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How a Catholic university is combating the health care crisis in Maryland #Catholic Mount St. Mary’s University Physician Assistant Program Director Mary Jackson, MMS, PA-C, CAQ-EM, demonstrates hands-on ultrasound techniques with students at Mount St. Mary’s University in Emmitsburg, Maryland. / Credit: Photo courtesy of Mount St. Mary’s University CNA Staff, Jan 3, 2026 / 06:00 am (CNA). In response to Maryland’s growing health care crisis, Mount St. Mary’s University is launching a physician assistant program later this month. The private Catholic liberal arts university, located in Emmitsburg, Maryland, is partnering with the Daughters of Charity — the religious order founded by St. Elizabeth Ann Seton — to bring more students into the field of health care.Exterior view of the new Timothy E. Trainor School of Health Professions at Mount St. Mary’s University in Emmitsburg, Maryland. Credit: Photo courtesy of Mount St. Mary’s UniversityAmid a staffing shortage, Maryland has had the longest emergency room wait times in the nation for nine years, averaging more than four hours. The number of serious medical mistakes that have resulted in death or severe disability for patients has risen each year in Maryland for the past four years, according to a report published in September 2025.A recent projection found that Maryland needs to increase the number of primary physicians by 23% by 2030 to cover the gap in primary care providers.The Maryland Department of Health has cited staffing shortages — among several causes of rising medical errors — as something that Mount St. Mary’s program hopes to mitigate.Ndidi Nwokorie, MBBS, FAAP, medical director of the Mount St. Mary’s physician assistant program, works one-on-one with a PA student. Credit: Photo courtesy of Mount St. Mary’s UniversityThe program — part of the college’s recent move into the health care arena — will welcome its inaugural class of 43 students on Jan. 20.The school’s new program includes resources for students to prevent burnout through its Center for Clinician Well-Being.CNA spoke with physician assistant program director Mary Jackson about the new program.Kevin Richardson, MSPAS, PA-C, director of assessments for the physician assistant program, leads a classroom lecture. Credit: Photo courtesy of Mount St. Mary’s UniversityCNA: What inspired the launch of the new physician assistant program? Mary Jackson: The Mount made a very intentional decision to enter the health care education arena as another way to live out our mission. As a Catholic university, Mount St. Mary’s graduates ethical leaders who are inspired by a passion for learning and who lead lives of significance in service to God and others. Preparing future health care clinicians is a natural extension of this mission, one that allows our students to serve individuals, families, and communities at moments of greatest vulnerability. We chose to launch a physician assistant program because the PA profession consistently ranks among the top careers nationally, with strong student interest and growing workforce demand. With a growing health care shortage in Maryland, how do you hope this program will address this crisis?  Maryland, like much of the country, is experiencing a significant health care workforce shortage, marked by long wait times, limited access in rural and underserved areas, and an aging population with increasing medical needs.Physician assistants play a vital role in expanding access to high-quality care. By educating future PAs who are clinically excellent, compassionate, and mission-driven, our program aims to strengthen Maryland’s health care workforce and ensure that more patients receive timely, patient-centered care.Associate Program Director Leanne Hedges, MMS, PA-C, demonstrates a comprehensive physical examination as part of clinical training for PA students. Credit: Photo courtesy of Mount St. Mary’s UniversityHow does your mission as a Catholic university drive the physician assistant program? Our Catholic identity shapes every aspect of the physician assistant program. The Mount’s commitment to service, compassion, equity, and well-being calls us to prepare clinicians who go beyond transactional medicine.We aim to form PAs who care deeply for all patients, especially those who are underserved, while also tending to their own well-being so they can flourish long term in their calling to health care.How did Mount St. Mary’s work with the Daughters of Charity to build this program?   The Daughters of Charity have been extraordinary partners in bringing this vision to life. Their legacy of caring for the poor and vulnerable has inspired the program’s mission and helped us ground our work in the values of humility and loving service.The Daughters have generously provided both tangible and in-kind support, enabling our inspiring facility, helping fund our Care for America scholarships, and working with us as thought leaders in this work.
