highlights

Archdiocese of New Orleans issues public apology to abuse victims #Catholic 
 
 The Saint Louis Cathedral and Jackson Square are seen at sunset near the French Quarter in downtown New Orleans on April 10, 2010. | Credit: Graythen/Getty Images

Jan 5, 2026 / 18:32 pm (CNA).
The Archdiocese of New Orleans released a letter written to child sexual abuse claimants apologizing for the “inexcusable harm” they suffered.“On behalf of the clergy, religious, and laity of the Archdiocese of New Orleans,” Archbishop Gregory Aymond of New Orleans expressed in the Dec. 26, 2025, letter his “profound regret over the tragic and inexcusable harm” child abuse survivors suffered.The letter was made public on Jan. 4 and emphasized that the Archdiocese of New Orleans “takes responsibility for the abuse.” Aymond said the archdiocese “pledges to keep children and all vulnerable people safe in our ministry.”“I sincerely apologize to you for the trauma caused to you and to those close to you as a survivor of sexual abuse perpetrated by a member of the clergy, a religious sister or brother, or a lay employee or volunteer working within the Catholic Church,” Aymond said.“I am ashamed that you or anyone should have been sexually abused by someone working within the Catholic Church. Sexual abuse is an inexcusable evil, and I am ashamed that you or anyone should have been sexually abused by someone working within the Catholic Church.”“Please know that you are not to blame for the abuse perpetrated on you,” Aymond said. “You were and are completely innocent and did nothing to deserve the pain you have suffered because of the hideous crime of sexual abuse of a minor.”‘Recognition’ provisionsThe public release of the letter is a part of an “extensive media outreach” to express the Archdiocese of New Orleans’ “commitment to the nonmonetary provisions laid out in its Chapter 11 settlement plan,” according to the Clarion Herald, the official newspaper of the archdiocese.The letter follows the October 2025 approval for a 0 million bankruptcy settlement to pay out over 650 victims after five years of litigation.The Chapter 11 case filed in 2020 highlights a number of procedures in its nonmonetary provisions “to foster child protection and prevent child sexual abuse.” Within its “recognition” section, the document calls for individual apology letters and a public apology letter.“It is my fervent hope that as we bring these Chapter 11 proceedings to a close, you will achieve some sense of peace, justice, and healing,” Aymond wrote in the letter. “I hold you and all survivors of abuse in prayer daily and encourage all to join me in prayer for you.”The letter will be shared through multiple media outlets over the upcoming days and weeks.

Archdiocese of New Orleans issues public apology to abuse victims #Catholic The Saint Louis Cathedral and Jackson Square are seen at sunset near the French Quarter in downtown New Orleans on April 10, 2010. | Credit: Graythen/Getty Images Jan 5, 2026 / 18:32 pm (CNA). The Archdiocese of New Orleans released a letter written to child sexual abuse claimants apologizing for the “inexcusable harm” they suffered.“On behalf of the clergy, religious, and laity of the Archdiocese of New Orleans,” Archbishop Gregory Aymond of New Orleans expressed in the Dec. 26, 2025, letter his “profound regret over the tragic and inexcusable harm” child abuse survivors suffered.The letter was made public on Jan. 4 and emphasized that the Archdiocese of New Orleans “takes responsibility for the abuse.” Aymond said the archdiocese “pledges to keep children and all vulnerable people safe in our ministry.”“I sincerely apologize to you for the trauma caused to you and to those close to you as a survivor of sexual abuse perpetrated by a member of the clergy, a religious sister or brother, or a lay employee or volunteer working within the Catholic Church,” Aymond said.“I am ashamed that you or anyone should have been sexually abused by someone working within the Catholic Church. Sexual abuse is an inexcusable evil, and I am ashamed that you or anyone should have been sexually abused by someone working within the Catholic Church.”“Please know that you are not to blame for the abuse perpetrated on you,” Aymond said. “You were and are completely innocent and did nothing to deserve the pain you have suffered because of the hideous crime of sexual abuse of a minor.”‘Recognition’ provisionsThe public release of the letter is a part of an “extensive media outreach” to express the Archdiocese of New Orleans’ “commitment to the nonmonetary provisions laid out in its Chapter 11 settlement plan,” according to the Clarion Herald, the official newspaper of the archdiocese.The letter follows the October 2025 approval for a $230 million bankruptcy settlement to pay out over 650 victims after five years of litigation.The Chapter 11 case filed in 2020 highlights a number of procedures in its nonmonetary provisions “to foster child protection and prevent child sexual abuse.” Within its “recognition” section, the document calls for individual apology letters and a public apology letter.“It is my fervent hope that as we bring these Chapter 11 proceedings to a close, you will achieve some sense of peace, justice, and healing,” Aymond wrote in the letter. “I hold you and all survivors of abuse in prayer daily and encourage all to join me in prayer for you.”The letter will be shared through multiple media outlets over the upcoming days and weeks.


