Feature

Vatican vegetable garden goes 100% organic #Catholic A vegetable garden and orchard inside the Vatican walls, which historically provided food for the pope’s household, is now cultivated using exclusively organic farming techniques.The private garden covers almost a tenth of an acre of cultivable land inside the Mater Ecclesiae Monastery property, where Pope Benedict XVI lived during his retirement and now reside cloistered Benedictine nuns from the Abbey of St. Scholastica in Victoria, Argentina.Sometimes known as “the pope’s garden,” the vegetable plot “has always been a defining feature of the Vatican Gardens because, in fact, the Vatican Gardens were originally created primarily for that purpose — to provide sustenance for the [Apostolic] Palace,” Stefano Giampaolo, a forestry expert and head of the Gardens and Environment Service of the Vatican, told EWTN News.Giampaolo explained that now the plot is more accurately understood as the vegetable garden of the Vatican Gardens — an area that covers roughly half of Vatican City at 57 acres. Mater Ecclesiae Monastery, built inside Vatican City in the 1990s to house nuns who support the ministry of the pope through prayer, has an adjoining vegetable garden and orchard. | Credit: Hannah Brockhaus/EWTN News The Benedictine nuns at Mater Ecclesiae Monastery, who pray for the pope, eat the fruit and vegetables grown in the garden and use them to make jams and other food preserves. The excess produce is given to a Vatican soup kitchen run by the Missionaries of Charity.The move to biological farming techniques has been underway for several years, partly in response to Pope Francis’ 2015 encyclical Laudato Si’, Giampaolo said.The challenges of organicAccording to Gilberto Bianchi, the gardener responsible for the orchard and vegetable patch since 2008, the Vatican has a “desire to respect nature” in how it cares for the plants and trees on its land.But it’s far from easy.“Clearly, running a completely organic vegetable garden presents challenges, partly because insects are aggressive, and we use natural predators in the soil to control them,” Bianchi said. “No chemical fertilizers or insecticides are used.”He added that soil drainage and water conservation are also challenges.“This type of soil drains very well, so to conserve water, we add coconut fiber to retain moisture. And it’s watered with a drip irrigation system specifically to target the plants and avoid wasting water,” he said.Part of an organic agriculture also means respecting the seasons, he said. “Right now, the winter crops are being planted, while the summer crops are being harvested.” The fresh produce grown in the vegetable garden and orchard in Vatican City feeds the Benedictine nuns living in the Mater Ecclesiae Monastery and supports the nearby Missionaries of Charity-run soup kitchen. | Credit: Governorate of Vatican City State The end-of-summer harvest includes tomatoes, eggplants, green beans, zucchini, cucumbers, and peppers, while the fall and winter crop has broccoli, spinach, lettuce, and pumpkins.According to Vatican Media, the garden also includes garlic, basil, and a Peruvian variety of chili peppers known for its intensity. Kiwi plants were also added recently at the request of the Argentinian nuns.Next to the garden is a small orchard of around 15 citrus trees, some of which are 150 years old.“At this time, we’re planting savoy cabbage,” Bianchi said. “In short, whatever is in season. … So whatever is planted is because nature dictates it at that moment. The plants are grown from seed. We don’t use lab-grown plants.”A historic collection of gardensBianchi, who has worked for more than three decades in the Vatican Gardens, “is the one with the most expertise in this field, and he is now passing that knowledge on to a new gardener,” Giampaolo said.The expert gardener is part of a team of around 35 gardeners and administrators who oversee the Vatican’s green spaces and provide the flower arrangements for papal ceremonies. Stefano Giampaolo, left, head of the Gardens and Environment Service of Vatican City, and expert gardener Gilberto Bianchi, right, the main caretaker of the orchard and vegetable garden commonly known as “the pope’s garden,” share their expertise with EWTN News in the Vatican Gardens on Sept. 9, 2026. | Credit: Hannah Brockhaus/EWTN News “People expect to see a single garden, but in reality, as the name suggests, they are the Vatican Gardens — a collection of gardens,” Giampaolo said.The Gardens date to the mid-13th century, when Pope Nicolas III moved the papal residence from the Lateran Palace to the Vatican, had the city state’s walls built, and ordered the creation of a lawn, orchard, and “viridarium” — a Roman-style garden with flowerbeds and a fountain.Today, Giampaolo said, “there are countless different species, both trees and flowers. This is because, over time, the gardens have been enriched by donations and the search for specific botanical material, to the point of becoming a true botanical garden.”“Visitors are often struck by the diversity of the spaces — so many different gardens contained within this small area.”Ultimately, he said, the gardeners hope to one day eliminate all synthetic fertilizers and pesticides from their care of the entire Vatican territory.“It’s a process — the transformation of all the Gardens into organic ones,” he said.
Read More