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How a Catholic university is combating the health care crisis in Maryland #Catholic Mount St. Mary’s University Physician Assistant Program Director Mary Jackson, MMS, PA-C, CAQ-EM, demonstrates hands-on ultrasound techniques with students at Mount St. Mary’s University in Emmitsburg, Maryland. / Credit: Photo courtesy of Mount St. Mary’s University CNA Staff, Jan 3, 2026 / 06:00 am (CNA). In response to Maryland’s growing health care crisis, Mount St. Mary’s University is launching a physician assistant program later this month. The private Catholic liberal arts university, located in Emmitsburg, Maryland, is partnering with the Daughters of Charity — the religious order founded by St. Elizabeth Ann Seton — to bring more students into the field of health care.Exterior view of the new Timothy E. Trainor School of Health Professions at Mount St. Mary’s University in Emmitsburg, Maryland. Credit: Photo courtesy of Mount St. Mary’s UniversityAmid a staffing shortage, Maryland has had the longest emergency room wait times in the nation for nine years, averaging more than four hours. The number of serious medical mistakes that have resulted in death or severe disability for patients has risen each year in Maryland for the past four years, according to a report published in September 2025.A recent projection found that Maryland needs to increase the number of primary physicians by 23% by 2030 to cover the gap in primary care providers.The Maryland Department of Health has cited staffing shortages — among several causes of rising medical errors — as something that Mount St. Mary’s program hopes to mitigate.Ndidi Nwokorie, MBBS, FAAP, medical director of the Mount St. Mary’s physician assistant program, works one-on-one with a PA student. Credit: Photo courtesy of Mount St. Mary’s UniversityThe program — part of the college’s recent move into the health care arena — will welcome its inaugural class of 43 students on Jan. 20.The school’s new program includes resources for students to prevent burnout through its Center for Clinician Well-Being.CNA spoke with physician assistant program director Mary Jackson about the new program.Kevin Richardson, MSPAS, PA-C, director of assessments for the physician assistant program, leads a classroom lecture. Credit: Photo courtesy of Mount St. Mary’s UniversityCNA: What inspired the launch of the new physician assistant program? Mary Jackson: The Mount made a very intentional decision to enter the health care education arena as another way to live out our mission. As a Catholic university, Mount St. Mary’s graduates ethical leaders who are inspired by a passion for learning and who lead lives of significance in service to God and others. Preparing future health care clinicians is a natural extension of this mission, one that allows our students to serve individuals, families, and communities at moments of greatest vulnerability. We chose to launch a physician assistant program because the PA profession consistently ranks among the top careers nationally, with strong student interest and growing workforce demand. With a growing health care shortage in Maryland, how do you hope this program will address this crisis?  Maryland, like much of the country, is experiencing a significant health care workforce shortage, marked by long wait times, limited access in rural and underserved areas, and an aging population with increasing medical needs.Physician assistants play a vital role in expanding access to high-quality care. By educating future PAs who are clinically excellent, compassionate, and mission-driven, our program aims to strengthen Maryland’s health care workforce and ensure that more patients receive timely, patient-centered care.Associate Program Director Leanne Hedges, MMS, PA-C, demonstrates a comprehensive physical examination as part of clinical training for PA students. Credit: Photo courtesy of Mount St. Mary’s UniversityHow does your mission as a Catholic university drive the physician assistant program? Our Catholic identity shapes every aspect of the physician assistant program. The Mount’s commitment to service, compassion, equity, and well-being calls us to prepare clinicians who go beyond transactional medicine.We aim to form PAs who care deeply for all patients, especially those who are underserved, while also tending to their own well-being so they can flourish long term in their calling to health care.How did Mount St. Mary’s work with the Daughters of Charity to build this program?   The Daughters of Charity have been extraordinary partners in bringing this vision to life. Their legacy of caring for the poor and vulnerable has inspired the program’s mission and helped us ground our work in the values of humility and loving service.The Daughters have generously provided both tangible and in-kind support, enabling our inspiring facility, helping fund our Care for America scholarships, and working with us as thought leaders in this work.