The Saint Louis Cathedral and Jackson Square are seen at sunset near the French Quarter in downtown New Orleans on April 10, 2010. | Credit: Graythen/Getty Images

Jan 5, 2026 / 18:32 pm (CNA).

The Archdiocese of New Orleans released a letter written to child sexual abuse claimants apologizing for the “inexcusable harm” they suffered.

“On behalf of the clergy, religious, and laity of the Archdiocese of New Orleans,” Archbishop Gregory Aymond of New Orleans expressed in the Dec. 26, 2025, letter his “profound regret over the tragic and inexcusable harm” child abuse survivors suffered.

The letter was made public on Jan. 4 and emphasized that the Archdiocese of New Orleans “takes responsibility for the abuse.” Aymond said the archdiocese “pledges to keep children and all vulnerable people safe in our ministry.”

“I sincerely apologize to you for the trauma caused to you and to those close to you as a survivor of sexual abuse perpetrated by a member of the clergy, a religious sister or brother, or a lay employee or volunteer working within the Catholic Church,” Aymond said.

“I am ashamed that you or anyone should have been sexually abused by someone working within the Catholic Church. Sexual abuse is an inexcusable evil, and I am ashamed that you or anyone should have been sexually abused by someone working within the Catholic Church.”

“Please know that you are not to blame for the abuse perpetrated on you,” Aymond said. “You were and are completely innocent and did nothing to deserve the pain you have suffered because of the hideous crime of sexual abuse of a minor.”

‘Recognition’ provisions

The public release of the letter is a part of an “extensive media outreach” to express the Archdiocese of New Orleans’ “commitment to the nonmonetary provisions laid out in its Chapter 11 settlement plan,” according to the Clarion Herald, the official newspaper of the archdiocese.

The letter follows the October 2025 approval for a $230 million bankruptcy settlement to pay out over 650 victims after five years of litigation.

The Chapter 11 case filed in 2020 highlights a number of procedures in its nonmonetary provisions “to foster child protection and prevent child sexual abuse.” Within its “recognition” section, the document calls for individual apology letters and a public apology letter.

“It is my fervent hope that as we bring these Chapter 11 proceedings to a close, you will achieve some sense of peace, justice, and healing,” Aymond wrote in the letter. “I hold you and all survivors of abuse in prayer daily and encourage all to join me in prayer for you.”

The letter will be shared through multiple media outlets over the upcoming days and weeks.

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‘Our Lady of Guadalupe is the mother of all’: DC pilgrimage highlights value of migrants #Catholic 
 
 Bishop Evelio Menjivar speaks with “EWTN News in Depth” on Friday, March 14, 2025. / Credit: “EWTN News in Depth”

Washington, D.C. Newsroom, Dec 15, 2025 / 16:36 pm (CNA).
The Virgin Mary’s role as comforter to all was specially highlighted during a pilgrimage through the streets of Washington, D.C., Saturday morning. “Our Lady of Guadalupe is the mother of all. She envelops each one of us with the same tenderness and the same love, no matter our country of origin or language,” Auxiliary Bishop Evelio Menjívar said during his homily at the Basilica of the National Shrine of the Immaculate Conception. The words from the bishop, who was born in El Salvador, came after the Archdiocese of Washington’s annual “Walk with Mary” procession that began at the Shrine of the Sacred Heart, a Hispanic Catholic parish. Participants also prayed a rosary upon arriving at the basilica, which holds 2,500 people and was filled to capacity, according to the archdiocese. The archdiocese billed this year’s celebration of the pilgrimage honoring Our Lady of Guadalupe on her feast day as “highlight[ing] a call to accompany and pray for migrants and refugees, reflecting the Church’s mission of compassion, solidarity, hope, and peace.” “For more than a decade, thousands of pilgrims from diverse cultures and backgrounds have walked side by side, lifting their voices in prayer and songs of praise,” the archdiocese said. “Along the way, participants celebrate the archdiocese’s rich cultural diversity and unity in Jesus Christ, while reflecting on the appearance of the young mestiza Virgin of Guadalupe to the peasant St. Juan Diego on a hilltop near Mexico City in 1531.”The Mass, which included a reenactment of the story of Mary’s apparition to St. Juan Diego, was celebrated by Cardinal Robert McElroy of Washington; Cardinal Christophe Pierre, apostolic nuncio to the United States; and Auxiliary Bishops Menjívar, Juan Esposito, and Roy Campbell.Menjívar interspersed his homily, which was mostly in Spanish, with reflections in English on the Virgin Mary and the Church’s role in accompanying poor and marginalized communities, particularly migrants.“Let me say this in English because I believe it is very important for us to understand Mary reflects what the Church is called to be,” Menjívar said. “In the apostolic exhortation Dilexi Te [“I Have Loved You”] Pope Leo affirms the Church, like a mother, accompanies those who are walking. Where the world sees threats, she sees children. Where walls are built, she builds bridges.”The Virgin Mary, he said, regards “every rejected migrant” as “Christ himself, who knocks at the door of the community.” Reflecting on the significance of Our Lady of Guadalupe, Menjívar noted that Mary “did not manifest herself to a powerful or well-educated person.” “She appeared to Juan Diego, a simple, poor, Indigenous man, marginalized by the systems of his time,” the bishop said. “With this, God proclaims another truth. He takes the side of the little ones, the despised, the ones who do not count.” “So the good news,” he concluded, “is this: For God, we do count, and a lot, because we are his sons and daughters.”

