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‘Biblical Roots’: Picasso’s spiritual ‘sensibilities’ on display at Burgos Cathedral #Catholic The Burgos Cathedral in Spain is hosting an exhibition of 44 works by Pablo Picasso titled “Biblical Roots,” which explores the biblical essence and Christian origins present in the Spanish painter’s work.Among those attending the March 2 opening of the exhibit were Cardinal José Tolentino de Mendonça, prefect of the Dicastery for Culture and Education, Queen Sofía, and Bernard Ruiz-Picasso, the artist’s grandson and president of the Bernard Ruiz-Picasso Foundation for Art (FABA, by its Spanish acronym).The cardinal emphasized during the opening that half a century after the artist’s death, “one of the least examined dimensions of Pablo Picasso is his radical exploration of transcendence,” according to a statement from the Archdiocese of Burgos. The cardinal also remarked that though the artist declared he had no faith, “he never abandoned the symbolic foundation of biblical and Christian tradition,” which constitutes “a generative tension throughout his work.” Queen Sofía at the exhibition in Burgos Cathedral. | Credit: Archdiocese of Burgos He said the Bible was for Picasso a “profound structure” of his sensibility, “an inner interpretive key forged in the sensory experience of the liturgy and the sacred Catholic imagery of his childhood.”He emphasized that in many of Picasso’s works, “the body of Christ becomes an archetype of human suffering,” particularly visible in the painting “Guernica,” “where the rhetoric of sacred iconography emerges as a language of pain.”For the cardinal, this exhibition also constitutes “an exemplary act of cultural dialogue: The cathedral and Picasso are not viewed as separate entities, but rather they challenge and illuminate each other by addressing the ultimate questions about meaning, suffering, and fraternity.”On behalf of Pope Leo XIV, he encouraged continued promotion of an authentic dialogue between Christianity and contemporary culture, “convinced that the artistic experience demands taking a broad view capable of recognizing the spiritual depth that dwells even in those who do not profess to be believers.” The opening of the exhibition — organized by the Archdiocese of Burgos, the Metropolitan Chapter, the FABA Foundation, and the Burgos Consulate of the Sea Foundation — was also attended by the vicar general of the archdiocese, Father Carlos Izquierdo Yusta, and Archbishop Emeritus Fidel Herráez Vegas, as well as other local officials.For Archbishop Mario Iceta of Burgos, the exhibition “constitutes a new milestone in the cathedral’s historical dialogue with culture.”He also recalled that the Burgos Cathedral, since the laying of its foundation stone by King St. Ferdinand (1199–1252), “has integrated all artistic styles throughout the centuries like a living organism,” and that today it also seeks to open itself up to contemporary culture through the work Picasso, a “leading and highly influential” artist.The artist’s grandson emphasized that the exhibition also has a profound meaning for the Ruiz-Picasso family, since “the artist visited the church ‘incognito’ in 1936, accompanied by his wife and son,” in what would be his last visit to Spain.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
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‘Biblical Roots’: Picasso’s spiritual ‘sensibilities’ on display at Burgos Cathedral #Catholic The Burgos Cathedral in Spain is hosting an exhibition of 44 works by Pablo Picasso titled “Biblical Roots,” which explores the biblical essence and Christian origins present in the Spanish painter’s work.Among those attending the March 2 opening of the exhibit were Cardinal José Tolentino de Mendonça, prefect of the Dicastery for Culture and Education, Queen Sofía, and Bernard Ruiz-Picasso, the artist’s grandson and president of the Bernard Ruiz-Picasso Foundation for Art (FABA, by its Spanish acronym).The cardinal emphasized during the opening that half a century after the artist’s death, “one of the least examined dimensions of Pablo Picasso is his radical exploration of transcendence,” according to a statement from the Archdiocese of Burgos. The cardinal also remarked that though the artist declared he had no faith, “he never abandoned the symbolic foundation of biblical and Christian tradition,” which constitutes “a generative tension throughout his work.” Queen Sofía at the exhibition in Burgos