Evil

Archdiocese of New Orleans issues public apology to abuse victims #Catholic 
 
 The Saint Louis Cathedral and Jackson Square are seen at sunset near the French Quarter in downtown New Orleans on April 10, 2010. | Credit: Graythen/Getty Images

Jan 5, 2026 / 18:32 pm (CNA).
The Archdiocese of New Orleans released a letter written to child sexual abuse claimants apologizing for the “inexcusable harm” they suffered.“On behalf of the clergy, religious, and laity of the Archdiocese of New Orleans,” Archbishop Gregory Aymond of New Orleans expressed in the Dec. 26, 2025, letter his “profound regret over the tragic and inexcusable harm” child abuse survivors suffered.The letter was made public on Jan. 4 and emphasized that the Archdiocese of New Orleans “takes responsibility for the abuse.” Aymond said the archdiocese “pledges to keep children and all vulnerable people safe in our ministry.”“I sincerely apologize to you for the trauma caused to you and to those close to you as a survivor of sexual abuse perpetrated by a member of the clergy, a religious sister or brother, or a lay employee or volunteer working within the Catholic Church,” Aymond said.“I am ashamed that you or anyone should have been sexually abused by someone working within the Catholic Church. Sexual abuse is an inexcusable evil, and I am ashamed that you or anyone should have been sexually abused by someone working within the Catholic Church.”“Please know that you are not to blame for the abuse perpetrated on you,” Aymond said. “You were and are completely innocent and did nothing to deserve the pain you have suffered because of the hideous crime of sexual abuse of a minor.”‘Recognition’ provisionsThe public release of the letter is a part of an “extensive media outreach” to express the Archdiocese of New Orleans’ “commitment to the nonmonetary provisions laid out in its Chapter 11 settlement plan,” according to the Clarion Herald, the official newspaper of the archdiocese.The letter follows the October 2025 approval for a 0 million bankruptcy settlement to pay out over 650 victims after five years of litigation.The Chapter 11 case filed in 2020 highlights a number of procedures in its nonmonetary provisions “to foster child protection and prevent child sexual abuse.” Within its “recognition” section, the document calls for individual apology letters and a public apology letter.“It is my fervent hope that as we bring these Chapter 11 proceedings to a close, you will achieve some sense of peace, justice, and healing,” Aymond wrote in the letter. “I hold you and all survivors of abuse in prayer daily and encourage all to join me in prayer for you.”The letter will be shared through multiple media outlets over the upcoming days and weeks.

Archdiocese of New Orleans issues public apology to abuse victims #Catholic The Saint Louis Cathedral and Jackson Square are seen at sunset near the French Quarter in downtown New Orleans on April 10, 2010. | Credit: Graythen/Getty Images Jan 5, 2026 / 18:32 pm (CNA). The Archdiocese of New Orleans released a letter written to child sexual abuse claimants apologizing for the “inexcusable harm” they suffered.“On behalf of the clergy, religious, and laity of the Archdiocese of New Orleans,” Archbishop Gregory Aymond of New Orleans expressed in the Dec. 26, 2025, letter his “profound regret over the tragic and inexcusable harm” child abuse survivors suffered.The letter was made public on Jan. 4 and emphasized that the Archdiocese of New Orleans “takes responsibility for the abuse.” Aymond said the archdiocese “pledges to keep children and all vulnerable people safe in our ministry.”“I sincerely apologize to you for the trauma caused to you and to those close to you as a survivor of sexual abuse perpetrated by a member of the clergy, a religious sister or brother, or a lay employee or volunteer working within the Catholic Church,” Aymond said.“I am ashamed that you or anyone should have been sexually abused by someone working within the Catholic Church. Sexual abuse is an inexcusable evil, and I am ashamed that you or anyone should have been sexually abused by someone working within the Catholic Church.”“Please know that you are not to blame for the abuse perpetrated on you,” Aymond said. “You were and are completely innocent and did nothing to deserve the pain you have suffered because of the hideous crime of sexual abuse of a minor.”‘Recognition’ provisionsThe public release of the letter is a part of an “extensive media outreach” to express the Archdiocese of New Orleans’ “commitment to the nonmonetary provisions laid out in its Chapter 11 settlement plan,” according to the Clarion Herald, the official newspaper of the archdiocese.The letter follows the October 2025 approval for a $230 million bankruptcy settlement to pay out over 650 victims after five years of litigation.The Chapter 11 case filed in 2020 highlights a number of procedures in its nonmonetary provisions “to foster child protection and prevent child sexual abuse.” Within its “recognition” section, the document calls for individual apology letters and a public apology letter.“It is my fervent hope that as we bring these Chapter 11 proceedings to a close, you will achieve some sense of peace, justice, and healing,” Aymond wrote in the letter. “I hold you and all survivors of abuse in prayer daily and encourage all to join me in prayer for you.”The letter will be shared through multiple media outlets over the upcoming days and weeks.


The Saint Louis Cathedral and Jackson Square are seen at sunset near the French Quarter in downtown New Orleans on April 10, 2010. | Credit: Graythen/Getty Images

Jan 5, 2026 / 18:32 pm (CNA).

