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Major restoration in Minneapolis aims to renew ‘every square inch’ of country’s oldest basilica #Catholic If you want to clean more-than-century-old marble statues of the apostles, you don’t simply use soap and water. Rather, you must spray the figures with a “specialized conservation material” that subsequently dries into a “latex-like layer,” which is then “carefully peeled away,” thus preserving the statue’s original finish. The process “is labor intensive and takes significant time,” according to staff at the Basilica of Saint Mary, a towering and historic minor basilica in downtown Minneapolis. The massive church, which was dedicated in 1915 and became the first basilica in the United States when it was designated as such by Pope Pius XI in 1926, has been undergoing a major restoration project since 2025. A specialty cleaning material is sprayed on a statue of St. Peter at the Basilica of Saint Mary in Minneapolis in an undated photo. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Built in the Beaux-Arts style — what was at the time a popular architectural form in the United States — the co-cathedral boasts a towering flèche-topped central dome and an 82-foot-high barrel vault. Among its many adornments include the statues of the apostles, which were carved in Italy as half-scale replicas of statues at the Archbasilica of St. John Lateran, the cathedral of the pope in Rome. Church’s roots stretch back to 1860sOn its website, the basilica says its roots can be traced to 1868, when a simple “shed church” was constructed in Minneapolis. Years later another, more substantial Gothic Revival edifice was built, but burgeoning development in the neighborhood eventually pushed the parish to relocate to its present location on Hennepin Avenue. The cornerstone of the current structure was laid in 1908. The church, designated a pro-cathedral, celebrated its first Mass in 1914; it was dedicated the following year. It was still being worked on when the U.S. entered World War I in 1917. An original print of the basilica, drafted by architect Emmanuel Louis Masqueray, hangs in the church’s undercroft. | Credit: Courtesy of the Basilica of Saint Mary In 1926, Pius XI raised the pro-cathedral to the rank of minor basilica, after which it took on its present name. It would enjoy a vibrant parish life in the following decades, though the construction of adjacent freeways in the 1960s “took a heavy toll” on the building. The 1980s and 1990s saw parishioners spearheading efforts at ongoing restoration. The latest restoration campaign, titled “Restoring Beauty, Inspiring Hope,” has aimed to raise a total of about million in funding. Among the project’s goals are masonry repairs, roof repairs, pew restorations with new kneelers, plaster restoration, and numerous other projects. Workers in an undated photograph clean a limestone surface in an ambulatory of the Basilica of Saint Mary in Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary Johan van Parys, who has served as the basilica’s director of liturgy and the sacred arts since 1995, told EWTN News that the basilica has needed repairs almost from its inception. “Even from the beginning, the building had issues with moisture intrusion,” he said. The architect who designed the church, Emmanuel Louis Masqueray, was French, and he “didn’t completely understand the challenges of Minnesota summers and winters.” “He designed flat roofs over part of the building,” van Parys said. He jokingly described flat roofs as “the bane of our existence” due to their tendency to hold water. In existing photographs of the church taken in 1914, van Parys said, water damage is already visible. “We’ve had to do work on the building ever since,” he said. The church underwent a “somewhat major” restoration in the 1950s, van Parys said, during which for unknown reasons workers painted over intricate stenciling within coffers and other parts of the structure. Along with those details, van Parys said, the restoration effort is “bringing back the original look of the basilica.” The effort was formally launched in 2019 with a master plan for the entire church campus, but the COVID-19 pandemic the next year set the project back. The process resumed after a few years, and the restoration work itself formally began in 2025. Scaffolding towers above the nave of the Basilica of Saint Mary in Minneapolis in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Van Parys said the basilica is being restored both inside and out from top to the bottom, including the plaster ceiling, which has suffered damage over the years and has to be replastered in parts. Work is also being done on the church’s extensive stained-glass window arrangements. Such windows are generally held in place with a lead matrix, but over time the weight of the glass can weaken the metal frame, leading the glass to bulge outward. A stained-glass specialist, however, told the restoration crew that the window fixtures were in “great condition,” meaning considerable amounts of work could be avoided. Some of the windows were still in need of repair, however, and were sent to a specialist in Newark, New Jersey. Limestone throughout the building is also being restored, van Parys said. The visible stone throughout the building is bolstered by several inches of reinforced concrete and bricks; moisture often makes its way through this sandwiching of materials, leading to a buildup of salt crystals on the stone, what is known as “efflorescence.” Removing this blemish beautifies the facade of the stone and also protects it from degradation. Crews use a spray-and-peel chemical similar to the process used on the statues of the apostles. A century’s worth of visible soot and grime contrasts with a restored limestone surface in an undated photograph in the Basilica of Saint Mary, Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary The restoration crews also removed the basilica’s pews in order to have them restored with cleaning, sanding, and shellac finishing.