Art

Picture of the day





Basilica, Xavier, Navarre, Spain. The basilica belongs to the ensemble of the Castle of Xavier, built in the 10th century, although the basilica was not built until end of the 19th and beginning of the 20th century. Of eclectic style, the interior has a unique neogothic nave built with grey stone and white marble. The stained glass is a work of painter Marcelino Santamaría from Burgos. The main altar is an artistic decorative work, carved in stone inlaid with mosaics, bronzes and enamels by the Biais house in Paris. The tabernacle is located on a high relief that represents San Francisco baptizing and preaching.
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Picture of the day
Basilica, Xavier, Navarre, Spain. The basilica belongs to the ensemble of the Castle of Xavier, built in the 10th century, although the basilica was not built until end of the 19th and beginning of the 20th century. Of eclectic style, the interior has a unique neogothic nave built with grey stone and white marble. The stained glass is a work of painter Marcelino Santamaría from Burgos. The main altar is an artistic decorative work, carved in stone inlaid with mosaics, bronzes and enamels by the Biais house in Paris. The tabernacle is located on a high relief that represents San Francisco baptizing and preaching.
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City Lights and Atmospheric Glow – The atmospheric glow blankets southern Europe and the northwestern Mediterranean coast, outlined by city lights. At left, the Po Valley urban corridor in Italy shines with the metropolitan areas of Milan and Turin and their surrounding suburbs.

The atmospheric glow blankets southern Europe and the northwestern Mediterranean coast, outlined by city lights. At left, the Po Valley urban corridor in Italy shines with the metropolitan areas of Milan and Turin and their surrounding suburbs.

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View on Val Montanaia (Montanaia Valley), with the Cima Both (2,437 m) on the left and the “Campanile” (2,173 m) in the middle; both are peaks of the Spalti di Toro group, in the Friulian Dolomites Natural Park, Friuli-Venezia Giulia, Italy.
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View on Val Montanaia (Montanaia Valley), with the Cima Both (2,437 m) on the left and the “Campanile” (2,173 m) in the middle; both are peaks of the Spalti di Toro group, in the Friulian Dolomites Natural Park, Friuli-Venezia Giulia, Italy.
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NASA’s Quesst Mission Marks X-59’s Historic First Flight – NASA’s X-59 quiet supersonic research aircraft lifts off for its first flight Tuesday, Oct. 28, 2025, from U.S. Air Force Plant 42 in Palmdale, California. The aircraft’s first flight marks the start of flight testing for NASA’s Quesst mission, the result of years of design, integration, and ground testing and begins a new chapter in NASA’s aeronautics research legacy.

NASA’s X-59 quiet supersonic research aircraft lifts off for its first flight Tuesday, Oct. 28, 2025, from U.S. Air Force Plant 42 in Palmdale, California. The aircraft’s first flight marks the start of flight testing for NASA’s Quesst mission, the result of years of design, integration, and ground testing and begins a new chapter in NASA’s aeronautics research legacy.

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James Montgomery Flagg used the familiar figure of “Uncle Sam” and thus created the most famous recruiting poster by the U.S. Army. From April 1917 to autumn of 1918 more than four million pieces of it were printed. Still utilized in more recent times, this print was probably made in 1975. Today is Veterans Day in the United States.
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James Montgomery Flagg used the familiar figure of “Uncle Sam” and thus created the most famous recruiting poster by the U.S. Army. From April 1917 to autumn of 1918 more than four million pieces of it were printed. Still utilized in more recent times, this print was probably made in 1975. Today is Veterans Day in the United States.
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Suited Up for Science: NASA ER-2 Pilot Prepares for GEMx Flight – NASA ER-2 pilot Kirt Stallings waits inside the transport vehicle at Edwards, California, on Thursday, Aug. 21, 2025, moments before boarding NASA’s Armstrong Flight Research Center’s ER-2 aircraft for a high-altitude mission supporting the Geological Earth Mapping Experiment (GEMx). Through the vehicle window, the aircraft can be seen being readied for flight.

NASA ER-2 pilot Kirt Stallings waits inside the transport vehicle at Edwards, California, on Thursday, Aug. 21, 2025, moments before boarding NASA’s Armstrong Flight Research Center’s ER-2 aircraft for a high-altitude mission supporting the Geological Earth Mapping Experiment (GEMx). Through the vehicle window, the aircraft can be seen being readied for flight.