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Mount St. Mary’s University Physician Assistant Program Director Mary Jackson, MMS, PA-C, CAQ-EM, demonstrates hands-on ultrasound techniques with students at Mount St. Mary’s University in Emmitsburg, Maryland. / Credit: Photo courtesy of Mount St. Mary’s University

CNA Staff, Jan 3, 2026 / 06:00 am (CNA).

In response to Maryland’s growing health care crisis, Mount St. Mary’s University is launching a physician assistant program later this month. 

The private Catholic liberal arts university, located in Emmitsburg, Maryland, is partnering with the Daughters of Charity — the religious order founded by St. Elizabeth Ann Seton — to bring more students into the field of health care.

Exterior view of the new Timothy E. Trainor School of Health Professions at Mount St. Mary’s University in Emmitsburg, Maryland. Credit: Photo courtesy of Mount St. Mary’s University
Exterior view of the new Timothy E. Trainor School of Health Professions at Mount St. Mary’s University in Emmitsburg, Maryland. Credit: Photo courtesy of Mount St. Mary’s University

Amid a staffing shortage, Maryland has had the longest emergency room wait times in the nation for nine years, averaging more than four hours. The number of serious medical mistakes that have resulted in death or severe disability for patients has risen each year in Maryland for the past four years, according to a report published in September 2025.

A recent projection found that Maryland needs to increase the number of primary physicians by 23% by 2030 to cover the gap in primary care providers.

The Maryland Department of Health has cited staffing shortages — among several causes of rising medical errors — as something that Mount St. Mary’s program hopes to mitigate.

Ndidi Nwokorie, MBBS, FAAP, medical director of the Mount St. Mary’s physician assistant program, works one-on-one with a PA student. Credit: Photo courtesy of Mount St. Mary's University
Ndidi Nwokorie, MBBS, FAAP, medical director of the Mount St. Mary’s physician assistant program, works one-on-one with a PA student. Credit: Photo courtesy of Mount St. Mary’s University

The program — part of the college’s recent move into the health care arena — will welcome its inaugural class of 43 students on Jan. 20.

The school’s new program includes resources for students to prevent burnout through its Center for Clinician Well-Being.

CNA spoke with physician assistant program director Mary Jackson about the new program.

Kevin Richardson, MSPAS, PA-C, director of assessments for the physician assistant program, leads a classroom lecture. Credit: Photo courtesy of Mount St. Mary's University
Kevin Richardson, MSPAS, PA-C, director of assessments for the physician assistant program, leads a classroom lecture. Credit: Photo courtesy of Mount St. Mary’s University

CNA: What inspired the launch of the new physician assistant program? 

Mary Jackson: The Mount made a very intentional decision to enter the health care education arena as another way to live out our mission. As a Catholic university, Mount St. Mary’s graduates ethical leaders who are inspired by a passion for learning and who lead lives of significance in service to God and others. 

Preparing future health care clinicians is a natural extension of this mission, one that allows our students to serve individuals, families, and communities at moments of greatest vulnerability. 

We chose to launch a physician assistant program because the PA profession consistently ranks among the top careers nationally, with strong student interest and growing workforce demand. 

With a growing health care shortage in Maryland, how do you hope this program will address this crisis?  

Maryland, like much of the country, is experiencing a significant health care workforce shortage, marked by long wait times, limited access in rural and underserved areas, and an aging population with increasing medical needs.

Physician assistants play a vital role in expanding access to high-quality care. By educating future PAs who are clinically excellent, compassionate, and mission-driven, our program aims to strengthen Maryland’s health care workforce and ensure that more patients receive timely, patient-centered care.

Associate Program Director Leanne Hedges, MMS, PA-C, demonstrates a comprehensive physical examination as part of clinical training for PA students. Credit: Photo courtesy of Mount St. Mary's University
Associate Program Director Leanne Hedges, MMS, PA-C, demonstrates a comprehensive physical examination as part of clinical training for PA students. Credit: Photo courtesy of Mount St. Mary’s University

How does your mission as a Catholic university drive the physician assistant program? 

Our Catholic identity shapes every aspect of the physician assistant program. The Mount’s commitment to service, compassion, equity, and well-being calls us to prepare clinicians who go beyond transactional medicine.

We aim to form PAs who care deeply for all patients, especially those who are underserved, while also tending to their own well-being so they can flourish long term in their calling to health care.

How did Mount St. Mary’s work with the Daughters of Charity to build this program?   

The Daughters of Charity have been extraordinary partners in bringing this vision to life. Their legacy of caring for the poor and vulnerable has inspired the program’s mission and helped us ground our work in the values of humility and loving service.

The Daughters have generously provided both tangible and in-kind support, enabling our inspiring facility, helping fund our Care for America scholarships, and working with us as thought leaders in this work.

