monk

How the St. Benedict medal became a shield against the powers of darkness #Catholic Temptations in a fallen city, memories of a beautiful woman, a poisoned chalice, the attacks of an envious priest, curses from a pagan priest, a rock that won’t budge and another that falls on a young monk, a kitchen in flames, a dragon that lurks to devour a fleeing monk, threats from Gothic warlords, and the prospect of a destroyed monastery.These are some of the attacks that St. Benedict, whose feast the Catholic Church celebrates on July 11, endured throughout his life.Benedict even had to use force to manifest his authority as abbot over his monks oppressed by the enemy, as related in Father Robert Nixon’s book “The Cross and Medal of Saint Benedict: A Mystical Sign of Divine Power” (TAN, 2024):“Benedict found this monk outside wandering around aimlessly when he should have been in the oratory in prayer. With a certain degree of paternal severity and charitable discipline, he reprimanded him for his lack of wisdom and discernment and struck him with his staff. At this, the monk fell down, motionless. And after that, the devil … never troubled him again. It was as if the staff of Benedict had not struck the hapless monk but had rather driven away the wicked tempter himself!” (p. 14).St. Benedict has come to be recognized for the power of his actions against the enemy, alongside St. Michael the Archangel, as a major protector against evil — particularly through the medal that bears his image.Nixon’s book offers an overview of how the medal rose to prominence as a Catholic devotion and received papal approval, couching it within the story of St. Benedict’s life and the rise of his order of monks.The St. Benedict medalIf you’ve seen the back of a St. Benedict medal, you may have noticed a series of letters. The first set is arranged in and around the shape of the cross: C S P B C S S M L N D S M D. The next set is arranged in a circle around the cross: V R S N S M V S M Q L I V B.This arrangement first came to serious attention in the year 1647 in relation to the Benedictine Abbey of Metten in Bavaria, Germany, when it was believed to have prevented a series of diabolic attacks.Although some of the laity already had medals with these letters engraved, no one at the time understood their meaning. It was only in researching the library’s manuscripts that a 15th-century illustration of St. Benedict pointed to the full prayer they abbreviated:“Cross of our Holy Father Benedict. May the cross be light to me. May the dragon not be a leader to me. Get behind me, Satan: Never persuade me to vain things. What you like is evil; may you yourself drink your venom!”Due to a widespread story of the medal preventing the effect of curses and bringing about exorcisms and healings, which Nixon details in his book, its use spread across Europe, with Pope Benedict XIV approving an official blessing for it and granting it indulgences in 1741.The great father of modern Benedictine monasticism, Dom Prosper Guéranger, speculated why God would grant so many favors to those who invoke his help through St. Benedict’s medal. In an age when “rationalism is so rife,” God has deigned to offer help to those “who put their confidence in the sacred signs marked on the medal” with “strong and simple” faith (Guéranger, “The Medal or Cross of St. Benedict,” author’s preface). It’s as if to laugh at the devil and his plans to pull people away from God through the alleged sophistication of the modern world, overcoming them with simple signs pointing us to the cross and the protection of a holy monk.Of course, the medal should not be used in a superstitious way. It expresses our faith and confidence in God, which conquers the power of the enemy through the blood of Christ. Within God’s plan of salvation, there are certain key defenders of God’s people. St. Benedict proved himself as one over his own monks in spiritual combat. Through the efficacy of his medal, he has manifested himself as a fatherly defender of all who invoke his help.Throughout history, the monastic life has served as a constant beacon calling us to greater conversion of life and prayer. Turning to St. Benedict can lead us to embrace some of his spiritual principles, such as humility, obedience, stability, hospitality, the prayerful reading of Scripture in “lectio divina,” and viewing our work as a means of honoring God.While St. Benedict faced trials in his life as a monk, we all face trials and attacks from the enemy in the Christian life. Sacramentals can help us in our journey of faith, including our efforts to keep evil far away.St. Benedict medals and rosaries with the medal affixed can be purchased at religious gift stores and can be blessed after purchase. Medals are also available at EWTN’s Religious Catalogue site.This story was first published by the National Catholic Register, the sister partner of EWTN News, and has been adapted by EWTN News.

