A green and red aurora streams across Earth’s horizon above the city lights of Europe in this Jan. 19, 2026, photograph, which looks north across Italy toward Germany. The International Space Station was orbiting 262 miles above the Mediterranean Sea at approximately 10:02 p.m. local time when the image was captured.
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Jan 22, 2026 / 12:00 pm (CNA).
Catholic figures gathered in Los Angeles on Jan. 16 for the premiere of “Seeking Beauty,” the first original series from EWTN Studios airing exclusively on the network’s brand-new streaming platform, EWTN+.
Here are five things to know about the new series and its host, actor David Henrie.
“Seeking Beauty” is a first-of-its-kind adventure documentary series that explores culture, architecture, food, art, and music, and aims to point viewers to the beautiful — and ultimately to the divine.
The series follows Henrie’s journey into the heart of Italy to explore what makes Italian culture one of the most beautiful in the world. It not only looks at the physical beauty of the country but also its spiritual richness.
“Seeking Beauty” is available to watch exclusively on EWTN+, a free digital streaming platform that offers faith-based content. EWTN+ is available on RokuTV, GoogleTV, AppleTV, AmazonFireTV, and on EWTN.com.
The first season of “Seeking Beauty” takes place in several cities across Italy including Vatican City, Rome, Milan, Florence, and Venice.
Henrie is best known for his breakout role as Justin Russo on Disney Channel’s “Wizards of Waverly Place.” He grew up in a Catholic household with Italian heritage; however, Henrie’s early adult years were marked by what he has described as a relativistic and agnostic period. He has also spoken about how the successes of early fame left him feeling unfulfilled and searching for deeper meaning.
Henrie’s return to the Catholic faith was a profound personal transformation that he says began around age 21 or 22.
A significant influence came while working on the movie “Little Boy,” where conversations with Catholic cast members Kevin James and Eduardo Verástegui, as well as a visit to St. Michael Abbey in Orange County, California — including his first confession since childhood — played a pivotal role in rediscovering his faith.
Since then, Henrie has embraced his faith publicly and personally, integrating his beliefs into his family life, creative projects, and charity work, including serving as a brand ambassador for Cross Catholic Outreach and participating in mission trips that reflect his commitment to living out his faith. He is married and has three children.
Yes! The second season of the series was filmed in Spain and is scheduled to premiere this fall.
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The ceiling mosaic in the Baptistry of Neon in Ravenna, Italy depicts the Baptism of Jesus. Built around 6th century A.D., the building is a UNESCO World heritage site. Today is the Feast of the Baptism of the Lord in much of Western Christianity.
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Jan 15, 2026 / 06:00 am (CNA).
The attorney general of Ohio is moving to shut down a nursing home after a congregation of Catholic nuns sold it, amid reports that the facility’s “shockingly poor care” is placing elderly residents in “clear and present danger.”
House of Loreto, a nursing facility formerly run by the sisters of the Congregation of the Divine Spirit, has allegedly committed “widespread care failures,” Attorney General Dave Yost’s office said in a Jan. 13 press release.
The sisters were involved with the home from 1957, when then-Youngstown Bishop Emmet Walsh asked for the religious to run the facility. The current facility opened in 1963.
The Youngstown Diocese said in March 2025 that the home had been acquired by Hari Group LLC, a company based out of Ohio. In its press release announcing the sale the diocese did not note any troubles experienced by House of Loreto at the time. A diocesan spokesman said on Jan. 15 that the home was no longer under Catholic control after the sale.
In a court order request filed on Jan. 12, Yost’s office said that state inspectors have observed a “rapid deterioration of care” at the facility, with the filing claiming that “shockingly poor care” was putting residents in “real and present danger.”
Among the problems alleged by inspectors include the lack of a director of nursing, leaving the facility “spinning out of control” with repeated resident falls, improper medicine administration, denial of pain medication, and other alleged mismanagement issues.
The facility is “so dysfunctional” that the government “lacks any confidence that the current leadership … will be able to right the ship,” the court filing says.
The attorney general’s office said it is trying to get the facility shut down and “relocate residents to safer facilities.”
In a statement to EWTN News, the Youngstown Diocese said it was “deeply saddened” at the imminent closure of the facility.
Youngstown Bishop David Bonnar in the statement said the sisters “poured their lives into creating a home where the elderly were cherished and protected.”