Vatican vegetable garden goes 100% organic #Catholic A vegetable garden and orchard inside the Vatican walls, which historically provided food for the pope’s household, is now cultivated using exclusively organic farming techniques.The private garden covers almost a tenth of an acre of cultivable land inside the Mater Ecclesiae Monastery property, where Pope Benedict XVI lived during his retirement and now reside cloistered Benedictine nuns from the Abbey of St. Scholastica in Victoria, Argentina.Sometimes known as “the pope’s garden,” the vegetable plot “has always been a defining feature of the Vatican Gardens because, in fact, the Vatican Gardens were originally created primarily for that purpose — to provide sustenance for the [Apostolic] Palace,” Stefano Giampaolo, a forestry expert and head of the Gardens and Environment Service of the Vatican, told EWTN News.Giampaolo explained that now the plot is more accurately understood as the vegetable garden of the Vatican Gardens — an area that covers roughly half of Vatican City at 57 acres. Mater Ecclesiae Monastery, built inside Vatican City in the 1990s to house nuns who support the ministry of the pope through prayer, has an adjoining vegetable garden and orchard. | Credit: Hannah Brockhaus/EWTN News The Benedictine nuns at Mater Ecclesiae Monastery, who pray for the pope, eat the fruit and vegetables grown in the garden and use them to make jams and other food preserves. The excess produce is given to a Vatican soup kitchen run by the Missionaries of Charity.The move to biological farming techniques has been underway for several years, partly in response to Pope Francis’ 2015 encyclical Laudato Si’, Giampaolo said.The challenges of organicAccording to Gilberto Bianchi, the gardener responsible for the orchard and vegetable patch since 2008, the Vatican has a “desire to respect nature” in how it cares for the plants and trees on its land.But it’s far from easy.“Clearly, running a completely organic vegetable garden presents challenges, partly because insects are aggressive, and we use natural predators in the soil to control them,” Bianchi said. “No chemical fertilizers or insecticides are used.”He added that soil drainage and water conservation are also challenges.“This type of soil drains very well, so to conserve water, we add coconut fiber to retain moisture. And it’s watered with a drip irrigation system specifically to target the plants and avoid wasting water,” he said.Part of an organic agriculture also means respecting the seasons, he said. “Right now, the winter crops are being planted, while the summer crops are being harvested.” The fresh produce grown in the vegetable garden and orchard in Vatican City feeds the Benedictine nuns living in the Mater Ecclesiae Monastery and supports the nearby Missionaries of Charity-run soup kitchen. | Credit: Governorate of Vatican City State The end-of-summer harvest includes tomatoes, eggplants, green beans, zucchini, cucumbers, and peppers, while the fall and winter crop has broccoli, spinach, lettuce, and pumpkins.According to Vatican Media, the garden also includes garlic, basil, and a Peruvian variety of chili peppers known for its intensity. Kiwi plants were also added recently at the request of the Argentinian nuns.Next to the garden is a small orchard of around 15 citrus trees, some of which are 150 years old.“At this time, we’re planting savoy cabbage,” Bianchi said. “In short, whatever is in season. … So whatever is planted is because nature dictates it at that moment. The plants are grown from seed. We don’t use lab-grown plants.”A historic collection of gardensBianchi, who has worked for more than three decades in the Vatican Gardens, “is the one with the most expertise in this field, and he is now passing that knowledge on to a new gardener,” Giampaolo said.The expert gardener is part of a team of around 35 gardeners and administrators who oversee the Vatican’s green spaces and provide the flower arrangements for papal ceremonies. Stefano Giampaolo, left, head of the Gardens and Environment Service of Vatican City, and expert gardener Gilberto Bianchi, right, the main caretaker of the orchard and vegetable garden commonly known as “the pope’s garden,” share their expertise with EWTN News in the Vatican Gardens on Sept. 9, 2026. | Credit: Hannah Brockhaus/EWTN News “People expect to see a single garden, but in reality, as the name suggests, they are the Vatican Gardens — a collection of gardens,” Giampaolo said.The Gardens date to the mid-13th century, when Pope Nicolas III moved the papal residence from the Lateran Palace to the Vatican, had the city state’s walls built, and ordered the creation of a lawn, orchard, and “viridarium” — a Roman-style garden with flowerbeds and a fountain.Today, Giampaolo said, “there are countless different species, both trees and flowers. This is because, over time, the gardens have been enriched by donations and the search for specific botanical material, to the point of becoming a true botanical garden.”“Visitors are often struck by the diversity of the spaces — so many different gardens contained within this small area.”Ultimately, he said, the gardeners hope to one day eliminate all synthetic fertilizers and pesticides from their care of the entire Vatican territory.“It’s a process — the transformation of all the Gardens into organic ones,” he said.

unitedyam

The move to biological farming techniques has been underway for several years in response to Pope Francis’ 2015 encyclical Laudato Si’.