Cathedral. | Credit: Archdiocese of Burgos He said the Bible was for Picasso a “profound structure” of his sensibility, “an inner interpretive key forged in the sensory experience of the liturgy and the sacred Catholic imagery of his childhood.”He emphasized that in many of Picasso’s works, “the body of Christ becomes an archetype of human suffering,” particularly visible in the painting “Guernica,” “where the rhetoric of sacred iconography emerges as a language of pain.”For the cardinal, this exhibition also constitutes “an exemplary act of cultural dialogue: The cathedral and Picasso are not viewed as separate entities, but rather they challenge and illuminate each other by addressing the ultimate questions about meaning, suffering, and fraternity.”On behalf of Pope Leo XIV, he encouraged continued promotion of an authentic dialogue between Christianity and contemporary culture, “convinced that the artistic experience demands taking a broad view capable of recognizing the spiritual depth that dwells even in those who do not profess to be believers.” The opening of the exhibition — organized by the Archdiocese of Burgos, the Metropolitan Chapter, the FABA Foundation, and the Burgos Consulate of the Sea Foundation — was also attended by the vicar general of the archdiocese, Father Carlos Izquierdo Yusta, and Archbishop Emeritus Fidel Herráez Vegas, as well as other local officials.For Archbishop Mario Iceta of Burgos, the exhibition “constitutes a new milestone in the cathedral’s historical dialogue with culture.”He also recalled that the Burgos Cathedral, since the laying of its foundation stone by King St. Ferdinand (1199–1252), “has integrated all artistic styles throughout the centuries like a living organism,” and that today it also seeks to open itself up to contemporary culture through the work Picasso, a “leading and highly influential” artist.The artist’s grandson emphasized that the exhibition also has a profound meaning for the Ruiz-Picasso family, since “the artist visited the church ‘incognito’ in 1936, accompanied by his wife and son,” in what would be his last visit to Spain.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

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While Pablo Picasso was a professed atheist, a new exhibit in Spain highlights the spiritual sensibilities of his art.

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Replica of Manila’s famed ‘Black Nazarene’ arrives in Los Angeles Archdiocese #Catholic The centuries-old devotion to Nuestro Padre Jesús Nazareno of Quiapo, Manila, in the Philippines has formally reached the U.S. West Coast as an official replica of the revered image was turned over to the Archdiocese of Los Angeles and entrusted to Holy Family Parish in Artesia and the archdiocese’s Filipino ministry.The replica, gifted by the Minor Basilica and National Shrine of Jesús Nazareno in Manila, will be enthroned at Holy Family Parish and serve as a pilgrim image, visiting parishes across the archdiocese’s five pastoral regions as part of a broader evangelization initiative. Father John Cordero displays the official replica of the Jesús Nazareno from Manila’s Quiapo Church in 2025. | Credit: Holy Family Catholic Church Artesia The arrival of the image marks the fruit of an evangelization effort spearheaded by then-rector of Quiapo Church, now Bishop Rufino Sescon of Balanga, Bataan. According to Father John Cordero of the Marian Missionaries of the Holy Cross, pastor of Holy Family Parish, the development unfolded providentially.“The real starting point of this development was the evangelization initiative of the National Shrine of Jesús Nazareno in Manila, spearheaded by then-rector and now bishop of Balanga, Rufino ‘Jun’ Sescon,” Cordero told EWTN News.The replica was initially offered to the Archdiocese of Los Angeles through Father Rodel Balagtas, priest liaison to the Filipino Ministry. Although another parish had first expressed willingness to host the image, no final arrangements had been made.Months later, Sescon personally contacted Cordero — a former graduate school classmate — to reestablish communication between Quiapo Church and a receiving parish. What seemed at first a closed matter reopened, and Cordero discerned that the parish could accommodate the image by converting a religious goods store in the vestibule into a shrine.