“Their ministry at the House of Loreto was a profound witness to the Gospel,” the prelate said. “It is painful to see their legacy overshadowed by the serious concerns that have emerged under the new ownership.”
The facility said it takes its name from the Holy House of Loreto in Italy, said to be the home at which the Annunciation occurred and the Word was made flesh.
The nursing home said it seeks to foster “an environment where seniors can experience the same love and respect they would find in their own homes —truly standing on the threshold of heaven as they navigate life’s later chapters.”
Correction: This story originally identified the House of Loreto as a "Catholic-run" facility based on information from the facility's website. The home is actually no longer under Catholic ownership. This story was updated on Thursday, Jan. 15, 2026 at 9:30 a.m. ET.
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Jan 10, 2026 / 10:12 am (CNA).
Assessing the impact of the Catholic Church's first American pope was front and center at the 106th annual meeting of the American Catholic Historical Association (ACHA), which met in Pope Leo XIV's hometown of Chicago from Jan. 8-11.
During a panel on the subject, Catholic scholars noted some of the historic caricatures of what an American papacy would be like and compared that to the first eight months of Leo's actual papacy.
At the outset of the panel, University of Notre Dame history professor Kathleen Sprows Cummings referenced the 1894 Puck magazine cartoon titled “ The American Pope,” which depicts the first apostolic delegate to the United States, Cardinal Francesco Satolli, sitting atop a church labeled the “American headquarters” and casting a shadow of then Pope Leo XIII over the entire country.
Sprows Cummings noted the cartoon illustrates “fears about papal intervention in the United States” at a time when the country was receiving waves of Catholic immigrants from countries such as Ireland and Italy.
As Catholics became more settled in American society in the subsequent decades, she said some of those prejudices began to lessen and pointed to the 1918 election of Catholic Democrat Al Smith as New York’s governor. By this point, Catholics had become “much more confident about their place in American culture.”
During the same early 20th century period, the United States also began to rise as a superpower. Sprows Cummings noted that predominant concerns about an American pope shifted to Vatican concerns over the “Americanization of the Catholic Church.”
America magazine's Vatican correspondent, Colleen Dulle, said some of those concerns were evidently mitigated in the person of then Cardinal Robert Prevost, whose service to the Church included many years as a missionary and bishop in Peru as well as in Rome as the head of a global religious order, the Augustinians.
Sprows Cummings said the College of Cardinals clearly saw in Cardinal Prevost the "pastoral presence, administrative savvy and global vision" that the Church needed at this time and that he was “not elected in some flex of American power.”
Miguel Diaz, the John Courtney Murray, S.J. Chair in Public Service at Loyola University Chicago, noted that some of Leo’s actions have actually amounted to the opposite of flexing American power, such as his focus on the dignity of migrants, which he contrasted to the policies of the Trump administration.
Diaz, who served as U.S. ambassador to the Holy See under former President Barack Obama, said Leo is “a different symbol, from America first to America cares.”
He emphasized that having an American pope is significant amid the country’s political debates because “he can say things and he will be listened to.”
The panelists also discussed what Leo’s papacy may look like moving forward, with Dulle noting that only this year are there clear signs of him charting his own programmatic course, as the events and itinerary of the 2025 Jubilee were primarily developed for Pope Francis.
Up until now, she said, he has been mostly “continuing the Francis initiatives in a different style.”
She noted Pope Leo's management of this week's consistory — a meeting between the pope and the College of Cardinals — where the pontiff gave them four topics to choose from, which were all in line with Francis’s priorities: synodality, evangelization, reform of the curia, and the liturgy. The cardinals chose synodality and evangelization.
Dulle said Leo is seen as "a consensus builder” who aims to build consensus around the Church's priorities. She noted Pope Leo's announcement this week of a regular schedule of consistories, with the next one set for this June. This approach is emerging as a "hallmark of how he governs the Church" Dulle said.
Brian Flanagan, the John Cardinal Cody Chair of Catholic Theology at Loyola University Chicago, also emphasized Leo’s strong appeal to the cardinals and bishops in efforts to reach consensus, in keeping with the Pope's role as a preserver of unity.
Flanagan said he sees Leo exercising the papacy as not so much "at the top of the pyramid, but as at the center of conversation.” He said this is likely influenced by Leo's past as leader of a religious order — the Order of Saint Augustine — rather than a diocese because the orders are “global, diverse, and somewhat fractious.”