“We opted to restore the original 1914 pews,” van Parys said. “One of our principles in terms of restoration is that we don’t want to over-restore. We didn’t want it to be a new church. People have worshipped in here since 1914. We want this presence of prayer and generations before us to remain.”“So rather than have new pews we decided to restore the old ones,” he said. “In doing so we discovered that the people who built the pews in 1914 signed them. So we have the names of all the people who worked on the pews.” Workmen in an undated photo remove pews from the Basilica of Saint Mary in Minneapolis as part of the restoration of the church. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Upon removing the pews, the work crews discovered that the flooring of the nave was not level. “One option was to put shims under all the pews,” van Parys said. “But that would have been a huge operation.” Since crews were already removing the wood flooring to restore it, they also removed part of the old concrete subfloor and re-leveled it. A worker at Fresh Air Finishers in Saint Paul, Minnesota, restores a pew from the Basilica of Saint Mary in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Numerous other restoration projects are ongoing, van Parys said, including restoring the church’s bronze doors, which were installed after it was designated a basilica. The church’s rector at the time, Monsignor James Reardon, had traveled to Rome and observed that the basilicas there had bronze doors. “He decided we needed bronze doors as well,” van Parys said. Archbishop Bernard Hebda blesses and seals bronze doors at the Basilica of Saint Mary ahead of restoration of the century-old features of the historic church, April 5, 2026. | Credit: Photo courtesy of the Basilica of Saint Mary Crews are aiming to be done with the massive project by Palm Sunday 2027. At the moment the parish holds Masses in the building’s undercroft beneath the structure. “Every week at Mass, I tell people, for instance, ‘Last Sunday was Week 35, which means we have 34 weeks to go,’” van Parys said with a laugh. He said the work is “quite expedited” and progressing quickly. Ultimately the effort is meant not just to restore the church but to develop a “manual of preservation” for future generations to help protect it. “Our goal is to restore and to also make sure that everything is cared for in the best possible way, to extend the lifespan of the basilica as long as possible before another restoration is necessary,” he said. He said the entire project is being conducted “not only with liturgical principles but also historical preservation principles.”“It is really comprehensive,” he said. “Every square inch of the basilica will be restored.”
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Major restoration in Minneapolis aims to renew ‘every square inch’ of country’s oldest basilica #Catholic If you want to clean more-than-century-old marble statues of the apostles, you don’t simply use soap and water. Rather, you must spray the figures with a “specialized conservation material” that subsequently dries into a “latex-like layer,” which is then “carefully peeled away,” thus preserving the statue’s original finish. The process “is labor intensive and takes significant time,” according to staff at the Basilica of Saint Mary, a towering and historic minor basilica in downtown Minneapolis. The massive church, which was dedicated in 1915 and became the first basilica in the United States when it was designated as such by Pope Pius XI in 1926, has been undergoing a major restoration project since 2025. A specialty cleaning material is sprayed on a statue of St. Peter at the Basilica of Saint Mary in Minneapolis in an undated photo. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Built in the Beaux-Arts style — what was at the time a popular architectural form in the United States — the co-cathedral boasts a towering flèche-topped central dome and an 82-foot-high barrel vault. Among its many adornments include the statues of the apostles, which were carved in Italy as half-scale replicas of statues at the Archbasilica of St. John Lateran, the cathedral of the pope in Rome. Church’s roots stretch back to 1860sOn its website, the basilica says its roots can be traced to 1868, when a simple “shed church” was constructed in Minneapolis. Years later another, more substantial Gothic Revival edifice was built, but burgeoning development in the neighborhood eventually pushed the parish to relocate to its present location on Hennepin Avenue. The cornerstone of the current structure was laid in 1908. The church, designated a pro-cathedral, celebrated its first Mass in 1914; it was dedicated the following year. It was still being worked on when the U.S. entered World War I in 1917. An original print of the basilica, drafted by architect Emmanuel Louis Masqueray, hangs in the church’s undercroft. | Credit: Courtesy of the Basilica of Saint Mary In 1926, Pius XI raised the pro-cathedral to the rank of minor basilica, after which it took on its present name. It would enjoy a vibrant parish life in the following decades, though the construction of adjacent freeways in the 1960s “took a heavy toll” on the building. The 1980s and 1990s saw parishioners spearheading efforts at ongoing restoration. The latest restoration campaign, titled “Restoring Beauty, Inspiring Hope,” has aimed to raise a total of about $50 million in funding. Among the project’s goals are masonry repairs, roof repairs, pew restorations with new kneelers, plaster restoration, and numerous other projects. Workers in an undated photograph clean a limestone surface in an ambulatory