Film

Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”
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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”

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Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.”

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EWTN to air film on St. Peter Claver, slave of the slaves #Catholic St. Peter Claver was a Spanish Jesuit priest who dedicated his life to the care of African slaves. On Sept. 9 — the saint’s feast day — EWTN will release an original docudrama on his life titled “Saint Peter Claver — Slave of the Slaves.”The docudrama was filmed on location in Spain, Colombia, and Cape Verde and uses interviews and dramatizations to present the life of Claver, who tirelessly ministered to the spiritual and physical needs of African slaves in Cartagena, Colombia, for 40 years.The film will air on EWTN TV and EWTN+ on Sept. 9 at 9:30 p.m. ET and re-air on Sept. 12 at 8 p.m. ET. At this time, the program will not air on YouTube. A behind-the-scenes look at the making of “Saint Peter Claver — Slave of the Slaves.” | Credit: EWTN Who was St. Peter Claver?Born on June 26, 1580, in Catalonia, Spain, Claver grew up in a devout Catholic farming family. He attended the University of Barcelona and at age 20 joined the Jesuits.During his studies as a novice, Claver met an older lay Jesuit brother, Alphonsus Rodriguez. It was Rodriguez who encouraged Claver to become a missionary in the Spanish colonies in the Americas.In 1610, Claver traveled from Spain to Cartagena, Colombia, where he was ordained a priest five years later.At that time, the African slave trade had been in place for several decades in the Americas, and Cartagena was one of the busiest slave ports in the Spanish empire.While there, Claver witnessed the cruelty with which the slaves were treated firsthand, despite Pope Paul III’s repeated condemnations of slavery. It is estimated that tens of thousands of enslaved Africans passed through Cartagena during Claver’s ministry.Moved by their suffering, Claver worked to bring both bodily and spiritual aid to the slaves. Despite his own health problems and the language barrier, he dedicated himself to his vocation.Claver would meet slave ships upon arrival in the harbor and board them to care for the poorly treated passengers on board who had made the journey from Africa in diseased and cramped conditions over the course of several months. He would tend to the sick — bringing food, water, and medicine — and treat wounds and illnesses. He would immediately baptize babies and those near death.After a slave was sold, Claver would continue to visit the individual, providing physical and spiritual support.When it came to catechesis, due to the language barrier, Claver used pictorial representations of the Gospel stories he was teaching.Throughout his ministry, Claver lived on small amounts of food and sleep. His lifestyle led to several miraculous occurrences, including when he healed the sick with the touch of his cloak or appeared surrounded by a supernatural light during his hospital visits.After suffering for several years from poor health, Claver died on Sept. 8, 1654. He had baptized and taught the faith to more than 300,000 slaves during his 40 years in Colombia.He was beatified by Pius IX on July 16, 1850, and canonized along with his friend St. Alphonsus Rodriguez on Jan. 15, 1888, by Pope Leo XIII.Claver is the patron saint of enslaved peoples, African missions, and interracial justice, and one of several patron saints of Colombia.