The Archdiocese of New Orleans released a letter written to child sexual abuse claimants apologizing for the “inexcusable harm” they suffered.

“On behalf of the clergy, religious, and laity of the Archdiocese of New Orleans,” Archbishop Gregory Aymond of New Orleans expressed in the Dec. 26, 2025, letter his “profound regret over the tragic and inexcusable harm” child abuse survivors suffered.

The letter was made public on Jan. 4 and emphasized that the Archdiocese of New Orleans “takes responsibility for the abuse.” Aymond said the archdiocese “pledges to keep children and all vulnerable people safe in our ministry.”

“I sincerely apologize to you for the trauma caused to you and to those close to you as a survivor of sexual abuse perpetrated by a member of the clergy, a religious sister or brother, or a lay employee or volunteer working within the Catholic Church,” Aymond said.

“I am ashamed that you or anyone should have been sexually abused by someone working within the Catholic Church. Sexual abuse is an inexcusable evil, and I am ashamed that you or anyone should have been sexually abused by someone working within the Catholic Church.”

“Please know that you are not to blame for the abuse perpetrated on you,” Aymond said. “You were and are completely innocent and did nothing to deserve the pain you have suffered because of the hideous crime of sexual abuse of a minor.”

‘Recognition’ provisions

The public release of the letter is a part of an “extensive media outreach” to express the Archdiocese of New Orleans’ “commitment to the nonmonetary provisions laid out in its Chapter 11 settlement plan,” according to the Clarion Herald, the official newspaper of the archdiocese.

The letter follows the October 2025 approval for a $230 million bankruptcy settlement to pay out over 650 victims after five years of litigation.

The Chapter 11 case filed in 2020 highlights a number of procedures in its nonmonetary provisions “to foster child protection and prevent child sexual abuse.” Within its “recognition” section, the document calls for individual apology letters and a public apology letter.

“It is my fervent hope that as we bring these Chapter 11 proceedings to a close, you will achieve some sense of peace, justice, and healing,” Aymond wrote in the letter. “I hold you and all survivors of abuse in prayer daily and encourage all to join me in prayer for you.”

The letter will be shared through multiple media outlets over the upcoming days and weeks.

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How to bless your home on the feast of Epiphany 2026 #Catholic 
 
 A chalk home blessing from the feast of the Epiphany. | Credit: A.Davey via Flickr (CC BY-NC-ND 2.0)

Jan 4, 2026 / 04:00 am (CNA).
Have you ever walked past a door and seen what appears to be random letters and numbers written at the top? These letters and numbers actually have a great significance.Traditionally on the feast of Epiphany, Catholics bless their homes by writing the letters C, M, and B and the numbers of the year on either side — so this year it would look like “20+C+M+B+26.”The letters stand for the traditional names of the three Magi: Caspar, Melchior, and Balthasar. They also represent the Latin blessing “Christus mansionem benedicat,” which means “May Christ bless this house.”Many Catholic parishes will give their parishioners a piece of chalk, a small bottle of holy water, and the words for the house blessing so that each family can bless its home.Epiphany, which is also known as “Little Christmas,” is the feast that celebrates the arrival of the three Magi who came to worship the child Jesus shortly after his birth. It is traditionally celebrated on Jan. 6. However, the Church in the United States celebrates it on the Sunday between Jan. 2 and Jan. 8. Many around the world celebrate this feast with as much pomp and circumstance as Christmas, including the exchanging of gifts.The blessing, which is popular in Poland and other Slavic countries, has spread around the world and become increasingly popular in the United States.How do you bless your home?Begin by having all family members gather outside the front door. All make the sign of the cross. One person will then read this prayer:Leader: Peace be to this house.All: And to all who dwell herein.Leader: From the east came the Magi to Bethlehem to adore the Lord; and opening their treasures they offered precious gifts: gold for the great King, incense for the true God, and myrrh in symbol of his burial.(Enter your home and read the Magnificat, the hymn of praise sung by the Blessed Virgin Mary in Luke’s Gospel after being greeted by Elizabeth. During this, sprinkle the area you are in with holy water. After that is complete, pray:)All: From the east came the Magi to Bethlehem to adore the Lord; and opening their treasures they offered precious gifts: gold for the great King, incense for the true God, and myrrh in symbol of his burial.Leader: Our Father, who art in heaven, hallowed be thy name. Thy kingdom come, thy will be done on earth as it is in heaven. Give us this day our daily bread, and forgive us our trespasses as we forgive those who trespass against us. And lead us not into temptation,All: But deliver us from evil.Leader: All they from Saba shall comeAll: Bringing gold and frankincense.Leader: O Lord, hear my prayer.All: And let my cry come unto thee.Leader: Let us pray. O God, who by the guidance of a star didst on this day manifest thine only-begotten Son to the Gentiles, mercifully grant that we who know thee by faith may also attain the vision of thy glorious majesty. Through Christ, Our Lord.All: Amen.Leader: Be enlightened, be enlightened, O Jerusalem, for thy light is come, and the glory of the Lord is risen upon thee — Jesus Christ born of the Virgin Mary.All: And the Gentiles shall walk in thy light and kings in the splendor of thy rising, and the glory of the Lord has risen upon thee.Leader: Let us pray. Bless, O Lord God almighty, this home, that in it there may be health, purity, the strength of victory, humility, goodness, and mercy, the fulfillment of thy law, the thanksgiving to God the Father and to the Son and to the Holy Spirit. And may this blessing remain upon this home and upon all who dwell herein. Through Christ, Our Lord.All: Amen.After the prayers are recited, walk throughout your home sprinkling each room with holy water. Then write the initials of the Magi connected with crosses at the top of your front door. Then the numbers of the year. The numbers will be split so that they are on each side of the initials. You will write:20 + C + M + B + 26This is a special tradition at the beginning of each year, a way to invite God into your home and place your family under his protection.This story was first published Jan. 6, 2022, and was updated Jan. 2, 2026.

