Art

‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News.
 
 Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir
 
 Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople.
 
 The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music
 
 “Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.”
 
 The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia
 
 Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed.
 
 The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia
 
 “Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said.
 
 Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo
 
 “AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.”
 
 Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music
 
 In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”

‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News. Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople. The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music “Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.” The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed. The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia “Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said. Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo “AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.” Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”

As AI encroaches on sacred music, Catholics still hold true to Gregorian chant, a historical form of sacred music that is still alive today.

Read More
Picture of the day





A memorial to victims of the Pulse nightclub shooting in front the Stonewall Inn in New York City. On June 12, 2016, a terrorist shot and killed 49 people and wounded 53 more in a mass shooting at Pulse, a gay nightclub in Orlando, Florida, USA.
 #ImageOfTheDay
Picture of the day
A memorial to victims of the Pulse nightclub shooting in front the Stonewall Inn in New York City. On June 12, 2016, a terrorist shot and killed 49 people and wounded 53 more in a mass shooting at Pulse, a gay nightclub in Orlando, Florida, USA.
Read More
San Francisco’s Patchwork Streets – A period of unsettled weather brought scattered showers and thunderstorms to California’s Bay Area on May 27, 2026. That afternoon, a break in the clouds left downtown San Francisco and nearby communities beneath mostly cloud-free skies, allowing an astronaut aboard the International Space Station to take this photograph.

A period of unsettled weather brought scattered showers and thunderstorms to California’s Bay Area on May 27, 2026. That afternoon, a break in the clouds left downtown San Francisco and nearby communities beneath mostly cloud-free skies, allowing an astronaut aboard the International Space Station to take this photograph.

Read More

A train transports eight booster motor segments for the SLS (Space Launch System rocket) that will power NASA’s Artemis III mission from Northrop Grumman’s Railyard Shipping Facility in Corinne, Utah, June 2, to NASA’s Kennedy Space Center in Florida.

Read More
Picture of the day
Statue of Yaksha (in the Ramakien, broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness) supporting the base of one of the Two Golden Chedi of Wat Phra Kaew, Bangkok, Thailand.
Read More
Artemis III Crew Announced – NASA announced the Artemis III crew on Tuesday, June 9, 2026. NASA astronaut Andre Douglas, mission specialist; ESA (European Space Agency) astronaut Luca Parmitano, pilot; NASA astronaut Randy Bresnik, commander; and NASA astronaut Frank Rubio, mission specialist, will demonstrate the Orion spacecraft’s rendezvous and docking capabilities with test versions from one, or both, American commercial human landing systems in development by Blue Origin and SpaceX.

NASA announced the Artemis III crew on Tuesday, June 9, 2026. NASA astronaut Andre Douglas, mission specialist; ESA (European Space Agency) astronaut Luca Parmitano, pilot; NASA astronaut Randy Bresnik, commander; and NASA astronaut Frank Rubio, mission specialist, will demonstrate the Orion spacecraft’s rendezvous and docking capabilities with test versions from one, or both, American commercial human landing systems in development by Blue Origin and SpaceX.

Read More

NASA’s X-59 quiet supersonic research aircraft completed its first supersonic flight Friday, June 5, 2026, marking the first time the aircraft exceeded the speed of sound in support of NASA’s Quesst mission. The milestone represents a major step in flight testing as the aircraft expands into the supersonic portion of its flight envelope.

