a doctorate in English in 1972. Bowman helped found the National Black Sisters’ Conference and taught the university’s first Black literature course.Bowman, who taught for many years, was “a master teacher,” Franciscan Sister of Perpetual Adoration Charlene Smith, a close friend of Bowman’s and co-author of her biography “Thea’s Song,” told EWTN News.Smith and Bowman met in 1954 in La Crosse, Wisconsin, at St. Rose Convent. “She was just like me. We both wanted to be Franciscans, we both wanted to teach, and we both wanted to major in English in college, and we did all three of those things,” Smith said.After having moved away for graduate school, Bowman returned to La Crosse to teach in the English Department at Viterbo University. Smith also returned to serve as the school’s dean of students.“When I got back to La Crosse, they told me that I should beware of Sister Thea Bowman because she was ‘the most powerful woman on campus.’ They didn’t know that we were really good friends,” Smith said.“Being the dean, I was able to go to any classroom. I would go to Thea’s classrooms, and she would always come bounding in with a song, and she would get everybody into a really good mood,” Smith said.Bowman would also teach at parishes about Black liturgy and music. Eventually she starting to speak at a national level, becoming the first African American woman to address the U.S. bishops’ conference.She often used music to help evangelize and bridge interracial divides, and became a major contributor to the development of “Lead Me, Guide Me,” the Black Catholic hymnal published in 1987.Smith reflected on Bowman’s “marvelous” and “magnetic” personality. “We were invited to a dinner at a hotel, and she was going to give a speech. We got there early, so we went to sit down in the lobby … a pianist from Argentina was playing songs from ‘Porgy and Bess,’ and Thea got up and started singing ‘Summertime.’”“She got a standing ovation and an encore,” Smith said. “I think one of the greatest gifts, graces, in my life was my friendship with her. She was very kind to me, and she was very kind to all the people that she met.”At age 54, on March 30, 1990, Bowman died of breast cancer. She was buried at Elmwood Cemetery in Memphis, Tennessee, alongside her parents.Impact of Bowman’s causeBowman’s journey toward sainthood could have an especially effective impact today with the present division in the nation, as she would preach how we are “all human beings, and we should love everybody,” Smith said.“She was not interested in the melting pot at all,” Smith said. “She was more interested in a salad bowl because she said: ‘In a salad, people keep their identity, whereas in a melting pot, they’re all mushed together.’”Bowman “welcomed all in the universal body of Christ” Kopacz said. “She said the Church needs to truly be actively universal, and embrace different cultures and all the gifts that people bring.”“So today, more than ever, that voice is needed in our society as we can get more divisive,” Kopacz said. “I just think it’s perfect for our time and our Church.”“Her message is so universal,” Miles said. Especially “understanding the relationship between faith and identity among its members.”“She really understood and articulated so beautifully that we are people of faith and we are people of identities. The Church is a global church. There’s so many different people who are part of this Church  — people of different races, different ethnicities, and nationalities.”‘An impetus’ for other African Americans on their way to sainthoodCurrently, there are no canonized African American saints, but the Church honors Black saints from other nations, including St. Josephine Bakhita, St. Martin de Porres, St. Monica of Hippo, and St. Augustine of Hippo, among others.Bowman is among seven African American Catholics with active canonization causes — dubbed the “Saintly Seven.” The group also includes Venerable Pierre Toussaint, Venerable Mother Mary Lange, Venerable Mother Henriette Delille, Venerable Father Augustus Tolton, Servant of God Julia Greeley, and Servant of God Friar Martin de Porres Maria Ward.Even before her potential canonization, Bowman will “draw attention” to the group, Kopacz said. If she becomes venerable, which the bishop expects she will, he believes Bowman “will be an impetus” for the causes of other African Americans to move forward. “She’s going to be an important part, and she’ll move the other causes along,” he said.Since people “can relate” to Bowman’s story as it “is so contemporary and so special,” Miles said she also hopes the other stories of the seven Catholics “will become highlighted” by her cause.“People will be more interested in finding out about the other African Americans who are in the process of canonization, because their stories are very special and very unique, too,” Miles said.
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Servant of God Sister Thea Bowman’s voice needed ‘more than ever’ #Catholic African American Servant of God Sister Thea Bowman’s ability to bridge divides shines as a witness needed today, according to those who knew her, and her cause for canonization may create a pathway for other African Americans on their ways to sainthood.More than three decades after her death, Bowman should be remembered for “her charism, gifts, prophetic voice, charismatic personality, and real strong commitment to the Church — truly being Catholic,” Bishop Joseph Kopacz of the Diocese of Jackson, Mississippi, told EWTN News.Bowman, the granddaughter of a slave, challenged the Church in the 20th century to confront its history of racial exclusion and to embrace Black Catholics through her work as a scholar, teacher, and speaker.The Diocese of Jackson officially closed its proceedings regarding her potential sainthood on Feb. 9 after Kopacz opened her cause in November 2018. The records are now being sent to the Dicastery for the Causes of Saints at the Vatican.“People around the world will be very excited and will celebrate what we hope will be the occasion of her canonization. And that’s because people, Catholic and non-Catholics alike, are drawn to her story,” Veryl Miles, law professor and leader of the Sister Thea Bowman Committee at The Catholic University of America, told EWTN News.Sister Thea’s life and legacyBowman was born Dec. 29, 1937, in Yazoo City, Mississippi, and was given the name Bertha Elizabeth Bowman. While her family was Methodist, Bowman was called to the Catholic faith at a young age.“At 9 years old, she told her parents she wanted to be Catholic. The sisters who were teaching at the school, the parish where she was, had such an impact on her. Then six years later, she joined their religious community,” Kopacz said.She joined the Franciscan Sisters of Perpetual Adoration at age 15 and enrolled in Viterbo University, which was run by the Franciscan sisters. Three years into formation, she took the religious name Thea, which means “of God” and is a version of her father’s name, Theon.