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EWTN to air film on St. Peter Claver, slave of the slaves #Catholic St. Peter Claver was a Spanish Jesuit priest who dedicated his life to the care of African slaves. On Sept. 9 — the saint’s feast day — EWTN will release an original docudrama on his life titled “Saint Peter Claver — Slave of the Slaves.”The docudrama was filmed on location in Spain, Colombia, and Cape Verde and uses interviews and dramatizations to present the life of Claver, who tirelessly ministered to the spiritual and physical needs of African slaves in Cartagena, Colombia, for 40 years.The film will air on EWTN TV and EWTN+ on Sept. 9 at 9:30 p.m. ET and re-air on Sept. 12 at 8 p.m. ET. At this time, the program will not air on YouTube. A behind-the-scenes look at the making of “Saint Peter Claver — Slave of the Slaves.” | Credit: EWTN Who was St. Peter Claver?Born on June 26, 1580, in Catalonia, Spain, Claver grew up in a devout Catholic farming family. He attended the University of Barcelona and at age 20 joined the Jesuits.During his studies as a novice, Claver met an older lay Jesuit brother, Alphonsus Rodriguez. It was Rodriguez who encouraged Claver to become a missionary in the Spanish colonies in the Americas.In 1610, Claver traveled from Spain to Cartagena, Colombia, where he was ordained a priest five years later.At that time, the African slave trade had been in place for several decades in the Americas, and Cartagena was one of the busiest slave ports in the Spanish empire.While there, Claver witnessed the cruelty with which the slaves were treated firsthand, despite Pope Paul III’s repeated condemnations of slavery. It is estimated that tens of thousands of enslaved Africans passed through Cartagena during Claver’s ministry.Moved by their suffering, Claver worked to bring both bodily and spiritual aid to the slaves. Despite his own health problems and the language barrier, he dedicated himself to his vocation.Claver would meet slave ships upon arrival in the harbor and board them to care for the poorly treated passengers on board who had made the journey from Africa in diseased and cramped conditions over the course of several months. He would tend to the sick — bringing food, water, and medicine — and treat wounds and illnesses. He would immediately baptize babies and those near death.After a slave was sold, Claver would continue to visit the individual, providing physical and spiritual support.When it came to catechesis, due to the language barrier, Claver used pictorial representations of the Gospel stories he was teaching.Throughout his ministry, Claver lived on small amounts of food and sleep. His lifestyle led to several miraculous occurrences, including when he healed the sick with the touch of his cloak or appeared surrounded by a supernatural light during his hospital visits.After suffering for several years from poor health, Claver died on Sept. 8, 1654. He had baptized and taught the faith to more than 300,000 slaves during his 40 years in Colombia.He was beatified by Pius IX on July 16, 1850, and canonized along with his friend St. Alphonsus Rodriguez on Jan. 15, 1888, by Pope Leo XIII.Claver is the patron saint of enslaved peoples, African missions, and interracial justice, and one of several patron saints of Colombia.

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“Saint Peter Claver — Slave of the Slaves” will air on EWTN on Sept. 9.

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How the movie ‘Top Gun: Maverick’ inspired a camp for Catholic fathers and sons #Catholic Inspired by the movie “Top Gun: Maverick,” a D.C.-based youth ministry is using a weekendlong camp to build mentors and strengthen the bonds between Catholic fathers and their sons.The annual “Top Gun Father and Son” camping event welcomes dads and sons for a mission to grow closer, strengthen their relationships through challenges and reflections, and partake in faith-filled adventures.Encounters, Convictions, and Your Decisions (ECYD), an international Catholic association of adolescents with the Legionaries of Christ and Regnum Christi, hosts the annual weekend at Camp Castleton in Virginia for boys in fifth to eighth grade and their fathers.The event is only one of the fruits of ECYD, which also carries out other youth clubs, camps, leadership trainings, and gatherings.Father Vito Crincoli, LC, the director of the ECYD Leadership Training program in D.C., told EWTN News the ECYD ministry is “based on the spirituality of Jesus calling you to be his friend.”“Itʼs an international movement,” he said. “In Washington, D.C., in particular, weʼve been putting a lot of emphasis on forming dads to be mentors for our clubs.”“One is because we donʼt have as many priests as we would like to run the youth ministry. But also, above all, we want to create vibrant apostles, vibrant laypeople, to run youth work. And because men really want to be mentors.”