‘Our Lady of Guadalupe is the mother of all’: DC pilgrimage highlights value of migrants #Catholic Bishop Evelio Menjivar speaks with “EWTN News in Depth” on Friday, March 14, 2025. / Credit: “EWTN News in Depth” Washington, D.C. Newsroom, Dec 15, 2025 / 16:36 pm (CNA). The Virgin Mary’s role as comforter to all was specially highlighted during a pilgrimage through the streets of Washington, D.C., Saturday morning. “Our Lady of Guadalupe is the mother of all. She envelops each one of us with the same tenderness and the same love, no matter our country of origin or language,” Auxiliary Bishop Evelio Menjívar said during his homily at the Basilica of the National Shrine of the Immaculate Conception. The words from the bishop, who was born in El Salvador, came after the Archdiocese of Washington’s annual “Walk with Mary” procession that began at the Shrine of the Sacred Heart, a Hispanic Catholic parish. Participants also prayed a rosary upon arriving at the basilica, which holds 2,500 people and was filled to capacity, according to the archdiocese. The archdiocese billed this year’s celebration of the pilgrimage honoring Our Lady of Guadalupe on her feast day as “highlight[ing] a call to accompany and pray for migrants and refugees, reflecting the Church’s mission of compassion, solidarity, hope, and peace.” “For more than a decade, thousands of pilgrims from diverse cultures and backgrounds have walked side by side, lifting their voices in prayer and songs of praise,” the archdiocese said. “Along the way, participants celebrate the archdiocese’s rich cultural diversity and unity in Jesus Christ, while reflecting on the appearance of the young mestiza Virgin of Guadalupe to the peasant St. Juan Diego on a hilltop near Mexico City in 1531.”The Mass, which included a reenactment of the story of Mary’s apparition to St. Juan Diego, was celebrated by Cardinal Robert McElroy of Washington; Cardinal Christophe Pierre, apostolic nuncio to the United States; and Auxiliary Bishops Menjívar, Juan Esposito, and Roy Campbell.Menjívar interspersed his homily, which was mostly in Spanish, with reflections in English on the Virgin Mary and the Church’s role in accompanying poor and marginalized communities, particularly migrants.“Let me say this in English because I believe it is very important for us to understand Mary reflects what the Church is called to be,” Menjívar said. “In the apostolic exhortation Dilexi Te [“I Have Loved You”] Pope Leo affirms the Church, like a mother, accompanies those who are walking. Where the world sees threats, she sees children. Where walls are built, she builds bridges.”The Virgin Mary, he said, regards “every rejected migrant” as “Christ himself, who knocks at the door of the community.” Reflecting on the significance of Our Lady of Guadalupe, Menjívar noted that Mary “did not manifest herself to a powerful or well-educated person.” “She appeared to Juan Diego, a simple, poor, Indigenous man, marginalized by the systems of his time,” the bishop said. “With this, God proclaims another truth. He takes the side of the little ones, the despised, the ones who do not count.” “So the good news,” he concluded, “is this: For God, we do count, and a lot, because we are his sons and daughters.”


Bishop Evelio Menjivar speaks with “EWTN News in Depth” on Friday, March 14, 2025. / Credit: “EWTN News in Depth”

Washington, D.C. Newsroom, Dec 15, 2025 / 16:36 pm (CNA).

The Virgin Mary’s role as comforter to all was specially highlighted during a pilgrimage through the streets of Washington, D.C., Saturday morning. 

“Our Lady of Guadalupe is the mother of all. She envelops each one of us with the same tenderness and the same love, no matter our country of origin or language,” Auxiliary Bishop Evelio Menjívar said during his homily at the Basilica of the National Shrine of the Immaculate Conception. 

The words from the bishop, who was born in El Salvador, came after the Archdiocese of Washington’s annual “Walk with Mary” procession that began at the Shrine of the Sacred Heart, a Hispanic Catholic parish. Participants also prayed a rosary upon arriving at the basilica, which holds 2,500 people and was filled to capacity, according to the archdiocese. 

The archdiocese billed this year’s celebration of the pilgrimage honoring Our Lady of Guadalupe on her feast day as “highlight[ing] a call to accompany and pray for migrants and refugees, reflecting the Church’s mission of compassion, solidarity, hope, and peace.” 