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Mapping Dark Matter – This image shows two massive galaxy clusters. The vast number of galaxies and foreground stars in the image were captured by NASA’s James Webb Space Telescope in near-infrared light. Glowing, hot X-rays captured by NASA’s Chandra X-ray Observatory appear in pink. The blue represents the dark matter, which was precisely mapped by researchers with Webb’s detailed imaging.

This image shows two massive galaxy clusters. The vast number of galaxies and foreground stars in the image were captured by NASA’s James Webb Space Telescope in near-infrared light. Glowing, hot X-rays captured by NASA’s Chandra X-ray Observatory appear in pink. The blue represents the dark matter, which was precisely mapped by researchers with Webb’s detailed imaging.

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Margaret D. Foster, seen in her lab. The original caption by the National Photo Company is “Miss Margaret D. Foster, Uncle Sam’s only woman chemist, Oct. 4/19” – that’s possibly a bit misleading, though she definitely was the first female chemist in the United States Geological Survey team.
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Margaret D. Foster, seen in her lab. The original caption by the National Photo Company is “Miss Margaret D. Foster, Uncle Sam’s only woman chemist, Oct. 4/19” – that’s possibly a bit misleading, though she definitely was the first female chemist in the United States Geological Survey team.
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Detail of a stained glass window in St. Barbara’s Church (Kutná Hora, Czech Republic). The window depicts St. Aloysius, St. Monica, St. Francis of Assisi, and St. Joseph in prayer. Today is All Saints’ Day.
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Detail of a stained glass window in St. Barbara’s Church (Kutná Hora, Czech Republic). The window depicts St. Aloysius, St. Monica, St. Francis of Assisi, and St. Joseph in prayer. Today is All Saints’ Day.
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View of the village of Gyakar surrounded by a poplar grove in the Upper Mustang region of Nepal. The summits of the Damodar Himal, the Purkung Himal and the Annapurnas are visible in the distance. A suspended bridge over the deep canyon (left) connects it to the neighbouring Chele village and thence to the rest of Nepal.
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View of the village of Gyakar surrounded by a poplar grove in the Upper Mustang region of Nepal. The summits of the Damodar Himal, the Purkung Himal and the Annapurnas are visible in the distance. A suspended bridge over the deep canyon (left) connects it to the neighbouring Chele village and thence to the rest of Nepal.
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Top view of grafted Gymnocalycium mihanovichii (chin cactus). The host cactus has been digitally blanked out. The red body is about 3.5 cm (1.4 in) diameter. The small “moons” are 0.5–0.8 cm (0.20–0.31 in) diameter. House plant in Ooty, The Nilgiris, Tamil Nadu, India. Focus stack of 89 images using PMax mode of ZereneStacker.
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Picture of the day
Top view of grafted Gymnocalycium mihanovichii (chin cactus). The host cactus has been digitally blanked out. The red body is about 3.5 cm (1.4 in) diameter. The small “moons” are 0.5–0.8 cm (0.20–0.31 in) diameter. House plant in Ooty, The Nilgiris, Tamil Nadu, India. Focus stack of 89 images using PMax mode of ZereneStacker.
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Church of El Salvador, Luesia, Zaragoza, Spain. The church is located in the highest area of the nucleus of the village of Luesia, next to the remains of the old medieval castle, to which it is historically and constructively associated. Its origin dates back to the end of the 11th century with the construction of the semicircular triple apse head with a double crypt at the bottom, while the body with three naves was built throughout the 12th century and the two portals on its southern fronts and occidental already respond to models from the beginning of the 13th century. The Romanesque building underwent a profound reform though in the mid-16th century. The main altarpiece is a Romanesque piece carved in wood; polychrome and gilt. The work is attributed to Gaspar Ramos, a sculptor from Sangüesa, who executed it around 1630.
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Picture of the day
Church of El Salvador, Luesia, Zaragoza, Spain. The church is located in the highest area of the nucleus of the village of Luesia, next to the remains of the old medieval castle, to which it is historically and constructively associated. Its origin dates back to the end of the 11th century with the construction of the semicircular triple apse head with a double crypt at the bottom, while the body with three naves was built throughout the 12th century and the two portals on its southern fronts and occidental already respond to models from the beginning of the 13th century. The Romanesque building underwent a profound reform though in the mid-16th century. The main altarpiece is a Romanesque piece carved in wood; polychrome and gilt. The work is attributed to Gaspar Ramos, a sculptor from Sangüesa, who executed it around 1630.
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Damage following an Israeli airstrike on the El-Remal area in Gaza City on October 9, 2023, during the first few days of the Gaza War. The war is the deadliest for Palestinians in the history of the Israeli–Palestinian conflict.
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Damage following an Israeli airstrike on the El-Remal area in Gaza City on October 9, 2023, during the first few days of the Gaza War. The war is the deadliest for Palestinians in the history of the Israeli–Palestinian conflict.
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Explosive Ordnance Disposal 1st Class Christopher Courtney assigned to Explosive Ordnance Disposal Mobile Unit Six (EODMU-6), Det. 16 assists his team members during Special Purpose Insertion Extraction (SPIE) training from an SH-60 Seahawk helicopter. The Nimitz-class aircraft carrier USS Dwight D. Eisenhower (CVN-69) shown below the helicopter was launched on this day 50 years ago.
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Explosive Ordnance Disposal 1st Class Christopher Courtney assigned to Explosive Ordnance Disposal Mobile Unit Six (EODMU-6), Det. 16 assists his team members during Special Purpose Insertion Extraction (SPIE) training from an SH-60 Seahawk helicopter. The Nimitz-class aircraft carrier USS Dwight D. Eisenhower (CVN-69) shown below the helicopter was launched on this day 50 years ago.
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Catholic music debate: Should certain hymns be banned? #Catholic 
 
