Pride

New docudrama explains ‘what a real exorcism is’  #Catholic “Triumph Over Evil: Battle of the Exorcists” will be in theaters for one day only on Oct. 30, 2025, and aims to answer questions regarding the truth about exorcisms. / Credit: Goya Producciones CNA Staff, Oct 28, 2025 / 07:00 am (CNA). Who is the devil? What is an exorcism? How do you protect yourself from demonic attacks? These are some of the questions a new film titled “Triumph Over Evil: Battle of the Exorcists” aims to answer.Approved by the International Association of Exorcists, a prominent pontifical association, “Triumph Over Evil” is the first authoritative documentary to delve into the various aspects of demonic possession and exorcism as well as the how the Catholic priesthood and the Blessed Virgin Mary take part in the battle against evil. The film, which includes never-before-seen commentary from Vatican exorcist Father Gabriele Amorth and others, will be in theaters for one day only on Oct. 30. Giovanni Ziberna, a former atheist who converted to Catholicism, directs the film. Despite growing up in an atheist household, Ziberna told CNA in an interview that he always felt like God existed. “The beauty of creation always made me feel that there had to be something more,” he said. The Italian film director shared that it was not until he and his wife were asked to work on a project on the life of St. Veronica Giuliani — an Italian nun and mystic who belonged to the Capuchin Poor Clares — that he first encountered God. He explained that after receiving a blessing for protection from the priests involved in the project, he began to feel a “fire starting from my feet and rising up all over my body.”“This fire burned away all my preconceived ideas, my pride, my ego, what I thought about God,” he said. “In that moment, I realized that it was God who humbled himself to embrace us in our smallness and misery and also that fire lit in me the desire to conversion, to be baptized; and the desire to know the faith and the Scriptures.” From that point on, he and his wife started their faith journey. They began receiving the sacraments, getting baptized as well as baptizing their children, and having their civil marriage recognized by the Catholic Church.After becoming Catholic, Ziberna had the opportunity to assist in the ministry of exorcism, where he served as a firsthand witness. This experience inspired him to create the film as a way to show the truth about exorcisms, in contrast to what Hollywood depicts. He explained that there is a lot of “misinformation” surrounding this topic, as well as a lack of “theological background,” making it “easy to fall in the devil’s trap.”Through the film, Ziberna said he wants to “show what a real exorcism is” and how it serves as a “spiritual moment full of light where God’s power wins over darkness.”Ziberna said he hopes viewers will come away with more knowledge, a desire to “stay closer to God,” and a reminder that the “only real winner over evil is God.”
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New docudrama explains ‘what a real exorcism is’  #Catholic “Triumph Over Evil: Battle of the Exorcists” will be in theaters for one day only on Oct. 30, 2025, and aims to answer questions regarding the truth about exorcisms. / Credit: Goya Producciones CNA Staff, Oct 28, 2025 / 07:00 am (CNA). Who is the devil? What is an exorcism? How do you protect yourself from demonic attacks? These are some of the questions a new film titled “Triumph Over Evil: Battle of the Exorcists” aims to answer.Approved by the International Association of Exorcists, a prominent pontifical association, “Triumph Over Evil” is the first authoritative documentary to delve into the various aspects of demonic possession and exorcism as well as the how the Catholic priesthood and the Blessed Virgin Mary take part in the battle against evil. The film, which includes never-before-seen commentary from Vatican exorcist Father Gabriele Amorth and others, will be in theaters for one day only on Oct. 30. Giovanni Ziberna, a former atheist who converted to Catholicism, directs the film. Despite growing up in an atheist household, Ziberna told CNA in an interview that he always felt like God existed. “The beauty of creation always made me feel that there had to be something more,” he said. The Italian film director shared that it was not until he and his wife were asked to work on a project on the life of St. Veronica Giuliani — an Italian nun and mystic who belonged to the Capuchin Poor Clares — that he first encountered God. He explained that after receiving a blessing for protection from the priests involved in the project, he began to feel a “fire starting from my feet and rising up all over my body.”“This fire burned away all my preconceived ideas, my pride, my ego, what I thought about God,” he said. “In that moment, I realized that it was God who humbled himself to embrace us in our smallness and misery and also that fire lit in me the desire to conversion, to be baptized; and the desire to know the faith and the Scriptures.” From that point on, he and his wife started their faith journey. They began receiving the sacraments, getting baptized as well as baptizing their children, and having their civil marriage recognized by the Catholic Church.After becoming Catholic, Ziberna had the opportunity to assist in the ministry of exorcism, where he served as a firsthand witness. This experience inspired him to create the film as a way to show the truth about exorcisms, in contrast to what Hollywood depicts. He explained that there is a lot of “misinformation” surrounding this topic, as well as a lack of “theological background,” making it “easy to fall in the devil’s trap.”Through the film, Ziberna said he wants to “show what a real exorcism is” and how it serves as a “spiritual moment full of light where God’s power wins over darkness.”Ziberna said he hopes viewers will come away with more knowledge, a desire to “stay closer to God,” and a reminder that the “only real winner over evil is God.”

