Franciscan

Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”
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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”

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Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.”

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What happened to St. Maximilian Kolbe’s beard? The answer may surprise you #Catholic In 2022, the Catholic Church in Poland shared a photo commemorating the 81st anniversary of St. Maximilian Kolbe’s arrest by the Nazis. The image, the last one taken of the saint before his final arrest, was notable for what it didn’t show — his signature long beard.By the time the photo was taken, Kolbe had already been arrested by the Nazis once but was clearly resolved to continue his nationwide evangelization efforts. The monastery he had established at Niepokalanów, 25 miles west of Warsaw, had become a major Catholic publishing center.The beard with which Kolbe is often pictured is notable for several reasons, one of which was the fact that not many of his Franciscan counterparts in Poland sported them. He shaved his signature beard in order to blend in with his fellow Franciscans and with society at large. St. Maximilian Kolbe. | Credit: Public domain The second reason is that Kolbe’s beard is the only first-class relic that exists of him. The rest of his body was incinerated in the ovens of Auschwitz after he was murdered by the Nazis in 1941.Father James McCurry, a Conventual Franciscan and minister provincial of the Our Lady of the Angels Province, gave a homily in 2016 commemorating the 75th anniversary of Kolbe’s martyrdom in which he mentioned the saint’s beard.McCurry, author of the book “Maximilian Kolbe: Martyr of Charity,” said Kolbe chose to keep the beard upon his return from six years of missionary work in Japan. In those days, it was customary for missionaries to grow long beards, and Kolbe wanted to keep it as a reminder of his missionary days and as a reminder to always be a “missionary” of the Gospel.McCurry said Kolbe’s beard made him unusual among his Conventual Franciscan counterparts, who generally did not wear them. Kolbe’s fame was spreading in Poland thanks to his publishing work, and his unique beard helped him to stand out all the more.It was for this reason that Kolbe eventually, after the 1939 Nazi invasion of Poland, made the decision to shave it, McCurry said, so as not to stand out. Kolbe’s founding of the Militia Immaculata (MI), an evangelization movement identifying with Mary, put him high on Nazi watchlists.One book on his life offers this quote from the saint: “Beards provoke the enemy who rapidly is approaching our friary. Our Franciscan habits also will provoke him. I can part with my beard. I can’t sacrifice my habit.”After a fellow brother cut off Kolbe’s beard for him, the brother at first tried to save the beard, but Kolbe objected and told him to throw it in the stove. So, obediently, the brother threw it into the stove, but the fire was not lit, so the brother later retrieved it and stored it in a pickle jar.Today, Kolbe’s beard is his only surviving first-class relic.McCurry was also a friend of Franciszek Gajowniczek, the man for whom Kolbe laid down his life at Auschwitz in late July 1941, following his arrest on Feb. 17.Gajowniczek was one of the 10 men selected to be executed in reprisal for one prisoner’s escape from the barracks. He cried out: “What will happen to my wife and children?” And in response, Kolbe stepped forward and offered to take his place. The 10 were placed, naked, in a starvation chamber.All 10 of those condemned that day died eventually; six starved, and the deaths of the rest, including Kolbe, were hastened by an injection of carbolic acid.This story was first published in August 2021 and has been updated.
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What happened to St. Maximilian Kolbe’s beard? The answer may surprise you #Catholic In 2022, the Catholic Church in Poland shared a photo commemorating the 81st anniversary of St. Maximilian Kolbe’s arrest by the Nazis. The image, the last one taken of the saint before his final arrest, was notable for what it didn’t show — his signature long beard.By the time the photo was taken, Kolbe had already been arrested by the Nazis once but was clearly resolved to continue his nationwide evangelization efforts. The monastery he had established at Niepokalanów, 25 miles west of Warsaw, had become a major Catholic publishing center.The beard with which Kolbe is often pictured is notable for several reasons, one of which was the fact that not many of his Franciscan counterparts in Poland sported them. He shaved his signature beard in order to blend in with his fellow Franciscans and with society at large. St. Maximilian Kolbe. | Credit: Public domain The second reason is that Kolbe’s beard is the only first-class relic that exists of him. The rest of his body was incinerated in the ovens of Auschwitz after he was murdered by the Nazis in 1941.Father James McCurry, a Conventual Franciscan and minister provincial of the Our Lady of the Angels Province, gave a homily in 2016 commemorating the 75th anniversary of Kolbe’s martyrdom in which he mentioned the saint’s beard.McCurry, author of the book “Maximilian Kolbe: Martyr of Charity,” said Kolbe chose to keep the beard upon his return from six years of missionary work in Japan. In those days, it was customary for missionaries to grow long beards, and Kolbe wanted to keep it as a reminder of his missionary days and as a reminder to always be a “missionary” of the Gospel.McCurry said Kolbe’s beard made him unusual among his Conventual Franciscan counterparts, who generally did not wear them. Kolbe’s fame was spreading in Poland thanks to his publishing work, and his unique beard helped him to stand out all the more.It was for this reason that Kolbe eventually, after the 1939 Nazi invasion of Poland, made the decision to shave it, McCurry said, so as not to stand out. Kolbe’s founding of the Militia Immaculata (MI), an evangelization movement identifying with Mary, put him high on Nazi watchlists.One book on his life offers this quote from the saint: “Beards provoke the enemy who rapidly is approaching our friary. Our Franciscan habits also will provoke him. I can part with my beard. I can’t sacrifice my habit.”After a fellow brother cut off Kolbe’s beard for him, the brother at first tried to save the beard, but Kolbe objected and told him to throw it in the stove. So, obediently, the brother threw it into the stove, but the fire was not lit, so the brother later retrieved it and stored it in a pickle jar.Today, Kolbe’s beard is his only surviving first-class relic.McCurry was also a friend of Franciszek Gajowniczek, the man for whom Kolbe laid down his life at Auschwitz in late July 1941, following his arrest on Feb. 17.Gajowniczek was one of the 10 men selected to be executed in reprisal for one prisoner’s escape from the barracks. He cried out: “What will happen to my wife and children?” And in response, Kolbe stepped forward and offered to take his place. The 10 were placed, naked, in a starvation chamber.All 10 of those condemned that day died eventually; six starved, and the deaths of the rest, including Kolbe, were hastened by an injection of carbolic acid.This story was first published in August 2021 and has been updated.

unitedyam

The last image taken of the saint before his final arrest was notable for what it didn’t show — his signature long beard.

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