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Notre-Dame Cathedral enters final stage of restoration following 2019 fire #Catholic A symbol of Christian heritage and one of the finest examples of Gothic architecture, Notre-Dame Cathedral in Paris, attracts millions of tourists and pilgrims from around the world each year.The devastating fire that significantly damaged the iconic cathedral on April 15, 2019, led to an unprecedented wave of international solidarity to ensure its restoration.Although the cathedral reopened for worship in December 2024, restoration work is not yet complete. French authorities recently unveiled a final phase of work to be carried out from 2027 to 2033, which will require a new fundraising campaign aiming to raise 130 million euros (8.5 million). A view of the interior of the restored Notre Dame Cathedral. | Credit: Photo courtesy of Martín Muñoz Ledo The planned investment amounts to 150 million euros (1.3 million). Of that sum, nearly 20 million euros (.8 million) has already been secured, while the remainder is to come from donations from individuals, companies, and partner organizations, following the funding model used to rebuild the monument after the fire.“Our goal is to fully complete the cathedral’s restoration,” stated Philippe Jost, president of Rebâtir Notre-Dame de Paris (Rebuilding Notre Dame in Paris), in an interview with the French Catholic newspaper La Croix.The program consists of around a dozen projects aimed both at repairing damage done by the fire and at restoring elements of cultural heritage that were already in a fragile state of preservation prior to 2019.The western rose window: The central focusThe planned works feature the complete restoration of the great western rose window, one of the most iconic examples of European Gothic architecture. This historic 13th-century stained-glass window has not undergone a complete restoration since the work directed by Eugène Viollet-le-Duc in the 19th century.The plans also include the restoration of the north transept façades, various medieval sculptures, and other architectural elements showing signs of wear. Project leaders believe these works will be crucial for ensuring the cathedralʼs long-term preservation.A functioning cathedral, yet still under constructionThe reopening of Notre Dame in late 2024 allowed the resumption of the cathedralʼs ordinary liturgical life. Since then, thousands of the faithful and tourists have once again passed through its doors each day.However, the fire also made evident conservation issues that had accumulated over decades in a building with more than eight centuries of history. Consequently, the new phase of work aims not only to repair fire damage but also to address broader structural and heritage-related needs.The reopening ceremony, held in December 2024, was considered one of the most significant cultural and religious events in Europe in recent years.Furthermore, those responsible for the restoration hope to rekindle the spirit of solidarity that emerged following the 2019 tragedy. At that time, financial pledges totaling nearly 1 billion euros (.14 billion) were secured, funds that made the reconstruction possible and left resources for future conservation work.Debate persists over new stained-glass windowsThe unveiling of this final phase does not put an end to one of the most notable controversies surrounding Notre Dame: the proposal, backed by President Emmanuel Macron, to replace six 19th-century stained-glass windows created by Viollet-le-Duc with contemporary works by French artist Claire Tabouret.The project remains subject to a court ruling following challenges filed by various heritage preservation associations. Their representatives argue that the historic stained-glass windows sustained minimal damage during the fire and consider their replacement unjustified.The issue has divided restoration experts, public officials, and figures from the world of culture. While some advocate for the complete preservation of the cathedralʼs historic legacy, others view the proposal as an opportunity to incorporate a new artistic expression into one of Franceʼs most recognizable monuments.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
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Notre-Dame Cathedral enters final stage of restoration following 2019 fire #Catholic A symbol of Christian heritage and one of the finest examples of Gothic architecture, Notre-Dame Cathedral in Paris, attracts millions of tourists and pilgrims from around the world each year.The devastating fire that significantly damaged the iconic cathedral on April 15, 2019, led to an unprecedented wave of international solidarity to ensure its restoration.Although the cathedral reopened for worship in December 2024, restoration work is not yet complete. French authorities recently unveiled a final phase of work to be carried out from 2027 to 2033, which will require a new fundraising campaign aiming to raise 130 million euros ($148.5 million). A view of the interior of the restored Notre Dame Cathedral. | Credit: Photo courtesy of Martín Muñoz Ledo The planned investment amounts to 150 million euros ($171.3 million). Of that sum, nearly 20 million euros ($22.8 million) has already been secured, while the remainder is to come from donations from individuals, companies, and partner organizations, following the funding model used to rebuild the monument after the fire.“Our goal is to fully complete the cathedral’s restoration,” stated Philippe Jost, president of Rebâtir Notre-Dame de Paris (Rebuilding Notre Dame in Paris), in an interview with the French Catholic newspaper La Croix.The program consists of around a dozen projects aimed both at repairing damage done by the fire and at restoring elements of cultural heritage that were already in a fragile state of preservation prior to 2019.The western rose window: The central focusThe planned works feature the complete restoration of the great western rose window, one of the most iconic examples of European Gothic architecture. This historic 13th-century stained-glass window has not undergone a complete restoration since the work directed by Eugène Viollet-le-Duc in the 19th century.The plans also include the restoration of the north transept façades, various medieval sculptures, and other architectural elements showing signs of wear. Project leaders believe these works will be crucial for ensuring the cathedralʼs long-term preservation.A functioning cathedral, yet still under constructionThe reopening of Notre Dame in late 2024 allowed the resumption of the cathedralʼs ordinary liturgical life. Since then, thousands of the faithful and tourists have once again passed through its doors each day.However, the fire also made evident conservation issues that had accumulated over decades in a building with more than eight centuries of history. Consequently, the new phase of work aims not only to repair fire damage but also to address broader structural and heritage-related needs.The reopening ceremony, held in December 2024, was considered one of the most significant cultural and religious events in Europe in recent years.Furthermore, those responsible for the restoration hope to rekindle the spirit of solidarity that emerged following the 2019 tragedy. At that time, financial pledges totaling nearly 1 billion euros ($1.14 billion) were secured, funds that made the reconstruction possible and left resources for future conservation work.Debate persists over new stained-glass windowsThe unveiling of this final phase does not put an end to one of the most notable controversies surrounding Notre Dame: the proposal, backed by President Emmanuel Macron, to replace six 19th-century stained-glass windows created by Viollet-le-Duc with contemporary works by French artist Claire Tabouret.The project remains subject to a court ruling following challenges filed by various heritage preservation associations. Their representatives argue that the historic stained-glass windows sustained minimal damage during the fire and consider their replacement unjustified.The issue has divided restoration experts, public officials, and figures from the world of culture. While some advocate for the complete preservation of the cathedralʼs historic legacy, others view the proposal as an opportunity to incorporate a new artistic expression into one of Franceʼs most recognizable monuments.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