“Weʼve noticed in these past years of our ministry that thereʼs been such a desire for the men to want to be involved. And we saw that precisely through the father-son weekends we do. It awakens something in them.”Men “want to do more,” Crincoli said. “They want to give more.” A father and his son at the 2024 Top Gun Father and Son weekend event at Camp Castleton in Virginia. | Credit: Photo courtesy of Father Vito Crincoli Finding unexpected inspiration from filmWhile the camp grew out of the desire to minister to Catholic men, it was ultimately a fictional adventure film about U.S. Navy aviators that set the idea into motion.After noticing a “father and son tone” in the 2022 film “Top Gun: Maverick,” Crincoli was inspired to bring together families for the event, which now welcomes anywhere from 20 to 40 fathers and sons.Crincoli was inspired by the relationship between the film’s characters Pete Mitchell and Bradley Bradshaw, better known by their call signs “Maverick” and “Rooster.”While the two Top Gun pilots are not related, Crincoli noticed a bond between them that is unique to a father and his son.In the movie, “Maverick is trying to be the best dad he could be for Rooster. Experiencing his own limitations, but also just trying,” Crincoli explained. “And then Rooster is looking for the type of dad he wants: ‘I need a role model in my life. Someone who can guide me.’”“Weʼre really trying to tell the dads: ‘Be a dad as a mission.’ Itʼs a mission of love. The whole idea of Top Gun Father and Son is that you and your son are a team. Youʼre preparing your son for life.”“Thatʼs what Maverick was doing with Rooster. He was preparing him for battle.”Top Gun Father and SonWhile at the camp, the group has previously been joined by members of the U.S. Naval Academy, including a Catholic former Top Gun pilot who “gave a talk to the dads about learning to fly with your kids — learning to fly with them through life.” Retired Top Gun pilot Lt. Adam Farber speaks to participants at the 2024 Top Gun Father and Son weekend event held at Camp Castleton in Virginia. | Credit: Photo courtesy of Father Vito Crincoli A pivotal part is the “moment where the dads earn their wings,” he said. “We had somebody donate real Navy wings to us.”“Itʼs a ceremony. Weʼll have the wings on the table, the flag, the dads line up and then … the dads become ‘Top Gun dads’” and “they get their wings.” It “begins the mission of the weekend.”To help the participants live out the mission, the dads have “a training camp,” Crincoli said. “In that training camp we have different activities.”The activities include anything from dodgeball and nighttime “missions” to quiet time in prayer. The weekend includes “different dynamics and different adventures” to create fellowship and teamwork between the fathers and sons.During dodgeball, “itʼs the fathers and sons as teams against each other,” Crincoli explained. “But then, if their son gets hit with the ball, the dad has to go and rescue his son.”“Thereʼs even a night mission that the son and the dad have to do together. There was one year that we did a mission where the dads and kids had to crack codes and to find the missing pilot. But they have to do it together — the son and dad.”The event also includes father and sons giving each other their own call signs and explaining why they chose them for each other. Itʼs a “dynamic of ‘How well do you know your son, and how well does your son know you?’” Father Vito Crincoli and Top Gun Father and Son weekend participants hold the Encounters, Convictions, and Your Decisions flag at the 2024 Top Gun Father and Son weekend event at Camp Castleton in Virginia. | Credit: Photo courtesy of Father Vito Crincoli Along with the mission-center games, the group most importantly spends time in prayer throughout the weekend.The “most beautiful” part of the event is when “we have the adoration — father-son adoration together,” Crincoli said. “The dad and his kid, they both come up to receive the blessing with the Blessed Sacrament. Itʼs a very intimate moment.”“Then we have the finishing Mass. And after the Mass, the dads and the kids are together,” and “itʼs the award ceremony.”Then, “the dads give their wings to their sons” and “as theyʼre pinning the wings to their son, theyʼre praying over their kids. Theyʼre blessing them. Theyʼre encouraging them.” A father blesses his son at the 2024 Top Gun Father and Son weekend event at Camp Castleton in Virginia. | Credit: Photo courtesy of Father Vito Crincoli The many ‘lights’ that come from the eventThe last day includes “a debriefing with the dads,” Crincoli said. “We sit down with the dads and we start asking them, ‘What has this weekend been for you?’”“The dads begin to express different comments,” Crincoli said. He further reflected on some of the past insights he has heard from fathers.  “The men say, ‘It is great to be with men that believe what I believe.’”“Another, he goes, ‘Itʼs beautiful, itʼs great, to be with men who are strongly Catholic, who are bonded by their sons, and that we could be a community.’ One of the dads said, ‘I really want to be a mentor in this because … this is an extension of my fatherhood.’”After the weekend, “they come back,” Crincoli said. They come back as mentors for ECYD clubs or take part in its other camps.“There are so many different lights that come from this,” he said.The next annual Top Gun Father and Son will be held the weekend of Oct. 17–18. It will include the presence of members of the U.S. Naval Academy and a former Navy Seabee chief who will support the weekend with leadership and inspiration.