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In interview with Bishop Barron, Justice Barrett opens up about her faith  #Catholic Judge Amy Coney Barrett. – Rachel Malehorn/wikimedia CC BY SA 3.0 Washington, D.C. Newsroom, Dec 26, 2025 / 10:00 am (CNA). U.S. Supreme Court Justice Amy Coney Barrett says her Catholic faith “grounds her” and gives her “perspective.”During an interview with Bishop Robert Barron of Winona-Rochester, Minnesota, Barrett tackled a number of topics including free speech, the reversal of Roe v. Wade, and her law career. The U.S. Supreme Court justice also opened up about her Catholic faith, including how she prays and her relationship with the saints.A ‘love for the saints’When asked which spiritual figures have influenced her, Barrett shared about her relationships with the saints, specifically her love for St. Catherine of Siena and St. Thérèse of Lisieux.“My favorite was Thérèse of Lisieux. We have a daughter named Thérèse,” Barrett said. “I was captivated when I was young by how young she was when she just completely gave her life over to the Lord.”“Her Little Way is so accessible to so many,” she said. “I minored in French and I studied in France. It was actually Lisieux, where I was … that’s where I decided to go that summer. So I spent a lot of time in the gardens of the Martin home. I think those examples of faith were important to me.”“One thing that we’ve tried to do with our children is really cultivate in them a love for the saints, because I do think they are great examples that can inspire our love of the faith.”Barrett said she has “prayed in different ways at different phases” of her life. As a law professor, she often prayed a “ lectio divina.” Now as a judge, she said she tends “to do more reading reflections” and will “read the daily ‘ Magnificat.’”A “personal struggle in these last couple of years has been an ability to quiet my mind so that I can pray in a very deep and focused way,” she said. Listening to reflections “helps me, if my mind is wandering, to be able to focus on reading something and the task at hand.”The Constitution and the common goodDespite her faith, Barrett also discussed how it is not what can influence her decisions as a judge. “The Constitution distributes authority in a particular way,” she said. “The authority that I have is circumscribed.”“I believe in natural law, and I certainly believe in the common good,” Barrett said. “I think legislators have the duty to pursue the common good within the confines of the Constitution and respect for religious freedom.”“You have to imagine, ‘What if I didn’t like the composition of the court I was in front of, the court that was making these decisions, and they view the common good quite differently than I do?’ That’s the reason why we have a document like the Constitution, because it’s a point of consensus and common ground.”“And if we start veering away from that and reading into it our own individual ideas of the common good, it’s going to go nowhere good fast.”Roe v. WadeBarrett said both people who agreed with the Dobbs decision and those who did not “may well assume” she cast her vote based on her “faith” and “personal views about abortion.”“But especially given the framework with which I view the Constitution, there are plenty of people who support abortion rights but who recognize that Roe was ill-reasoned and inconsistent with the Constitution itself,” she said.Barrett further discussed “the trouble with Roe.”“There’s nothing in the Constitution … that speaks to abortion, that speaks to medical procedures,” she said. “The best defense of Roe, the commonly thought defense of Roe, was that it was grounded in the word ‘liberty’ and the due process clause, that we protect life, liberty, and property and it can’t be taken away without due process of law.”The “word ‘liberty’ can’t be an open vessel or an empty vessel in which judges can just read into it whatever rights they want, because otherwise, we lose the democracy in our democratic society,” Barrett said.The problem with Roe “is that it was a free-floating, free-wheeling decision that read into the Constitution.”The reason why it’s difficult to amend the Constitution is because “it reflects a super-majority consensus,” she said. “The rights that are protected in the Constitution, as well as the structural guarantees that are made in that Constitution, are not of my making. They are ones that Americans have agreed to.”“Roe told Americans what they should agree to rather than what they have already agreed to in the Constitution.”Free speech and freedom of religion“I think the First Amendment protects, guarantees, forces us to respect one another and to respect disagreement,” Barrett said. “There’s a tolerance of different faiths, a tolerance of different ideas … we can see what would happen if you didn’t have the guarantee to hold that in place.”“Think about what’s happening with respect to free speech rights in the U.K.,” Barrett said. “Contrary opinions or opinions that are not in the mainstream are not being tolerated, and they’re even being criminalized. Because of the First Amendment, that can’t happen here.”If the United States were to have “an established religion, then it would be very difficult to simultaneously guarantee freedom of religion because there would be one voice with which the government was speaking,” Barrett explained.An established religion would “sacrifice the religious liberty,” she said. “But by the same token, the religious liberty, it would become self-defeating if the logical end to it was to force everyone to see things your way.”DiscernmentAt the end of the conversation, Barron asked Barrett what advice she would give young Catholics who want to be involved in public life, law, or the government.“Discern first,” Barrett said. Ask: “What are you called to do?”“If you do feel like this is a vocation and something you’re called to do, I think it can never be the most important thing,” Barrett said. “I think being grounded in your faith and who you are and being right in the Lord, so that you’re not tossed like a ship everywhere because there are enormous pressures.”Faith “grounds me as a person,” Barrett said. “Not because my faith informs the substance of the decisions that I make, it emphatically does not, but I think it grounds me as a person. It’s who I am as a person.”“So it’s what enables me to keep my job in public life in perspective and remain the person who I am and continue to try to be the person I hope to be despite the pressures of public life,” she said.