“For more than a decade, thousands of pilgrims from diverse cultures and backgrounds have walked side by side, lifting their voices in prayer and songs of praise,” the archdiocese said. “Along the way, participants celebrate the archdiocese’s rich cultural diversity and unity in Jesus Christ, while reflecting on the appearance of the young mestiza Virgin of Guadalupe to the peasant St. Juan Diego on a hilltop near Mexico City in 1531.”

The Mass, which included a reenactment of the story of Mary’s apparition to St. Juan Diego, was celebrated by Cardinal Robert McElroy of Washington; Cardinal Christophe Pierre, apostolic nuncio to the United States; and Auxiliary Bishops Menjívar, Juan Esposito, and Roy Campbell.

Menjívar interspersed his homily, which was mostly in Spanish, with reflections in English on the Virgin Mary and the Church’s role in accompanying poor and marginalized communities, particularly migrants.

“Let me say this in English because I believe it is very important for us to understand Mary reflects what the Church is called to be,” Menjívar said. “In the apostolic exhortation Dilexi Te [“I Have Loved You”] Pope Leo affirms the Church, like a mother, accompanies those who are walking. Where the world sees threats, she sees children. Where walls are built, she builds bridges.”

The Virgin Mary, he said, regards “every rejected migrant” as “Christ himself, who knocks at the door of the community.” 

Reflecting on the significance of Our Lady of Guadalupe, Menjívar noted that Mary “did not manifest herself to a powerful or well-educated person.” 

“She appeared to Juan Diego, a simple, poor, Indigenous man, marginalized by the systems of his time,” the bishop said. “With this, God proclaims another truth. He takes the side of the little ones, the despised, the ones who do not count.” 

“So the good news,” he concluded, “is this: For God, we do count, and a lot, because we are his sons and daughters.”

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Hidden Catholic histories come alive in new Black and Native American films #Catholic 
 
 A still from “Trailblazers of Faith: The Legacy of African American Catholics,” which tells the inspiring story of how African Americans found a home in Catholicism without abandoning their identity or culture. Those pictured are the African Americans currently on the path to sainthood: Venerable Henriette DeLille, Julia Greeley, Father Augustus Tolton, Mother Mary Lange, Pierre Toussaint, and Sister Thea Bowman. / Credit: Black and Indian Mission Office

CNA Staff, Dec 7, 2025 / 07:00 am (CNA).
The Black and Indian Mission Office in Washington, D.C., recently released two documentaries — one highlighting African American Catholics on the path to sainthood and the focusing on Native American Catholic communities in the United States. “Trailblazers of Faith: The Legacy of African American Catholics” tells the inspiring story of how African Americans found a home in Catholicism without abandoning their identity or culture. From the pioneering Oblate Sisters of Providence and St. Frances Academy to the lives of Venerable Henriette DeLille, Julia Greeley, Father Augustus Tolton, and Sister Thea Bowman, the documentary celebrates a legacy of leadership and faith.The second film, “Walking the Sacred Path: The Story of the Black and Indian Mission Office,” uncovers the often-hidden story of Native American Catholics in the United States. The film explores the powerful intersection of faith and culture — where the beauty of Native traditions and the universality of Catholicism meet — and highlights more than 140 years of the Black and Indian Mission Office’s mission to walk alongside Native American communities. Father Maurice Henry Sands is the executive director of the Black and Indian Mission Office. He told CNA in an interview that these documentaries were created “to educate people about these two groups of people that a lot of people don’t know much about,” as well as “to educate people about the work that our office is doing with these two groups of people.”The Black and Indian Mission Collection was the first national collection established at the Third Plenary Council of Baltimore in 1884 and is still taken up yearly funding the Black and Indian Mission Office.The United States bishops recognized the need to support missionary work among African American and Native American Catholics and since its creation the collection has allowed for grants to be given to dioceses across the country to operate schools, parishes, and other missionary services that build the body of Christ in Native American, Alaska Native, and Black Catholic communities.Sands shared that it is important for Catholics to walk alongside these communities because “we are all part of the human race that the Lord directs his work of salvation towards.”“It’s important that we learn how to live together and walk together because as human beings we do put up walls and barriers and we see differences among ourselves,” he said, adding that racism “has caused a lot of difficulties for the two groups of people.” “So, we have a fundamental call as disciples of Christ, as Catholics, as Christians, to help the Lord and his work of salvation to love one another and to have a special concern for those of our brothers and sisters who are disadvantaged and in need,” he said.Speaking specifically to the documentary on the African American Catholics on their way to sainthood, Sands explained that the six individuals included all serve as great role models for the faithful because “each of them had very challenging beginnings but went on to be great lovers of Our Lord and were a great witness to others and helped people in need as they saw the needs of people around them and were very effective in doing that.”He added that the early Church missionaries who served Native Americans also serve as role models in how to “help people where they are to come to know Christ, to love him, and to have a relationship with him.”Sands said he hopes viewers will feel moved to “learn more about how they can support the ministry to these two groups of people and to learn more about how they can support the work that we are doing in our office.”Both documentaries can be viewed on Formed.