How to bless your home on the feast of Epiphany 2026 #Catholic A chalk home blessing from the feast of the Epiphany. | Credit: A.Davey via Flickr (CC BY-NC-ND 2.0) Jan 4, 2026 / 04:00 am (CNA). Have you ever walked past a door and seen what appears to be random letters and numbers written at the top? These letters and numbers actually have a great significance.Traditionally on the feast of Epiphany, Catholics bless their homes by writing the letters C, M, and B and the numbers of the year on either side — so this year it would look like “20+C+M+B+26.”The letters stand for the traditional names of the three Magi: Caspar, Melchior, and Balthasar. They also represent the Latin blessing “Christus mansionem benedicat,” which means “May Christ bless this house.”Many Catholic parishes will give their parishioners a piece of chalk, a small bottle of holy water, and the words for the house blessing so that each family can bless its home.Epiphany, which is also known as “Little Christmas,” is the feast that celebrates the arrival of the three Magi who came to worship the child Jesus shortly after his birth. It is traditionally celebrated on Jan. 6. However, the Church in the United States celebrates it on the Sunday between Jan. 2 and Jan. 8. Many around the world celebrate this feast with as much pomp and circumstance as Christmas, including the exchanging of gifts.The blessing, which is popular in Poland and other Slavic countries, has spread around the world and become increasingly popular in the United States.How do you bless your home?Begin by having all family members gather outside the front door. All make the sign of the cross. One person will then read this prayer:Leader: Peace be to this house.All: And to all who dwell herein.Leader: From the east came the Magi to Bethlehem to adore the Lord; and opening their treasures they offered precious gifts: gold for the great King, incense for the true God, and myrrh in symbol of his burial.(Enter your home and read the Magnificat, the hymn of praise sung by the Blessed Virgin Mary in Luke’s Gospel after being greeted by Elizabeth. During this, sprinkle the area you are in with holy water. After that is complete, pray:)All: From the east came the Magi to Bethlehem to adore the Lord; and opening their treasures they offered precious gifts: gold for the great King, incense for the true God, and myrrh in symbol of his burial.Leader: Our Father, who art in heaven, hallowed be thy name. Thy kingdom come, thy will be done on earth as it is in heaven. Give us this day our daily bread, and forgive us our trespasses as we forgive those who trespass against us. And lead us not into temptation,All: But deliver us from evil.Leader: All they from Saba shall comeAll: Bringing gold and frankincense.Leader: O Lord, hear my prayer.All: And let my cry come unto thee.Leader: Let us pray. O God, who by the guidance of a star didst on this day manifest thine only-begotten Son to the Gentiles, mercifully grant that we who know thee by faith may also attain the vision of thy glorious majesty. Through Christ, Our Lord.All: Amen.Leader: Be enlightened, be enlightened, O Jerusalem, for thy light is come, and the glory of the Lord is risen upon thee — Jesus Christ born of the Virgin Mary.All: And the Gentiles shall walk in thy light and kings in the splendor of thy rising, and the glory of the Lord has risen upon thee.Leader: Let us pray. Bless, O Lord God almighty, this home, that in it there may be health, purity, the strength of victory, humility, goodness, and mercy, the fulfillment of thy law, the thanksgiving to God the Father and to the Son and to the Holy Spirit. And may this blessing remain upon this home and upon all who dwell herein. Through Christ, Our Lord.All: Amen.After the prayers are recited, walk throughout your home sprinkling each room with holy water. Then write the initials of the Magi connected with crosses at the top of your front door. Then the numbers of the year. The numbers will be split so that they are on each side of the initials. You will write:20 + C + M + B + 26This is a special tradition at the beginning of each year, a way to invite God into your home and place your family under his protection.This story was first published Jan. 6, 2022, and was updated Jan. 2, 2026.


A chalk home blessing from the feast of the Epiphany. | Credit: A.Davey via Flickr (CC BY-NC-ND 2.0)

Jan 4, 2026 / 04:00 am (CNA).

Have you ever walked past a door and seen what appears to be random letters and numbers written at the top? These letters and numbers actually have a great significance.