Read More
Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”
Read More

Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”

unitedyam

Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.”

Read More
New film ‘American Martyr’ tells story of Oklahoma priest and martyr Blessed Stanley Rother #Catholic Hundreds gathered late last month in Oklahoma City for the premiere of the new film “American Martyr: The Stanley Rother Story,” a feature-length documentary depicting the inspiring life of Blessed Stanley Rother.“This has been a long time coming,” Archbishop Paul Coakley of Oklahoma City told EWTN News on the red carpet July 28.Born in Okarche, Oklahoma, Rother was a farmer before he attended Mount St. Mary’s Seminary in Emmitsburg, Maryland, and was ordained a priest in 1963. After serving as an associate pastor at a parish in Oklahoma for five years, Rother received permission to join the staff at the Oklahoma diocese’s mission in Santiago Atitlán, Guatemala.He served the Tz’utujil people, who are descendants of the Mayans, in Guatemala, learning their native Tz’utujil language as well as Spanish. As their pastor, Rother celebrated Mass and helped translate the New Testament into the Tz’utujil language. He quickly gained the trust and love of the local people, ministering to them in their homes, sharing meals, helping them in the fields, and visiting the sick.While Rother was in Guatemala, a civil war broke out and the Catholic Church was caught in its crosshairs. The priest’s name was placed on a death list. On July 28, 1981, three men entered the rectory at night and killed the beloved priest.Rother’s cause for canonization opened in 2007 by the Archdiocese of Oklahoma City, and in 2016 Pope Francis recognized Rother as a martyr for the faith. He became the first American-born priest to be recognized as a martyr by the Catholic Church. The Warren Theater in Oklahoma City hosted the premiere of “American Martyr: The Stanley Rother Story” on July 28, 2026. | Credit: Photo courtesy of Chris Porter “We’ve been very intentionally promoting the cause of Blessed Stanley Rother for many years,” Coakley said. “He’s been beatified and now we’re working toward his canonization, and in order for that ever to happen we need more and more people seeking the intercession of Blessed Stanley Rother and seeking his divine favor so that miracles may be performed through his intercession. So that’s why we undertook this production, to introduce him to more and more people.”The archbishop added that the film is “a beautiful depiction of the life of an ordinary Catholic who responded generously and faithfully to Godʼs grace and mercy and allowed the Lord to transform him and form him into the saint ultimately that we hope he will finally be named.”Michael Scaperlanda, chancellor at the Archdiocese of Oklahoma City, said: “This is an exciting moment for the archdiocese to have a nationwide release … of this wonderful documentary narrated by Martin Sheen.”He highlighted the importance of sharing Rother’s story to a wider audience because it serves as a reminder that “even ordinary people can become saints.” For Felipe Coche Pablo, the documentary is particularly personal. Pablo is a native of Santiago Atitlan and was baptized by Rother when he was 6 months old. He was 2 years old when Rother was killed.When Rother’s cause was opened, Pablo was appointed to serve as the official church notary for Rother’s parish in Santiago Atitlán. It was then that he learned about the potential saint’s life and legacy.Pablo said learning about Rother deeply impacted his life and taught him “to keep fighting in life. There are always stumbles, but you have to pick yourself back up, like he [Rother] did.” Archbishop Paul Coakley of Oklahoma City, left, and Felipe Coche Pablo, right, at the premiere of “American Martyr: The Stanley Rother Story” on July 28, 2026. | Credit: Photo courtesy of Chris Porter Today, Pablo is the administrator at Colegio Católico Padre Aplaʼs — also known as the Blessed Stanley Rother Catholic School — in Santiago Atitlán. This school is part of the parish in which Rother served, Santiago Apóstol, or St. James the Apostle Church.“We have 435 students and the education is trilingual — Tz’utujil, Spanish, and English,” he explained. “Our first language is the Mayan language, Tz’utujil. And he [Rother] was a priest that was very loved by the people because he learned the Mayan language Tz’utujil, like us, like what I speak.”Pablo said he hopes viewers of the film will be inspired by Rother’s “service to others” and to “carry peace, love, evangelize, and what is most needed in life — look for God.”Coakley added that he hopes viewers will leave the theater reminded that “all of us are called to holiness.”“Stanley Rother would not have been the one in high school in the yearbook that said most likely to become a saint … And yet all of us are called, it’s our vocation if you’re baptized, you’re called to be a saint. All of us are called to be saints. And Stanley Rother gives us a hope that for each one of us that is a possibility that is real.”“American Martyr” can be seen in theaters across the U.S. on Aug. 25 and 26 in English and in Spanish on Aug. 27.
Read More