 Scene from the 2024 National Eucharistic Congress in Indianapolis, Indiana. / Credit: EWTN News in Depth/Screenshot

Washington, D.C. Newsroom, Oct 18, 2025 / 12:00 pm (CNA).
Several hymns were temporarily banned last year in the Diocese of Jefferson City, Missouri after being found “to be insufficient in sound doctrine,” with the action raising questions about what music is allowed at the Holy Mass.In a special report for the Oct. 17, 2025 edition of “EWTN News In Depth,” correspondent Mark Irons explored the subject. Archbishop Shawn McKnight, who implemented the brief ban, told Irons: “I would hope everybody else learns from my mistake.”McKnight, who was the bishop of Jefferson City at the time, now serves as the archbishop of Kansas City. The controversial ban in question encompassed 12 songs in total, including the popular hymns “I am the Bread of Life” and “All Are Welcome.” McKnight said the decree was implemented too quickly and without enough discussion among Catholics in the diocese. Currently, no particular hymns are excluded in the Diocese of Jefferson City, but parishes are required to evaluate Mass music using guidelines that were provided for archdioceses and dioceses across the nation by the U.S. Conference of Catholic Bishops (USCCB).The USCCB’s 2020 “Catholic Hymnody at the Service of the Church: An Aid for Evaluating Hymn Lyrics” was created to make sure Mass hymns are in conformity with Catholic doctrine. The bishops list a number of specific concerns regarding hymns, including ones with “deficiencies in the presentation of Eucharistic doctrine,” those “with a view of the Church that sees Her as essentially a human construction,” or songs with “an inadequate sense of a distinctively Christian anthropology.”Kevin Callahan, who serves as the music director at Sacred Heart Parish in Glyndon, Maryland, told Irons: “We believe…the body and blood, soul and divinity of Christ is here at the Mass, in the Eucharist. The songs, of course, should reflect that.” Callhan explained that he understands why the bishops would create the aid. The bishops “want the right thing to be said in Church, they don’t want the wrong idea to get tossed around.” Callahan said he does believe there are certain hymns that could be misleading. The ‘pride of place” of Gregorian chantOver time, Callahan said, Gregorian chant has earned pride of place within the liturgy of the Mass.This was reflected in the Second Vatican Council document Sacrosanctum Concilium, which explains: “The Church acknowledges Gregorian chant as specially suited to the Roman liturgy.” Sara Pecknold, a professor of liturgical music at Christendom College, noted that “Gregorian chant, beyond a shadow of a doubt, was developed with and for the liturgy.” “The Second Vatican council teaches us that the more closely tied the music is to the liturgical action…the more sacred it is,” she pointed out.RecommendationsIf Gregorian chant is unfamiliar to a parish, Pecknold recommends small steps that could be taken. She said: “I would first start with the very simplest chant melodies, for the ordinaries of the Mass.”Beyond Gregorian chant, the Second Vatican Council decided that the Church approves “of all forms of true art having the needed qualities, and admits them into divine worship.” Pecknold explained: “Liturgical music should glorify God and it should sanctify and edify all of us who are present at this great sacrifice.”Welcoming a diversity of stylesDave Moore, the music director at the 2024 U.S. National Eucharistic Congress, was in charge of bringing together a wide variety of Catholic musicians from across the country for the event.Moore said the musical goal of the Congress was to create a unity rooted in Christ, through different styles of music.”I don’t know how you find unity without diversity,” Moore said. “There’s a lot of people who do things differently than we’re used to, but what we’re looking for is the heart, like are you pursuing the heart of God?”Archbishop McKnight also noted the need for variety. “Catholicity means there’s a universality to who we are, that we’re not of just one kind or one culture, but there’s a diversity of charisms and a diversity of styles,” he said. “The fact that there are different ways of entering into the mystery of Christ, actually increases the unity we have, otherwise we’re just a church of some, and not the Church of all.”Music is “often associated with memories and emotions, too,” he said. “That’s a part of our celebration of the Eucharist. It’s not just a thing of the mind. It’s not just a doctrinal assent. It’s also a movement of the heart and ultimately it’s active prayer.”“Hymns that are liked by the people are a good choice, but it’s also important that they convey the Catholic faith,” McKnight said. “It’s about discernment of the will of God and what the Holy Spirit wants.”