“You can’t govern a global religious community without getting people on board,” he said.
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NASA astronaut Nichole Ayers captured this image of lightning while orbiting aboard the International Space Station more than 250 miles above Milan, Italy.
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View of coastline northwest from above Manarola: fields and steep trail to Volastra in foreground, Corniglia Station and town centre, north to Punta Mesco. Depicts the north half of Cinque Terre National Park coastline. Liguria, Italy
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![Jonathan Roumie tells Father Mike Schmitz: ‘Everything in my life has prepared me for this role’ #Catholic
Actor Jonathan Roumie, known for his role as Jesus in “The Chosen,” and Father Mike Schmitz, known for the “Bible in a Year” podcast, sit down for an in-depth interview. Credit: Ascension Presents
Dec 29, 2025 / 17:21 pm (CNA).
In a new sit-down interview with Father Mike Schmitz, who is best known for the “Bible in a Year” podcast and YouTube videos on Ascension Presents, actor Jonathan Roumie spoke in depth about his role portraying Jesus in the hit series “The Chosen.”“Everything in my life has prepared me for this role,” Roumie told Schmitz in the 43-minute-long interview, which aired Dec. 28 on the Ascension Presents YouTube channel.Looking back at his childhood, Roumie recalled a couple of moments and experiences that deeply impacted him and his own portrayal of Jesus. He said at 12 years old he reenacted Christ’s passion and crucifixion in his backyard after watching Robert Powell’s portrayal of Jesus in “Jesus of Nazareth.”“I had 2-by-8 planks that I found and I hammered them together and I hammered the nails where the hands would go and I painted the blood and the same thing with the feet,” he recalled. “And then I grabbed like a bush, a piece of a branch of a bush, and made my own crown of thorns and I painted blood on it and everything and I processed around to the side of my garage.”Roumie also opened up about his experience being bullied as a child and how it led him to offer up his past trauma to God as he was reenacting the Crucifixion during filming of Season 6 of “The Chosen,” which focuses on Jesus’ passion and crucifixion.“I was bullied as a kid a lot and I had to kind of look at what Jesus went through as a righteous man and a peaceful man and meek and humble and see just the level of devastation and terrorized bullying that he received to the point of death,” he said. “So for me, I think, and I’ll go back and look at all those experiences I had as a kid, which might have been part of the reason that led me to reenact the Passion, as something that I could relate to and I think all of that prepared me for this role.”He added: “I understand it now a bit more, at least I think, in my own sort of human ignorance and pride… Of course I don’t know exactly what all of this is about but it feels authentic. Like, ‘Well, I went through that as a kid and my compassion increased and my empathy increased and now I’m playing the most compassionate, empathetic human being that was God in the universe for all time.’ So I can lend that experience in his suffering and in his empathy even in wanting to forgive his enemies, which I had to do.”“I was beaten pretty bad. So, I had to offer up all of my past trauma to him as I was recreating it, knowing that that was part of my own personal sacrifice — was my own offering for him on behalf of what he suffered for humanity.”The actor shared that before beginning the filming of Season 6, he asked God in prayer that “if it were his will to allow me a fraction of a fraction of what he went through.”Before traveling to Matera, Italy — the location where the Crucifixion was filmed — Roumie injured his right shoulder after falling while filming a scene. An X-ray and MRI showed that he had separated a bit of his AC joint from the clavicle, causing sharp pain.“It was the right shoulder, so the shoulder that was carrying the beam [of the cross] on and it was extremely painful,” Roumie said. “And that was just one of many things.”Roumie added that while filming the Crucifixion “certain adjustments” also had to be made due to pain being felt by the metal and real nails being used during filming.“He [God] gave me exactly what I asked for — just a glimpse, just a glimpse,” he said. “And I think the thing that I got was that I got to enter into it in a way that I had never entered into it before.”Schmitz asked Roumie how his experience portraying Jesus’ passion and crucifixion has impacted the way he attends or prays at Mass. Roumie shared that in the past year he began to feel “convicted to give more reverence to Christ in the Eucharist.”