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The cathedral has reopened but restoration work remains to be done, including on the western rose window.

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Meet Fio: the Catholic alternative to Spotify aiming to bring faith to your playlists #Catholic For many Catholics, faith formation often competes with busy schedules and endless digital distractions. Fio, a Catholic audio streaming platform, hopes to change that by putting faith-filled content at listeners’ fingertips. Dubbed “the Catholic alternative to Spotify,” the platform offers a growing library of podcasts, audiobooks, and music, giving users a way to stay connected to their faith wherever life takes them.Currently, Fio is being used in over 100 countries, is host to over 100,000 hours of Catholic content, and has over 1,000 Catholic creators putting their work onto the platform. Will Hickl, co-founder of Fio, has been in the music industry for 15 years as a musician and founder of the Catholic record label Novum Records. During his career, he realized that secular platforms were not built for faith-based work — it was difficult to stand out, there was no fair compensation, and there was no community around it.With this in mind, Hickl, and co-founder Peter Buonincontro, launched Fio in 2023. The first version of the app hosted podcasts alone. The following year music was added, and the following year — thanks to a generous investor — the platform was able to host audiobooks and grow their collection of content. In an interview with EWTN News, Hickl shared that the platform’s “North Star” is the fact that he cares deeply about the artists and content creators.“We are a platform who, because we care, weʼre paying a penny per stream, which is already three to four times what Spotify pays,” he explained. “We want to offer better exposure and tooling. In fact, we already offer better exposure because a musician doesnʼt have to compete with 10 million other musicians. Thereʼs only maybe like 100, maybe 200 artists on the platform right now…thereʼs greater discoverability.”For creators, he hopes they would know that Fio “is the one that genuinely cares about them more than Apple or Spotify ever will.” From left to right: Will Hickl and Peter Buonincontro, founders of Fio. | Credit: Houston Dragna Currently, Fio offers three subscription levels for listeners — free, premium, and audiobooks +. While users who subscribe to the platform for free will have to listen to advertisements, Hickl pointed out that these ads “are reserved and curated for Catholic businesses, Catholic ministries, and then Catholic artists on the platform.”He also emphasized that these faith-based advertisements can also serve as a “cultural safeguard” so that parents who may be listening with children present don’t have to worry about inappropriate advertisements being played, as is the case with many secular platforms.Hickl explained that Fio aims to serve three different cohorts: Catholic creators, consumers, and businesses.“We are an artist first platform. We want to give you the best exposure, the best economics than any other platform,” he said. “For consumers, we want to give you greater choice, a better experience in terms of what you find, what your kids are exposed to. The third would be Catholic businesses who canʼt target based on religion on Facebook or Google or YouTube or anything like that. So weʼre offering a greater targeting mechanism, greater value in that regard.”For those seeking to have their content on Fio, they must go through a submission and review process. Before their content is accepted, creators must affirm that they are practicing Catholics who accept the teachings of the Church. They must also verify that their work was not primarily created by artificial intelligence. Lastly, each creator goes through a manual review process by the Fio team before their work is allowed to be on the platform.Looking to the future, the team at Fio is working on creating original content for the platform as well as being able to host video podcasts and music videos. Additionally, they are working to give Fio a more “liturgical feel.” For example, if there’s an important saint’s feast day, Fio would make suggestions to listeners of a podcast that talks about the saint or a song inspired by the saint.Hickl hopes that one day more artists will “be more excited about sharing their Fio link than the Spotify link.”He added that he hopes Catholics “would know I can trust this platform, it can and should be a part of my every day, because thereʼs so much treasure to discover.”“Thatʼs something I say a lot, which is that the Church has an immense amount of treasure and we just donʼt know about it. And so I want people to know the treasure is here and Fio is a place where itʼs aggregated,” he said.