Traditionally on the feast of Epiphany, Catholics bless their homes by writing the letters C, M, and B and the numbers of the year on either side — so this year it would look like “20+C+M+B+26.”

The letters stand for the traditional names of the three Magi: Caspar, Melchior, and Balthasar. They also represent the Latin blessing “Christus mansionem benedicat,” which means “May Christ bless this house.”

Many Catholic parishes will give their parishioners a piece of chalk, a small bottle of holy water, and the words for the house blessing so that each family can bless its home.

Epiphany, which is also known as “Little Christmas,” is the feast that celebrates the arrival of the three Magi who came to worship the child Jesus shortly after his birth. It is traditionally celebrated on Jan. 6. However, the Church in the United States celebrates it on the Sunday between Jan. 2 and Jan. 8. Many around the world celebrate this feast with as much pomp and circumstance as Christmas, including the exchanging of gifts.

The blessing, which is popular in Poland and other Slavic countries, has spread around the world and become increasingly popular in the United States.

How do you bless your home?

Begin by having all family members gather outside the front door. All make the sign of the cross. One person will then read this prayer:

Leader: Peace be to this house.

All: And to all who dwell herein.

Leader: From the east came the Magi to Bethlehem to adore the Lord; and opening their treasures they offered precious gifts: gold for the great King, incense for the true God, and myrrh in symbol of his burial.

(Enter your home and read the Magnificat, the hymn of praise sung by the Blessed Virgin Mary in Luke’s Gospel after being greeted by Elizabeth. During this, sprinkle the area you are in with holy water. After that is complete, pray:)

All: From the east came the Magi to Bethlehem to adore the Lord; and opening their treasures they offered precious gifts: gold for the great King, incense for the true God, and myrrh in symbol of his burial.

Leader: Our Father, who art in heaven, hallowed be thy name. Thy kingdom come, thy will be done on earth as it is in heaven. Give us this day our daily bread, and forgive us our trespasses as we forgive those who trespass against us. And lead us not into temptation,

All: But deliver us from evil.

Leader: All they from Saba shall come

All: Bringing gold and frankincense.

Leader: O Lord, hear my prayer.

All: And let my cry come unto thee.

Leader: Let us pray. O God, who by the guidance of a star didst on this day manifest thine only-begotten Son to the Gentiles, mercifully grant that we who know thee by faith may also attain the vision of thy glorious majesty. Through Christ, Our Lord.

All: Amen.

Leader: Be enlightened, be enlightened, O Jerusalem, for thy light is come, and the glory of the Lord is risen upon thee — Jesus Christ born of the Virgin Mary.

All: And the Gentiles shall walk in thy light and kings in the splendor of thy rising, and the glory of the Lord has risen upon thee.

Leader: Let us pray. Bless, O Lord God almighty, this home, that in it there may be health, purity, the strength of victory, humility, goodness, and mercy, the fulfillment of thy law, the thanksgiving to God the Father and to the Son and to the Holy Spirit. And may this blessing remain upon this home and upon all who dwell herein. Through Christ, Our Lord.

All: Amen.

After the prayers are recited, walk throughout your home sprinkling each room with holy water. Then write the initials of the Magi connected with crosses at the top of your front door. Then the numbers of the year. The numbers will be split so that they are on each side of the initials. You will write:

20 + C + M + B + 26

This is a special tradition at the beginning of each year, a way to invite God into your home and place your family under his protection.

This story was first published Jan. 6, 2022, and was updated Jan. 2, 2026.

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Trump honors Mary’s ‘freedom from original sin’ in Immaculate Conception message #Catholic 
 
 U.S. President Donald Trump delivers remarks on Dec. 6, 2025, in Washington, D.C. / Credit: Aaron Schwartz/Getty Images