of the Basilica of Saint Mary in Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary Johan van Parys, who has served as the basilica’s director of liturgy and the sacred arts since 1995, told EWTN News that the basilica has needed repairs almost from its inception. “Even from the beginning, the building had issues with moisture intrusion,” he said. The architect who designed the church, Emmanuel Louis Masqueray, was French, and he “didn’t completely understand the challenges of Minnesota summers and winters.” “He designed flat roofs over part of the building,” van Parys said. He jokingly described flat roofs as “the bane of our existence” due to their tendency to hold water. In existing photographs of the church taken in 1914, van Parys said, water damage is already visible. “We’ve had to do work on the building ever since,” he said. The church underwent a “somewhat major” restoration in the 1950s, van Parys said, during which for unknown reasons workers painted over intricate stenciling within coffers and other parts of the structure. Along with those details, van Parys said, the restoration effort is “bringing back the original look of the basilica.” The effort was formally launched in 2019 with a master plan for the entire church campus, but the COVID-19 pandemic the next year set the project back. The process resumed after a few years, and the restoration work itself formally began in 2025. Scaffolding towers above the nave of the Basilica of Saint Mary in Minneapolis in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Van Parys said the basilica is being restored both inside and out from top to the bottom, including the plaster ceiling, which has suffered damage over the years and has to be replastered in parts. Work is also being done on the church’s extensive stained-glass window arrangements. Such windows are generally held in place with a lead matrix, but over time the weight of the glass can weaken the metal frame, leading the glass to bulge outward. A stained-glass specialist, however, told the restoration crew that the window fixtures were in “great condition,” meaning considerable amounts of work could be avoided. Some of the windows were still in need of repair, however, and were sent to a specialist in Newark, New Jersey. Limestone throughout the building is also being restored, van Parys said. The visible stone throughout the building is bolstered by several inches of reinforced concrete and bricks; moisture often makes its way through this sandwiching of materials, leading to a buildup of salt crystals on the stone, what is known as “efflorescence.” Removing this blemish beautifies the facade of the stone and also protects it from degradation. Crews use a spray-and-peel chemical similar to the process used on the statues of the apostles. A century’s worth of visible soot and grime contrasts with a restored limestone surface in an undated photograph in the Basilica of Saint Mary, Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary The restoration crews also removed the basilica’s pews in order to have them restored with cleaning, sanding, and shellac finishing.“We opted to restore the original 1914 pews,” van Parys said. “One of our principles in terms of restoration is that we don’t want to over-restore. We didn’t want it to be a new church. People have worshipped in here since 1914. We want this presence of prayer and generations before us to remain.”“So rather than have new pews we decided to restore the old ones,” he said. “In doing so we discovered that the people who built the pews in 1914 signed them. So we have the names of all the people who worked on the pews.” Workmen in an undated photo remove pews from the Basilica of Saint Mary in Minneapolis as part of the restoration of the church. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Upon removing the pews, the work crews discovered that the flooring of the nave was not level. “One option was to put shims under all the pews,” van Parys said. “But that would have been a huge operation.” Since crews were already removing the wood flooring to restore it, they also removed part of the old concrete subfloor and re-leveled it. A worker at Fresh Air Finishers in Saint Paul, Minnesota, restores a pew from the Basilica of Saint Mary in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Numerous other restoration projects are ongoing, van Parys said, including restoring the church’s bronze doors, which were installed after it was designated a basilica. The church’s rector at the time, Monsignor James Reardon, had traveled to Rome and observed that the basilicas there had bronze doors. “He decided we needed bronze doors as well,” van Parys said. Archbishop Bernard Hebda blesses and seals bronze doors at the Basilica of Saint Mary ahead of restoration of the century-old features of the historic church, April 5, 2026. | Credit: Photo courtesy of the Basilica of Saint Mary Crews are aiming to be done with the massive project by Palm Sunday 2027. At the moment the parish holds Masses in the building’s undercroft beneath the structure. “Every week at Mass, I tell people, for instance, ‘Last Sunday was Week 35, which means we have 34 weeks to go,’” van Parys said with a laugh. He said the work is “quite expedited” and progressing quickly. Ultimately the effort is meant not just to restore the church but to develop a “manual of preservation” for future generations to help protect it. “Our goal is to restore and to also make sure that everything is cared for in the best possible way, to extend the lifespan of the basilica as long as possible before another restoration is necessary,” he said. He said the entire project is being conducted “not only with liturgical principles but also historical preservation principles.”“It is really comprehensive,” he said. “Every square inch of the basilica will be restored.”