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Meet Fio: the Catholic alternative to Spotify aiming to bring faith to your playlists #Catholic For many Catholics, faith formation often competes with busy schedules and endless digital distractions. Fio, a Catholic audio streaming platform, hopes to change that by putting faith-filled content at listeners’ fingertips. Dubbed “the Catholic alternative to Spotify,” the platform offers a growing library of podcasts, audiobooks, and music, giving users a way to stay connected to their faith wherever life takes them.Currently, Fio is being used in over 100 countries, is host to over 100,000 hours of Catholic content, and has over 1,000 Catholic creators putting their work onto the platform. Will Hickl, co-founder of Fio, has been in the music industry for 15 years as a musician and founder of the Catholic record label Novum Records. During his career, he realized that secular platforms were not built for faith-based work — it was difficult to stand out, there was no fair compensation, and there was no community around it.With this in mind, Hickl, and co-founder Peter Buonincontro, launched Fio in 2023. The first version of the app hosted podcasts alone. The following year music was added, and the following year — thanks to a generous investor — the platform was able to host audiobooks and grow their collection of content. In an interview with EWTN News, Hickl shared that the platform’s “North Star” is the fact that he cares deeply about the artists and content creators.“We are a platform who, because we care, weʼre paying a penny per stream, which is already three to four times what Spotify pays,” he explained. “We want to offer better exposure and tooling. In fact, we already offer better exposure because a musician doesnʼt have to compete with 10 million other musicians. Thereʼs only maybe like 100, maybe 200 artists on the platform right now…thereʼs greater discoverability.”For creators, he hopes they would know that Fio “is the one that genuinely cares about them more than Apple or Spotify ever will.” From left to right: Will Hickl and Peter Buonincontro, founders of Fio. | Credit: Houston Dragna Currently, Fio offers three subscription levels for listeners — free, premium, and audiobooks +. While users who subscribe to the platform for free will have to listen to advertisements, Hickl pointed out that these ads “are reserved and curated for Catholic businesses, Catholic ministries, and then Catholic artists on the platform.”He also emphasized that these faith-based advertisements can also serve as a “cultural safeguard” so that parents who may be listening with children present don’t have to worry about inappropriate advertisements being played, as is the case with many secular platforms.Hickl explained that Fio aims to serve three different cohorts: Catholic creators, consumers, and businesses.“We are an artist first platform. We want to give you the best exposure, the best economics than any other platform,” he said. “For consumers, we want to give you greater choice, a better experience in terms of what you find, what your kids are exposed to. The third would be Catholic businesses who canʼt target based on religion on Facebook or Google or YouTube or anything like that. So weʼre offering a greater targeting mechanism, greater value in that regard.”For those seeking to have their content on Fio, they must go through a submission and review process. Before their content is accepted, creators must affirm that they are practicing Catholics who accept the teachings of the Church. They must also verify that their work was not primarily created by artificial intelligence. Lastly, each creator goes through a manual review process by the Fio team before their work is allowed to be on the platform.Looking to the future, the team at Fio is working on creating original content for the platform as well as being able to host video podcasts and music videos. Additionally, they are working to give Fio a more “liturgical feel.” For example, if there’s an important saint’s feast day, Fio would make suggestions to listeners of a podcast that talks about the saint or a song inspired by the saint.Hickl hopes that one day more artists will “be more excited about sharing their Fio link than the Spotify link.”He added that he hopes Catholics “would know I can trust this platform, it can and should be a part of my every day, because thereʼs so much treasure to discover.”“Thatʼs something I say a lot, which is that the Church has an immense amount of treasure and we just donʼt know about it. And so I want people to know the treasure is here and Fio is a place where itʼs aggregated,” he said.

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Currently, Fio is being used in over 100 countries, is host to over 100,000 hours of Catholic content, and has over 1,000 Catholic creators putting their work on the platform.

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White Dwarf Star (Artist’s Concept) – This artist’s concept depicts a smaller white dwarf star pulling material from a larger star, right, into an accretion disk. Scientists used NASA’s IXPE (Imaging X-ray Polarization Explorer) to study a white dwarf star and its X-ray polarization.
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White Dwarf Star (Artist’s Concept) – This artist’s concept depicts a smaller white dwarf star pulling material from a larger star, right, into an accretion disk. Scientists used NASA’s IXPE (Imaging X-ray Polarization Explorer) to study a white dwarf star and its X-ray polarization.

unitedyam

This artist’s concept depicts a smaller white dwarf star pulling material from a larger star, right, into an accretion disk. Scientists used NASA’s IXPE (Imaging X-ray Polarization Explorer) to study a white dwarf star and its X-ray polarization.

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