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How the movie ‘Top Gun: Maverick’ inspired a camp for Catholic fathers and sons #Catholic Inspired by the movie “Top Gun: Maverick,” a D.C.-based youth ministry is using a weekendlong camp to build mentors and strengthen the bonds between Catholic fathers and their sons.The annual “Top Gun Father and Son” camping event welcomes dads and sons for a mission to grow closer, strengthen their relationships through challenges and reflections, and partake in faith-filled adventures.Encounters, Convictions, and Your Decisions (ECYD), an international Catholic association of adolescents with the Legionaries of Christ and Regnum Christi, hosts the annual weekend at Camp Castleton in Virginia for boys in fifth to eighth grade and their fathers.The event is only one of the fruits of ECYD, which also carries out other youth clubs, camps, leadership trainings, and gatherings.Father Vito Crincoli, LC, the director of the ECYD Leadership Training program in D.C., told EWTN News the ECYD ministry is “based on the spirituality of Jesus calling you to be his friend.”“Itʼs an international movement,” he said. “In Washington, D.C., in particular, weʼve been putting a lot of emphasis on forming dads to be mentors for our clubs.”“One is because we donʼt have as many priests as we would like to run the youth ministry. But also, above all, we want to create vibrant apostles, vibrant laypeople, to run youth work. And because men really want to be mentors.”“Weʼve noticed in these past years of our ministry that thereʼs been such a desire for the men to want to be involved. And we saw that precisely through the father-son weekends we do. It awakens something in them.”Men “want to do more,” Crincoli said. “They want to give more.” A father and his son at the 2024 Top Gun Father and Son weekend event at Camp Castleton in Virginia. | Credit: Photo courtesy of Father Vito Crincoli Finding unexpected inspiration from filmWhile the camp grew out of the desire to minister to Catholic men, it was ultimately a fictional adventure film about U.S. Navy aviators that set the idea into motion.After noticing a “father and son tone” in the 2022 film “Top Gun: Maverick,” Crincoli was inspired to bring together families for the event, which now welcomes anywhere from 20 to 40 fathers and sons.Crincoli was inspired by the relationship between the film’s characters Pete Mitchell and Bradley Bradshaw, better known by their call signs “Maverick” and “Rooster.”While the two Top Gun pilots are not related, Crincoli noticed a bond between them that is unique to a father and his son.In the movie, “Maverick is trying to be the best dad he could be for Rooster. Experiencing his own limitations, but also just trying,” Crincoli explained. “And then Rooster is looking for the type of dad he wants: ‘I need a role model in my life. Someone who can guide me.’”“Weʼre really trying to tell the dads: ‘Be a dad as a mission.’ Itʼs a mission of love. The whole idea of Top Gun Father and Son is that you and your son are a team. Youʼre preparing your son for life.”“Thatʼs what Maverick was doing with Rooster. He was preparing him for battle.”Top Gun Father and SonWhile at the camp, the group has previously been joined by members of the U.S. Naval Academy, including a Catholic former Top Gun pilot who “gave a talk to the dads about learning to fly with your kids — learning to fly with them through life.” Retired Top Gun pilot Lt. Adam Farber speaks to participants at the 2024 Top Gun Father and Son weekend event held at Camp Castleton in Virginia. | Credit: Photo courtesy of Father Vito Crincoli A pivotal part is the “moment where the dads earn their wings,” he said. “We had somebody donate real Navy wings to us.”