“I started receiving on my knees and on the tongue, which I hadn’t before,” he said, adding that it was slightly “disorienting at first.”He recalled an experience at Mass where he kneeled to receive the Eucharist but the priest asked him to stand up. He hesitated but rose and continued on with the Mass. Afterward, he asked his spiritual director if that was permissible, to which he responded that a priest “shouldn’t do that but it happens.”After this experience, Roumie shared that he “doubled down on it and now I’m prepared to just wait as long as I need to until somebody concedes because I’m not going anywhere.”Returning to his time portraying Jesus in the series, Schmitz told Roumie that “the show is called ‘The Chosen’ in the sense that it’s also about those who were chosen, but you were chosen and there’s something in that that has changed you. You being chosen to not only portray Jesus, but to be his disciple, an imitator of him, as St. Paul says, and that’s changed you.”“That’s something I’m trying to wrap my head around and identify with,” Roumie responded. “It wasn’t somebody else. He picked me. And I, of course, said yes, because I needed the work initially. I didn’t know what it was going to do to me internally.”Once the final season of “The Chosen” airs, it will have been a span of 10 years that Roumie will have been portraying Jesus. He said that this experience is something that might take “the rest of my life to unpack.”There was an error serializing the imagefile_get_contents(https://iframe.ly/api/iframely/oembed?url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DtLHZ1qYhph0&api_key=): Failed to open stream: HTTP request failed! HTTP/1.1 404 Not Found
“So, I have to give myself a little bit of grace, but it’s something that I think I will always live with. And in fact, I don’t know that I want to let it go because it keeps me connected to him, especially when the show ends.”](https://unitedyam.com/wp-content/uploads/2025/12/jonathan-roumie-tells-father-mike-schmitz-everything-in-my-life-has-prepared-me-for-this-role-catholic-actor-jonathan-roumie-known-for-his-role-as-jesus-in-the-chosen.png)
Dec 29, 2025 / 17:21 pm (CNA).
In a new sit-down interview with Father Mike Schmitz, who is best known for the “Bible in a Year” podcast and YouTube videos on Ascension Presents, actor Jonathan Roumie spoke in depth about his role portraying Jesus in the hit series “The Chosen.”
“Everything in my life has prepared me for this role,” Roumie told Schmitz in the 43-minute-long interview, which aired Dec. 28 on the Ascension Presents YouTube channel.
Looking back at his childhood, Roumie recalled a couple of moments and experiences that deeply impacted him and his own portrayal of Jesus. He said at 12 years old he reenacted Christ’s passion and crucifixion in his backyard after watching Robert Powell’s portrayal of Jesus in “Jesus of Nazareth.”
“I had 2-by-8 planks that I found and I hammered them together and I hammered the nails where the hands would go and I painted the blood and the same thing with the feet,” he recalled. “And then I grabbed like a bush, a piece of a branch of a bush, and made my own crown of thorns and I painted blood on it and everything and I processed around to the side of my garage.”
Roumie also opened up about his experience being bullied as a child and how it led him to offer up his past trauma to God as he was reenacting the Crucifixion during filming of Season 6 of “The Chosen,” which focuses on Jesus’ passion and crucifixion.
“I was bullied as a kid a lot and I had to kind of look at what Jesus went through as a righteous man and a peaceful man and meek and humble and see just the level of devastation and terrorized bullying that he received to the point of death,” he said.
“So for me, I think, and I’ll go back and look at all those experiences I had as a kid, which might have been part of the reason that led me to reenact the Passion, as something that I could relate to and I think all of that prepared me for this role.”
He added: “I understand it now a bit more, at least I think, in my own sort of human ignorance and pride… Of course I don’t know exactly what all of this is about but it feels authentic. Like, ‘Well, I went through that as a kid and my compassion increased and my empathy increased and now I’m playing the most compassionate, empathetic human being that was God in the universe for all time.’ So I can lend that experience in his suffering and in his empathy even in wanting to forgive his enemies, which I had to do.”
“I was beaten pretty bad. So, I had to offer up all of my past trauma to him as I was recreating it, knowing that that was part of my own personal sacrifice — was my own offering for him on behalf of what he suffered for humanity.”
The actor shared that before beginning the filming of Season 6, he asked God in prayer that “if it were his will to allow me a fraction of a fraction of what he went through.”
Before traveling to Matera, Italy — the location where the Crucifixion was filmed — Roumie injured his right shoulder after falling while filming a scene. An X-ray and MRI showed that he had separated a bit of his AC joint from the clavicle, causing sharp pain.
