Metal

Major restoration in Minneapolis aims to renew ‘every square inch’ of country’s oldest basilica #Catholic If you want to clean more-than-century-old marble statues of the apostles, you don’t simply use soap and water. Rather, you must spray the figures with a “specialized conservation material” that subsequently dries into a “latex-like layer,” which is then “carefully peeled away,” thus preserving the statue’s original finish. The process “is labor intensive and takes significant time,” according to staff at the Basilica of Saint Mary, a towering and historic minor basilica in downtown Minneapolis. The massive church, which was dedicated in 1915 and became the first basilica in the United States when it was designated as such by Pope Pius XI in 1926, has been undergoing a major restoration project since 2025. A specialty cleaning material is sprayed on a statue of St. Peter at the Basilica of Saint Mary in Minneapolis in an undated photo. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Built in the Beaux-Arts style — what was at the time a popular architectural form in the United States — the co-cathedral boasts a towering flèche-topped central dome and an 82-foot-high barrel vault. Among its many adornments include the statues of the apostles, which were carved in Italy as half-scale replicas of statues at the Archbasilica of St. John Lateran, the cathedral of the pope in Rome. Church’s roots stretch back to 1860sOn its website, the basilica says its roots can be traced to 1868, when a simple “shed church” was constructed in Minneapolis. Years later another, more substantial Gothic Revival edifice was built, but burgeoning development in the neighborhood eventually pushed the parish to relocate to its present location on Hennepin Avenue. The cornerstone of the current structure was laid in 1908. The church, designated a pro-cathedral, celebrated its first Mass in 1914; it was dedicated the following year. It was still being worked on when the U.S. entered World War I in 1917. An original print of the basilica, drafted by architect Emmanuel Louis Masqueray, hangs in the church’s undercroft. | Credit: Courtesy of the Basilica of Saint Mary In 1926, Pius XI raised the pro-cathedral to the rank of minor basilica, after which it took on its present name. It would enjoy a vibrant parish life in the following decades, though the construction of adjacent freeways in the 1960s “took a heavy toll” on the building. The 1980s and 1990s saw parishioners spearheading efforts at ongoing restoration. The latest restoration campaign, titled “Restoring Beauty, Inspiring Hope,” has aimed to raise a total of about million in funding. Among the project’s goals are masonry repairs, roof repairs, pew restorations with new kneelers, plaster restoration, and numerous other projects. Workers in an undated photograph clean a limestone surface in an ambulatory of the Basilica of Saint Mary in Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary Johan van Parys, who has served as the basilica’s director of liturgy and the sacred arts since 1995, told EWTN News that the basilica has needed repairs almost from its inception. “Even from the beginning, the building had issues with moisture intrusion,” he said. The architect who designed the church, Emmanuel Louis Masqueray, was French, and he “didn’t completely understand the challenges of Minnesota summers and winters.” “He designed flat roofs over part of the building,” van Parys said. He jokingly described flat roofs as “the bane of our existence” due to their tendency to hold water. In existing photographs of the church taken in 1914, van Parys said, water damage is already visible. “We’ve had to do work on the building ever since,” he said. The church underwent a “somewhat major” restoration in the 1950s, van Parys said, during which for unknown reasons workers painted over intricate stenciling within coffers and other parts of the structure. Along with those details, van Parys said, the restoration effort is “bringing back the original look of the basilica.” The effort was formally launched in 2019 with a master plan for the entire church campus, but the COVID-19 pandemic the next year set the project back. The process resumed after a few years, and the restoration work itself formally began in 2025. Scaffolding towers above the nave of the Basilica of Saint Mary in Minneapolis in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Van Parys said the basilica is being restored both inside and out from top to the bottom, including the plaster ceiling, which has suffered damage over the years and has to be replastered in parts. Work is also being done on the church’s extensive stained-glass window arrangements. Such windows are generally held in place with a lead matrix, but over time the weight of the glass can weaken the metal frame, leading the glass to bulge outward. A stained-glass specialist, however, told the restoration crew that the window fixtures were in “great condition,” meaning considerable amounts of work could be avoided. Some of the windows were