Hidden Catholic histories come alive in new Black and Native American films #Catholic A still from “Trailblazers of Faith: The Legacy of African American Catholics,” which tells the inspiring story of how African Americans found a home in Catholicism without abandoning their identity or culture. Those pictured are the African Americans currently on the path to sainthood: Venerable Henriette DeLille, Julia Greeley, Father Augustus Tolton, Mother Mary Lange, Pierre Toussaint, and Sister Thea Bowman. / Credit: Black and Indian Mission Office CNA Staff, Dec 7, 2025 / 07:00 am (CNA). The Black and Indian Mission Office in Washington, D.C., recently released two documentaries — one highlighting African American Catholics on the path to sainthood and the focusing on Native American Catholic communities in the United States. “Trailblazers of Faith: The Legacy of African American Catholics” tells the inspiring story of how African Americans found a home in Catholicism without abandoning their identity or culture. From the pioneering Oblate Sisters of Providence and St. Frances Academy to the lives of Venerable Henriette DeLille, Julia Greeley, Father Augustus Tolton, and Sister Thea Bowman, the documentary celebrates a legacy of leadership and faith.The second film, “Walking the Sacred Path: The Story of the Black and Indian Mission Office,” uncovers the often-hidden story of Native American Catholics in the United States. The film explores the powerful intersection of faith and culture — where the beauty of Native traditions and the universality of Catholicism meet — and highlights more than 140 years of the Black and Indian Mission Office’s mission to walk alongside Native American communities. Father Maurice Henry Sands is the executive director of the Black and Indian Mission Office. He told CNA in an interview that these documentaries were created “to educate people about these two groups of people that a lot of people don’t know much about,” as well as “to educate people about the work that our office is doing with these two groups of people.”The Black and Indian Mission Collection was the first national collection established at the Third Plenary Council of Baltimore in 1884 and is still taken up yearly funding the Black and Indian Mission Office.The United States bishops recognized the need to support missionary work among African American and Native American Catholics and since its creation the collection has allowed for grants to be given to dioceses across the country to operate schools, parishes, and other missionary services that build the body of Christ in Native American, Alaska Native, and Black Catholic communities.Sands shared that it is important for Catholics to walk alongside these communities because “we are all part of the human race that the Lord directs his work of salvation towards.”“It’s important that we learn how to live together and walk together because as human beings we do put up walls and barriers and we see differences among ourselves,” he said, adding that racism “has caused a lot of difficulties for the two groups of people.” “So, we have a fundamental call as disciples of Christ, as Catholics, as Christians, to help the Lord and his work of salvation to love one another and to have a special concern for those of our brothers and sisters who are disadvantaged and in need,” he said.Speaking specifically to the documentary on the African American Catholics on their way to sainthood, Sands explained that the six individuals included all serve as great role models for the faithful because “each of them had very challenging beginnings but went on to be great lovers of Our Lord and were a great witness to others and helped people in need as they saw the needs of people around them and were very effective in doing that.”He added that the early Church missionaries who served Native Americans also serve as role models in how to “help people where they are to come to know Christ, to love him, and to have a relationship with him.”Sands said he hopes viewers will feel moved to “learn more about how they can support the ministry to these two groups of people and to learn more about how they can support the work that we are doing in our office.”Both documentaries can be viewed on Formed.


A still from “Trailblazers of Faith: The Legacy of African American Catholics,” which tells the inspiring story of how African Americans found a home in Catholicism without abandoning their identity or culture. Those pictured are the African Americans currently on the path to sainthood: Venerable Henriette DeLille, Julia Greeley, Father Augustus Tolton, Mother Mary Lange, Pierre Toussaint, and Sister Thea Bowman. / Credit: Black and Indian Mission Office

CNA Staff, Dec 7, 2025 / 07:00 am (CNA).

The Black and Indian Mission Office in Washington, D.C., recently released two documentaries — one highlighting African American Catholics on the path to sainthood and the focusing on Native American Catholic communities in the United States. 

“Trailblazers of Faith: The Legacy of African American Catholics” tells the inspiring story of how African Americans found a home in Catholicism without abandoning their identity or culture. 

From the pioneering Oblate Sisters of Providence and St. Frances Academy to the lives of Venerable Henriette DeLille, Julia Greeley, Father Augustus Tolton, and Sister Thea Bowman, the documentary celebrates a legacy of leadership and faith.

The second film, “Walking the Sacred Path: The Story of the Black and Indian Mission Office,” uncovers the often-hidden story of Native American Catholics in the United States. The film explores the powerful intersection of faith and culture — where the beauty of Native traditions and the universality of Catholicism meet — and highlights more than 140 years of the Black and Indian Mission Office’s mission to walk alongside Native American communities. 