Read More
Pope Leo XIV in Madrid: Corpus Christi must not become museum of the past #Catholic Madrid, Spain, June 7, 2026 — Pope Leo XIV on Sunday called on Spain to renew its historic Eucharistic faith, warning that the country’s centuries-old religious traditions must not become “a museum of the past to be visited” but remain “a school of faith from which to draw even today.”The pope made the appeal while presiding over Mass, a procession, and Eucharistic blessing for the solemnity of Corpus Christi in Madrid’s Plaza de Cibeles, one of the Spanish capital’s most emblematic sites.“As I begin my visit to Spain, it is with a heart filled with joy that I preside over this celebration on the Solemnity of Corpus Christi,” the pope said in his homily.Corpus Christi has deep roots in Spain and throughout the Catholic world. The feast originated after the efforts of St. Juliana of Cornillon, a Belgian religious sister who promoted a liturgical celebration dedicated to the Blessed Sacrament. Pope Urban IV confirmed the feast for the universal Church in 1264, and within decades it had reached the Iberian Peninsula. King Alfonso X, known as “the Wise,” took part in a Corpus Christi celebration in Toledo in 1280.Over the centuries, the tradition became firmly established in Spain, making the country one of the great centers of Eucharistic devotion. During the period of the Council of Trent, when the real presence of Christ in the Eucharist was contested in parts of Europe, Spanish popular piety continued to exalt it through processions, music, art, and public expressions of faith.In Madrid, Pope Leo said Corpus Christi is “more than just another celebration on the liturgical calendar.”“It is a way of returning to the heart of the faith to renew our love and fidelity to God,” he said.“The solemn processions held on this day have for centuries shaped the piety, art, music, architecture and life of the Spanish people,” the pope continued. “Even today, they still express and manifest the spiritual sentiments of this country through the beauty and elegance of the floral carpets, the altars erected in the streets, the carefully crafted monstrances and stands, the hymns and the liturgical vestments.”The setting itself added a striking backdrop to the celebration. Plaza de Cibeles, crowned by the statue of the Roman goddess in a chariot drawn by lions, is known internationally as the place where Real Madrid celebrates its titles. On Sunday, however, the square’s focus was Christ in the Eucharist.One participant joked that with Pope Leo XIV in Madrid, the Spanish capital had three lions.The pope said the Corpus Christi procession is not “an exhibition, a remnant of folklore or a simple display of beauty.”“It is a profession of faith in the presence of the risen Lord, who is alive and continues to walk among us, who becomes bread to satiate our hunger for life, and visits the recesses of our hearts and history, even those shrouded in darkness,” he said.The procession route, about 600 meters along Calle de Alcalá, one of Madrid’s central thoroughfares, was adorned with 16 floral carpets — eight on each side — made with more than 30,000 carnations. Numerous faithful joined the pope, including many boys and girls who had recently received their first Communion.Pope Leo said the procession reveals that Christ “is not confined to the church, but comes out to meet us.”“Jesus travels the streets, crosses the squares and visits our neighborhoods, dwelling in the settings of our daily lives,” he said. “He is a God who is close to us, who walks with his people, the Lord of history.”The pope also connected Corpus Christi with charity, noting that the Church in Spain has long associated the solemnity with the Day for Charity.“The Christ who processes through the streets in the monstrance is the same one who identifies with the poor, the downtrodden, those who are alone and forsaken,” he said.“It is not merely a matter of bringing out the monstrance,” Pope Leo emphasized, “but of allowing ourselves to be brought out of our selfishness and indifference, of a comfortable, private faith, so as to respond to his invitation to conversion, to change our perspective, and to welcome his presence which transforms us and makes us builders of a new world.”The pope said the historical memory of Spain’s Corpus Christi processions “is not confined to wistful nostalgia.”“Instead, it stands as an invitation in the present moment, in our daily lives, in our relationships, in society, and in the building of the future,” he said.That, he added, is the task facing Spain today and tomorrow: “to ensure that the religiosity which has shaped and defined this country for centuries is not a museum of the past to be visited, but a school of faith from which to draw even today.”The pope described that school of faith as one that “teaches us to kneel before God and before our neighbor, because no one can kneel before the Lord and despise their brother.”It is also, he said, “a school that teaches us of the gratitude of love that becomes a gift, so that it may flow among us and break the chains of all selfishness.”From the Eucharist, he continued, Catholics learn “that God is a real presence and that we too are called to be present in the realities and challenges of society, not shying away, but personally committing ourselves to the building of the common good.”Pope Leo also recalled St. Manuel González García, the Spanish bishop known as “the bishop of the abandoned tabernacle.”“His life reminds us that the Eucharist should be honored not only during great celebrations or on special occasions, but also through the silent fidelity of those who accompany the Lord with a humble and quiet friendship that is nourished day by day,” the pope said.The pope also cited St. John of the Cross, recalling that while imprisoned in harsh conditions in Toledo around the time of Corpus Christi in 1578, the Spanish mystic recognized the hidden presence of the Lord even in darkness.“The Eucharistic Jesus is ‘that eternal spring that is hidden’ — a spring that flows and quenches thirst, yet without blinding, without imposing itself through outward power, without presenting itself in a spectacular way,” the pope said.Pope Leo closed by urging the faithful to return to Christ in the Eucharist with “sincere love.”“Let us open ourselves to the encounter with him, let us allow him to quench the thirst of our hearts, so that we may then go forth into the paths of life and history, bringing to the people this stream of fresh water, a stream of love, peace, justice and joy,” he said.“Let us drink anew from this Eucharistic spring, which does not enclose us in private devotion, but sends us out to refresh our brothers and sisters, our families, the poor, the suffering, and those who have lost hope,” the pope said. “Eucharistic grace transforms us and makes us protagonists of the transformation of history, a sign of hope for those we meet.”“May the Lord Jesus, present in the Eucharist, transform you into bread that is broken, given, and offered,” he concluded, “so that a life of fullness may spring forth for you, for your families, and for your country.”This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