“I noticed something that had slipped my attention: We have space,” Cordero said. After consultation with Filipino Ministry leaders, including its president and parishioner Noel Motus, the parish agreed to receive the image. “It is a gift from the national shrine, and our parish was merely chosen to be the caretakers.”Formal reception and MassSescon will celebrate the Mass marking the official arrival and reception of the replica in Los Angeles on Feb. 14. Later this year, the image will also be brought to the annual Religious Education Congress, further expanding its exposure to thousands of catechists and ministry leaders.Bishop Oscar Solis of Salt Lake City — the first Filipino-born bishop to lead a diocese in the United States — is also scheduled to celebrate a Mass in connection with the image’s visit.While there was no prior organized clamor among parishioners for a Nazareno image, Cordero said the parishioners’ response after learning that their parish will be the home of the replica has been one of “sheer joy,” with Filipino and Hispanic faithful alike rallying around the new shrine.“As a pastor explaining this new devotion to my multicultural parish, I would like to point to our mutual interconnectedness with this image,” he said. “This is primarily an image of Jesus, the focal point of our Christian unity.”Historical connectionsThe original image of the Jesús Nazareno, which arrived in Manila from Mexico in 1606, bears deep historical ties to both the Philippines and the Americas. California itself was once part of Mexico, and devotion to Jesús Nazareno has long-standing roots throughout Latin America.“The image, touched by hundreds of millions of pilgrims throughout its four centuries of devotional history, connects us with the everyday faith stories of all who identify with the suffering of Our Lord,” Cordero said.In a gesture underscoring that spiritual continuity, “like the Galileans who were content with touching the tassels of the cloak of Jesus for their healing,” Cordero requested Father Jade Licuanan, the current Quiapo Basilica rector, to have the replica be touched to the original image in Quiapo before being shipped to the United States. Cordero described this as an “intimate act of blessing and sending.”Mass devotion in ManilaThe devotion to the image once known as the “Black Nazarene” is among the largest Catholic expressions of popular piety in the world. Each January, millions of barefoot devotees join the Traslación procession in Manila, accompanying the dark wooden image of Christ carrying the cross through the streets of Quiapo. Manila’s feast of the Black Nazarene draws 9.6 million devotees Cordero, who recently visited the basilica, described the scale of devotion as “mind-boggling,” noting that even hourly Masses draw thousands of worshippers.Now, he believes, the image comes to Los Angeles at a providential moment.“Amid a sociopolitical climate marked by fear and division, this symbol of our connection in the Lord and with one another, embodied in this rustic image of Jesus carrying the cross, offers us consolation and mission,” he said.Citing the U.S. bishops’ pastoral letter “A Treasured Presence,” which describes Filipino Catholics as a vital but often unseen minority in the United States, Cordero said the Nazareno highlights the “prophetic resiliency and joy” they bring to the Church.“The Jesús Nazareno reassures us that we are not alone in bearing our crosses,” he said. “In this strange new world, our Catholic faith has been our familiar refuge of connection, support, and strength.”Revitalizing faithBalagtas said he hopes the popular Filipino icon that has a rich tradition in Latin America will help revitalize the faith of the people of the largest and most ethnically diverse archdiocese in the United States, thanks to the vibrant devotion of Filipino Catholics. Father John Cordero, MMHC, signs the “Memorandum of Agreement” formalizing Holy Family Parish’s reception of the official replica of the Jesús Nazareno on behalf of the Filipino Ministry of the Archdiocese of Los Angeles, as Father Jade Licuanan, rector of the Basilica and National Shrine of Jesús Nazareno in Manila, looks on in 2025. | Credit: Holy Family Catholic Church Artesia “The people who are filling the pews of the churches in the Archdiocese of Los Angeles, as in other dioceses, are Filipino Catholics.”From Quiapo, Manila’s narrow streets, where millions gather each year for the Traslación, to the sprawling parishes of Southern California, the cross-bearing Christ now stands in a new land — inviting the faithful not only to venerate but also to follow him.
