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‘Canticle of Peace’: Leo XIV presents the beauty of music as a path to God #Catholic Pope Leo XIV stated Wednesday that “the beauty of music invites us to encounter the One who is beauty itself,” during the “Canticle of Peace” prayer and fraternal gathering held at Castel Gandolfo’s Borgo Laudato Si’ gardens.Leo XIV also prayed for peace to reign “in all those places in the world that continue to suffer from violenceThe gathering, organized by the Laudato Si’ Center for Higher Education and the Andrea Bocelli Foundation (ABF), took place as part of the celebrations marking the eighth centenary of the death of St. Francis of Assisi.Addressing the young members of the ABF Voices choir who came from Uganda, the Holy Land, and Italy, Leo XIV assured them: “Know also that the Holy Father loves you and prays for you, for your families, and for your countries.”After listening to the performance by tenor Andrea Bocelli and the choir, the pope thanked them for the effort put into preparing the recital and congratulated their conductors, noting that “music has the extraordinary capacity to bring different voices together in unison, where each contributes something unique to the whole.”“In this sense, the choir becomes an ideal symbol of harmony and cooperation,” he added.

Andrea Bocelli during his performance at the “Canticle of Peace” before Pope Leo XIV and the young people gathered at the Borgo Laudato Si’ in Castel Gandolfo on July 29, 2026 | Credit: Vatican Media.

In his message, Leo XIV noted the significance of the fact that Sacred Scripture and the Church’s liturgy speak of “choirs of angels and saints” when describing the joy of heaven.This does not mean, he explained, that they are “literally singing all the time,” but rather that, “united in love, they contemplate God together and find the fullness of happiness in him.”The Holy Father then invited the young people to reflect on what had taken place during their performance: “As you sang, did you notice how music drew all of us into a new experience — something greater than anything any one of us could have created alone?”“This is the experience of beauty. It opens up a new horizon before us and awakens within us the desire to move towards it,” he continued.The pope explained that “when we journey toward that horizon, we do not simply discover something, but Someone. We encounter God, our Creator.”

Pope Leo XIV speaking to the young participants in the “Canticle of Peace,” held at the Borgo Laudato Si’ in Castel Gandolfo on July 29, 2026. | Credit: Vatican Media

Leo XIV encouraged the young people to continue cultivating the gifts God has bestowed upon them and to allow those talents to lead them to him, for “He is all we seek in life, the only one who can calm our restless hearts.”The pontiff also reminded them that “you were made for great things and that the whole world is not enough to satisfy your thirst for meaning and happiness.”Before concluding, Leo XIV thanked the Andrea Bocelli Foundation for its work on behalf of young people facing educational and social disadvantages, and highlighted that “through the power of music, you are contributing to the Church’s mission of promoting the integral development of every human person in service of the common good. May God bless your efforts.”This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

unitedyam July 29, 2026July 30, 2026

The Holy Father made his remarks at an event organized by the Laudato Si’ Center for Higher Education and the Andrea Bocelli Foundation.

Major restoration in Minneapolis aims to renew ‘every square inch’ of country’s oldest basilica #Catholic If you want to clean more-than-century-old marble statues of the apostles, you don’t simply use soap and water. Rather, you must spray the figures with a “specialized conservation material” that subsequently dries into a “latex-like layer,” which is then “carefully peeled away,” thus preserving the statue’s original finish. The process “is labor intensive and takes significant time,” according to staff at the Basilica of Saint Mary, a towering and historic minor basilica in downtown Minneapolis. The massive church, which was dedicated in 1915 and became the first basilica in the United States when it was designated as such by Pope Pius XI in 1926, has been undergoing a major restoration project since 2025.

A specialty cleaning material is sprayed on a statue of St. Peter at the Basilica of Saint Mary in Minneapolis in an undated photo. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary

Built in the Beaux-Arts style — what was at the time a popular architectural form in the United States — the co-cathedral boasts a towering flèche-topped central dome and an 82-foot-high barrel vault. Among its many adornments include the statues of the apostles, which were carved in Italy as half-scale replicas of statues at the Archbasilica of St. John Lateran, the cathedral of the pope in Rome. Church’s roots stretch back to 1860sOn its website, the basilica says its roots can be traced to 1868, when a simple “shed church” was constructed in Minneapolis. Years later another, more substantial Gothic Revival edifice was built, but burgeoning development in the neighborhood eventually pushed the parish to relocate to its present location on Hennepin Avenue. The cornerstone of the current structure was laid in 1908. The church, designated a pro-cathedral, celebrated its first Mass in 1914; it was dedicated the following year. It was still being worked on when the U.S. entered World War I in 1917.