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In interview with Bishop Barron, Justice Barrett opens up about her faith  #Catholic Judge Amy Coney Barrett. – Rachel Malehorn/wikimedia CC BY SA 3.0 Washington, D.C. Newsroom, Dec 26, 2025 / 10:00 am (CNA). U.S. Supreme Court Justice Amy Coney Barrett says her Catholic faith “grounds her” and gives her “perspective.”During an interview with Bishop Robert Barron of Winona-Rochester, Minnesota, Barrett tackled a number of topics including free speech, the reversal of Roe v. Wade, and her law career. The U.S. Supreme Court justice also opened up about her Catholic faith, including how she prays and her relationship with the saints.A ‘love for the saints’When asked which spiritual figures have influenced her, Barrett shared about her relationships with the saints, specifically her love for St. Catherine of Siena and St. Thérèse of Lisieux.“My favorite was Thérèse of Lisieux. We have a daughter named Thérèse,” Barrett said. “I was captivated when I was young by how young she was when she just completely gave her life over to the Lord.”“Her Little Way is so accessible to so many,” she said. “I minored in French and I studied in France. It was actually Lisieux, where I was … that’s where I decided to go that summer. So I spent a lot of time in the gardens of the Martin home. I think those examples of faith were important to me.”“One thing that we’ve tried to do with our children is really cultivate in them a love for the saints, because I do think they are great examples that can inspire our love of the faith.”Barrett said she has “prayed in different ways at different phases” of her life. As a law professor, she often prayed a “ lectio divina.” Now as a judge, she said she tends “to do more reading reflections” and will “read the daily ‘ Magnificat.’”A “personal struggle in these last couple of years has been an ability to quiet my mind so that I can pray in a very deep and focused way,” she said. Listening to reflections “helps me, if my mind is wandering, to be able to focus on reading something and the task at hand.”The Constitution and the common goodDespite her faith, Barrett also discussed how it is not what can influence her decisions as a judge. “The Constitution distributes authority in a particular way,” she said. “The authority that I have is circumscribed.”“I believe in natural law, and I certainly believe in the common good,” Barrett said. “I think legislators have the duty to pursue the common good within the confines of the Constitution and respect for religious freedom.”“You have to imagine, ‘What if I didn’t like the composition of the court I was in front of, the court that was making these decisions, and they view the common good quite differently than I do?’ That’s the reason why we have a document like the Constitution, because it’s a point of consensus and common ground.”“And if we start veering away from that and reading into it our own individual ideas of the common good, it’s going to go nowhere good fast.”Roe v. WadeBarrett said both people who agreed with the Dobbs decision and those who did not “may well assume” she cast her vote based on her “faith” and “personal views about abortion.”“But especially given the framework with which I view the Constitution, there are plenty of people who support abortion rights but who recognize that Roe was ill-reasoned and inconsistent with the Constitution itself,” she said.Barrett further discussed “the trouble with Roe.”“There’s nothing in the Constitution … that speaks to abortion, that speaks to medical procedures,” she said. “The best defense of Roe, the commonly thought defense of Roe, was that it was grounded in the word ‘liberty’ and the due process clause, that we protect life, liberty, and property and it can’t be taken away without due process of law.”The “word ‘liberty’ can’t be an open vessel or an empty vessel in which judges can just read into it whatever rights they want, because otherwise, we lose the democracy in our democratic society,” Barrett said.The problem with Roe “is that it was a free-floating, free-wheeling decision that read into the Constitution.”The reason why it’s difficult to amend the Constitution is because “it reflects a super-majority consensus,” she said. “The rights that are protected in the Constitution, as well as the structural guarantees that are made in that Constitution, are not of my making. They are ones that Americans have agreed to.”“Roe told Americans what they should agree to rather than what they have already agreed to in the Constitution.”Free speech and freedom of religion“I think the First Amendment protects, guarantees, forces us to respect one another and to respect disagreement,” Barrett said. “There’s a tolerance of different faiths, a tolerance of different ideas … we can see what would happen if you didn’t have the guarantee to hold that in place.”“Think about what’s happening with respect to free speech rights in the U.K.,” Barrett said. “Contrary opinions or opinions that are not in the mainstream are not being tolerated, and they’re even being criminalized. Because of the First Amendment, that can’t happen here.”If the United States were to have “an established religion, then it would be very difficult to simultaneously guarantee freedom of religion because there would be one voice with which the government was speaking,” Barrett explained.An established religion would “sacrifice the religious liberty,” she said. “But by the same token, the religious liberty, it would become self-defeating if the logical end to it was to force everyone to see things your way.”DiscernmentAt the end of the conversation, Barron asked Barrett what advice she would give young Catholics who want to be involved in public life, law, or the government.“Discern first,” Barrett said. Ask: “What are you called to do?”“If you do feel like this is a vocation and something you’re called to do, I think it can never be the most important thing,” Barrett said. “I think being grounded in your faith and who you are and being right in the Lord, so that you’re not tossed like a ship everywhere because there are enormous pressures.”Faith “grounds me as a person,” Barrett said. “Not because my faith informs the substance of the decisions that I make, it emphatically does not, but I think it grounds me as a person. It’s who I am as a person.”“So it’s what enables me to keep my job in public life in perspective and remain the person who I am and continue to try to be the person I hope to be despite the pressures of public life,” she said.