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Replica of Manila’s famed ‘Black Nazarene’ arrives in Los Angeles Archdiocese #Catholic The centuries-old devotion to Nuestro Padre Jesús Nazareno of Quiapo, Manila, in the Philippines has formally reached the U.S. West Coast as an official replica of the revered image was turned over to the Archdiocese of Los Angeles and entrusted to Holy Family Parish in Artesia and the archdiocese’s Filipino ministry.The replica, gifted by the Minor Basilica and National Shrine of Jesús Nazareno in Manila, will be enthroned at Holy Family Parish and serve as a pilgrim image, visiting parishes across the archdiocese’s five pastoral regions as part of a broader evangelization initiative. Father John Cordero displays the official replica of the Jesús Nazareno from Manila’s Quiapo Church in 2025. | Credit: Holy Family Catholic Church Artesia The arrival of the image marks the fruit of an evangelization effort spearheaded by then-rector of Quiapo Church, now Bishop Rufino Sescon of Balanga, Bataan. According to Father John Cordero of the Marian Missionaries of the Holy Cross, pastor of Holy Family Parish, the development unfolded providentially.“The real starting point of this development was the evangelization initiative of the National Shrine of Jesús Nazareno in Manila, spearheaded by then-rector and now bishop of Balanga, Rufino ‘Jun’ Sescon,” Cordero told EWTN News.The replica was initially offered to the Archdiocese of Los Angeles through Father Rodel Balagtas, priest liaison to the Filipino Ministry. Although another parish had first expressed willingness to host the image, no final arrangements had been made.Months later, Sescon personally contacted Cordero — a former graduate school classmate — to reestablish communication between Quiapo Church and a receiving parish. What seemed at first a closed matter reopened, and Cordero discerned that the parish could accommodate the image by converting a religious goods store in the vestibule into a shrine.“I noticed something that had slipped my attention: We have space,” Cordero said. After consultation with Filipino Ministry leaders, including its president and parishioner Noel Motus, the parish agreed to receive the image. “It is a gift from the national shrine, and our parish was merely chosen to be the caretakers.”Formal reception and MassSescon will celebrate the Mass marking the official arrival and reception of the replica in Los Angeles on Feb. 14. Later this year, the image will also be brought to the annual Religious Education Congress, further expanding its exposure to thousands of catechists and ministry leaders.Bishop Oscar Solis of Salt Lake City — the first Filipino-born bishop to lead a diocese in the United States — is also scheduled to celebrate a Mass in connection with the image’s visit.While there was no prior organized clamor among parishioners for a Nazareno image, Cordero said the parishioners’ response after learning that their parish will be the home of the replica has been one of “sheer joy,” with Filipino and Hispanic faithful alike rallying around the new shrine.“As a pastor explaining this new devotion to my multicultural parish, I would like to point to our mutual interconnectedness with this image,” he said. “This is primarily an image of Jesus, the focal point of our Christian unity.”Historical connectionsThe original image of the Jesús Nazareno, which arrived in Manila from Mexico in 1606, bears deep historical ties to both the Philippines and the Americas. California itself was once part of Mexico, and devotion to Jesús Nazareno has long-standing roots throughout Latin America.“The image, touched by hundreds of millions of pilgrims throughout its four centuries of devotional history, connects us with the everyday faith stories of all who identify with the suffering of Our Lord,” Cordero said.In a gesture underscoring that spiritual continuity, “like the Galileans who were content with touching the tassels of the cloak of Jesus for their healing,” Cordero requested Father Jade Licuanan, the current Quiapo Basilica rector, to have the replica be touched to the original image in Quiapo before being shipped to the United States. Cordero described this as an “intimate act of blessing and sending.”Mass devotion in ManilaThe devotion to the image once known as the “Black Nazarene” is among the largest Catholic expressions of popular piety in the world. Each January, millions of barefoot devotees join the Traslación procession in Manila, accompanying the dark wooden image of Christ carrying the cross through the streets of Quiapo. Manila’s feast of the Black Nazarene draws 9.6 million devotees Cordero, who recently visited the basilica, described the scale of devotion as “mind-boggling,” noting that even hourly Masses draw thousands of worshippers.Now, he believes, the image comes to Los Angeles at a providential moment.