How the St. Benedict medal became a shield against the powers of darkness #Catholic Temptations in a fallen city, memories of a beautiful woman, a poisoned chalice, the attacks of an envious priest, curses from a pagan priest, a rock that won’t budge and another that falls on a young monk, a kitchen in flames, a dragon that lurks to devour a fleeing monk, threats from Gothic warlords, and the prospect of a destroyed monastery.These are some of the attacks that St. Benedict, whose feast the Catholic Church celebrates on July 11, endured throughout his life.Benedict even had to use force to manifest his authority as abbot over his monks oppressed by the enemy, as related in Father Robert Nixon’s book “The Cross and Medal of Saint Benedict: A Mystical Sign of Divine Power” (TAN, 2024):“Benedict found this monk outside wandering around aimlessly when he should have been in the oratory in prayer. With a certain degree of paternal severity and charitable discipline, he reprimanded him for his lack of wisdom and discernment and struck him with his staff. At this, the monk fell down, motionless. And after that, the devil … never troubled him again. It was as if the staff of Benedict had not struck the hapless monk but had rather driven away the wicked tempter himself!” (p. 14).St. Benedict has come to be recognized for the power of his actions against the enemy, alongside St. Michael the Archangel, as a major protector against evil — particularly through the medal that bears his image.Nixon’s book offers an overview of how the medal rose to prominence as a Catholic devotion and received papal approval, couching it within the story of St. Benedict’s life and the rise of his order of monks.The St. Benedict medalIf you’ve seen the back of a St. Benedict medal, you may have noticed a series of letters. The first set is arranged in and around the shape of the cross: C S P B C S S M L N D S M D. The next set is arranged in a circle around the cross: V R S N S M V S M Q L I V B.This arrangement first came to serious attention in the year 1647 in relation to the Benedictine Abbey of Metten in Bavaria, Germany, when it was believed to have prevented a series of diabolic attacks.Although some of the laity already had medals with these letters engraved, no one at the time understood their meaning. It was only in researching the library’s manuscripts that a 15th-century illustration of St. Benedict pointed to the full prayer they abbreviated:“Cross of our Holy Father Benedict. May the cross be light to me. May the dragon not be a leader to me. Get behind me, Satan: Never persuade me to vain things. What you like is evil; may you yourself drink your venom!”Due to a widespread story of the medal preventing the effect of curses and bringing about exorcisms and healings, which Nixon details in his book, its use spread across Europe, with Pope Benedict XIV approving an official blessing for it and granting it indulgences in 1741.The great father of modern Benedictine monasticism, Dom Prosper Guéranger, speculated why God would grant so many favors to those who invoke his help through St. Benedict’s medal. In an age when “rationalism is so rife,” God has deigned to offer help to those “who put their confidence in the sacred signs marked on the medal” with “strong and simple” faith (Guéranger, “The Medal or Cross of St. Benedict,” author’s preface). It’s as if to laugh at the devil and his plans to pull people away from God through the alleged sophistication of the modern world, overcoming them with simple signs pointing us to the cross and the protection of a holy monk.Of course, the medal should not be used in a superstitious way. It expresses our faith and confidence in God, which conquers the power of the enemy through the blood of Christ. Within God’s plan of salvation, there are certain key defenders of God’s people. St. Benedict proved himself as one over his own monks in spiritual combat. Through the efficacy of his medal, he has manifested himself as a fatherly defender of all who invoke his help.Throughout history, the monastic life has served as a constant beacon calling us to greater conversion of life and prayer. Turning to St. Benedict can lead us to embrace some of his spiritual principles, such as humility, obedience, stability, hospitality, the prayerful reading of Scripture in “lectio divina,” and viewing our work as a means of honoring God.While St. Benedict faced trials in his life as a monk, we all face trials and attacks from the enemy in the Christian life. Sacramentals can help us in our journey of faith, including our efforts to keep evil far away.St. Benedict medals and rosaries with the medal affixed can be purchased at religious gift stores and can be blessed after purchase. Medals are also available at EWTN’s Religious Catalogue site.This story was first published by the National Catholic Register, the sister partner of EWTN News, and has been adapted by EWTN News.

St. Benedict, whose feast the Catholic Church celebrates on July 11, endured constant attacks from the enemy throughout his life.

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‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News.
 
 Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir
 
 Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople.
 
 The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music
 
 “Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.”
 
 The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia
 
 Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed.
 
 The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia
 
 “Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said.
 
 Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo
 
 “AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.”
 
 Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music
 
 In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”

‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News. Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople. The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music “Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.” The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed. The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia “Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said. Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo “AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.” Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”

As AI encroaches on sacred music, Catholics still hold true to Gregorian chant, a historical form of sacred music that is still alive today.

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