An original print of the basilica, drafted by architect Emmanuel Louis Masqueray, hangs in the church’s undercroft. | Credit: Courtesy of the Basilica of Saint Mary

In 1926, Pius XI raised the pro-cathedral to the rank of minor basilica, after which it took on its present name. It would enjoy a vibrant parish life in the following decades, though the construction of adjacent freeways in the 1960s “took a heavy toll” on the building. The 1980s and 1990s saw parishioners spearheading efforts at ongoing restoration. The latest restoration campaign, titled “Restoring Beauty, Inspiring Hope,” has aimed to raise a total of about million in funding. Among the project’s goals are masonry repairs, roof repairs, pew restorations with new kneelers, plaster restoration, and numerous other projects.

Workers in an undated photograph clean a limestone surface in an ambulatory of the Basilica of Saint Mary in Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary

Johan van Parys, who has served as the basilica’s director of liturgy and the sacred arts since 1995, told EWTN News that the basilica has needed repairs almost from its inception. “Even from the beginning, the building had issues with moisture intrusion,” he said. The architect who designed the church, Emmanuel Louis Masqueray, was French, and he “didn’t completely understand the challenges of Minnesota summers and winters.” “He designed flat roofs over part of the building,” van Parys said. He jokingly described flat roofs as “the bane of our existence” due to their tendency to hold water. In existing photographs of the church taken in 1914, van Parys said, water damage is already visible. “We’ve had to do work on the building ever since,” he said. The church underwent a “somewhat major” restoration in the 1950s, van Parys said, during which for unknown reasons workers painted over intricate stenciling within coffers and other parts of the structure. Along with those details, van Parys said, the restoration effort is “bringing back the original look of the basilica.” The effort was formally launched in 2019 with a master plan for the entire church campus, but the COVID-19 pandemic the next year set the project back. The process resumed after a few years, and the restoration work itself formally began in 2025.

Scaffolding towers above the nave of the Basilica of Saint Mary in Minneapolis in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary

Van Parys said the basilica is being restored both inside and out from top to the bottom, including the plaster ceiling, which has suffered damage over the years and has to be replastered in parts. Work is also being done on the church’s extensive stained-glass window arrangements. Such windows are generally held in place with a lead matrix, but over time the weight of the glass can weaken the metal frame, leading the glass to bulge outward. A stained-glass specialist, however, told the restoration crew that the window fixtures were in “great condition,” meaning considerable amounts of work could be avoided. Some of the windows were still in need of repair, however, and were sent to a specialist in Newark, New Jersey. Limestone throughout the building is also being restored, van Parys said. The visible stone throughout the building is bolstered by several inches of reinforced concrete and bricks; moisture often makes its way through this sandwiching of materials, leading to a buildup of salt crystals on the stone, what is known as “efflorescence.” Removing this blemish beautifies the facade of the stone and also protects it from degradation. Crews use a spray-and-peel chemical similar to the process used on the statues of the apostles.

A century’s worth of visible soot and grime contrasts with a restored limestone surface in an undated photograph in the Basilica of Saint Mary, Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary

The restoration crews also removed the basilica’s pews in order to have them restored with cleaning, sanding, and shellac finishing.“We opted to restore the original 1914 pews,” van Parys said. “One of our principles in terms of restoration is that we don’t want to over-restore. We didn’t want it to be a new church. People have worshipped in here since 1914. We want this presence of prayer and generations before us to remain.”“So rather than have new pews we decided to restore the old ones,” he said. “In doing so we discovered that the people who built the pews in 1914 signed them. So we have the names of all the people who worked on the pews.”

Workmen in an undated photo remove pews from the Basilica of Saint Mary in Minneapolis as part of the restoration of the church. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary

Upon removing the pews, the work crews discovered that the flooring of the nave was not level. “One option was to put shims under all the pews,” van Parys said. “But that would have been a huge operation.” Since crews were already removing the wood flooring to restore it, they also removed part of the old concrete subfloor and re-leveled it.