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“Triumph Over Evil: Battle of the Exorcists” will be in theaters for one day only on Oct. 30, 2025, and aims to answer questions regarding the truth about exorcisms. / Credit: Goya Producciones

CNA Staff, Oct 28, 2025 / 07:00 am (CNA).

Who is the devil? What is an exorcism? How do you protect yourself from demonic attacks? These are some of the questions a new film titled “Triumph Over Evil: Battle of the Exorcists” aims to answer.

Approved by the International Association of Exorcists, a prominent pontifical association, “Triumph Over Evil” is the first authoritative documentary to delve into the various aspects of demonic possession and exorcism as well as the how the Catholic priesthood and the Blessed Virgin Mary take part in the battle against evil. 

The film, which includes never-before-seen commentary from Vatican exorcist Father Gabriele Amorth and others, will be in theaters for one day only on Oct. 30. 

Giovanni Ziberna, a former atheist who converted to Catholicism, directs the film. 

Despite growing up in an atheist household, Ziberna told CNA in an interview that he always felt like God existed. 

“The beauty of creation always made me feel that there had to be something more,” he said. 

The Italian film director shared that it was not until he and his wife were asked to work on a project on the life of St. Veronica Giuliani — an Italian nun and mystic who belonged to the Capuchin Poor Clares — that he first encountered God. He explained that after receiving a blessing for protection from the priests involved in the project, he began to feel a “fire starting from my feet and rising up all over my body.”

“This fire burned away all my preconceived ideas, my pride, my ego, what I thought about God,” he said. “In that moment, I realized that it was God who humbled himself to embrace us in our smallness and misery and also that fire lit in me the desire to conversion, to be baptized; and the desire to know the faith and the Scriptures.” 

From that point on, he and his wife started their faith journey. They began receiving the sacraments, getting baptized as well as baptizing their children, and having their civil marriage recognized by the Catholic Church.

After becoming Catholic, Ziberna had the opportunity to assist in the ministry of exorcism, where he served as a firsthand witness. This experience inspired him to create the film as a way to show the truth about exorcisms, in contrast to what Hollywood depicts. 

He explained that there is a lot of “misinformation” surrounding this topic, as well as a lack of “theological background,” making it “easy to fall in the devil’s trap.”

Through the film, Ziberna said he wants to “show what a real exorcism is” and how it serves as a “spiritual moment full of light where God’s power wins over darkness.”

Ziberna said he hopes viewers will come away with more knowledge, a desire to “stay closer to God,” and a reminder that the “only real winner over evil is God.”