Father Maurice Henry Sands is the executive director of the Black and Indian Mission Office. He told CNA in an interview that these documentaries were created “to educate people about these two groups of people that a lot of people don’t know much about,” as well as “to educate people about the work that our office is doing with these two groups of people.”

The Black and Indian Mission Collection was the first national collection established at the Third Plenary Council of Baltimore in 1884 and is still taken up yearly funding the Black and Indian Mission Office.

The United States bishops recognized the need to support missionary work among African American and Native American Catholics and since its creation the collection has allowed for grants to be given to dioceses across the country to operate schools, parishes, and other missionary services that build the body of Christ in Native American, Alaska Native, and Black Catholic communities.

Sands shared that it is important for Catholics to walk alongside these communities because “we are all part of the human race that the Lord directs his work of salvation towards.”

“It’s important that we learn how to live together and walk together because as human beings we do put up walls and barriers and we see differences among ourselves,” he said, adding that racism “has caused a lot of difficulties for the two groups of people.” 

“So, we have a fundamental call as disciples of Christ, as Catholics, as Christians, to help the Lord and his work of salvation to love one another and to have a special concern for those of our brothers and sisters who are disadvantaged and in need,” he said.

Speaking specifically to the documentary on the African American Catholics on their way to sainthood, Sands explained that the six individuals included all serve as great role models for the faithful because “each of them had very challenging beginnings but went on to be great lovers of Our Lord and were a great witness to others and helped people in need as they saw the needs of people around them and were very effective in doing that.”

He added that the early Church missionaries who served Native Americans also serve as role models in how to “help people where they are to come to know Christ, to love him, and to have a relationship with him.”

Sands said he hopes viewers will feel moved to “learn more about how they can support the ministry to these two groups of people and to learn more about how they can support the work that we are doing in our office.”

Both documentaries can be viewed on Formed.

Read More
1 in 4 post-abortive women regret abortion decades later, study finds #Catholic 
 
 null / Credit: MikeDotta/Shutterstock

CNA Staff, Dec 4, 2025 / 15:37 pm (CNA).
Here is a roundup of recent pro-life and abortion-related news:1 in 4 post-abortive women regret abortion decades later, study finds A new study found that 1 in 4 women regret their abortion decades after undergoing the procedure. The study, published in the International Journal of Women’s Health Care, measured the levels of distress abortive women feel years after having an abortion. Authored by Father Donald Paul Sullins with The Catholic University of America and the Ruth Institute, the study found that 24% of postabortive women in the U.S. “suffer from serious post-abortion distress.” Of these post-abortive women, just under half showed “multiple symptoms of post-traumatic stress,” according to the study. In the study, Sullins called for more research on the long-term effects of abortion as well as the development of “effective therapeutic interventions.”“The health care of this population of women is understudied and underserved,” the study read. “Women considering an abortion should be informed of the possibility that they may experience persistent emotional distress.” 1 million ‘conversion counts’ highlights pregnancy center’s lifesaving workA group that promotes life-affirming pregnancy centers has logged 1 million “conversions” away from abortion since its inception, the group announced earlier this week.Choose Life Marketing works with more than 900 pro-life clients, including pregnancy centers, maternity homes, and adoption agencies. The group found that a million women experiencing unplanned pregnancies had scheduled an appointment with a pregnancy help center since the agency’s founding in 2016. “It reflects women choosing connection over isolation, hope over fear, and the courage to reach out for help,” said Nelly Roach, who heads Choose Life Marketing. “Pregnancy help centers across the country continue to meet those moments with the compassion, excellence, and support women deserve.”“One million women reached out,” she continued. “Hundreds of thousands found the support they needed to choose life. Their courage and their children will shape families, communities, and futures for generations.”  Appeals court rules in favor of pregnancy centers in legal battle A federal appeals court in New York ruled in favor of pregnancy centers in a legal battle over abortion pill reversal services.A panel on the 2nd U.S. Circuit Court of Appeals upheld a preliminary injunction allowing pregnancy clinics to advertise abortion pill reversal.New York Attorney General Letitia James sued the group Heartbeat International and 11 pregnancy centers in May 2024 accusing them of fraud in promoting a drug regimen that purports to reverse the effects of mifepristone. In response, the National Institute of Family and Life Advocates sued James, claiming she was attacking their right to free speech. The three-judge panel at the appeals court ruled unanimously that the pregnancy centers could continue to advertise abortion reversal. Thomas Glessner, president of the National Institute of Family and Life Advocates, heralded the ruling, saying that pregnancy resource centers in the state “are now free to help women who regret taking the abortion pill and want a chance at saving the lives of their babies.” “Abortion pill reversal, like the court said, offers no financial gains for pregnancy centers,” Glessner said in a statement shared with CNA. “They are simply giving women another option than ending the life of their unborn babies.”Iowa lawmaker reintroduces bill in support of pregnant college students Rep. Ashley Hinson, R-Iowa, has reintroduced a bill requiring colleges to inform pregnant students of their rights and the resources available to them in their schools.Under Title IX, pregnant students have the right to remain in school and complete their education, but about 30% of abortions are performed on college-aged women, according to Hinson’s press release. Resources that colleges offer to pregnant students often include flexible class schedules, excused absences, and child care assistance.Students “deserve to know every resource available to them,” Hinson said in a statement.“It is unacceptable that so many often feel they have to choose between finishing their education and having their baby,” the lawmaker continued.Praising the bill, Kristan Hawkins, the president of Students for Life of America, said in a statement: “Women balancing school, pregnancy, and family deserve our support. Yet, ironically, far too few know about Title IX, the law that is supposed to protect their rights.”