unitedyam

Judge Amy Coney Barrett. – Rachel Malehorn/wikimedia CC BY SA 3.0

Washington, D.C. Newsroom, Dec 26, 2025 / 10:00 am (CNA).

U.S. Supreme Court Justice Amy Coney Barrett says her Catholic faith “grounds her” and gives her “perspective.”

During an interview with Bishop Robert Barron of Winona-Rochester, Minnesota, Barrett tackled a number of topics including free speech, the reversal of Roe v. Wade, and her law career. The U.S. Supreme Court justice also opened up about her Catholic faith, including how she prays and her relationship with the saints.

A ‘love for the saints’

When asked which spiritual figures have influenced her, Barrett shared about her relationships with the saints, specifically her love for St. Catherine of Siena and St. Thérèse of Lisieux.

“My favorite was Thérèse of Lisieux. We have a daughter named Thérèse,” Barrett said. “I was captivated when I was young by how young she was when she just completely gave her life over to the Lord.”

“Her Little Way is so accessible to so many,” she said. “I minored in French and I studied in France. It was actually Lisieux, where I was … that’s where I decided to go that summer. So I spent a lot of time in the gardens of the Martin home. I think those examples of faith were important to me.”

“One thing that we’ve tried to do with our children is really cultivate in them a love for the saints, because I do think they are great examples that can inspire our love of the faith.”

Barrett said she has “prayed in different ways at different phases” of her life. As a law professor, she often prayed a “ lectio divina.” Now as a judge, she said she tends “to do more reading reflections” and will “read the daily ‘ Magnificat.’”

A “personal struggle in these last couple of years has been an ability to quiet my mind so that I can pray in a very deep and focused way,” she said. Listening to reflections “helps me, if my mind is wandering, to be able to focus on reading something and the task at hand.”

The Constitution and the common good

Despite her faith, Barrett also discussed how it is not what can influence her decisions as a judge. “The Constitution distributes authority in a particular way,” she said. “The authority that I have is circumscribed.”

“I believe in natural law, and I certainly believe in the common good,” Barrett said. “I think legislators have the duty to pursue the common good within the confines of the Constitution and respect for religious freedom.”

“You have to imagine, ‘What if I didn’t like the composition of the court I was in front of, the court that was making these decisions, and they view the common good quite differently than I do?’ That’s the reason why we have a document like the Constitution, because it’s a point of consensus and common ground.”

“And if we start veering away from that and reading into it our own individual ideas of the common good, it’s going to go nowhere good fast.”

Roe v. Wade

Barrett said both people who agreed with the Dobbs decision and those who did not “may well assume” she cast her vote based on her “faith” and “personal views about abortion.”