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Catholic music debate: Should certain hymns be banned? #Catholic Scene from the 2024 National Eucharistic Congress in Indianapolis, Indiana. / Credit: EWTN News in Depth/Screenshot Washington, D.C. Newsroom, Oct 18, 2025 / 12:00 pm (CNA). Several hymns were temporarily banned last year in the Diocese of Jefferson City, Missouri after being found “to be insufficient in sound doctrine,” with the action raising questions about what music is allowed at the Holy Mass.In a special report for the Oct. 17, 2025 edition of “EWTN News In Depth,” correspondent Mark Irons explored the subject. Archbishop Shawn McKnight, who implemented the brief ban, told Irons: “I would hope everybody else learns from my mistake.”McKnight, who was the bishop of Jefferson City at the time, now serves as the archbishop of Kansas City. The controversial ban in question encompassed 12 songs in total, including the popular hymns “I am the Bread of Life” and “All Are Welcome.” McKnight said the decree was implemented too quickly and without enough discussion among Catholics in the diocese. Currently, no particular hymns are excluded in the Diocese of Jefferson City, but parishes are required to evaluate Mass music using guidelines that were provided for archdioceses and dioceses across the nation by the U.S. Conference of Catholic Bishops (USCCB).The USCCB’s 2020 “Catholic Hymnody at the Service of the Church: An Aid for Evaluating Hymn Lyrics” was created to make sure Mass hymns are in conformity with Catholic doctrine. The bishops list a number of specific concerns regarding hymns, including ones with “deficiencies in the presentation of Eucharistic doctrine,” those “with a view of the Church that sees Her as essentially a human construction,” or songs with “an inadequate sense of a distinctively Christian anthropology.”Kevin Callahan, who serves as the music director at Sacred Heart Parish in Glyndon, Maryland, told Irons: “We believe…the body and blood, soul and divinity of Christ is here at the Mass, in the Eucharist. The songs, of course, should reflect that.” Callhan explained that he understands why the bishops would create the aid. The bishops “want the right thing to be said in Church, they don’t want the wrong idea to get tossed around.” Callahan said he does believe there are certain hymns that could be misleading. The ‘pride of place” of Gregorian chantOver time, Callahan said, Gregorian chant has earned pride of place within the liturgy of the Mass.This was reflected in the Second Vatican Council document Sacrosanctum Concilium, which explains: “The Church acknowledges Gregorian chant as specially suited to the Roman liturgy.” Sara Pecknold, a professor of liturgical music at Christendom College, noted that “Gregorian chant, beyond a shadow of a doubt, was developed with and for the liturgy.” “The Second Vatican council teaches us that the more closely tied the music is to the liturgical action…the more sacred it is,” she pointed out.RecommendationsIf Gregorian chant is unfamiliar to a parish, Pecknold recommends small steps that could be taken. She said: “I would first start with the very simplest chant melodies, for the ordinaries of the Mass.”Beyond Gregorian chant, the Second Vatican Council decided that the Church approves “of all forms of true art having the needed qualities, and admits them into divine worship.” Pecknold explained: “Liturgical music should glorify God and it should sanctify and edify all of us who are present at this great sacrifice.”Welcoming a diversity of stylesDave Moore, the music director at the 2024 U.S. National Eucharistic Congress, was in charge of bringing together a wide variety of Catholic musicians from across the country for the event.Moore said the musical goal of the Congress was to create a unity rooted in Christ, through different styles of music.”I don’t know how you find unity without diversity,” Moore said. “There’s a lot of people who do things differently than we’re used to, but what we’re looking for is the heart, like are you pursuing the heart of God?”Archbishop McKnight also noted the need for variety. “Catholicity means there’s a universality to who we are, that we’re not of just one kind or one culture, but there’s a diversity of charisms and a diversity of styles,” he said. “The fact that there are different ways of entering into the mystery of Christ, actually increases the unity we have, otherwise we’re just a church of some, and not the Church of all.”Music is “often associated with memories and emotions, too,” he said. “That’s a part of our celebration of the Eucharist. It’s not just a thing of the mind. It’s not just a doctrinal assent. It’s also a movement of the heart and ultimately it’s active prayer.”“Hymns that are liked by the people are a good choice, but it’s also important that they convey the Catholic faith,” McKnight said. “It’s about discernment of the will of God and what the Holy Spirit wants.”
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Catholic music debate: Should certain hymns be banned? #Catholic Scene from the 2024 National Eucharistic Congress in Indianapolis, Indiana. / Credit: EWTN News in Depth/Screenshot Washington, D.C. Newsroom, Oct 18, 2025 / 12:00 pm (CNA). Several hymns were temporarily banned last year in the Diocese of Jefferson City, Missouri after being found “to be insufficient in sound doctrine,” with the action raising questions about what music is allowed at the Holy Mass.In a special report for the Oct. 17, 2025 edition of “EWTN News In Depth,” correspondent Mark Irons explored the subject. Archbishop Shawn McKnight, who implemented the brief ban, told Irons: “I would hope everybody else learns from my mistake.”McKnight, who was the bishop of Jefferson City at the time, now serves as the archbishop of Kansas City. The controversial ban in question encompassed 12 songs in total, including the popular hymns “I am the Bread of Life” and “All Are Welcome.” McKnight said the decree was implemented too quickly and without enough discussion among Catholics in the diocese. Currently, no particular hymns are excluded in the Diocese of Jefferson City, but parishes are required to evaluate Mass music using guidelines that were provided for archdioceses and dioceses across the nation by the U.S. Conference of Catholic Bishops (USCCB).The USCCB’s 2020 “Catholic Hymnody at the Service of the Church: An Aid for Evaluating Hymn Lyrics” was created to make sure Mass hymns are in conformity with Catholic doctrine. The bishops list a number of specific concerns regarding hymns, including ones with “deficiencies in the presentation of Eucharistic doctrine,” those “with a view of the Church that sees Her as essentially a human construction,” or songs with “an inadequate sense of a distinctively Christian anthropology.”Kevin Callahan, who serves as the music director at Sacred Heart Parish in Glyndon, Maryland, told Irons: “We believe…the body and blood, soul and divinity of Christ is here at the Mass, in the Eucharist. The songs, of course, should reflect that.” Callhan explained that he understands why the bishops would create the aid. The bishops “want the right thing to be said in Church, they don’t want the wrong idea to get tossed around.” Callahan said he does believe there are certain hymns that could be misleading. The ‘pride of place” of Gregorian chantOver time, Callahan said, Gregorian chant has earned pride of place within the liturgy of the Mass.This was reflected in the Second Vatican Council document Sacrosanctum Concilium, which explains: “The Church acknowledges Gregorian chant as specially suited to the Roman liturgy.” Sara Pecknold, a professor of liturgical music at Christendom College, noted that “Gregorian chant, beyond a shadow of a doubt, was developed with and for the liturgy.” “The Second Vatican council teaches us that the more closely tied the music is to the liturgical action…the more sacred it is,” she pointed out.RecommendationsIf Gregorian chant is unfamiliar to a parish, Pecknold recommends small steps that could be taken. She said: “I would first start with the very simplest chant melodies, for the ordinaries of the Mass.”Beyond Gregorian chant, the Second Vatican Council decided that the Church approves “of all forms of true art having the needed qualities, and admits them into divine worship.” Pecknold explained: “Liturgical music should glorify God and it should sanctify and edify all of us who are present at this great sacrifice.”Welcoming a diversity of stylesDave Moore, the music director at the 2024 U.S. National Eucharistic Congress, was in charge of bringing together a wide variety of Catholic musicians from across the country for the event.Moore said the musical goal of the Congress was to create a unity rooted in Christ, through different styles of music.”I don’t know how you find unity without diversity,” Moore said. “There’s a lot of people who do things differently than we’re used to, but what we’re looking for is the heart, like are you pursuing the heart of God?”Archbishop McKnight also noted the need for variety. “Catholicity means there’s a universality to who we are, that we’re not of just one kind or one culture, but there’s a diversity of charisms and a diversity of styles,” he said. “The fact that there are different ways of entering into the mystery of Christ, actually increases the unity we have, otherwise we’re just a church of some, and not the Church of all.”Music is “often associated with memories and emotions, too,” he said. “That’s a part of our celebration of the Eucharist. It’s not just a thing of the mind. It’s not just a doctrinal assent. It’s also a movement of the heart and ultimately it’s active prayer.”“Hymns that are liked by the people are a good choice, but it’s also important that they convey the Catholic faith,” McKnight said. “It’s about discernment of the will of God and what the Holy Spirit wants.”