“Itʼs a ceremony. Weʼll have the wings on the table, the flag, the dads line up and then … the dads become ‘Top Gun dads’” and “they get their wings.” It “begins the mission of the weekend.”To help the participants live out the mission, the dads have “a training camp,” Crincoli said. “In that training camp we have different activities.”The activities include anything from dodgeball and nighttime “missions” to quiet time in prayer. The weekend includes “different dynamics and different adventures” to create fellowship and teamwork between the fathers and sons.During dodgeball, “itʼs the fathers and sons as teams against each other,” Crincoli explained. “But then, if their son gets hit with the ball, the dad has to go and rescue his son.”“Thereʼs even a night mission that the son and the dad have to do together. There was one year that we did a mission where the dads and kids had to crack codes and to find the missing pilot. But they have to do it together — the son and dad.”The event also includes father and sons giving each other their own call signs and explaining why they chose them for each other. Itʼs a “dynamic of ‘How well do you know your son, and how well does your son know you?’” Father Vito Crincoli and Top Gun Father and Son weekend participants hold the Encounters, Convictions, and Your Decisions flag at the 2024 Top Gun Father and Son weekend event at Camp Castleton in Virginia. | Credit: Photo courtesy of Father Vito Crincoli Along with the mission-center games, the group most importantly spends time in prayer throughout the weekend.The “most beautiful” part of the event is when “we have the adoration — father-son adoration together,” Crincoli said. “The dad and his kid, they both come up to receive the blessing with the Blessed Sacrament. Itʼs a very intimate moment.”“Then we have the finishing Mass. And after the Mass, the dads and the kids are together,” and “itʼs the award ceremony.”Then, “the dads give their wings to their sons” and “as theyʼre pinning the wings to their son, theyʼre praying over their kids. Theyʼre blessing them. Theyʼre encouraging them.” A father blesses his son at the 2024 Top Gun Father and Son weekend event at Camp Castleton in Virginia. | Credit: Photo courtesy of Father Vito Crincoli The many ‘lights’ that come from the eventThe last day includes “a debriefing with the dads,” Crincoli said. “We sit down with the dads and we start asking them, ‘What has this weekend been for you?’”“The dads begin to express different comments,” Crincoli said. He further reflected on some of the past insights he has heard from fathers.  “The men say, ‘It is great to be with men that believe what I believe.’”“Another, he goes, ‘Itʼs beautiful, itʼs great, to be with men who are strongly Catholic, who are bonded by their sons, and that we could be a community.’ One of the dads said, ‘I really want to be a mentor in this because … this is an extension of my fatherhood.’”After the weekend, “they come back,” Crincoli said. They come back as mentors for ECYD clubs or take part in its other camps.“There are so many different lights that come from this,” he said.The next annual Top Gun Father and Son will be held the weekend of Oct. 17–18. It will include the presence of members of the U.S. Naval Academy and a former Navy Seabee chief who will support the weekend with leadership and inspiration.

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The annual camping event welcomes dads and sons for a mission to grow closer, strengthen their relationships through challenges and reflections, and partake in faith-filled adventures.