“She was so focused on serving the Lord as a religious, and in this community, because they loved her as a young child,” Kopaz said. Bowman knew: “This is who I know. This is who I love. This is where I want to be.”She was the first and only African American woman in her religious community, often facing racism both within and beyond the Church, leading her to become an advocate for the dignity of Black people, their culture, and Black Catholic spirituality.Bowman went on to study at The Catholic University of America, earning a doctorate in English in 1972. Bowman helped found the National Black Sisters’ Conference and taught the university’s first Black literature course.Bowman, who taught for many years, was “a master teacher,” Franciscan Sister of Perpetual Adoration Charlene Smith, a close friend of Bowman’s and co-author of her biography “Thea’s Song,” told EWTN News.Smith and Bowman met in 1954 in La Crosse, Wisconsin, at St. Rose Convent. “She was just like me. We both wanted to be Franciscans, we both wanted to teach, and we both wanted to major in English in college, and we did all three of those things,” Smith said.After having moved away for graduate school, Bowman returned to La Crosse to teach in the English Department at Viterbo University. Smith also returned to serve as the school’s dean of students.“When I got back to La Crosse, they told me that I should beware of Sister Thea Bowman because she was ‘the most powerful woman on campus.’ They didn’t know that we were really good friends,” Smith said.“Being the dean, I was able to go to any classroom. I would go to Thea’s classrooms, and she would always come bounding in with a song, and she would get everybody into a really good mood,” Smith said.Bowman would also teach at parishes about Black liturgy and music. Eventually she starting to speak at a national level, becoming the first African American woman to address the U.S. bishops’ conference.She often used music to help evangelize and bridge interracial divides, and became a major contributor to the development of “Lead Me, Guide Me,” the Black Catholic hymnal published in 1987.Smith reflected on Bowman’s “marvelous” and “magnetic” personality. “We were invited to a dinner at a hotel, and she was going to give a speech. We got there early, so we went to sit down in the lobby … a pianist from Argentina was playing songs from ‘Porgy and Bess,’ and Thea got up and started singing ‘Summertime.’”“She got a standing ovation and an encore,” Smith said. “I think one of the greatest gifts, graces, in my life was my friendship with her. She was very kind to me, and she was very kind to all the people that she met.”At age 54, on March 30, 1990, Bowman died of breast cancer. She was buried at Elmwood Cemetery in Memphis, Tennessee, alongside her parents.Impact of Bowman’s causeBowman’s journey toward sainthood could have an especially effective impact today with the present division in the nation, as she would preach how we are “all human beings, and we should love everybody,” Smith said.“She was not interested in the melting pot at all,” Smith said. “She was more interested in a salad bowl because she said: ‘In a salad, people keep their identity, whereas in a melting pot, they’re all mushed together.’”Bowman “welcomed all in the universal body of Christ” Kopacz said. “She said the Church needs to truly be actively universal, and embrace different cultures and all the gifts that people bring.”“So today, more than ever, that voice is needed in our society as we can get more divisive,” Kopacz said. “I just think it’s perfect for our time and our Church.”“Her message is so universal,” Miles said. Especially “understanding the relationship between faith and identity among its members.”“She really understood and articulated so beautifully that we are people of faith and we are people of identities. The Church is a global church. There’s so many different people who are part of this Church  — people of different races, different ethnicities, and nationalities.”‘An impetus’ for other African Americans on their way to sainthoodCurrently, there are no canonized African American saints, but the Church honors Black saints from other nations, including St. Josephine Bakhita, St. Martin de Porres, St. Monica of Hippo, and St. Augustine of Hippo, among others.Bowman is among seven African American Catholics with active canonization causes — dubbed the “Saintly Seven.” The group also includes Venerable Pierre Toussaint, Venerable Mother Mary Lange, Venerable Mother Henriette Delille, Venerable Father Augustus Tolton, Servant of God Julia Greeley, and Servant of God Friar Martin de Porres Maria Ward.Even before her potential canonization, Bowman will “draw attention” to the group, Kopacz said. If she becomes venerable, which the bishop expects she will, he believes Bowman “will be an impetus” for the causes of other African Americans to move forward. “She’s going to be an important part, and she’ll move the other causes along,” he said.Since people “can relate” to Bowman’s story as it “is so contemporary and so special,” Miles said she also hopes the other stories of the seven Catholics “will become highlighted” by her cause.“People will be more interested in finding out about the other African Americans who are in the process of canonization, because their stories are very special and very unique, too,” Miles said.

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Bowman’s ability to see the dignity of each individual, and embrace all gifts and cultures, is an essential message for Catholics and non-Catholics alike.

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Picture of the day Portrait of French novelist Jules Verne taken in 1884 by Étienne Carjat. Known for his adventure novels taking into account the technological progress of his time, he’s the second most-translated author in the world. He died on this day 120 years ago. #ImageOfTheDay
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Picture of the day Portrait of French novelist Jules Verne taken in 1884 by Étienne Carjat. Known for his adventure novels taking into account the technological progress of his time, he’s the second most-translated author in the world. He died on this day 120 years ago. #ImageOfTheDay

unitedyam
Picture of the day
Portrait of French novelist Jules Verne taken in 1884 by Étienne Carjat. Known for his adventure novels taking into account the technological progress of his time, he’s the second most-translated author in the world. He died on this day 120 years ago.
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