A worker at Fresh Air Finishers in Saint Paul, Minnesota, restores a pew from the Basilica of Saint Mary in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary

Numerous other restoration projects are ongoing, van Parys said, including restoring the church’s bronze doors, which were installed after it was designated a basilica. The church’s rector at the time, Monsignor James Reardon, had traveled to Rome and observed that the basilicas there had bronze doors. “He decided we needed bronze doors as well,” van Parys said.

Archbishop Bernard Hebda blesses and seals bronze doors at the Basilica of Saint Mary ahead of restoration of the century-old features of the historic church, April 5, 2026. | Credit: Photo courtesy of the Basilica of Saint Mary

Crews are aiming to be done with the massive project by Palm Sunday 2027. At the moment the parish holds Masses in the building’s undercroft beneath the structure. “Every week at Mass, I tell people, for instance, ‘Last Sunday was Week 35, which means we have 34 weeks to go,’” van Parys said with a laugh. He said the work is “quite expedited” and progressing quickly. Ultimately the effort is meant not just to restore the church but to develop a “manual of preservation” for future generations to help protect it. “Our goal is to restore and to also make sure that everything is cared for in the best possible way, to extend the lifespan of the basilica as long as possible before another restoration is necessary,” he said. He said the entire project is being conducted “not only with liturgical principles but also historical preservation principles.”“It is really comprehensive,” he said. “Every square inch of the basilica will be restored.”

unitedyam July 26, 2026July 27, 2026

The massive church was dedicated in 1915 and became the first basilica in the United States when it was designated as such by Pope Pius XI in 1926.

5 things to know about St. Bridget of Sweden, mystic and mother #Catholic On July 23, the Catholic Church celebrates the feast day of St. Bridget of Sweden, a mystic of the Middle Ages who was a wife, mother to a large family, lady-in-waiting to a queen, and founder of a religious order that still exists today.1. St. Bridget experienced her first vision at age 10.Bridget, or “Birgitta,” was born to wealthy, devout parents in Sweden in the year 1303. Her mother died early in her life, and she and her siblings were raised by their aunt. At 10 years old, Bridget had a vision of Christ on the cross in his agonizing suffering. In her vision, Bridget saw Christ with his wounds from Good Friday, with the wounds of “The Man of Sorrows” in Isaiah 53. She asked Jesus who hurt him, and he responded: “Those who despise me and refuse my love for them.” She would go on to write about these revelations; her works were published posthumously.2. Bridget served in the royal court of Sweden.Bridget was married in 1316 at the young age of 13 to 18-year-old Ulf Gudmarsson, the Swedish prince of Nericia. The two joined the Third Order of St. Francis and dedicated their resources to building a hospital and caring for the needs of the poor. Ulf served on the council of the king of Sweden, Magnus Eriksson, and the king asked Bridget to be a lady-in-waiting for his wife, Queen Blanche of Namur.3. Bridget was a mother to eight children, and one of them became a saint.Bridget and Ulf raised a large family together while also serving the poor and managing their duties in court. Of Bridget’s eight children, two died in infancy, and another two died in the Crusades. Two of their surviving children were married, and another two joined religious life. One of those two became a saint and was canonized — St. Catherine of Sweden.4. Bridget founded a religious order, the Bridgettines, after her husband died.Bridget and Ulf made a pilgrimage to Santiago de Compostela in Spain between 1341 and 1343, but on their return trip, Ulf became ill. The couple stopped in France until Ulf regained his health, but soon after they returned to Sweden, in 1344, he passed away.After his death, Bridget donated her belongings to the poor and devoted her life to Christ, following a call from God to start a new religious order.She founded the Order of the Most Holy Savior, now known as the Brigittines, in 1346, and her congregation was approved by Pope Urban V in 1370. The Brigittines were to be led by an abbess and constitute both nuns and priests. The priests, who lived in a separate section, served as chaplains and confessors for the nuns.King Magnus helped Bridget make the Abbey of Vadstena the home of the Brigittines. He donated a small palace and land for the new monastery.But Bridget would never see her work come to fruition. She had a vision from Christ calling her to return to Rome and await the pope’s return from France during the Avignon Papacy. She never became a nun herself, and she never saw the monastery in Vadstena. She died several years before the pope’s permanent return to Rome.But her order spread through Europe and still exists today in both contemplative monasteries and apostolic convents, with branches in 19 countries including Sweden, Norway, Poland, Italy, Israel, India, the Philippines, Mexico, and the United States.5. St. Bridget is the co-patroness of Europe.After Bridget died in Rome on July 23, 1373, her children brought her remains back to the headquarters of her religious order. Less than 20 years later, in 1391, Pope Boniface IX proclaimed her a saint. Her revelations and writings on the sufferings of Christ were published after her death. In 1999, St. John Paul II chose her as one of the three female co-patronesses of Europe, along with St. Catherine of Siena and St. Edith Stein.This story was first published on July 23, 2024, and has been updated.