Catholic music debate: Should certain hymns be banned? #Catholic Scene from the 2024 National Eucharistic Congress in Indianapolis, Indiana. / Credit: EWTN News in Depth/Screenshot Washington, D.C. Newsroom, Oct 18, 2025 / 12:00 pm (CNA). Several hymns were temporarily banned last year in the Diocese of Jefferson City, Missouri after being found “to be insufficient in sound doctrine,” with the action raising questions about what music is allowed at the Holy Mass.In a special report for the Oct. 17, 2025 edition of “EWTN News In Depth,” correspondent Mark Irons explored the subject. Archbishop Shawn McKnight, who implemented the brief ban, told Irons: “I would hope everybody else learns from my mistake.”McKnight, who was the bishop of Jefferson City at the time, now serves as the archbishop of Kansas City. The controversial ban in question encompassed 12 songs in total, including the popular hymns “I am the Bread of Life” and “All Are Welcome.” McKnight said the decree was implemented too quickly and without enough discussion among Catholics in the diocese. Currently, no particular hymns are excluded in the Diocese of Jefferson City, but parishes are required to evaluate Mass music using guidelines that were provided for archdioceses and dioceses across the nation by the U.S. Conference of Catholic Bishops (USCCB).The USCCB’s 2020 “Catholic Hymnody at the Service of the Church: An Aid for Evaluating Hymn Lyrics” was created to make sure Mass hymns are in conformity with Catholic doctrine. The bishops list a number of specific concerns regarding hymns, including ones with “deficiencies in the presentation of Eucharistic doctrine,” those “with a view of the Church that sees Her as essentially a human construction,” or songs with “an inadequate sense of a distinctively Christian anthropology.”Kevin Callahan, who serves as the music director at Sacred Heart Parish in Glyndon, Maryland, told Irons: “We believe…the body and blood, soul and divinity of Christ is here at the Mass, in the Eucharist. The songs, of course, should reflect that.” Callhan explained that he understands why the bishops would create the aid. The bishops “want the right thing to be said in Church, they don’t want the wrong idea to get tossed around.” Callahan said he does believe there are certain hymns that could be misleading. The ‘pride of place” of Gregorian chantOver time, Callahan said, Gregorian chant has earned pride of place within the liturgy of the Mass.This was reflected in the Second Vatican Council document Sacrosanctum Concilium, which explains: “The Church acknowledges Gregorian chant as specially suited to the Roman liturgy.” Sara Pecknold, a professor of liturgical music at Christendom College, noted that “Gregorian chant, beyond a shadow of a doubt, was developed with and for the liturgy.” “The Second Vatican council teaches us that the more closely tied the music is to the liturgical action…the more sacred it is,” she pointed out.RecommendationsIf Gregorian chant is unfamiliar to a parish, Pecknold recommends small steps that could be taken. She said: “I would first start with the very simplest chant melodies, for the ordinaries of the Mass.”Beyond Gregorian chant, the Second Vatican Council decided that the Church approves “of all forms of true art having the needed qualities, and admits them into divine worship.” Pecknold explained: “Liturgical music should glorify God and it should sanctify and edify all of us who are present at this great sacrifice.”Welcoming a diversity of stylesDave Moore, the music director at the 2024 U.S. National Eucharistic Congress, was in charge of bringing together a wide variety of Catholic musicians from across the country for the event.Moore said the musical goal of the Congress was to create a unity rooted in Christ, through different styles of music.”I don’t know how you find unity without diversity,” Moore said. “There’s a lot of people who do things differently than we’re used to, but what we’re looking for is the heart, like are you pursuing the heart of God?”Archbishop McKnight also noted the need for variety. “Catholicity means there’s a universality to who we are, that we’re not of just one kind or one culture, but there’s a diversity of charisms and a diversity of styles,” he said. “The fact that there are different ways of entering into the mystery of Christ, actually increases the unity we have, otherwise we’re just a church of some, and not the Church of all.”Music is “often associated with memories and emotions, too,” he said. “That’s a part of our celebration of the Eucharist. It’s not just a thing of the mind. It’s not just a doctrinal assent. It’s also a movement of the heart and ultimately it’s active prayer.”“Hymns that are liked by the people are a good choice, but it’s also important that they convey the Catholic faith,” McKnight said. “It’s about discernment of the will of God and what the Holy Spirit wants.”