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Scene from the 2024 National Eucharistic Congress in Indianapolis, Indiana. / Credit: EWTN News in Depth/Screenshot

Washington, D.C. Newsroom, Oct 18, 2025 / 12:00 pm (CNA).

Several hymns were temporarily banned last year in the Diocese of Jefferson City, Missouri after being found “to be insufficient in sound doctrine,” with the action raising questions about what music is allowed at the Holy Mass.

In a special report for the Oct. 17, 2025 edition of “EWTN News In Depth,” correspondent Mark Irons explored the subject. Archbishop Shawn McKnight, who implemented the brief ban, told Irons: “I would hope everybody else learns from my mistake.”

McKnight, who was the bishop of Jefferson City at the time, now serves as the archbishop of Kansas City. The controversial ban in question encompassed 12 songs in total, including the popular hymns “I am the Bread of Life” and “All Are Welcome.”

McKnight said the decree was implemented too quickly and without enough discussion among Catholics in the diocese. 

Currently, no particular hymns are excluded in the Diocese of Jefferson City, but parishes are required to evaluate Mass music using guidelines that were provided for archdioceses and dioceses across the nation by the U.S. Conference of Catholic Bishops (USCCB).

The USCCB’s 2020 “Catholic Hymnody at the Service of the Church: An Aid for Evaluating Hymn Lyrics” was created to make sure Mass hymns are in conformity with Catholic doctrine. The bishops list a number of specific concerns regarding hymns, including ones with “deficiencies in the presentation of Eucharistic doctrine,” those “with a view of the Church that sees Her as essentially a human construction,” or songs with “an inadequate sense of a distinctively Christian anthropology.”