Pope Leo XIV in Madrid: Corpus Christi must not become museum of the past #Catholic Madrid, Spain, June 7, 2026 — Pope Leo XIV on Sunday called on Spain to renew its historic Eucharistic faith, warning that the country’s centuries-old religious traditions must not become “a museum of the past to be visited” but remain “a school of faith from which to draw even today.”The pope made the appeal while presiding over Mass, a procession, and Eucharistic blessing for the solemnity of Corpus Christi in Madrid’s Plaza de Cibeles, one of the Spanish capital’s most emblematic sites.“As I begin my visit to Spain, it is with a heart filled with joy that I preside over this celebration on the Solemnity of Corpus Christi,” the pope said in his homily.Corpus Christi has deep roots in Spain and throughout the Catholic world. The feast originated after the efforts of St. Juliana of Cornillon, a Belgian religious sister who promoted a liturgical celebration dedicated to the Blessed Sacrament. Pope Urban IV confirmed the feast for the universal Church in 1264, and within decades it had reached the Iberian Peninsula. King Alfonso X, known as “the Wise,” took part in a Corpus Christi celebration in Toledo in 1280.Over the centuries, the tradition became firmly established in Spain, making the country one of the great centers of Eucharistic devotion. During the period of the Council of Trent, when the real presence of Christ in the Eucharist was contested in parts of Europe, Spanish popular piety continued to exalt it through processions, music, art, and public expressions of faith.In Madrid, Pope Leo said Corpus Christi is “more than just another celebration on the liturgical calendar.”“It is a way of returning to the heart of the faith to renew our love and fidelity to God,” he said.“The solemn processions held on this day have for centuries shaped the piety, art, music, architecture and life of the Spanish people,” the pope continued. “Even today, they still express and manifest the spiritual sentiments of this country through the beauty and elegance of the floral carpets, the altars erected in the streets, the carefully crafted monstrances and stands, the hymns and the liturgical vestments.”The setting itself added a striking backdrop to the celebration. Plaza de Cibeles, crowned by the statue of the Roman goddess in a chariot drawn by lions, is known internationally as the place where Real Madrid celebrates its titles. On Sunday, however, the square’s focus was Christ in the Eucharist.One participant joked that with Pope Leo XIV in Madrid, the Spanish capital had three lions.The pope said the Corpus Christi procession is not “an exhibition, a remnant of folklore or a simple display of beauty.”“It is a profession of faith in the presence of the risen Lord, who is alive and continues to walk among us, who becomes bread to satiate our hunger for life, and visits the recesses of our hearts and history, even those shrouded in darkness,” he said.The procession route, about 600 meters along Calle de Alcalá, one of Madrid’s central thoroughfares, was adorned with 16 floral carpets — eight on each side — made with more than 30,000 carnations. Numerous faithful joined the pope, including many boys and girls who had recently received their first Communion.Pope Leo said the procession reveals that Christ “is not confined to the church, but comes out to meet us.”“Jesus travels the streets, crosses the squares and visits our neighborhoods, dwelling in the settings of our daily lives,” he said. “He is a God who is close to us, who walks with his people, the Lord of history.”The pope also connected Corpus Christi with charity, noting that the Church in Spain has long associated the solemnity with the Day for Charity.“The Christ who processes through the streets in the monstrance is the same one who identifies with the poor, the downtrodden, those who are alone and forsaken,” he said.“It is not merely a matter of bringing out the monstrance,” Pope Leo emphasized, “but of allowing ourselves to be brought out of our selfishness and indifference, of a comfortable, private faith, so as to respond to his invitation to conversion, to change our perspective, and to welcome his presence which transforms us and makes us builders of a new world.”The pope said the historical memory of Spain’s Corpus Christi processions “is not confined to wistful nostalgia.”“Instead, it stands as an invitation in the present moment, in our daily lives, in our relationships, in society, and in the building of the future,” he said.That, he added, is the task facing Spain today and tomorrow: “to ensure that the religiosity which has shaped and defined this country for centuries is not a museum of the past to be visited, but a school of faith from which to draw even today.”The pope described that school of faith as one that “teaches us to kneel before God and before our neighbor, because no one can kneel before the Lord and despise their brother.”It is also, he said, “a school that teaches us of the gratitude of love that becomes a gift, so that it may flow among us and break the chains of all selfishness.”From the Eucharist, he continued, Catholics learn “that God is a real presence and that we too are called to be present in the realities and challenges of society, not shying away, but personally committing ourselves to the building of the common good.”Pope Leo also recalled St. Manuel González García, the Spanish bishop known as “the bishop of the abandoned tabernacle.”“His life reminds us that the Eucharist should be honored not only during great celebrations or on special occasions, but also through the silent fidelity of those who accompany the Lord with a humble and quiet friendship that is nourished day by day,” the pope said.The pope also cited St. John of the Cross, recalling that while imprisoned in harsh conditions in Toledo around the time of Corpus Christi in 1578, the Spanish mystic recognized the hidden presence of the Lord even in darkness.“The Eucharistic Jesus is ‘that eternal spring that is hidden’ — a spring that flows and quenches thirst, yet without blinding, without imposing itself through outward power, without presenting itself in a spectacular way,” the pope said.Pope Leo closed by urging the faithful to return to Christ in the Eucharist with “sincere love.”“Let us open ourselves to the encounter with him, let us allow him to quench the thirst of our hearts, so that we may then go forth into the paths of life and history, bringing to the people this stream of fresh water, a stream of love, peace, justice and joy,” he said.“Let us drink anew from this Eucharistic spring, which does not enclose us in private devotion, but sends us out to refresh our brothers and sisters, our families, the poor, the suffering, and those who have lost hope,” the pope said. “Eucharistic grace transforms us and makes us protagonists of the transformation of history, a sign of hope for those we meet.”“May the Lord Jesus, present in the Eucharist, transform you into bread that is broken, given, and offered,” he concluded, “so that a life of fullness may spring forth for you, for your families, and for your country.”This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