still in need of repair, however, and were sent to a specialist in Newark, New Jersey. Limestone throughout the building is also being restored, van Parys said. The visible stone throughout the building is bolstered by several inches of reinforced concrete and bricks; moisture often makes its way through this sandwiching of materials, leading to a buildup of salt crystals on the stone, what is known as “efflorescence.” Removing this blemish beautifies the facade of the stone and also protects it from degradation. Crews use a spray-and-peel chemical similar to the process used on the statues of the apostles. A century’s worth of visible soot and grime contrasts with a restored limestone surface in an undated photograph in the Basilica of Saint Mary, Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary The restoration crews also removed the basilica’s pews in order to have them restored with cleaning, sanding, and shellac finishing.“We opted to restore the original 1914 pews,” van Parys said. “One of our principles in terms of restoration is that we don’t want to over-restore. We didn’t want it to be a new church. People have worshipped in here since 1914. We want this presence of prayer and generations before us to remain.”“So rather than have new pews we decided to restore the old ones,” he said. “In doing so we discovered that the people who built the pews in 1914 signed them. So we have the names of all the people who worked on the pews.” Workmen in an undated photo remove pews from the Basilica of Saint Mary in Minneapolis as part of the restoration of the church. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Upon removing the pews, the work crews discovered that the flooring of the nave was not level. “One option was to put shims under all the pews,” van Parys said. “But that would have been a huge operation.” Since crews were already removing the wood flooring to restore it, they also removed part of the old concrete subfloor and re-leveled it. A worker at Fresh Air Finishers in Saint Paul, Minnesota, restores a pew from the Basilica of Saint Mary in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Numerous other restoration projects are ongoing, van Parys said, including restoring the church’s bronze doors, which were installed after it was designated a basilica. The church’s rector at the time, Monsignor James Reardon, had traveled to Rome and observed that the basilicas there had bronze doors. “He decided we needed bronze doors as well,” van Parys said. Archbishop Bernard Hebda blesses and seals bronze doors at the Basilica of Saint Mary ahead of restoration of the century-old features of the historic church, April 5, 2026. | Credit: Photo courtesy of the Basilica of Saint Mary Crews are aiming to be done with the massive project by Palm Sunday 2027. At the moment the parish holds Masses in the building’s undercroft beneath the structure. “Every week at Mass, I tell people, for instance, ‘Last Sunday was Week 35, which means we have 34 weeks to go,’” van Parys said with a laugh. He said the work is “quite expedited” and progressing quickly. Ultimately the effort is meant not just to restore the church but to develop a “manual of preservation” for future generations to help protect it. “Our goal is to restore and to also make sure that everything is cared for in the best possible way, to extend the lifespan of the basilica as long as possible before another restoration is necessary,” he said. He said the entire project is being conducted “not only with liturgical principles but also historical preservation principles.”“It is really comprehensive,” he said. “Every square inch of the basilica will be restored.”
Read More

Major restoration in Minneapolis aims to renew ‘every square inch’ of country’s oldest basilica #Catholic If you want to clean more-than-century-old marble statues of the apostles, you don’t simply use soap and water. Rather, you must spray the figures with a “specialized conservation material” that subsequently dries into a “latex-like layer,” which is then “carefully peeled away,” thus preserving the statue’s original finish. The process “is labor intensive and takes significant time,” according to staff at the Basilica of Saint Mary, a towering and historic minor basilica in downtown Minneapolis. The massive church, which was dedicated in 1915 and became the first basilica in the United States when it was designated as such by Pope Pius XI in 1926, has been undergoing a major restoration project since 2025. A specialty cleaning material is sprayed on a statue of St. Peter at the Basilica of Saint Mary in Minneapolis in an undated photo. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Built in the Beaux-Arts style — what was at the time a popular architectural form in the United States — the co-cathedral boasts a towering flèche-topped central dome and an 82-foot-high barrel vault. Among its many adornments include the statues of the apostles, which were carved in Italy as half-scale replicas of statues at the Archbasilica of St. John Lateran, the cathedral of the pope in Rome. Church’s roots stretch back to 1860sOn its website, the basilica says its roots can be traced to 1868, when a simple “shed church” was constructed in Minneapolis. Years later another, more substantial Gothic Revival edifice was built, but burgeoning development in the neighborhood eventually pushed the parish to relocate to its present location on Hennepin Avenue. The cornerstone of the current structure was laid in 1908. The church, designated a pro-cathedral, celebrated its first Mass in 1914; it was dedicated the following year. It was still being worked on when the U.S. entered World War I in 1917. An original print of the basilica, drafted by architect Emmanuel Louis Masqueray, hangs in the church’s undercroft. | Credit: Courtesy of the Basilica of Saint Mary In 1926, Pius XI raised the pro-cathedral to the rank of minor basilica, after which it took on its present name. It would enjoy a vibrant parish life in the following decades, though the construction of adjacent freeways in the 1960s “took a heavy toll” on the building. The 1980s and 1990s saw parishioners spearheading efforts at ongoing restoration. The latest restoration campaign, titled “Restoring Beauty, Inspiring Hope,” has aimed to raise a total of about $50 million in funding. Among the project’s goals are masonry repairs, roof repairs, pew restorations with new kneelers, plaster restoration, and numerous other projects. Workers in an undated photograph clean a limestone surface in an ambulatory of the Basilica of Saint Mary in Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary Johan van Parys, who has served as the basilica’s director of liturgy and the sacred arts since 1995, told EWTN News that the basilica has needed repairs almost from its inception. “Even from the beginning, the building had issues with moisture intrusion,” he said. The architect who designed the church, Emmanuel Louis Masqueray, was French, and he “didn’t completely understand the challenges of Minnesota summers and winters.” “He designed flat roofs over part of the building,” van Parys said. He jokingly described flat roofs as “the bane of our existence” due to their tendency to hold water. In existing photographs of the church taken in 1914, van Parys said, water damage is already visible. “We’ve had to do work on the building ever since,” he said. The church underwent a “somewhat major” restoration in the 1950s, van Parys said, during which for unknown reasons workers painted over intricate stenciling within coffers and other parts of the structure. Along with those details, van Parys said, the restoration effort is “bringing back the original look of the basilica.” The effort was formally launched in 2019 with a master plan for the entire church campus, but the COVID-19 pandemic the next year set the project back. The process resumed after a few years, and the restoration work itself formally began in 2025. Scaffolding towers above the nave of the Basilica of Saint Mary in Minneapolis in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Van Parys said the basilica is being restored both inside and out from top to the bottom, including the plaster ceiling, which has suffered damage over the years and has to be replastered in parts. Work is also being done on the church’s extensive stained-glass window arrangements. Such windows are generally held in place with a lead matrix, but over time the weight of the glass can weaken the metal frame, leading the glass to bulge outward. A stained-glass specialist, however, told the restoration crew that the window fixtures were in “great condition,” meaning considerable amounts of work could be avoided. Some of the windows were still in need of repair, however, and were sent to a specialist in Newark, New Jersey. Limestone throughout the building is also being restored, van Parys said. The visible stone throughout the building is bolstered by several inches of reinforced concrete and bricks; moisture often makes its way through this sandwiching of materials, leading to a buildup of salt crystals on the stone, what is known as “efflorescence.” Removing this blemish beautifies the facade of the stone and also protects it from degradation. Crews use a spray-and-peel chemical similar to the process used on the statues of the apostles. A century’s worth of visible soot and grime contrasts with a restored limestone surface in an undated photograph in the Basilica of Saint Mary, Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary The restoration crews also removed the basilica’s pews in order to have them restored with cleaning, sanding, and shellac finishing.“We opted to restore the original 1914 pews,” van Parys said. “One of our principles in terms of restoration is that we don’t want to over-restore. We didn’t want it to be a new church. People have worshipped in here since 1914. We want this presence of prayer and generations before us to remain.”