unitedyam July 23, 2026July 23, 2026

On July 23, the Catholic Church celebrates the feast day of St. Bridget of Sweden, a mystic of the Middle Ages who was a wife and mother of eight children.

Czech court to weigh clearing cardinal jailed by communists #Catholic A second cardinal and a third senior churchman may be rehabilitated this year for mistreatment under the communist regime in Czechoslovakia. The District Court in Litoměřice, in what is now the Czech Republic, will consider a proposal for the rehabilitation of Cardinal Štěpán Trochta, the former bishop of Litoměřice, over his internment between 1950 and 1953.The public prosecutor asked the relevant authorities to carry out an investigation into the archives and, based on the outcome, found the initiative reasonable. He has already submitted a proposal for the judicial rehabilitation of Trochta over the illegal deprivation of his personal freedom. A date for consideration of the proposal has not yet been set.“I firmly believe that the name of Štěpán Trochta, my predecessor in Litoměřice, will be cleared through the courts,” said Archbishop Stanislav Přibyl of Prague, who is also apostolic administrator of Litoměřice.The verdict that sent Trochta to prison, handed down in a political trial for “treason and conspiracy,” was overturned in 1968, but the Czech courts have not dealt with his earlier illegal internment. The initiative for full rehabilitation came from Jan Kratochvil, director of the Museum of Czech, Slovak, and Ruthenian Exile of the 20th Century, and the lawyer Lubomír Müller.It is “important to clean his name in this way as well,” said Kratochvil, whose family was friends with the prelate.Salesian, prisoner, cardinalŠtěpán Trochta (1905–1974) was one of the first Czech members of the Society of St. Francis de Sales, the so-called Salesians. He studied in Turin, Italy, where he obtained a doctorate in theology. He returned to Czechoslovakia, and when Nazi Germany occupied the country, he was arrested for his contacts with and support for the resistance and was sent to several concentration camps.He was “ready to work, full of energy, enthusiasm, and willing to work hard.” Trochta was also a good organizer and a gifted speaker and writer who “enjoyed being among the boys, even though he gradually had to spend more time in administration,” according to “Life and Legacy,” a booklet published by the Salesians on the 50th anniversary of the prelate’s death.Shortly before the communists took over in Czechoslovakia, he was appointed bishop of Litoměřice. He became the spokesman for the episcopate of Czechoslovakia in difficult negotiations with the new government. In the end, the regime interned him in his residence and later imprisoned him. Although he was released sooner than expected, he was not allowed to continue as a bishop and had to work as a manual laborer.In 1969, when he was already back in the Diocese of Litoměřice, Pope Paul VI created him a cardinal “in pectore” — that is, secretly.When Trochta died five years later, the funeral was attended by many of the faithful, including cardinals from Berlin, Krakow, and Vienna. Archbishop Karol Wojtyła of Krakow, who later became Pope John Paul II, reportedly asked to concelebrate but was not permitted to do so. Wojtyła then defied the ban on foreign participants speaking, delivering a short address over the coffin in which he called the deceased prelate a martyr. The funeral Mass was celebrated by the Czech bishop and future Cardinal František Tomášek.A series of Czech rehabilitationsThe case may become one more in a recent series of rehabilitations in the Czech Republic.In February, the District Court of Prague recognized the unjust treatment of Cardinal Josef Beran, the former archbishop of Prague, who was interned in several locations. Last month, the District Court in Olomouc rehabilitated Archbishop Josef Karel Matocha of Olomouc, also over his internment.In 2024, the Regional Court in Hradec Králové rehabilitated Father Josef Toufar, who was illegally arrested and tortured to death.

unitedyam July 11, 2026July 12, 2026

A district court will weigh whether Cardinal Štěpán Trochta, imprisoned by the Nazis and later by the communists, was unlawfully interned in the 1950s.

unitedyam July 4, 2026July 5, 2026

Dr. Kathleen Sprows Cummings of the University of Notre Dame and Dr. Christopher Shannon of Christendom College reflected on the complex history of Catholicism in the United States.

‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News.

Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir

Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople.

The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music

“Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.”

The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia

Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed.

The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia

“Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said.

Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo

“AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.”

Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music

In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”

unitedyam June 22, 2026June 22, 2026

As AI encroaches on sacred music, Catholics still hold true to Gregorian chant, a historical form of sacred music that is still alive today.

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View of Florence from Piazzale Michelangelo, Italy
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unitedyam June 9, 2026June 9, 2026

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View of Florence from Piazzale Michelangelo, Italy

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Euganean Hills are a group of hills of volcanic origin that rise to heights of 300 to 600 m in Veneto, Italy.
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unitedyam May 5, 2026May 5, 2026

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Euganean Hills are a group of hills of volcanic origin that rise to heights of 300 to 600 m in Veneto, Italy.

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Basilica of Santa Francesca, Rome, Italy. A church at the site was known by the tenth century. It was named Santa Maria Nova (“New St Mary”), to distinguish it from the other church inside the Roman forum devoted to St Mary, Santa Maria Antiqua (“Ancient St Mary”), which had fallen into ruin by then. The relics from the ancient church were moved to this church under Pope Leo. Santa Maria Nuova was enlarged in the second half of the tenth century, and then rebuilt by Pope Honorius III in the thirteenth century, adding the campanile and the apse, as well as being decorated with a mosaic Maestà, a depiction of the Madonna enthroned accompanied by saints (as seen in the picture). Since 1352 the church has been in the care of the Olivetans. In the 16th century, the church was rededicated to Frances of Rome (Francesca Buzzi), who was canonized in 1608 and whose relics are in the crypt. The interior of the church has undergone many refurbishments.
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unitedyam April 10, 2026

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Basilica of Santa Francesca, Rome, Italy. A church at the site was known by the tenth century. It was named Santa Maria Nova (“New St Mary”), to distinguish it from the other church inside the Roman forum devoted to St Mary, Santa Maria Antiqua (“Ancient St Mary”), which had fallen into ruin by then. The relics from the ancient church were moved to this church under Pope Leo. Santa Maria Nuova was enlarged in the second half of the tenth century, and then rebuilt by Pope Honorius III in the thirteenth century, adding the campanile and the apse, as well as being decorated with a mosaic Maestà, a depiction of the Madonna enthroned accompanied by saints (as seen in the picture). Since 1352 the church has been in the care of the Olivetans. In the 16th century, the church was rededicated to Frances of Rome (Francesca Buzzi), who was canonized in 1608 and whose relics are in the crypt. The interior of the church has undergone many refurbishments.

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Roof of the Milan Cathedral, Milan, Italy
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unitedyam February 15, 2026

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Roof of the Milan Cathedral, Milan, Italy

CubeSats’ Missions Begin – A pair of CubeSats designed by college students from around the world is deployed into Earth orbit from a small satellite orbital deployer on the outside of the International Space Station’s Kibo laboratory module. Students from Mexico, Italy, Thailand, Malaysia, and Japan designed the shoe-boxed sized satellites for a series of Earth observations and technology demonstrations.

unitedyam February 11, 2026

A pair of CubeSats designed by college students from around the world is deployed into Earth orbit from a small satellite orbital deployer on the outside of the International Space Station’s Kibo laboratory module. Students from Mexico, Italy, Thailand, Malaysia, and Japan designed the shoe-boxed sized satellites for a series of Earth observations and technology demonstrations.

Red, Green Light Show – A green and red aurora streams across Earth’s horizon above the city lights of Europe in this Jan. 19, 2026, photograph, which looks north across Italy toward Germany. The International Space Station was orbiting 262 miles above the Mediterranean Sea at approximately 10:02 p.m. local time when the image was captured.

unitedyam January 23, 2026

A green and red aurora streams across Earth’s horizon above the city lights of Europe in this Jan. 19, 2026, photograph, which looks north across Italy toward Germany. The International Space Station was orbiting 262 miles above the Mediterranean Sea at approximately 10:02 p.m. local time when the image was captured.