Scene from the 2024 National Eucharistic Congress in Indianapolis, Indiana. / Credit: EWTN News in Depth/Screenshot

Washington, D.C. Newsroom, Oct 18, 2025 / 12:00 pm (CNA).

Several hymns were temporarily banned last year in the Diocese of Jefferson City, Missouri after being found “to be insufficient in sound doctrine,” with the action raising questions about what music is allowed at the Holy Mass.

In a special report for the Oct. 17, 2025 edition of “EWTN News In Depth,” correspondent Mark Irons explored the subject. Archbishop Shawn McKnight, who implemented the brief ban, told Irons: “I would hope everybody else learns from my mistake.”

McKnight, who was the bishop of Jefferson City at the time, now serves as the archbishop of Kansas City. The controversial ban in question encompassed 12 songs in total, including the popular hymns “I am the Bread of Life” and “All Are Welcome.”

McKnight said the decree was implemented too quickly and without enough discussion among Catholics in the diocese. 

Currently, no particular hymns are excluded in the Diocese of Jefferson City, but parishes are required to evaluate Mass music using guidelines that were provided for archdioceses and dioceses across the nation by the U.S. Conference of Catholic Bishops (USCCB).

The USCCB’s 2020 “Catholic Hymnody at the Service of the Church: An Aid for Evaluating Hymn Lyrics” was created to make sure Mass hymns are in conformity with Catholic doctrine. The bishops list a number of specific concerns regarding hymns, including ones with “deficiencies in the presentation of Eucharistic doctrine,” those “with a view of the Church that sees Her as essentially a human construction,” or songs with “an inadequate sense of a distinctively Christian anthropology.”

Kevin Callahan, who serves as the music director at Sacred Heart Parish in Glyndon, Maryland, told Irons: “We believe…the body and blood, soul and divinity of Christ is here at the Mass, in the Eucharist. The songs, of course, should reflect that.” 

Callhan explained that he understands why the bishops would create the aid. The bishops “want the right thing to be said in Church, they don’t want the wrong idea to get tossed around.” Callahan said he does believe there are certain hymns that could be misleading. 

The ‘pride of place” of Gregorian chant

Over time, Callahan said, Gregorian chant has earned pride of place within the liturgy of the Mass.

This was reflected in the Second Vatican Council document Sacrosanctum Concilium, which explains: “The Church acknowledges Gregorian chant as specially suited to the Roman liturgy.” 

Sara Pecknold, a professor of liturgical music at Christendom College, noted that “Gregorian chant, beyond a shadow of a doubt, was developed with and for the liturgy.”

“The Second Vatican council teaches us that the more closely tied the music is to the liturgical action…the more sacred it is,” she pointed out.