“So rather than have new pews we decided to restore the old ones,” he said. “In doing so we discovered that the people who built the pews in 1914 signed them. So we have the names of all the people who worked on the pews.” Workmen in an undated photo remove pews from the Basilica of Saint Mary in Minneapolis as part of the restoration of the church. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Upon removing the pews, the work crews discovered that the flooring of the nave was not level. “One option was to put shims under all the pews,” van Parys said. “But that would have been a huge operation.” Since crews were already removing the wood flooring to restore it, they also removed part of the old concrete subfloor and re-leveled it. A worker at Fresh Air Finishers in Saint Paul, Minnesota, restores a pew from the Basilica of Saint Mary in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Numerous other restoration projects are ongoing, van Parys said, including restoring the church’s bronze doors, which were installed after it was designated a basilica. The church’s rector at the time, Monsignor James Reardon, had traveled to Rome and observed that the basilicas there had bronze doors. “He decided we needed bronze doors as well,” van Parys said. Archbishop Bernard Hebda blesses and seals bronze doors at the Basilica of Saint Mary ahead of restoration of the century-old features of the historic church, April 5, 2026. | Credit: Photo courtesy of the Basilica of Saint Mary Crews are aiming to be done with the massive project by Palm Sunday 2027. At the moment the parish holds Masses in the building’s undercroft beneath the structure. “Every week at Mass, I tell people, for instance, ‘Last Sunday was Week 35, which means we have 34 weeks to go,’” van Parys said with a laugh. He said the work is “quite expedited” and progressing quickly. Ultimately the effort is meant not just to restore the church but to develop a “manual of preservation” for future generations to help protect it. “Our goal is to restore and to also make sure that everything is cared for in the best possible way, to extend the lifespan of the basilica as long as possible before another restoration is necessary,” he said. He said the entire project is being conducted “not only with liturgical principles but also historical preservation principles.”“It is really comprehensive,” he said. “Every square inch of the basilica will be restored.”

unitedyam

The massive church was dedicated in 1915 and became the first basilica in the United States when it was designated as such by Pope Pius XI in 1926.

Read More
Earthquake survivor in Venezuela: ‘The Miraculous Medal saved me’ #Catholic In Playa Grande, a neighborhood in the city of La Guaira, Venezuela, Kamar Galíndez was on the top floor of Chipi’s Beach Hotel, preparing to start his daily workout in the gym, unaware that his life was about to change forever.It was Wednesday, June 24, the feast day of St. John the Baptist and a national holiday commemorating the anniversary of the decisive Battle of Carabobo. At 6:05 p.m., the peaceful atmosphere created by the stunning ocean view from the top of the hotel was shattered by the thunderous violence of two consecutive earthquakes that took everyone by surprise, sowing anguish and confusion.Speaking with ACI Prensa, the Spanish-language sister service of EWTN News, Galíndez, a 53-year-old lawyer, recalled how the heavy gym machines began moving from one side to the other, much like an air hockey puck. Disaster struck within seconds.“The floor split, and immediately I saw half the building tilting forward while the section I was in collapsed straight down; I felt my feet were no longer standing on anything, and the next thing [I knew], I was trapped in the rubble,” he recounted. Remains of Chipi’s Beach Hotel in Playa Grande, from which Kamar Galíndez managed to come out alive. | Credit: Andrés Henríquez/EWTN News Faced with imminent death: ‘Lord, have mercy!’Galíndez recounted that the only thing he managed to do was to seek protection beside a nearby wall. As he felt the building collapsing, what came to his mind was the image of the Lord Jesus as he first appeared to St. Faustina Kowalska on Feb. 22, 1931.“I remember thinking of the merciful Christ and praying, ‘Lord, have mercy,’” he said, on the verge of tears. “The next thing was feeling the building collapse because with that violent shaking, I kept saying, ‘It’s going to fall,’ and of course, it did.”Galíndez never lost consciousness. He said he felt every blow but that “amid the shock and fear, physical sensations become secondary.” Once the confusion of the collapse subsided, he realized he was alive, though his body was completely buried in the rubble and pinned by a massive beam crushing his chest.He couldn’t breathe properly. His head had not been buried, and through that immense mountain of twisted metal, bricks, and earth, he could see the sky, still lit by the last rays of the evening sun. All around, the desperate screams of other people trapped in the rubble could be heard.Galíndez wiped his face and tried to move to free himself. Then he realized his left arm was broken: “A lot of desperation, a lot of fear” is what he recalled feeling, yet amid the suffering, he didn’t hesitate to entrust himself to God’s protection.