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New film ‘American Martyr’ tells story of Oklahoma priest and martyr Blessed Stanley Rother #Catholic Hundreds gathered late last month in Oklahoma City for the premiere of the new film “American Martyr: The Stanley Rother Story,” a feature-length documentary depicting the inspiring life of Blessed Stanley Rother.“This has been a long time coming,” Archbishop Paul Coakley of Oklahoma City told EWTN News on the red carpet July 28.Born in Okarche, Oklahoma, Rother was a farmer before he attended Mount St. Mary’s Seminary in Emmitsburg, Maryland, and was ordained a priest in 1963. After serving as an associate pastor at a parish in Oklahoma for five years, Rother received permission to join the staff at the Oklahoma diocese’s mission in Santiago Atitlán, Guatemala.He served the Tz’utujil people, who are descendants of the Mayans, in Guatemala, learning their native Tz’utujil language as well as Spanish. As their pastor, Rother celebrated Mass and helped translate the New Testament into the Tz’utujil language. He quickly gained the trust and love of the local people, ministering to them in their homes, sharing meals, helping them in the fields, and visiting the sick.While Rother was in Guatemala, a civil war broke out and the Catholic Church was caught in its crosshairs. The priest’s name was placed on a death list. On July 28, 1981, three men entered the rectory at night and killed the beloved priest.Rother’s cause for canonization opened in 2007 by the Archdiocese of Oklahoma City, and in 2016 Pope Francis recognized Rother as a martyr for the faith. He became the first American-born priest to be recognized as a martyr by the Catholic Church. The Warren Theater in Oklahoma City hosted the premiere of “American Martyr: The Stanley Rother Story” on July 28, 2026. | Credit: Photo courtesy of Chris Porter “We’ve been very intentionally promoting the cause of Blessed Stanley Rother for many years,” Coakley said. “He’s been beatified and now we’re working toward his canonization, and in order for that ever to happen we need more and more people seeking the intercession of Blessed Stanley Rother and seeking his divine favor so that miracles may be performed through his intercession. So that’s why we undertook this production, to introduce him to more and more people.”The archbishop added that the film is “a beautiful depiction of the life of an ordinary Catholic who responded generously and faithfully to Godʼs grace and mercy and allowed the Lord to transform him and form him into the saint ultimately that we hope he will finally be named.”Michael Scaperlanda, chancellor at the Archdiocese of Oklahoma City, said: “This is an exciting moment for the archdiocese to have a nationwide release … of this wonderful documentary narrated by Martin Sheen.”He highlighted the importance of sharing Rother’s story to a wider audience because it serves as a reminder that “even ordinary people can become saints.” For Felipe Coche Pablo, the documentary is particularly personal. Pablo is a native of Santiago Atitlan and was baptized by Rother when he was 6 months old. He was 2 years old when Rother was killed.When Rother’s cause was opened, Pablo was appointed to serve as the official church notary for Rother’s parish in Santiago Atitlán. It was then that he learned about the potential saint’s life and legacy.Pablo said learning about Rother deeply impacted his life and taught him “to keep fighting in life. There are always stumbles, but you have to pick yourself back up, like he [Rother] did.” Archbishop Paul Coakley of Oklahoma City, left, and Felipe Coche Pablo, right, at the premiere of “American Martyr: The Stanley Rother Story” on July 28, 2026. | Credit: Photo courtesy of Chris Porter Today, Pablo is the administrator at Colegio Católico Padre Aplaʼs — also known as the Blessed Stanley Rother Catholic School — in Santiago Atitlán. This school is part of the parish in which Rother served, Santiago Apóstol, or St. James the Apostle Church.“We have 435 students and the education is trilingual — Tz’utujil, Spanish, and English,” he explained. “Our first language is the Mayan language, Tz’utujil. And he [Rother] was a priest that was very loved by the people because he learned the Mayan language Tz’utujil, like us, like what I speak.”Pablo said he hopes viewers of the film will be inspired by Rother’s “service to others” and to “carry peace, love, evangelize, and what is most needed in life — look for God.”Coakley added that he hopes viewers will leave the theater reminded that “all of us are called to holiness.”“Stanley Rother would not have been the one in high school in the yearbook that said most likely to become a saint … And yet all of us are called, it’s our vocation if you’re baptized, you’re called to be a saint. All of us are called to be saints. And Stanley Rother gives us a hope that for each one of us that is a possibility that is real.”“American Martyr” can be seen in theaters across the U.S. on Aug. 25 and 26 in English and in Spanish on Aug. 27.