At Mass in Madrid’s Plaza de Cibeles, the pope called Spain’s centuries-old Eucharistic devotion “a school of faith” for the present and future.

Read More
First Steps: America’s Grueling Second Spacewalk – A year after America’s first spacewalk, Gemini IX-A Eugene Cernan stepped outside his spacecraft for an ambitious extravehicular activity scheduled for 167 minutes. The challenges he faced led NASA to reevaluate plans, equipment, and training for future spacewalks.

A year after America’s first spacewalk, Gemini IX-A Eugene Cernan stepped outside his spacecraft for an ambitious extravehicular activity scheduled for 167 minutes. The challenges he faced led NASA to reevaluate plans, equipment, and training for future spacewalks.

Read More
Picture of the day





The NASA/German Research Centre for Geosciences GRACE Follow-On spacecraft launch onboard a SpaceX Falcon 9 rocket, Tuesday, May 22, 2018, from Space Launch Complex 4E at Vandenberg Air Force Base in California.
 #ImageOfTheDay
Picture of the day
The NASA/German Research Centre for Geosciences GRACE Follow-On spacecraft launch onboard a SpaceX Falcon 9 rocket, Tuesday, May 22, 2018, from Space Launch Complex 4E at Vandenberg Air Force Base in California.
Read More
Going Low and Slow in Testing – NASA’s X-59 quiet supersonic research aircraft flies above NASA’s Armstrong Flight Research Center in Edwards, California, during testing focused on lower-speed and altitude flight conditions in support of NASA’s Quesst mission. NASA continues to include two-flight days in its envelope expansion as teams work to better understand how the aircraft responds throughout its operating range.

NASA’s X-59 quiet supersonic research aircraft flies above NASA’s Armstrong Flight Research Center in Edwards, California, during testing focused on lower-speed and altitude flight conditions in support of NASA’s Quesst mission. NASA continues to include two-flight days in its envelope expansion as teams work to better understand how the aircraft responds throughout its operating range.

Read More
Students Build Moon Robots for NASA’s 2026 Lunabotics Challenge – Katherine Rauscher, of Michigan Technological University, prepares her team’s prototype lunar robot for its turn during the finals for NASA’s 2026 Lunabotics Challenge competition on Tuesday, May 19, 2026, inside the Astronauts Memorial Foundation’s Center for Space Education at the Kennedy Space Center Visitor Complex in Florida. Forty-seven teams from around the U.S. designed and built remote-controlled robots capable of traversing challenging lunar terrain while constructing regolith-based berm under conditions similar to those the agency will face as it returns to the lunar surface through Artemis.

Katherine Rauscher, of Michigan Technological University, prepares her team’s prototype lunar robot for its turn during the finals for NASA’s 2026 Lunabotics Challenge competition on Tuesday, May 19, 2026, inside the Astronauts Memorial Foundation’s Center for Space Education at the Kennedy Space Center Visitor Complex in Florida. Forty-seven teams from around the U.S. designed and built remote-controlled robots capable of traversing challenging lunar terrain while constructing regolith-based berm under conditions similar to those the agency will face as it returns to the lunar surface through Artemis.

Read More

Chennai, on India’s southern coast along the Bay of Bengal and with a metropolitan population of about 8.7 million, shines with white LED streetlights in this photograph taken at approximately 9:13 p.m. local time on May 2, 2026, from the International Space Station.

Read More