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The massive church was dedicated in 1915 and became the first basilica in the United States when it was designated as such by Pope Pius XI in 1926.

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How the St. Benedict medal became a shield against the powers of darkness #Catholic Temptations in a fallen city, memories of a beautiful woman, a poisoned chalice, the attacks of an envious priest, curses from a pagan priest, a rock that won’t budge and another that falls on a young monk, a kitchen in flames, a dragon that lurks to devour a fleeing monk, threats from Gothic warlords, and the prospect of a destroyed monastery.These are some of the attacks that St. Benedict, whose feast the Catholic Church celebrates on July 11, endured throughout his life.Benedict even had to use force to manifest his authority as abbot over his monks oppressed by the enemy, as related in Father Robert Nixon’s book “The Cross and Medal of Saint Benedict: A Mystical Sign of Divine Power” (TAN, 2024):“Benedict found this monk outside wandering around aimlessly when he should have been in the oratory in prayer. With a certain degree of paternal severity and charitable discipline, he reprimanded him for his lack of wisdom and discernment and struck him with his staff. At this, the monk fell down, motionless. And after that, the devil … never troubled him again. It was as if the staff of Benedict had not struck the hapless monk but had rather driven away the wicked tempter himself!” (p. 14).St. Benedict has come to be recognized for the power of his actions against the enemy, alongside St. Michael the Archangel, as a major protector against evil — particularly through the medal that bears his image.Nixon’s book offers an overview of how the medal rose to prominence as a Catholic devotion and received papal approval, couching it within the story of St. Benedict’s life and the rise of his order of monks.The St. Benedict medalIf you’ve seen the back of a St. Benedict medal, you may have noticed a series of letters. The first set is arranged in and around the shape of the cross: C S P B C S S M L N D S M D. The next set is arranged in a circle around the cross: V R S N S M V S M Q L I V B.This arrangement first came to serious attention in the year 1647 in relation to the Benedictine Abbey of Metten in Bavaria, Germany, when it was believed to have prevented a series of diabolic attacks.Although some of the laity already had medals with these letters engraved, no one at the time understood their meaning. It was only in researching the library’s manuscripts that a 15th-century illustration of St. Benedict pointed to the full prayer they abbreviated:“Cross of our Holy Father Benedict. May the cross be light to me. May the dragon not be a leader to me. Get behind me, Satan: Never persuade me to vain things. What you like is evil; may you yourself drink your venom!”Due to a widespread story of the medal preventing the effect of curses and bringing about exorcisms and healings, which Nixon details in his book, its use spread across Europe, with Pope Benedict XIV approving an official blessing for it and granting it indulgences in 1741.The great father of modern Benedictine monasticism, Dom Prosper Guéranger, speculated why God would grant so many favors to those who invoke his help through St. Benedict’s medal. In an age when “rationalism is so rife,” God has deigned to offer help to those “who put their confidence in the sacred signs marked on the medal” with “strong and simple” faith (Guéranger, “The Medal or Cross of St. Benedict,” author’s preface). It’s as if to laugh at the devil and his plans to pull people away from God through the alleged sophistication of the modern world, overcoming them with simple signs pointing us to the cross and the protection of a holy monk.Of course, the medal should not be used in a superstitious way. It expresses our faith and confidence in God, which conquers the power of the enemy through the blood of Christ. Within God’s plan of salvation, there are certain key defenders of God’s people. St. Benedict proved himself as one over his own monks in spiritual combat. Through the efficacy of his medal, he has manifested himself as a fatherly defender of all who invoke his help.Throughout history, the monastic life has served as a constant beacon calling us to greater conversion of life and prayer. Turning to St. Benedict can lead us to embrace some of his spiritual principles, such as humility, obedience, stability, hospitality, the prayerful reading of Scripture in “lectio divina,” and viewing our work as a means of honoring God.While St. Benedict faced trials in his life as a monk, we all face trials and attacks from the enemy in the Christian life. Sacramentals can help us in our journey of faith, including our efforts to keep evil far away.St. Benedict medals and rosaries with the medal affixed can be purchased at religious gift stores and can be blessed after purchase. Medals are also available at EWTN’s Religious Catalogue site.This story was first published by the National Catholic Register, the sister partner of EWTN News, and has been adapted by EWTN News.