Washington, D.C. Newsroom, Dec 8, 2025 / 18:09 pm (CNA).
President Donald Trump honored the feast of the Immaculate Conception on Dec. 8, which appears to be the first time an American president formally recognized the Catholic holy day.The presidential statement recognized the role Mary played in the salvation of humanity and the importance she has in American history. The statement does, however, contain one theological error about the Incarnation. It says God became man when Christ was born, although Catholic doctrine recognizes God becoming man at the Incarnation: when Mary conceived him.“Today, I recognize every American celebrating Dec. 8 as a holy day honoring the faith, humility, and love of Mary, mother of Jesus and one of the greatest figures in the Bible,” the statement said. Trump, who is not Catholic and describes himself as a “non-denominational Christian,” has cultivated strong bonds with a broad range of Christians and frequently referenced religious holidays and symbols in ways that resonate with supporters.CNA could not find similar proclamations on the Immaculate Conception from other presidents, including none from the only two Catholic presidents: John F. Kennedy and Joe Biden. Other presidents have spoken about Mary and the Immaculate Conception, sometimes in messages relating to Christmas or other topics, but not in a formal recognition of this feast.“On the feast of the Immaculate Conception, Catholics celebrate what they believe to be Mary’s freedom from original sin as the mother of God,” the statement read.The feast day celebrates the miracle in which Mary was conceived without the stain of original sin. Every person — with the exception of Mary and Jesus Christ — receives the hereditary stain of original sin, which was brought onto humanity through the first sin of Adam and Eve when they disobeyed God by eating fruit from the tree of knowledge of good and evil.Mary’s importance to humanity and the United StatesThe presidential statement said Mary’s agreement at the Annunciation to conceive and bear the child Christ was “one of the most profound and consequential acts of history,” and Mary “heroically accepted God’s will with trust and humility.” It cites Luke 1:38: “Behold, I am the handmaid of the Lord. May it be done to me according to your word.” “Mary’s decision forever altered the course of humanity,” the statement read, adding that Christ “would go on to offer his life on the Cross for the redemption of sins and the salvation of the world.”President Trump’s statement also describes the annunciation by the archangel Gabriel, who calls the Blessed Mother “favored one” and tells her “you will conceive in your womb and bear a son, and you shall name him Jesus.”Later in the document, the presidential message says “we remember the sacred words that have brought aid, comfort, and support to generations of American believers in times of need,” and includes the text of the Hail Mary.Trump’s statement also acknowledges the “distinct role” Mary has played “in our great American story.”The president’s statement also specifically references Bishop John Carroll’s consecration of the United States to the Blessed Mother. Carroll was the only Catholic to sign the Declaration of Independence. In addition, the statement references the annual Mass of Thanksgiving in New Orleans on Jan. 8, in which Catholics celebrate Mary’s perceived assistance to U.S. troops under the command of General Andrew Jackson in winning the Battle of New Orleans.The message notes that “American legends” including St. Elizabeth Ann Seton, St. Frances Xavier Cabrini, and Venerable Fulton Sheen “held a deep devotion to Mary” and that many American churches, hospitals, universities, and schools bear her name. It adds that many Americans will also celebrate Our Lady of Guadalupe on Dec. 12.“As we approach 250 years of glorious American independence, we acknowledge and give thanks, with total gratitude, for Mary’s role in advancing peace, hope, and love in America and beyond our shores,” the presidential message reads.The presidential message also recognizes Pope Benedict XV dedicating a statue of Mary, Queen of Peace, to encourage Christians “to look to her example of peace by praying for a stop to the horrific slaughter” occurring in World War I, which then ended just a few months later.“Today, we look to Mary once again for inspiration and encouragement as we pray for an end to war and for a new and lasting era of peace, prosperity, and harmony in Europe and throughout the world,” Trump’s statement added.Catholics react to Trump’s messageChad Pecknold, a political science professor at The Catholic University of America, said he welcomed the president’s recognition of the feast day.“The more America publicly honors Christian feast days such as Christmas, Good Friday, and Easter, and the more we remember our greatest saints, as well as our national heroes, the better oriented our nation will be to God,” he said. “This is the spiritual key to raising up the Res Americana for the next 250 years.”Susan Hanssen, a history professor at the University of Dallas (a Catholic institution), called the presidential message “a jaw-droppingly historic event.” For a president to celebrate Mary as “full of grace” and celebrate “the centrality of the Incarnation,” she said “goes beyond anything that Americans have ever heard in presidential public speeches.”“This pronouncement, along with the first American pope in world history, marks a watershed moment in American cultural history,” Hanssen said. Caleb Henry, a political science professor at Franciscan University, told CNA Trump’s message appears to be an extension of the president’s America Prays campaign, which asks Americans to pray for the country ahead of the 250th anniversary of the Declaration of Independence next year.Henry said the initiative seeks to “reconnect America’s people of faith with … the signing of the Declaration of Independence.” He said the Immaculate Conception statement appears to be “a message to America’s Catholic faithful,” that the country’s history “while complicated, is rooted in these truths of natural law, laws of nature, and of nature’s God.”“We have a Marian tradition here in our country as well,” he said. The statement comes as the nation’s Catholic bishops have welcomed some of Trump’s policies, such as regarding gender ideology. Bishops also have expressed dismay about indiscriminate immigration enforcement and a plan to expand in vitro fertilization (IVF).The United States Conference of Catholic Bishops issued a unified special pastoral message against “indiscriminate mass deportations” on Nov. 12.Henry said a message like the one issued on the Immaculate Conception is “a typical Trump move” by “ignoring all existing hierarchies and going straight to the people.”Theological error in the messageThe statement contains a theological error. After discussing the Annunciation, the message states “nine months later, God became man when Mary gave birth to a son, Jesus.”Christ became man at the moment of the Incarnation, when Mary conceived him, not when he was born. Father Aquinas Guilbeau, OP, told CNA that although early councils clarified this teaching, the misunderstanding “endures today.” He said: “Even among Christians, sadly. It remains a favorite of poets.” He noted that even in “Silent Night,” the verse that says “Jesus, Lord, at thy birth” falls into this error because: “Jesus is Lord before his birth. He is Lord at his conception.”“Wherever it appears, the error may be pious and well-intentioned but it remains theologically inaccurate,” Guilbeau said.