New film ‘American Martyr’ tells story of Oklahoma priest and martyr Blessed Stanley Rother #Catholic Hundreds gathered late last month in Oklahoma City for the premiere of the new film “American Martyr: The Stanley Rother Story,” a feature-length documentary depicting the inspiring life of Blessed Stanley Rother.“This has been a long time coming,” Archbishop Paul Coakley of Oklahoma City told EWTN News on the red carpet July 28.Born in Okarche, Oklahoma, Rother was a farmer before he attended Mount St. Mary’s Seminary in Emmitsburg, Maryland, and was ordained a priest in 1963. After serving as an associate pastor at a parish in Oklahoma for five years, Rother received permission to join the staff at the Oklahoma diocese’s mission in Santiago Atitlán, Guatemala.He served the Tz’utujil people, who are descendants of the Mayans, in Guatemala, learning their native Tz’utujil language as well as Spanish. As their pastor, Rother celebrated Mass and helped translate the New Testament into the Tz’utujil language. He quickly gained the trust and love of the local people, ministering to them in their homes, sharing meals, helping them in the fields, and visiting the sick.While Rother was in Guatemala, a civil war broke out and the Catholic Church was caught in its crosshairs. The priest’s name was placed on a death list. On July 28, 1981, three men entered the rectory at night and killed the beloved priest.Rother’s cause for canonization opened in 2007 by the Archdiocese of Oklahoma City, and in 2016 Pope Francis recognized Rother as a martyr for the faith. He became the first American-born priest to be recognized as a martyr by the Catholic Church. The Warren Theater in Oklahoma City hosted the premiere of “American Martyr: The Stanley Rother Story” on July 28, 2026. | Credit: Photo courtesy of Chris Porter “We’ve been very intentionally promoting the cause of Blessed Stanley Rother for many years,” Coakley said. “He’s been beatified and now we’re working toward his canonization, and in order for that ever to happen we need more and more people seeking the intercession of Blessed Stanley Rother and seeking his divine favor so that miracles may be performed through his intercession. So that’s why we undertook this production, to introduce him to more and more people.”The archbishop added that the film is “a beautiful depiction of the life of an ordinary Catholic who responded generously and faithfully to Godʼs grace and mercy and allowed the Lord to transform him and form him into the saint ultimately that we hope he will finally be named.”Michael Scaperlanda, chancellor at the Archdiocese of Oklahoma City, said: “This is an exciting moment for the archdiocese to have a nationwide release … of this wonderful documentary narrated by Martin Sheen.”He highlighted the importance of sharing Rother’s story to a wider audience because it serves as a reminder that “even ordinary people can become saints.” For Felipe Coche Pablo, the documentary is particularly personal. Pablo is a native of Santiago Atitlan and was baptized by Rother when he was 6 months old. He was 2 years old when Rother was killed.When Rother’s cause was opened, Pablo was appointed to serve as the official church notary for Rother’s parish in Santiago Atitlán. It was then that he learned about the potential saint’s life and legacy.Pablo said learning about Rother deeply impacted his life and taught him “to keep fighting in life. There are always stumbles, but you have to pick yourself back up, like he [Rother] did.” Archbishop Paul Coakley of Oklahoma City, left, and Felipe Coche Pablo, right, at the premiere of “American Martyr: The Stanley Rother Story” on July 28, 2026. | Credit: Photo courtesy of Chris Porter Today, Pablo is the administrator at Colegio Católico Padre Aplaʼs — also known as the Blessed Stanley Rother Catholic School — in Santiago Atitlán. This school is part of the parish in which Rother served, Santiago Apóstol, or St. James the Apostle Church.“We have 435 students and the education is trilingual — Tz’utujil, Spanish, and English,” he explained. “Our first language is the Mayan language, Tz’utujil. And he [Rother] was a priest that was very loved by the people because he learned the Mayan language Tz’utujil, like us, like what I speak.”Pablo said he hopes viewers of the film will be inspired by Rother’s “service to others” and to “carry peace, love, evangelize, and what is most needed in life — look for God.”Coakley added that he hopes viewers will leave the theater reminded that “all of us are called to holiness.”“Stanley Rother would not have been the one in high school in the yearbook that said most likely to become a saint … And yet all of us are called, it’s our vocation if you’re baptized, you’re called to be a saint. All of us are called to be saints. And Stanley Rother gives us a hope that for each one of us that is a possibility that is real.”“American Martyr” can be seen in theaters across the U.S. on Aug. 25 and 26 in English and in Spanish on Aug. 27.

unitedyam

“American Martyr” can be seen in theaters Aug. 25-26 in English and in Spanish on Aug. 27.

Read More