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How the St. Benedict medal became a shield against the powers of darkness #Catholic Temptations in a fallen city, memories of a beautiful woman, a poisoned chalice, the attacks of an envious priest, curses from a pagan priest, a rock that won’t budge and another that falls on a young monk, a kitchen in flames, a dragon that lurks to devour a fleeing monk, threats from Gothic warlords, and the prospect of a destroyed monastery.These are some of the attacks that St. Benedict, whose feast the Catholic Church celebrates on July 11, endured throughout his life.Benedict even had to use force to manifest his authority as abbot over his monks oppressed by the enemy, as related in Father Robert Nixon’s book “The Cross and Medal of Saint Benedict: A Mystical Sign of Divine Power” (TAN, 2024):“Benedict found this monk outside wandering around aimlessly when he should have been in the oratory in prayer. With a certain degree of paternal severity and charitable discipline, he reprimanded him for his lack of wisdom and discernment and struck him with his staff. At this, the monk fell down, motionless. And after that, the devil … never troubled him again. It was as if the staff of Benedict had not struck the hapless monk but had rather driven away the wicked tempter himself!” (p. 14).St. Benedict has come to be recognized for the power of his actions against the enemy, alongside St. Michael the Archangel, as a major protector against evil — particularly through the medal that bears his image.Nixon’s book offers an overview of how the medal rose to prominence as a Catholic devotion and received papal approval, couching it within the story of St. Benedict’s life and the rise of his order of monks.The St. Benedict medalIf you’ve seen the back of a St. Benedict medal, you may have noticed a series of letters. The first set is arranged in and around the shape of the cross: C S P B C S S M L N D S M D. The next set is arranged in a circle around the cross: V R S N S M V S M Q L I V B.This arrangement first came to serious attention in the year 1647 in relation to the Benedictine Abbey of Metten in Bavaria, Germany, when it was believed to have prevented a series of diabolic attacks.Although some of the laity already had medals with these letters engraved, no one at the time understood their meaning. It was only in researching the library’s manuscripts that a 15th-century illustration of St. Benedict pointed to the full prayer they abbreviated:“Cross of our Holy Father Benedict. May the cross be light to me. May the dragon not be a leader to me. Get behind me, Satan: Never persuade me to vain things. What you like is evil; may you yourself drink your venom!”Due to a widespread story of the medal preventing the effect of curses and bringing about exorcisms and healings, which Nixon details in his book, its use spread across Europe, with Pope Benedict XIV approving an official blessing for it and granting it indulgences in 1741.The great father of modern Benedictine monasticism, Dom Prosper Guéranger, speculated why God would grant so many favors to those who invoke his help through St. Benedict’s medal. In an age when “rationalism is so rife,” God has deigned to offer help to those “who put their confidence in the sacred signs marked on the medal” with “strong and simple” faith (Guéranger, “The Medal or Cross of St. Benedict,” author’s preface). It’s as if to laugh at the devil and his plans to pull people away from God through the alleged sophistication of the modern world, overcoming them with simple signs pointing us to the cross and the protection of a holy monk.Of course, the medal should not be used in a superstitious way. It expresses our faith and confidence in God, which conquers the power of the enemy through the blood of Christ. Within God’s plan of salvation, there are certain key defenders of God’s people. St. Benedict proved himself as one over his own monks in spiritual combat. Through the efficacy of his medal, he has manifested himself as a fatherly defender of all who invoke his help.Throughout history, the monastic life has served as a constant beacon calling us to greater conversion of life and prayer. Turning to St. Benedict can lead us to embrace some of his spiritual principles, such as humility, obedience, stability, hospitality, the prayerful reading of Scripture in “lectio divina,” and viewing our work as a means of honoring God.While St. Benedict faced trials in his life as a monk, we all face trials and attacks from the enemy in the Christian life. Sacramentals can help us in our journey of faith, including our efforts to keep evil far away.St. Benedict medals and rosaries with the medal affixed can be purchased at religious gift stores and can be blessed after purchase. Medals are also available at EWTN’s Religious Catalogue site.This story was first published by the National Catholic Register, the sister partner of EWTN News, and has been adapted by EWTN News.

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St. Benedict, whose feast the Catholic Church celebrates on July 11, endured constant attacks from the enemy throughout his life.

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