Trump honors Mary’s ‘freedom from original sin’ in Immaculate Conception message #Catholic U.S. President Donald Trump delivers remarks on Dec. 6, 2025, in Washington, D.C. / Credit: Aaron Schwartz/Getty Images Washington, D.C. Newsroom, Dec 8, 2025 / 18:09 pm (CNA). President Donald Trump honored the feast of the Immaculate Conception on Dec. 8, which appears to be the first time an American president formally recognized the Catholic holy day.The presidential statement recognized the role Mary played in the salvation of humanity and the importance she has in American history. The statement does, however, contain one theological error about the Incarnation. It says God became man when Christ was born, although Catholic doctrine recognizes God becoming man at the Incarnation: when Mary conceived him.“Today, I recognize every American celebrating Dec. 8 as a holy day honoring the faith, humility, and love of Mary, mother of Jesus and one of the greatest figures in the Bible,” the statement said. Trump, who is not Catholic and describes himself as a “non-denominational Christian,” has cultivated strong bonds with a broad range of Christians and frequently referenced religious holidays and symbols in ways that resonate with supporters.CNA could not find similar proclamations on the Immaculate Conception from other presidents, including none from the only two Catholic presidents: John F. Kennedy and Joe Biden. Other presidents have spoken about Mary and the Immaculate Conception, sometimes in messages relating to Christmas or other topics, but not in a formal recognition of this feast.“On the feast of the Immaculate Conception, Catholics celebrate what they believe to be Mary’s freedom from original sin as the mother of God,” the statement read.The feast day celebrates the miracle in which Mary was conceived without the stain of original sin. Every person — with the exception of Mary and Jesus Christ — receives the hereditary stain of original sin, which was brought onto humanity through the first sin of Adam and Eve when they disobeyed God by eating fruit from the tree of knowledge of good and evil.Mary’s importance to humanity and the United StatesThe presidential statement said Mary’s agreement at the Annunciation to conceive and bear the child Christ was “one of the most profound and consequential acts of history,” and Mary “heroically accepted God’s will with trust and humility.” It cites Luke 1:38: “Behold, I am the handmaid of the Lord. May it be done to me according to your word.” “Mary’s decision forever altered the course of humanity,” the statement read, adding that Christ “would go on to offer his life on the Cross for the redemption of sins and the salvation of the world.”President Trump’s statement also describes the annunciation by the archangel Gabriel, who calls the Blessed Mother “favored one” and tells her “you will conceive in your womb and bear a son, and you shall name him Jesus.”Later in the document, the presidential message says “we remember the sacred words that have brought aid, comfort, and support to generations of American believers in times of need,” and includes the text of the Hail Mary.Trump’s statement also acknowledges the “distinct role” Mary has played “in our great American story.”The president’s statement also specifically references Bishop John Carroll’s consecration of the United States to the Blessed Mother. Carroll was the only Catholic to sign the Declaration of Independence. In addition, the statement references the annual Mass of Thanksgiving in New Orleans on Jan. 8, in which Catholics celebrate Mary’s perceived assistance to U.S. troops under the command of General Andrew Jackson in winning the Battle of New Orleans.The message notes that “American legends” including St. Elizabeth Ann Seton, St. Frances Xavier Cabrini, and Venerable Fulton Sheen “held a deep devotion to Mary” and that many American churches, hospitals, universities, and schools bear her name. It adds that many Americans will also celebrate Our Lady of Guadalupe on Dec. 12.“As we approach 250 years of glorious American independence, we acknowledge and give thanks, with total gratitude, for Mary’s role in advancing peace, hope, and love in America and beyond our shores,” the presidential message reads.The presidential message also recognizes Pope Benedict XV dedicating a statue of Mary, Queen of Peace, to encourage Christians “to look to her example of peace by praying for a stop to the horrific slaughter” occurring in World War I, which then ended just a few months later.“Today, we look to Mary once again for inspiration and encouragement as we pray for an end to war and for a new and lasting era of peace, prosperity, and harmony in Europe and throughout the world,” Trump’s statement added.Catholics react to Trump’s messageChad Pecknold, a political science professor at The Catholic University of America, said he welcomed the president’s recognition of the feast day.“The more America publicly honors Christian feast days such as Christmas, Good Friday, and Easter, and the more we remember our greatest saints, as well as our national heroes, the better oriented our nation will be to God,” he said. “This is the spiritual key to raising up the Res Americana for the next 250 years.”Susan Hanssen, a history professor at the University of Dallas (a Catholic institution), called the presidential message “a jaw-droppingly historic event.” For a president to celebrate Mary as “full of grace” and celebrate “the centrality of the Incarnation,” she said “goes beyond anything that Americans have ever heard in presidential public speeches.”“This pronouncement, along with the first American pope in world history, marks a watershed moment in American cultural history,” Hanssen said. Caleb Henry, a political science professor at Franciscan University, told CNA Trump’s message appears to be an extension of the president’s America Prays campaign, which asks Americans to pray for the country ahead of the 250th anniversary of the Declaration of Independence next year.Henry said the initiative seeks to “reconnect America’s people of faith with … the signing of the Declaration of Independence.” He said the Immaculate Conception statement appears to be “a message to America’s Catholic faithful,” that the country’s history “while complicated, is rooted in these truths of natural law, laws of nature, and of nature’s God.”“We have a Marian tradition here in our country as well,” he said. The statement comes as the nation’s Catholic bishops have welcomed some of Trump’s policies, such as regarding gender ideology. Bishops also have expressed dismay about indiscriminate immigration enforcement and a plan to expand in vitro fertilization (IVF).The United States Conference of Catholic Bishops issued a unified special pastoral message against “indiscriminate mass deportations” on Nov. 12.Henry said a message like the one issued on the Immaculate Conception is “a typical Trump move” by “ignoring all existing hierarchies and going straight to the people.”Theological error in the messageThe statement contains a theological error. After discussing the Annunciation, the message states “nine months later, God became man when Mary gave birth to a son, Jesus.”Christ became man at the moment of the Incarnation, when Mary conceived him, not when he was born. Father Aquinas Guilbeau, OP, told CNA that although early councils clarified this teaching, the misunderstanding “endures today.” He said: “Even among Christians, sadly. It remains a favorite of poets.” He noted that even in “Silent Night,” the verse that says “Jesus, Lord, at thy birth” falls into this error because: “Jesus is Lord before his birth. He is Lord at his conception.”“Wherever it appears, the error may be pious and well-intentioned but it remains theologically inaccurate,” Guilbeau said.