“But especially given the framework with which I view the Constitution, there are plenty of people who support abortion rights but who recognize that Roe was ill-reasoned and inconsistent with the Constitution itself,” she said.

Barrett further discussed “the trouble with Roe.”

“There’s nothing in the Constitution … that speaks to abortion, that speaks to medical procedures,” she said. “The best defense of Roe, the commonly thought defense of Roe, was that it was grounded in the word ‘liberty’ and the due process clause, that we protect life, liberty, and property and it can’t be taken away without due process of law.”

The “word ‘liberty’ can’t be an open vessel or an empty vessel in which judges can just read into it whatever rights they want, because otherwise, we lose the democracy in our democratic society,” Barrett said.

The problem with Roe “is that it was a free-floating, free-wheeling decision that read into the Constitution.”

The reason why it’s difficult to amend the Constitution is because “it reflects a super-majority consensus,” she said. “The rights that are protected in the Constitution, as well as the structural guarantees that are made in that Constitution, are not of my making. They are ones that Americans have agreed to.”

“Roe told Americans what they should agree to rather than what they have already agreed to in the Constitution.”

Free speech and freedom of religion

“I think the First Amendment protects, guarantees, forces us to respect one another and to respect disagreement,” Barrett said. “There’s a tolerance of different faiths, a tolerance of different ideas … we can see what would happen if you didn’t have the guarantee to hold that in place.”

“Think about what’s happening with respect to free speech rights in the U.K.,” Barrett said. “Contrary opinions or opinions that are not in the mainstream are not being tolerated, and they’re even being criminalized. Because of the First Amendment, that can’t happen here.”

If the United States were to have “an established religion, then it would be very difficult to simultaneously guarantee freedom of religion because there would be one voice with which the government was speaking,” Barrett explained.

An established religion would “sacrifice the religious liberty,” she said. “But by the same token, the religious liberty, it would become self-defeating if the logical end to it was to force everyone to see things your way.”

Discernment

At the end of the conversation, Barron asked Barrett what advice she would give young Catholics who want to be involved in public life, law, or the government.

“Discern first,” Barrett said. Ask: “What are you called to do?”

“If you do feel like this is a vocation and something you’re called to do, I think it can never be the most important thing,” Barrett said. “I think being grounded in your faith and who you are and being right in the Lord, so that you’re not tossed like a ship everywhere because there are enormous pressures.”

Faith “grounds me as a person,” Barrett said. “Not because my faith informs the substance of the decisions that I make, it emphatically does not, but I think it grounds me as a person. It’s who I am as a person.”

“So it’s what enables me to keep my job in public life in perspective and remain the person who I am and continue to try to be the person I hope to be despite the pressures of public life,” she said.

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PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit #Catholic Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library New York City, New York, Nov 30, 2025 / 08:00 am (CNA). Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England. Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan LibraryDavid appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New YorkProphets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York LibraryThe central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public LibraryLate 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public LibraryIn the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public LibraryScenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York LibraryIn his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York LibraryThis high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York LibraryMore’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York LibraryThe branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.
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PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit #Catholic Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library New York City, New York, Nov 30, 2025 / 08:00 am (CNA). Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England. Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan LibraryDavid appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New YorkProphets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York LibraryThe central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public LibraryLate 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public LibraryIn the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public LibraryScenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York LibraryIn his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York LibraryThis high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York LibraryMore’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York LibraryThe branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

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Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library

New York City, New York, Nov 30, 2025 / 08:00 am (CNA).

Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England.

Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan Library
Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan Library

David appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” 

These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.

King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New York
King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New York
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York Library
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York Library

The central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. 

Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public Library
Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public Library
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public Library
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public Library

In the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”

Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public Library
Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public Library
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York Library
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York Library

In his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.

St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York Library
St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York Library

This high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”

The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s "Sir Thomas More," positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York Library
The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York Library

More’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. 

A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York Library
A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York Library

The branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.

David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.

Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

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NASA’s Quesst Mission Marks X-59’s Historic First Flight – NASA’s X-59 quiet supersonic research aircraft lifts off for its first flight Tuesday, Oct. 28, 2025, from U.S. Air Force Plant 42 in Palmdale, California. The aircraft’s first flight marks the start of flight testing for NASA’s Quesst mission, the result of years of design, integration, and ground testing and begins a new chapter in NASA’s aeronautics research legacy.
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NASA’s Quesst Mission Marks X-59’s Historic First Flight – NASA’s X-59 quiet supersonic research aircraft lifts off for its first flight Tuesday, Oct. 28, 2025, from U.S. Air Force Plant 42 in Palmdale, California. The aircraft’s first flight marks the start of flight testing for NASA’s Quesst mission, the result of years of design, integration, and ground testing and begins a new chapter in NASA’s aeronautics research legacy.