Recommendations

If Gregorian chant is unfamiliar to a parish, Pecknold recommends small steps that could be taken. She said: “I would first start with the very simplest chant melodies, for the ordinaries of the Mass.”

Beyond Gregorian chant, the Second Vatican Council decided that the Church approves “of all forms of true art having the needed qualities, and admits them into divine worship.”

Pecknold explained: “Liturgical music should glorify God and it should sanctify and edify all of us who are present at this great sacrifice.”

Welcoming a diversity of styles

Dave Moore, the music director at the 2024 U.S. National Eucharistic Congress, was in charge of bringing together a wide variety of Catholic musicians from across the country for the event.

Moore said the musical goal of the Congress was to create a unity rooted in Christ, through different styles of music.

“I don’t know how you find unity without diversity,” Moore said. “There’s a lot of people who do things differently than we’re used to, but what we’re looking for is the heart, like are you pursuing the heart of God?”

Archbishop McKnight also noted the need for variety.

“Catholicity means there’s a universality to who we are, that we’re not of just one kind or one culture, but there’s a diversity of charisms and a diversity of styles,” he said. “The fact that there are different ways of entering into the mystery of Christ, actually increases the unity we have, otherwise we’re just a church of some, and not the Church of all.”

Music is “often associated with memories and emotions, too,” he said. “That’s a part of our celebration of the Eucharist. It’s not just a thing of the mind. It’s not just a doctrinal assent. It’s also a movement of the heart and ultimately it’s active prayer.”

“Hymns that are liked by the people are a good choice, but it’s also important that they convey the Catholic faith,” McKnight said. “It’s about discernment of the will of God and what the Holy Spirit wants.”

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Illuminated manuscript of the Horae ad usum Parisiensem (Book of hours for Parisians), or “Book of Hours of Charles VIII” King of France (1468 – 1498). The folio shows Saint Denis, first bishop and patron of Paris, walking with his head in his hands after his execution. Today is the feast day of Saint Denis.
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Illuminated manuscript of the Horae ad usum Parisiensem (Book of hours for Parisians), or “Book of Hours of Charles VIII” King of France (1468 – 1498). The folio shows Saint Denis, first bishop and patron of Paris, walking with his head in his hands after his execution. Today is the feast day of Saint Denis.
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Side view of the Basilica of Saint Francis of Assisi from the north-west, showing the imposing structure of the Basilica and monastery located in Assisi, Umbria, Italy. Today (4th October) is the feast day of St. Francis of Assisi, Patron of Ecologists.
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Side view of the Basilica of Saint Francis of Assisi from the north-west, showing the imposing structure of the Basilica and monastery located in Assisi, Umbria, Italy. Today (4th October) is the feast day of St. Francis of Assisi, Patron of Ecologists.
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A circa 1660–70 Pahari painting from Basohli, Jammu, India, depicting the Hindu goddess Bhadrakali being worshipped by the three supreme gods of Hinduism: Brahma the creator, Vishnu the preserver, and Shiva the destroyer, to pacify her after she killed the demon Mahishasura, who could not be killed by them, the men or other gods. Her victory over the demon is celebrated by Hindus as the victory of good over evil on the day of Vijayadashami, which is today.
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A circa 1660–70 Pahari painting from Basohli, Jammu, India, depicting the Hindu goddess Bhadrakali being worshipped by the three supreme gods of Hinduism: Brahma the creator, Vishnu the preserver, and Shiva the destroyer, to pacify her after she killed the demon Mahishasura, who could not be killed by them, the men or other gods. Her victory over the demon is celebrated by Hindus as the victory of good over evil on the day of Vijayadashami, which is today.
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Orbicular (round body) batfish (Platax orbicularis), Red Sea, Egypt. It belongs to the family Ephippidae, the spadefishes and batfishes. This species is found in the Indo-Pacific but has been recorded outside its native range in the western Atlantic Ocean. The adult can reach a total length of 40 centimetres (16 in).
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Orbicular (round body) batfish (Platax orbicularis), Red Sea, Egypt. It belongs to the family Ephippidae, the spadefishes and batfishes. This species is found in the Indo-Pacific but has been recorded outside its native range in the western Atlantic Ocean. The adult can reach a total length of 40 centimetres (16 in).
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