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The ceiling mosaic in the Baptistry of Neon in Ravenna, Italy depicts the Baptism of Jesus. Built around 6th century A.D., the building is a UNESCO World heritage site. Today is the Feast of the Baptism of the Lord in much of Western Christianity.
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unitedyam January 20, 2026

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The ceiling mosaic in the Baptistry of Neon in Ravenna, Italy depicts the Baptism of Jesus. Built around 6th century A.D., the building is a UNESCO World heritage site. Today is the Feast of the Baptism of the Lord in much of Western Christianity.

Lightning from Above – NASA astronaut Nichole Ayers captured this image of lightning while orbiting aboard the International Space Station more than 250 miles above Milan, Italy.

unitedyam January 8, 2026

NASA astronaut Nichole Ayers captured this image of lightning while orbiting aboard the International Space Station more than 250 miles above Milan, Italy.

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View of old town and walls of Sorano, Italy from the south
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unitedyam January 8, 2026

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View of old town and walls of Sorano, Italy from the south

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View of coastline northwest from above Manarola: fields and steep trail to Volastra in foreground, Corniglia Station and town centre, north to Punta Mesco. Depicts the north half of Cinque Terre National Park coastline. Liguria, Italy
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unitedyam December 30, 2025

Picture of the day

View of coastline northwest from above Manarola: fields and steep trail to Volastra in foreground, Corniglia Station and town centre, north to Punta Mesco. Depicts the north half of Cinque Terre National Park coastline. Liguria, Italy

City Lights and Atmospheric Glow – The atmospheric glow blankets southern Europe and the northwestern Mediterranean coast, outlined by city lights. At left, the Po Valley urban corridor in Italy shines with the metropolitan areas of Milan and Turin and their surrounding suburbs.

unitedyam November 25, 2025

The atmospheric glow blankets southern Europe and the northwestern Mediterranean coast, outlined by city lights. At left, the Po Valley urban corridor in Italy shines with the metropolitan areas of Milan and Turin and their surrounding suburbs.

Picture of the day

View on Val Montanaia (Montanaia Valley), with the Cima Both (2,437 m) on the left and the “Campanile” (2,173 m) in the middle; both are peaks of the Spalti di Toro group, in the Friulian Dolomites Natural Park, Friuli-Venezia Giulia, Italy.
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unitedyam November 22, 2025

Picture of the day

View on Val Montanaia (Montanaia Valley), with the Cima Both (2,437 m) on the left and the “Campanile” (2,173 m) in the middle; both are peaks of the Spalti di Toro group, in the Friulian Dolomites Natural Park, Friuli-Venezia Giulia, Italy.

Picture of the day

Side view of the Basilica of Saint Francis of Assisi from the north-west, showing the imposing structure of the Basilica and monastery located in Assisi, Umbria, Italy. Today (4th October) is the feast day of St. Francis of Assisi, Patron of Ecologists.
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unitedyam October 13, 2025

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Side view of the Basilica of Saint Francis of Assisi from the north-west, showing the imposing structure of the Basilica and monastery located in Assisi, Umbria, Italy. Today (4th October) is the feast day of St. Francis of Assisi, Patron of Ecologists.

Picture of the day

A caterpillar of the spurge hawk moth (Hyles euphorbiae), photographed in the Scrivia riverbed, in Novi Ligure, Piedmont, Italy. The larvae of this Europiean hawk moth eat the leaves and bracts of the leafy spurge (Euphorbia virgata), which gives the species its common name.
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unitedyam September 8, 2025

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A caterpillar of the spurge hawk moth (Hyles euphorbiae), photographed in the Scrivia riverbed, in Novi Ligure, Piedmont, Italy. The larvae of this Europiean hawk moth eat the leaves and bracts of the leafy spurge (Euphorbia virgata), which gives the species its common name.

unitedyam August 3, 2025

Picture of the day

Today is the Feast of Saint James, a day of celebration in the heart of Cesenatico (Italy), with the Leonardo’s Canal Port containing its characteristic historical boats.