“It was the right shoulder, so the shoulder that was carrying the beam [of the cross] on and it was extremely painful,” Roumie said. “And that was just one of many things.”
Roumie added that while filming the Crucifixion “certain adjustments” also had to be made due to pain being felt by the metal and real nails being used during filming.
“He [God] gave me exactly what I asked for — just a glimpse, just a glimpse,” he said. “And I think the thing that I got was that I got to enter into it in a way that I had never entered into it before.”
Schmitz asked Roumie how his experience portraying Jesus’ passion and crucifixion has impacted the way he attends or prays at Mass. Roumie shared that in the past year he began to feel “convicted to give more reverence to Christ in the Eucharist.”
“I started receiving on my knees and on the tongue, which I hadn’t before,” he said, adding that it was slightly “disorienting at first.”
He recalled an experience at Mass where he kneeled to receive the Eucharist but the priest asked him to stand up. He hesitated but rose and continued on with the Mass. Afterward, he asked his spiritual director if that was permissible, to which he responded that a priest “shouldn’t do that but it happens.”
After this experience, Roumie shared that he “doubled down on it and now I’m prepared to just wait as long as I need to until somebody concedes because I’m not going anywhere.”
Returning to his time portraying Jesus in the series, Schmitz told Roumie that “the show is called ‘The Chosen’ in the sense that it’s also about those who were chosen, but you were chosen and there’s something in that that has changed you. You being chosen to not only portray Jesus, but to be his disciple, an imitator of him, as St. Paul says, and that’s changed you.”
“That’s something I’m trying to wrap my head around and identify with,” Roumie responded. “It wasn’t somebody else. He picked me. And I, of course, said yes, because I needed the work initially. I didn’t know what it was going to do to me internally.”
Once the final season of “The Chosen” airs, it will have been a span of 10 years that Roumie will have been portraying Jesus. He said that this experience is something that might take “the rest of my life to unpack.”
There was an error serializing the image
file_get_contents(https://iframe.ly/api/iframely/oembed?url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DtLHZ1qYhph0&api_key=): Failed to open stream: HTTP request failed! HTTP/1.1 404 Not Found
“So, I have to give myself a little bit of grace, but it’s something that I think I will always live with. And in fact, I don’t know that I want to let it go because it keeps me connected to him, especially when the show ends.”
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CNA Staff, Dec 24, 2025 / 04:00 am (CNA).
There are numerous Christmas Eve traditions families around the world take part in, whether it’s watching a certain movie together, baking cookies for Santa, opening one present before going to bed, or eating a specific meal for dinner. The Feast of the Seven Fishes — in Italian “La Vigilia,” which means “The Eve” — is one of these Christmas Eve traditions.
So, where does this tradition come from?
This feast stems from the southern part of Italy and spans generations. Before 1861, Italy was made up of different regions. Each had its own government, however, and the southern regions were the poorest. This remained true before and after the unification of the country. The new unified government allocated many of its resources to northern Italy, which caused poverty and organized crime in the south. The area, however, though poor, was plentiful in fish since it was so close to the ocean.
The Feast of the Seven Fishes tradition is also tied to the Catholic Church’s practice of not eating meat during certain times of the year — for example, on Fridays during Lent and on the eve of some holidays.
The number seven is also symbolic in that it is repeated more than 700 times in the Bible, and in Catholicism there are seven sacraments, seven days of creation, and seven deadly sins.
Although it is not an actual feast day on the Catholic liturgical calendar, it is definitely a feast in terms of the amount of food on the table!
Put all these things together and that is how the Feast of the Seven Fishes began in the 1900s.
Additionally, many Italians who fled the country due to poverty and immigrated to the United States brought this tradition with them, so the feast continued among many Italian Americans.
While there is no specific menu, there are some guidelines that are followed. The first being, of course, having seven different fish dishes. These dishes can include any type of seafood including shellfish. Based on the fish you plan to prepare, you can then determine the different courses that typically include appetizers, a soup, pasta, a side salad, and the main entrees.
Many families may also include a palette cleanser, or a small fruit dish, before bringing out the highly-anticipated desserts!
Some dishes include “insalata di mare” (“ocean salad”), which typically has shrimp and mussels; “insalata di polipo” (“salad with octopus”); “capestante,” which are clam shells filled with salmon, shrimp, and bechamel sauce; “linguine con frutti di mare,” which is a pasta with several different kinds of fish; and other dishes that include fried fish, eel, crab, and lobster.