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NASA’s X-59 quiet supersonic research aircraft lifts off for its first flight Tuesday, Oct. 28, 2025, from U.S. Air Force Plant 42 in Palmdale, California. The aircraft’s first flight marks the start of flight testing for NASA’s Quesst mission, the result of years of design, integration, and ground testing and begins a new chapter in NASA’s aeronautics research legacy.

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NASA’s X-59 at Sunrise
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NASA’s X-59 at Sunrise

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NASA’s X-59 quiet supersonic research aircraft sits on the ramp at sunrise before ground tests at Lockheed Martin’s Skunk Works facility in Palmdale, California, on July 18, 2025. The X-59 is the centerpiece of NASA’s Quesst mission to demonstrate quiet supersonic flight.

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Picture of the day Mauritius kestrel (Falco punctatus), Ebony Forest Reserve Chamarel, Mauritius. In 1974, this Mauritius endemic was the rarest bird in the World. Due to ground-breaking conservation work the population rose to 800, but has now slumped to possibly 400 birds. In 2023, the Government of Mauritius declared the Mauritius Kestrel as its national bird. #ImageOfTheDay
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Picture of the day Mauritius kestrel (Falco punctatus), Ebony Forest Reserve Chamarel, Mauritius. In 1974, this Mauritius endemic was the rarest bird in the World. Due to ground-breaking conservation work the population rose to 800, but has now slumped to possibly 400 birds. In 2023, the Government of Mauritius declared the Mauritius Kestrel as its national bird. #ImageOfTheDay

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Picture of the day
Mauritius kestrel (Falco punctatus), Ebony Forest Reserve Chamarel, Mauritius. In 1974, this Mauritius endemic was the rarest bird in the World. Due to ground-breaking conservation work the population rose to 800, but has now slumped to possibly 400 birds. In 2023, the Government of Mauritius declared the Mauritius Kestrel as its national bird.
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Sixty Years in Canberra: NASA’s Deep Space Network
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Sixty Years in Canberra: NASA’s Deep Space Network

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This March 4, 2020, image shows Deep Space Station 43, a 70-meter-wide (230-feet-wide) radio antenna at NASA’s Deep Space Network facility in Canberra, Australia. The facility celebrated its 60th anniversary on March 19, 2025, while also breaking ground on a new radio antenna. The pair of achievements are major milestones for the network, which communicates with spacecraft all over the solar system using giant dish antennas located at three complexes around the globe.

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Artemis II Core Stage Integration – Complete!
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Artemis II Core Stage Integration – Complete!

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Teams with NASA’s Exploration Ground Systems and primary contractor Amentum integrate the SLS (Space Launch System) Moon rocket with the solid rocket boosters onto mobile launcher 1 inside High Bay 3 of the Vehicle Assembly Building at NASA’s Kennedy Space Center on Sunday, March 23, 2025. Artemis II is the first crewed test flight under NASA’s Artemis campaign and is another step toward missions on the lunar surface and helping the agency prepare for future human missions to Mars.

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Artemis II Rocket Booster Stacking Complete
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Artemis II Rocket Booster Stacking Complete

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Engineers with NASA’s Exploration Ground Systems complete stacking operations on the twin SLS (Space Launch System) solid rocket boosters for Artemis II by integrating the nose cones atop the forward assemblies inside the Vehicle Assembly Building’s High Bay 3 at NASA’s Kennedy Space Center in Florida on Wednesday, Feb. 19, 2025. The twin solid boosters will help support the remaining rocket components and the Orion spacecraft during final assembly of the Artemis II Moon rocket and provide more than 75 percent of the total SLS thrust during liftoff from NASA Kennedy’s Launch Pad 39B.

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Stacking Artemis II
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Stacking Artemis II

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Engineers and technicians with NASA’s Exploration Ground Systems Program prepare to lift the left center center booster segment shown with the iconic NASA “worm” insignia for the agency’s SLS (Space Launch System) rocket to the Vehicle Assembly Building at NASA’s Kennedy Space Center in Florida on Friday, Jan. 24, 2025.

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