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New film ‘American Martyr’ tells story of Oklahoma priest and martyr Blessed Stanley Rother #Catholic Hundreds gathered late last month in Oklahoma City for the premiere of the new film “American Martyr: The Stanley Rother Story,” a feature-length documentary depicting the inspiring life of Blessed Stanley Rother.“This has been a long time coming,” Archbishop Paul Coakley of Oklahoma City told EWTN News on the red carpet July 28.Born in Okarche, Oklahoma, Rother was a farmer before he attended Mount St. Mary’s Seminary in Emmitsburg, Maryland, and was ordained a priest in 1963. After serving as an associate pastor at a parish in Oklahoma for five years, Rother received permission to join the staff at the Oklahoma diocese’s mission in Santiago Atitlán, Guatemala.He served the Tz’utujil people, who are descendants of the Mayans, in Guatemala, learning their native Tz’utujil language as well as Spanish. As their pastor, Rother celebrated Mass and helped translate the New Testament into the Tz’utujil language. He quickly gained the trust and love of the local people, ministering to them in their homes, sharing meals, helping them in the fields, and visiting the sick.While Rother was in Guatemala, a civil war broke out and the Catholic Church was caught in its crosshairs. The priest’s name was placed on a death list. On July 28, 1981, three men entered the rectory at night and killed the beloved priest.Rother’s cause for canonization opened in 2007 by the Archdiocese of Oklahoma City, and in 2016 Pope Francis recognized Rother as a martyr for the faith. He became the first American-born priest to be recognized as a martyr by the Catholic Church. The Warren Theater in Oklahoma City hosted the premiere of “American Martyr: The Stanley Rother Story” on July 28, 2026. | Credit: Photo courtesy of Chris Porter “We’ve been very intentionally promoting the cause of Blessed Stanley Rother for many years,” Coakley said. “He’s been beatified and now we’re working toward his canonization, and in order for that ever to happen we need more and more people seeking the intercession of Blessed Stanley Rother and seeking his divine favor so that miracles may be performed through his intercession. So that’s why we undertook this production, to introduce him to more and more people.”The archbishop added that the film is “a beautiful depiction of the life of an ordinary Catholic who responded generously and faithfully to Godʼs grace and mercy and allowed the Lord to transform him and form him into the saint ultimately that we hope he will finally be named.”Michael Scaperlanda, chancellor at the Archdiocese of Oklahoma City, said: “This is an exciting moment for the archdiocese to have a nationwide release … of this wonderful documentary narrated by Martin Sheen.”He highlighted the importance of sharing Rother’s story to a wider audience because it serves as a reminder that “even ordinary people can become saints.” For Felipe Coche Pablo, the documentary is particularly personal. Pablo is a native of Santiago Atitlan and was baptized by Rother when he was 6 months old. He was 2 years old when Rother was killed.When Rother’s cause was opened, Pablo was appointed to serve as the official church notary for Rother’s parish in Santiago Atitlán. It was then that he learned about the potential saint’s life and legacy.Pablo said learning about Rother deeply impacted his life and taught him “to keep fighting in life. There are always stumbles, but you have to pick yourself back up, like he [Rother] did.” Archbishop Paul Coakley of Oklahoma City, left, and Felipe Coche Pablo, right, at the premiere of “American Martyr: The Stanley Rother Story” on July 28, 2026. | Credit: Photo courtesy of Chris Porter Today, Pablo is the administrator at Colegio Católico Padre Aplaʼs — also known as the Blessed Stanley Rother Catholic School — in Santiago Atitlán. This school is part of the parish in which Rother served, Santiago Apóstol, or St. James the Apostle Church.“We have 435 students and the education is trilingual — Tz’utujil, Spanish, and English,” he explained. “Our first language is the Mayan language, Tz’utujil. And he [Rother] was a priest that was very loved by the people because he learned the Mayan language Tz’utujil, like us, like what I speak.”Pablo said he hopes viewers of the film will be inspired by Rother’s “service to others” and to “carry peace, love, evangelize, and what is most needed in life — look for God.”Coakley added that he hopes viewers will leave the theater reminded that “all of us are called to holiness.”“Stanley Rother would not have been the one in high school in the yearbook that said most likely to become a saint … And yet all of us are called, it’s our vocation if you’re baptized, you’re called to be a saint. All of us are called to be saints. And Stanley Rother gives us a hope that for each one of us that is a possibility that is real.”“American Martyr” can be seen in theaters across the U.S. on Aug. 25 and 26 in English and in Spanish on Aug. 27.

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“American Martyr” can be seen in theaters Aug. 25-26 in English and in Spanish on Aug. 27.

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