“Then I prayed to stay calm. What I did was to pray a lot: ‘OK, Father God, help me get out of here. Keep me calm’ was the first thing I prayed. ‘Keep me calm and tell me what I need to do,’” he recounted.He signaled for help as best he could. He said he has no idea how long he was underneath the rubble, but he knows it “felt like an eternity.” Finally, a man who had climbed the mountain of debris helped him break free.‘The Miraculous Medal saved me’Galíndez made his way down the remains of the collapsed building on his own. Upon realizing the magnitude of the tragedy, which claimed thousands of lives in a split second, he is positive that emerging virtually unharmed was a miracle, one he attributes to Our Lady of the Miraculous Medal, to whom he has always been devoted.“I was wearing a small chain with a crucifix and a tiny medal of the Miraculous Virgin. Among the things I lost track of, the chain broke, though, of course, I hadnʼt noticed it at the time,” he recalled.On his way to his home, which was also completely destroyed, a couple of young people helped Galíndez with first aid. While they were tending to him, he became aware of one of those small miracles that holds profound meaning for someone with sincere faith.He asked the young people to help him put his watch into one of the pockets of his shorts, as he needed to remove it to hold his fractured arm still. And then, the inexplicable happened.“I was wearing shorts with a small zippered pocket, and when I looked — don’t ask me where from, don’t ask me how — a piece of the chain and the Miraculous Medal were caught inside.”"Of course, I told the boy: ‘Please, put that little medal away for me too, because that was what saved me,’” he said. “I havenʼt the slightest doubt.”“Absolutely, absolutely,” he replied when asked if he truly believes his life is a miracle obtained through the intercession of the Blessed Virgin. The Miraculous Medal that Kamar Galíndez wore around his neck, which broke during the collapse and later appeared — inexplicably — in the pocket of his shorts. | Credit: Andrés Henríquez/EWTN News Many people didn’t make it out of what was left of the hotel. For Galíndez, having survived is the work of the mercy of God, who listened to his pleas in every instant and granted him his request for a reason he still does not know.“In the greatest adversity, you begin to see it in terms of what is most basic, because the most basic thing becomes impossible. When the most basic thing is impossible and you manage to do it anyway, you say: ‘Only God can do that,’” he reflected.“There is a God who looks after you in that moment, attending to what you are asking of him and what you need. From freeing up an arm or reminding you of his presence by leaving a small medal hanging from your [shorts],” he said. He then emphasized what he considers most important following his harrowing experience: "I have the greatest gift God [my dear] Father gave me, which is life.”Galíndez said he feels deeply grateful to be alive. For him, what happened serves as a humbling reminder that what we have comes from the will and mercy of God, who does not abandon his people; who does not abandon Venezuelans, especially during times of greatest suffering.At the time of publication, the official death toll in Venezuela from the double earthquake has risen to 3,535, while the number of injured has reached 16,740. Estimates by independent organizations indicate that tens of thousands of people are still missing.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
Read More

Earthquake survivor in Venezuela: ‘The Miraculous Medal saved me’ #Catholic In Playa Grande, a neighborhood in the city of La Guaira, Venezuela, Kamar Galíndez was on the top floor of Chipi’s Beach Hotel, preparing to start his daily workout in the gym, unaware that his life was about to change forever.It was Wednesday, June 24, the feast day of St. John the Baptist and a national holiday commemorating the anniversary of the decisive Battle of Carabobo. At 6:05 p.m., the peaceful atmosphere created by the stunning ocean view from the top of the hotel was shattered by the thunderous violence of two consecutive earthquakes that took everyone by surprise, sowing anguish and confusion.Speaking with ACI Prensa, the Spanish-language sister service of EWTN News, Galíndez, a 53-year-old lawyer, recalled how the heavy gym machines began moving from one side to the other, much like an air hockey puck. Disaster struck within seconds.“The floor split, and immediately I saw half the building tilting forward while the section I was in collapsed straight down; I felt my feet were no longer standing on anything, and the next thing [I knew], I was trapped in the rubble,” he recounted. Remains of Chipi’s Beach Hotel in Playa Grande, from which Kamar Galíndez managed to come out alive. | Credit: Andrés Henríquez/EWTN News Faced with imminent death: ‘Lord, have mercy!’Galíndez recounted that the only thing he managed to do was to seek protection beside a nearby wall. As he felt the building collapsing, what came to his mind was the image of the Lord Jesus as he first appeared to St. Faustina Kowalska on Feb. 22, 1931.