U.S. President Donald Trump delivers remarks on Dec. 6, 2025, in Washington, D.C. / Credit: Aaron Schwartz/Getty Images

Washington, D.C. Newsroom, Dec 8, 2025 / 18:09 pm (CNA).

President Donald Trump honored the feast of the Immaculate Conception on Dec. 8, which appears to be the first time an American president formally recognized the Catholic holy day.

The presidential statement recognized the role Mary played in the salvation of humanity and the importance she has in American history. The statement does, however, contain one theological error about the Incarnation. It says God became man when Christ was born, although Catholic doctrine recognizes God becoming man at the Incarnation: when Mary conceived him.

“Today, I recognize every American celebrating Dec. 8 as a holy day honoring the faith, humility, and love of Mary, mother of Jesus and one of the greatest figures in the Bible,” the statement said. Trump, who is not Catholic and describes himself as a “non-denominational Christian,” has cultivated strong bonds with a broad range of Christians and frequently referenced religious holidays and symbols in ways that resonate with supporters.

CNA could not find similar proclamations on the Immaculate Conception from other presidents, including none from the only two Catholic presidents: John F. Kennedy and Joe Biden. Other presidents have spoken about Mary and the Immaculate Conception, sometimes in messages relating to Christmas or other topics, but not in a formal recognition of this feast.

“On the feast of the Immaculate Conception, Catholics celebrate what they believe to be Mary’s freedom from original sin as the mother of God,” the statement read.

The feast day celebrates the miracle in which Mary was conceived without the stain of original sin. Every person — with the exception of Mary and Jesus Christ — receives the hereditary stain of original sin, which was brought onto humanity through the first sin of Adam and Eve when they disobeyed God by eating fruit from the tree of knowledge of good and evil.

Mary’s importance to humanity and the United States

The presidential statement said Mary’s agreement at the Annunciation to conceive and bear the child Christ was “one of the most profound and consequential acts of history,” and Mary “heroically accepted God’s will with trust and humility.” 

It cites Luke 1:38: “Behold, I am the handmaid of the Lord. May it be done to me according to your word.” 

“Mary’s decision forever altered the course of humanity,” the statement read, adding that Christ “would go on to offer his life on the Cross for the redemption of sins and the salvation of the world.”

President Trump’s statement also describes the annunciation by the archangel Gabriel, who calls the Blessed Mother “favored one” and tells her “you will conceive in your womb and bear a son, and you shall name him Jesus.”

Later in the document, the presidential message says “we remember the sacred words that have brought aid, comfort, and support to generations of American believers in times of need,” and includes the text of the Hail Mary.

Trump’s statement also acknowledges the “distinct role” Mary has played “in our great American story.”

The president’s statement also specifically references Bishop John Carroll’s consecration of the United States to the Blessed Mother. Carroll was the only Catholic to sign the Declaration of Independence. In addition, the statement references the annual Mass of Thanksgiving in New Orleans on Jan. 8, in which Catholics celebrate Mary’s perceived assistance to U.S. troops under the command of General Andrew Jackson in winning the Battle of New Orleans.

The message notes that “American legends” including St. Elizabeth Ann Seton, St. Frances Xavier Cabrini, and Venerable Fulton Sheen “held a deep devotion to Mary” and that many American churches, hospitals, universities, and schools bear her name. It adds that many Americans will also celebrate Our Lady of Guadalupe on Dec. 12.

“As we approach 250 years of glorious American independence, we acknowledge and give thanks, with total gratitude, for Mary’s role in advancing peace, hope, and love in America and beyond our shores,” the presidential message reads.