Kevin Callahan, who serves as the music director at Sacred Heart Parish in Glyndon, Maryland, told Irons: “We believe…the body and blood, soul and divinity of Christ is here at the Mass, in the Eucharist. The songs, of course, should reflect that.” 

Callhan explained that he understands why the bishops would create the aid. The bishops “want the right thing to be said in Church, they don’t want the wrong idea to get tossed around.” Callahan said he does believe there are certain hymns that could be misleading. 

The ‘pride of place” of Gregorian chant

Over time, Callahan said, Gregorian chant has earned pride of place within the liturgy of the Mass.

This was reflected in the Second Vatican Council document Sacrosanctum Concilium, which explains: “The Church acknowledges Gregorian chant as specially suited to the Roman liturgy.” 

Sara Pecknold, a professor of liturgical music at Christendom College, noted that “Gregorian chant, beyond a shadow of a doubt, was developed with and for the liturgy.”

“The Second Vatican council teaches us that the more closely tied the music is to the liturgical action…the more sacred it is,” she pointed out.

Recommendations

If Gregorian chant is unfamiliar to a parish, Pecknold recommends small steps that could be taken. She said: “I would first start with the very simplest chant melodies, for the ordinaries of the Mass.”

Beyond Gregorian chant, the Second Vatican Council decided that the Church approves “of all forms of true art having the needed qualities, and admits them into divine worship.”

Pecknold explained: “Liturgical music should glorify God and it should sanctify and edify all of us who are present at this great sacrifice.”

Welcoming a diversity of styles

Dave Moore, the music director at the 2024 U.S. National Eucharistic Congress, was in charge of bringing together a wide variety of Catholic musicians from across the country for the event.

Moore said the musical goal of the Congress was to create a unity rooted in Christ, through different styles of music.

“I don’t know how you find unity without diversity,” Moore said. “There’s a lot of people who do things differently than we’re used to, but what we’re looking for is the heart, like are you pursuing the heart of God?”

Archbishop McKnight also noted the need for variety.

“Catholicity means there’s a universality to who we are, that we’re not of just one kind or one culture, but there’s a diversity of charisms and a diversity of styles,” he said. “The fact that there are different ways of entering into the mystery of Christ, actually increases the unity we have, otherwise we’re just a church of some, and not the Church of all.”

Music is “often associated with memories and emotions, too,” he said. “That’s a part of our celebration of the Eucharist. It’s not just a thing of the mind. It’s not just a doctrinal assent. It’s also a movement of the heart and ultimately it’s active prayer.”

“Hymns that are liked by the people are a good choice, but it’s also important that they convey the Catholic faith,” McKnight said. “It’s about discernment of the will of God and what the Holy Spirit wants.”

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Picture of the day Statue of a saint, placed above the facade of the St. Anthony Cathedral of Breda, in the Netherlands. In her left hand she holds a cross and in her right hand a ciborium (host chalice). Above the chalice floats a radiant host, a prominent expression of regained Catholic pride. Below the statue is written: “A.D. MDCCCXXXVII”, Anno Domini 1837, the year the cathedral was built. #ImageOfTheDay
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Picture of the day Statue of a saint, placed above the facade of the St. Anthony Cathedral of Breda, in the Netherlands. In her left hand she holds a cross and in her right hand a ciborium (host chalice). Above the chalice floats a radiant host, a prominent expression of regained Catholic pride. Below the statue is written: “A.D. MDCCCXXXVII”, Anno Domini 1837, the year the cathedral was built. #ImageOfTheDay

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Picture of the day
Statue of a saint, placed above the facade of the St. Anthony Cathedral of Breda, in the Netherlands. In her left hand she holds a cross and in her right hand a ciborium (host chalice). Above the chalice floats a radiant host, a prominent expression of regained Catholic pride. Below the statue is written: “A.D. MDCCCXXXVII”, Anno Domini 1837, the year the cathedral was built.
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#7DeadlySins – One Pride excessive belief in one’s abilities or accomplishments, often accompanied by arrogance or vanity.
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#7DeadlySins – One Pride excessive belief in one’s abilities or accomplishments, often accompanied by arrogance or vanity.

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Pride is excessive belief in one’s abilities or accomplishments, often accompanied by arrogance or vanity. It manifests as an inflated sense of self-importance and a desire for recognition or admiration from others. Pride can lead individuals to disregard the contributions of others and to overestimate their own capabilities, ultimately leading to downfall.

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