1 in 4 post-abortive women regret abortion decades later, study finds #Catholic null / Credit: MikeDotta/Shutterstock CNA Staff, Dec 4, 2025 / 15:37 pm (CNA). Here is a roundup of recent pro-life and abortion-related news:1 in 4 post-abortive women regret abortion decades later, study finds A new study found that 1 in 4 women regret their abortion decades after undergoing the procedure. The study, published in the International Journal of Women’s Health Care, measured the levels of distress abortive women feel years after having an abortion. Authored by Father Donald Paul Sullins with The Catholic University of America and the Ruth Institute, the study found that 24% of postabortive women in the U.S. “suffer from serious post-abortion distress.” Of these post-abortive women, just under half showed “multiple symptoms of post-traumatic stress,” according to the study. In the study, Sullins called for more research on the long-term effects of abortion as well as the development of “effective therapeutic interventions.”“The health care of this population of women is understudied and underserved,” the study read. “Women considering an abortion should be informed of the possibility that they may experience persistent emotional distress.” 1 million ‘conversion counts’ highlights pregnancy center’s lifesaving workA group that promotes life-affirming pregnancy centers has logged 1 million “conversions” away from abortion since its inception, the group announced earlier this week.Choose Life Marketing works with more than 900 pro-life clients, including pregnancy centers, maternity homes, and adoption agencies. The group found that a million women experiencing unplanned pregnancies had scheduled an appointment with a pregnancy help center since the agency’s founding in 2016. “It reflects women choosing connection over isolation, hope over fear, and the courage to reach out for help,” said Nelly Roach, who heads Choose Life Marketing. “Pregnancy help centers across the country continue to meet those moments with the compassion, excellence, and support women deserve.”“One million women reached out,” she continued. “Hundreds of thousands found the support they needed to choose life. Their courage and their children will shape families, communities, and futures for generations.”  Appeals court rules in favor of pregnancy centers in legal battle A federal appeals court in New York ruled in favor of pregnancy centers in a legal battle over abortion pill reversal services.A panel on the 2nd U.S. Circuit Court of Appeals upheld a preliminary injunction allowing pregnancy clinics to advertise abortion pill reversal.New York Attorney General Letitia James sued the group Heartbeat International and 11 pregnancy centers in May 2024 accusing them of fraud in promoting a drug regimen that purports to reverse the effects of mifepristone. In response, the National Institute of Family and Life Advocates sued James, claiming she was attacking their right to free speech. The three-judge panel at the appeals court ruled unanimously that the pregnancy centers could continue to advertise abortion reversal. Thomas Glessner, president of the National Institute of Family and Life Advocates, heralded the ruling, saying that pregnancy resource centers in the state “are now free to help women who regret taking the abortion pill and want a chance at saving the lives of their babies.” “Abortion pill reversal, like the court said, offers no financial gains for pregnancy centers,” Glessner said in a statement shared with CNA. “They are simply giving women another option than ending the life of their unborn babies.”Iowa lawmaker reintroduces bill in support of pregnant college students Rep. Ashley Hinson, R-Iowa, has reintroduced a bill requiring colleges to inform pregnant students of their rights and the resources available to them in their schools.Under Title IX, pregnant students have the right to remain in school and complete their education, but about 30% of abortions are performed on college-aged women, according to Hinson’s press release. Resources that colleges offer to pregnant students often include flexible class schedules, excused absences, and child care assistance.Students “deserve to know every resource available to them,” Hinson said in a statement.“It is unacceptable that so many often feel they have to choose between finishing their education and having their baby,” the lawmaker continued.Praising the bill, Kristan Hawkins, the president of Students for Life of America, said in a statement: “Women balancing school, pregnancy, and family deserve our support. Yet, ironically, far too few know about Title IX, the law that is supposed to protect their rights.”


null / Credit: MikeDotta/Shutterstock

CNA Staff, Dec 4, 2025 / 15:37 pm (CNA).