“I remember thinking of the merciful Christ and praying, ‘Lord, have mercy,’” he said, on the verge of tears. “The next thing was feeling the building collapse because with that violent shaking, I kept saying, ‘It’s going to fall,’ and of course, it did.”Galíndez never lost consciousness. He said he felt every blow but that “amid the shock and fear, physical sensations become secondary.” Once the confusion of the collapse subsided, he realized he was alive, though his body was completely buried in the rubble and pinned by a massive beam crushing his chest.He couldn’t breathe properly. His head had not been buried, and through that immense mountain of twisted metal, bricks, and earth, he could see the sky, still lit by the last rays of the evening sun. All around, the desperate screams of other people trapped in the rubble could be heard.Galíndez wiped his face and tried to move to free himself. Then he realized his left arm was broken: “A lot of desperation, a lot of fear” is what he recalled feeling, yet amid the suffering, he didn’t hesitate to entrust himself to God’s protection.“Then I prayed to stay calm. What I did was to pray a lot: ‘OK, Father God, help me get out of here. Keep me calm’ was the first thing I prayed. ‘Keep me calm and tell me what I need to do,’” he recounted.He signaled for help as best he could. He said he has no idea how long he was underneath the rubble, but he knows it “felt like an eternity.” Finally, a man who had climbed the mountain of debris helped him break free.‘The Miraculous Medal saved me’Galíndez made his way down the remains of the collapsed building on his own. Upon realizing the magnitude of the tragedy, which claimed thousands of lives in a split second, he is positive that emerging virtually unharmed was a miracle, one he attributes to Our Lady of the Miraculous Medal, to whom he has always been devoted.“I was wearing a small chain with a crucifix and a tiny medal of the Miraculous Virgin. Among the things I lost track of, the chain broke, though, of course, I hadnʼt noticed it at the time,” he recalled.On his way to his home, which was also completely destroyed, a couple of young people helped Galíndez with first aid. While they were tending to him, he became aware of one of those small miracles that holds profound meaning for someone with sincere faith.He asked the young people to help him put his watch into one of the pockets of his shorts, as he needed to remove it to hold his fractured arm still. And then, the inexplicable happened.“I was wearing shorts with a small zippered pocket, and when I looked — don’t ask me where from, don’t ask me how — a piece of the chain and the Miraculous Medal were caught inside.”"Of course, I told the boy: ‘Please, put that little medal away for me too, because that was what saved me,’” he said. “I havenʼt the slightest doubt.”“Absolutely, absolutely,” he replied when asked if he truly believes his life is a miracle obtained through the intercession of the Blessed Virgin. The Miraculous Medal that Kamar Galíndez wore around his neck, which broke during the collapse and later appeared — inexplicably — in the pocket of his shorts. | Credit: Andrés Henríquez/EWTN News Many people didn’t make it out of what was left of the hotel. For Galíndez, having survived is the work of the mercy of God, who listened to his pleas in every instant and granted him his request for a reason he still does not know.“In the greatest adversity, you begin to see it in terms of what is most basic, because the most basic thing becomes impossible. When the most basic thing is impossible and you manage to do it anyway, you say: ‘Only God can do that,’” he reflected.“There is a God who looks after you in that moment, attending to what you are asking of him and what you need. From freeing up an arm or reminding you of his presence by leaving a small medal hanging from your [shorts],” he said. He then emphasized what he considers most important following his harrowing experience: "I have the greatest gift God [my dear] Father gave me, which is life.”Galíndez said he feels deeply grateful to be alive. For him, what happened serves as a humbling reminder that what we have comes from the will and mercy of God, who does not abandon his people; who does not abandon Venezuelans, especially during times of greatest suffering.At the time of publication, the official death toll in Venezuela from the double earthquake has risen to 3,535, while the number of injured has reached 16,740. Estimates by independent organizations indicate that tens of thousands of people are still missing.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

unitedyam

Kamar Galíndez credits his survival to the Blessed Virgin Mary. The Miraculous Medal he wore was torn from his neck as the building collapsed and inexplicably ended up in one of his zippered pockets.

Read More