And we can’t forget dessert! “Struffoli” are little balls of fried dough covered in honey and sprinkles and are considered a Neapolitan dessert. Others include “mostaccioli” and “roccocò,” which are types of cookies, and “pandoro” and “panettone” are sweet breads.
This is just a glimpse into the variety of dishes southern Italian families will spend hours preparing ahead of Christmas Eve dinner. Each family has its own fish dishes and ways of cooking them; however, one thing is for sure: You can expect to be filled to the brim with delicious food before heading off to bed.
This story was first published Dec. 23, 2022, and has been updated.
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Castel Gandolfo, Italy, Dec 23, 2025 / 14:55 pm (CNA).
Pope Leo XIV appealed to Illinois Gov. JB Pritzker to veto a bill legalizing assisted suicide during a Vatican meeting last month, the pope told reporters Tuesday.
The pope, responding to a question from Rudolf Gehrig of EWTN News, said he made his opposition to the bill clear in the November conversation with the governor.
Leo told Pritzker it was important to defend the value of life and that every life is sacred, the pope told reporters outside the papal villa of Castel Gandolfo before his return to Rome.
The Vatican had not earlier provided details of the meeting.
Pritzker signed the assisted suicide measure, ardently opposed by Catholic leaders, into law Dec. 12.
“I spoke very explicitly with Gov. Pritzker about that,” the pope said, and he said Cardinal Blase Cupich also expressed his views. “But we were very clear about the necessity to respect the sacredness of life from the very beginning to the very end. And unfortunately, for different reasons, he decided to sign that bill. Very disappointed about that.”
People should use Christmastime to think about the value of life, the pope added.
“I would invite all people, especially in this Christmas feast days, to reflect upon the nature of human life, the goodness of human life. God became human like us to show us what it means really to live human life. And I hope and pray that the respect for life will once again grow in all moments of human existence, from conception to natural death,” the pope said.
Catholic bishops had objected to the Illinois law.
“This law ignores the very real failures in access to quality care that drive vulnerable people to despair,” according to the Catholic Conference of Illinois. “It does nothing to ensure patients are offered services, protected from coercion, or surrounded by loved ones when they kill themselves.”
Several states and countries also have advanced legislation to expand access to physician-assisted suicide besides Illinois.
Other U.S. jurisdictions with assisted suicide laws include California, Colorado, Delaware, Hawaii, Maine, New Jersey, New Mexico, Oregon, Vermont, Washington, and the District of Columbia.
British lawmakers in the House of Commons passed a bill in June to legalize assisted suicide for terminally ill patients in England and Wales. Legislators in Uruguay passed a bill in August to legalize euthanasia in the country.
A Canadian law allowing medical assistance in dying led to disproportionately high rates of premature deaths among vulnerable groups, a report showed.
Rudolf Gehrig contributed to this story.
This story was updated at 3:15 p.m. ET on Dec. 23, 2025, with the quotations from the pope.
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The atmospheric glow blankets southern Europe and the northwestern Mediterranean coast, outlined by city lights. At left, the Po Valley urban corridor in Italy shines with the metropolitan areas of Milan and Turin and their surrounding suburbs.
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View on Val Montanaia (Montanaia Valley), with the Cima Both (2,437 m) on the left and the “Campanile” (2,173 m) in the middle; both are peaks of the Spalti di Toro group, in the Friulian Dolomites Natural Park, Friuli-Venezia Giulia, Italy.
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Side view of the Basilica of Saint Francis of Assisi from the north-west, showing the imposing structure of the Basilica and monastery located in Assisi, Umbria, Italy. Today (4th October) is the feast day of St. Francis of Assisi, Patron of Ecologists.
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A caterpillar of the spurge hawk moth (Hyles euphorbiae), photographed in the Scrivia riverbed, in Novi Ligure, Piedmont, Italy. The larvae of this Europiean hawk moth eat the leaves and bracts of the leafy spurge (Euphorbia virgata), which gives the species its common name.
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Today is the Feast of Saint James, a day of celebration in the heart of Cesenatico (Italy), with the Leonardo’s Canal Port containing its characteristic historical boats.
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The window in a cafe in San Gimignano opens on Valdelsa, in Tuscany (Italy).
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