The presidential message also recognizes Pope Benedict XV dedicating a statue of Mary, Queen of Peace, to encourage Christians “to look to her example of peace by praying for a stop to the horrific slaughter” occurring in World War I, which then ended just a few months later.

“Today, we look to Mary once again for inspiration and encouragement as we pray for an end to war and for a new and lasting era of peace, prosperity, and harmony in Europe and throughout the world,” Trump’s statement added.

Catholics react to Trump’s message

Chad Pecknold, a political science professor at The Catholic University of America, said he welcomed the president’s recognition of the feast day.

“The more America publicly honors Christian feast days such as Christmas, Good Friday, and Easter, and the more we remember our greatest saints, as well as our national heroes, the better oriented our nation will be to God,” he said. “This is the spiritual key to raising up the Res Americana for the next 250 years.”

Susan Hanssen, a history professor at the University of Dallas (a Catholic institution), called the presidential message “a jaw-droppingly historic event.” For a president to celebrate Mary as “full of grace” and celebrate “the centrality of the Incarnation,” she said “goes beyond anything that Americans have ever heard in presidential public speeches.”

“This pronouncement, along with the first American pope in world history, marks a watershed moment in American cultural history,” Hanssen said. 

Caleb Henry, a political science professor at Franciscan University, told CNA Trump’s message appears to be an extension of the president’s America Prays campaign, which asks Americans to pray for the country ahead of the 250th anniversary of the Declaration of Independence next year.

Henry said the initiative seeks to “reconnect America’s people of faith with … the signing of the Declaration of Independence.” He said the Immaculate Conception statement appears to be “a message to America’s Catholic faithful,” that the country’s history “while complicated, is rooted in these truths of natural law, laws of nature, and of nature’s God.”

“We have a Marian tradition here in our country as well,” he said. 

The statement comes as the nation’s Catholic bishops have welcomed some of Trump’s policies, such as regarding gender ideology. Bishops also have expressed dismay about indiscriminate immigration enforcement and a plan to expand in vitro fertilization (IVF).

The United States Conference of Catholic Bishops issued a unified special pastoral message against “indiscriminate mass deportations” on Nov. 12.

Henry said a message like the one issued on the Immaculate Conception is “a typical Trump move” by “ignoring all existing hierarchies and going straight to the people.”

Theological error in the message

The statement contains a theological error. After discussing the Annunciation, the message states “nine months later, God became man when Mary gave birth to a son, Jesus.”

Christ became man at the moment of the Incarnation, when Mary conceived him, not when he was born. 

Father Aquinas Guilbeau, OP, told CNA that although early councils clarified this teaching, the misunderstanding “endures today.” He said: “Even among Christians, sadly. It remains a favorite of poets.” 

He noted that even in “Silent Night,” the verse that says “Jesus, Lord, at thy birth” falls into this error because: “Jesus is Lord before his birth. He is Lord at his conception.”

“Wherever it appears, the error may be pious and well-intentioned but it remains theologically inaccurate,” Guilbeau said.

Read More
PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit #Catholic 
 
 Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library

New York City, New York, Nov 30, 2025 / 08:00 am (CNA).
Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England. Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan LibraryDavid appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New YorkProphets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York LibraryThe central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public LibraryLate 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public LibraryIn the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public LibraryScenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York LibraryIn his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York LibraryThis high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York LibraryMore’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York LibraryThe branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit #Catholic Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library New York City, New York, Nov 30, 2025 / 08:00 am (CNA). Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England. Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan LibraryDavid appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New YorkProphets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York LibraryThe central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public LibraryLate 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public LibraryIn the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public LibraryScenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York LibraryIn his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York LibraryThis high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York LibraryMore’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York LibraryThe branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.


Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library

New York City, New York, Nov 30, 2025 / 08:00 am (CNA).

Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England.

Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan Library
Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan Library

David appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” 

These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.

King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New York
King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New York
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York Library
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York Library

The central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. 

Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public Library
Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public Library
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public Library
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public Library

In the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”

Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public Library
Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public Library
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York Library
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York Library

In his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.

St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York Library
St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York Library

This high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”

The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s "Sir Thomas More," positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York Library
The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York Library

More’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. 

A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York Library
A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York Library

The branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.

David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.

Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

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A circa 1660–70 Pahari painting from Basohli, Jammu, India, depicting the Hindu goddess Bhadrakali being worshipped by the three supreme gods of Hinduism: Brahma the creator, Vishnu the preserver, and Shiva the destroyer, to pacify her after she killed the demon Mahishasura, who could not be killed by them, the men or other gods. Her victory over the demon is celebrated by Hindus as the victory of good over evil on the day of Vijayadashami, which is today.
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Picture of the day
A circa 1660–70 Pahari painting from Basohli, Jammu, India, depicting the Hindu goddess Bhadrakali being worshipped by the three supreme gods of Hinduism: Brahma the creator, Vishnu the preserver, and Shiva the destroyer, to pacify her after she killed the demon Mahishasura, who could not be killed by them, the men or other gods. Her victory over the demon is celebrated by Hindus as the victory of good over evil on the day of Vijayadashami, which is today.
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