“Amid a sociopolitical climate marked by fear and division, this symbol of our connection in the Lord and with one another, embodied in this rustic image of Jesus carrying the cross, offers us consolation and mission,” he said.Citing the U.S. bishops’ pastoral letter “A Treasured Presence,” which describes Filipino Catholics as a vital but often unseen minority in the United States, Cordero said the Nazareno highlights the “prophetic resiliency and joy” they bring to the Church.“The Jesús Nazareno reassures us that we are not alone in bearing our crosses,” he said. “In this strange new world, our Catholic faith has been our familiar refuge of connection, support, and strength.”Revitalizing faithBalagtas said he hopes the popular Filipino icon that has a rich tradition in Latin America will help revitalize the faith of the people of the largest and most ethnically diverse archdiocese in the United States, thanks to the vibrant devotion of Filipino Catholics. Father John Cordero, MMHC, signs the “Memorandum of Agreement” formalizing Holy Family Parish’s reception of the official replica of the Jesús Nazareno on behalf of the Filipino Ministry of the Archdiocese of Los Angeles, as Father Jade Licuanan, rector of the Basilica and National Shrine of Jesús Nazareno in Manila, looks on in 2025. | Credit: Holy Family Catholic Church Artesia “The people who are filling the pews of the churches in the Archdiocese of Los Angeles, as in other dioceses, are Filipino Catholics.”From Quiapo, Manila’s narrow streets, where millions gather each year for the Traslación, to the sprawling parishes of Southern California, the cross-bearing Christ now stands in a new land — inviting the faithful not only to venerate but also to follow him.

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An official replica of Manila’s centuries-old Jesús Nazareno image has been entrusted to Holy Family Parish in Artesia, California, bringing one of the world’s largest Catholic devotions to the U.S.

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Strong Solar Flare – NASA’s Solar Dynamics Observatory captured this image of a solar flare — seen as the bright flash toward the upper middle — on Feb. 4, 2026. The image shows a subset of extreme ultraviolet light that highlights the extremely hot material in flares and which is colorized in blue and red.
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Strong Solar Flare – NASA’s Solar Dynamics Observatory captured this image of a solar flare — seen as the bright flash toward the upper middle — on Feb. 4, 2026. The image shows a subset of extreme ultraviolet light that highlights the extremely hot material in flares and which is colorized in blue and red.

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NASA’s Solar Dynamics Observatory captured this image of a solar flare — seen as the bright flash toward the upper middle — on Feb. 4, 2026. The image shows a subset of extreme ultraviolet light that highlights the extremely hot material in flares and which is colorized in blue and red.

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Webb Zooms into Helix Nebula – A new image from NASA’s James Webb Space Telescope of a portion of the Helix Nebula highlights comet-like knots, fierce stellar winds, and layers of gas shed off by a dying star interacting with its surrounding environment. Webb’s image also shows the stark transition between the hottest gas to the coolest gas as the shell expands out from the central white dwarf.
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Webb Zooms into Helix Nebula – A new image from NASA’s James Webb Space Telescope of a portion of the Helix Nebula highlights comet-like knots, fierce stellar winds, and layers of gas shed off by a dying star interacting with its surrounding environment. Webb’s image also shows the stark transition between the hottest gas to the coolest gas as the shell expands out from the central white dwarf.

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A new image from NASA’s James Webb Space Telescope of a portion of the Helix Nebula highlights comet-like knots, fierce stellar winds, and layers of gas shed off by a dying star interacting with its surrounding environment. Webb’s image also shows the stark transition between the hottest gas to the coolest gas as the shell expands out from the central white dwarf.

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