Here is a roundup of recent pro-life and abortion-related news:

1 in 4 post-abortive women regret abortion decades later, study finds 

A new study found that 1 in 4 women regret their abortion decades after undergoing the procedure. 

The study, published in the International Journal of Women’s Health Care, measured the levels of distress abortive women feel years after having an abortion. 

Authored by Father Donald Paul Sullins with The Catholic University of America and the Ruth Institute, the study found that 24% of postabortive women in the U.S. “suffer from serious post-abortion distress.” 

Of these post-abortive women, just under half showed “multiple symptoms of post-traumatic stress,” according to the study. 

In the study, Sullins called for more research on the long-term effects of abortion as well as the development of “effective therapeutic interventions.”

“The health care of this population of women is understudied and underserved,” the study read. “Women considering an abortion should be informed of the possibility that they may experience persistent emotional distress.” 

1 million ‘conversion counts’ highlights pregnancy center’s lifesaving work

A group that promotes life-affirming pregnancy centers has logged 1 million “conversions” away from abortion since its inception, the group announced earlier this week.

Choose Life Marketing works with more than 900 pro-life clients, including pregnancy centers, maternity homes, and adoption agencies. 

The group found that a million women experiencing unplanned pregnancies had scheduled an appointment with a pregnancy help center since the agency’s founding in 2016. 

“It reflects women choosing connection over isolation, hope over fear, and the courage to reach out for help,” said Nelly Roach, who heads Choose Life Marketing. “Pregnancy help centers across the country continue to meet those moments with the compassion, excellence, and support women deserve.”

“One million women reached out,” she continued. “Hundreds of thousands found the support they needed to choose life. Their courage and their children will shape families, communities, and futures for generations.”  

Appeals court rules in favor of pregnancy centers in legal battle 

A federal appeals court in New York ruled in favor of pregnancy centers in a legal battle over abortion pill reversal services.

A panel on the 2nd U.S. Circuit Court of Appeals upheld a preliminary injunction allowing pregnancy clinics to advertise abortion pill reversal.

New York Attorney General Letitia James sued the group Heartbeat International and 11 pregnancy centers in May 2024 accusing them of fraud in promoting a drug regimen that purports to reverse the effects of mifepristone. 

In response, the National Institute of Family and Life Advocates sued James, claiming she was attacking their right to free speech. The three-judge panel at the appeals court ruled unanimously that the pregnancy centers could continue to advertise abortion reversal. 

Thomas Glessner, president of the National Institute of Family and Life Advocates, heralded the ruling, saying that pregnancy resource centers in the state “are now free to help women who regret taking the abortion pill and want a chance at saving the lives of their babies.” 

“Abortion pill reversal, like the court said, offers no financial gains for pregnancy centers,” Glessner said in a statement shared with CNA. “They are simply giving women another option than ending the life of their unborn babies.”

Iowa lawmaker reintroduces bill in support of pregnant college students 

Rep. Ashley Hinson, R-Iowa, has reintroduced a bill requiring colleges to inform pregnant students of their rights and the resources available to them in their schools.

Under Title IX, pregnant students have the right to remain in school and complete their education, but about 30% of abortions are performed on college-aged women, according to Hinson’s press release. Resources that colleges offer to pregnant students often include flexible class schedules, excused absences, and child care assistance.

Students “deserve to know every resource available to them,” Hinson said in a statement.

“It is unacceptable that so many often feel they have to choose between finishing their education and having their baby,” the lawmaker continued.

Praising the bill, Kristan Hawkins, the president of Students for Life of America, said in a statement: “Women balancing school, pregnancy, and family deserve our support. Yet, ironically, far too few know about Title IX, the law that is supposed to protect their rights.”

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PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit #Catholic 
 
 Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library

New York City, New York, Nov 30, 2025 / 08:00 am (CNA).
Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England. Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan LibraryDavid appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New YorkProphets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York LibraryThe central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public LibraryLate 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public LibraryIn the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public LibraryScenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York LibraryIn his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York LibraryThis high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York LibraryMore’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York LibraryThe branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit #Catholic Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library New York City, New York, Nov 30, 2025 / 08:00 am (CNA). Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England. Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan LibraryDavid appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New YorkProphets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York LibraryThe central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public LibraryLate 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public LibraryIn the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public LibraryScenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York LibraryIn his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York LibraryThis high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York LibraryMore’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York LibraryThe branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.


Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library

New York City, New York, Nov 30, 2025 / 08:00 am (CNA).

Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England.

Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan Library
Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan Library

David appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” 

These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.

King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New York
King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New York
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York Library
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York Library

The central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. 

Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public Library
Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public Library
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public Library
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public Library

In the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”

Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public Library
Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public Library
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York Library
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York Library

In his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.

St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York Library
St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York Library

This high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”

The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s "Sir Thomas More," positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York Library
The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York Library

More’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. 

A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York Library
A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York Library

The branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.

David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.

Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

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