Mystery

Killer, rapist of girl in Catholic church identified more than 60 years later #Catholic Authorities say the killer of 9-year-old Carol Ann Dougherty, raped and murdered in a Pennsylvania Catholic church 63 years ago, was identified in October 2025 as William Schrader, who died in 2002. / Credit: Courtesy of Buck's County District Attorney's Office CNA Staff, Oct 31, 2025 / 15:48 pm (CNA). Authorities announced this week that the killer of 9-year-old Carol Ann Dougherty, raped and murdered in a Pennsylvania Catholic church 63 years ago, has finally been identified as William Schrader, who died in 2002.The Bucks County Investigation Grand Jury found that Schrader is “definitively linked” to the murder “through the combination of decades-old evidence” and a recent breakthrough in the case, the district attorney’s office said in a statement.The breakthrough came last year when Pennsylvania State Police interviewed Schrader’s stepson, Robert Leblanc, in November 2024, who said Schrader “confessed to him on two separate occasions that he murdered a little girl in a Pennsylvania church.”Schrader allegedly told his stepson he lured Carol Ann inside the church, raped her and “had to kill the girl in Bristol to keep her from talking.”“We believe it may be the only rape and murder of a little girl in a church in the United States,” Bucks County D.A. Jennifer Schorn said at a news conference on Oct 29.In 1962, a witness reported seeing Schrader — who lived a block and a half from the church — outside the church around the time of the murder, and police initially questioned him, the D.A.’s office said. Schrader failed a polygraph test and lied to investigators about his alibi, saying he had been at work at the time of the murder. He also provided a pubic hair sample, authorities said. Knowing he was under investigation, Schrader fled Pennsylvania and moved to Florida and then Texas, eventually settling in Louisiana.The pubic hair was tested in 1993, and it showed “significant similarities” to hair found in Carol Ann’s hand, according to the DA. Of samples collected from 176 men over the years, 141 pubic hair samples were tested during the decadeslong investigation, and “all other individuals were eliminated,” officials said.The grand jury’s findings, detailed in a 53-page report approved this week by Judge Raymond McHugh, identified Schrader as an “absolute predator” whose criminal history included assaults with deadly weapons in multiple states.  According to the prosecutor, “Schrader’s life was marked by a pattern of violence and sexual violence, particularly against young, pre-pubescent, and adolescent females.”The grand jury found that Schrader also “sexually abused nearly every female child he lived with or had access to, including his own biological daughter and granddaughters.”He was convicted in 1985 in Louisiana for the death of 12-year-old Catherine Smith after he intentionally set fire to his own house, knowing she and her family were still inside.On Oct. 22, 1962, Carol Ann, an avid reader excited to check out the next book in a mystery series she was reading, was riding her bike to the Bristol Borough Free Library to meet her friends, according to the Bucks County District Attorney’s office. On her way, she had stopped to buy a soda and candy and was last seen alive outside of the doors to St. Mark’s Roman Catholic Church in Bristol, where she was raped and strangled to death. Authorities examine a bicycle after the murder of Carol Ann Dougherty in 1962. Credit: Courtesy of Buck’s County District Attorney’s Office.Her parents began to look for her when she did not return home for dinner. Her father found her body inside the church.Carol Ann’s sister, Kay Dougherty, speaking at Wednesday’s news conference, expressed her gratitude to Vincent Faragali, the Bristol police chief at the time of her sister’s murder, who kept a framed photograph of Carol Ann on his desk throughout his career to remind him of “a promise he made to seek justice for her.”She also thanked Faragali’s nephew, Mike Misanelli, a journalist who in 2024 produced a podcast that brought attention to the case. Doughterty said :“My parents both passed away without knowing on this earth who murdered their daughter. … After so many decades of unknowing, this finding finally brings closure and a truth to a wound that never healed.”“Our family lived without answers,” Dougherty said, crying, “and the uncertainty surrounding Carol’s death became a part of who we were, a shadow that touched every day of our lives.”“Though I know nothing can bring Carol back,” Dougherty said, “we can finally let her rest in peace knowing that her story has been told, her truth revealed, and her memory honored.”
Read More

Killer, rapist of girl in Catholic church identified more than 60 years later #Catholic Authorities say the killer of 9-year-old Carol Ann Dougherty, raped and murdered in a Pennsylvania Catholic church 63 years ago, was identified in October 2025 as William Schrader, who died in 2002. / Credit: Courtesy of Buck's County District Attorney's Office CNA Staff, Oct 31, 2025 / 15:48 pm (CNA). Authorities announced this week that the killer of 9-year-old Carol Ann Dougherty, raped and murdered in a Pennsylvania Catholic church 63 years ago, has finally been identified as William Schrader, who died in 2002.The Bucks County Investigation Grand Jury found that Schrader is “definitively linked” to the murder “through the combination of decades-old evidence” and a recent breakthrough in the case, the district attorney’s office said in a statement.The breakthrough came last year when Pennsylvania State Police interviewed Schrader’s stepson, Robert Leblanc, in November 2024, who said Schrader “confessed to him on two separate occasions that he murdered a little girl in a Pennsylvania church.”Schrader allegedly told his stepson he lured Carol Ann inside the church, raped her and “had to kill the girl in Bristol to keep her from talking.”“We believe it may be the only rape and murder of a little girl in a church in the United States,” Bucks County D.A. Jennifer Schorn said at a news conference on Oct 29.In 1962, a witness reported seeing Schrader — who lived a block and a half from the church — outside the church around the time of the murder, and police initially questioned him, the D.A.’s office said. Schrader failed a polygraph test and lied to investigators about his alibi, saying he had been at work at the time of the murder. He also provided a pubic hair sample, authorities said. Knowing he was under investigation, Schrader fled Pennsylvania and moved to Florida and then Texas, eventually settling in Louisiana.The pubic hair was tested in 1993, and it showed “significant similarities” to hair found in Carol Ann’s hand, according to the DA. Of samples collected from 176 men over the years, 141 pubic hair samples were tested during the decadeslong investigation, and “all other individuals were eliminated,” officials said.The grand jury’s findings, detailed in a 53-page report approved this week by Judge Raymond McHugh, identified Schrader as an “absolute predator” whose criminal history included assaults with deadly weapons in multiple states.  According to the prosecutor, “Schrader’s life was marked by a pattern of violence and sexual violence, particularly against young, pre-pubescent, and adolescent females.”The grand jury found that Schrader also “sexually abused nearly every female child he lived with or had access to, including his own biological daughter and granddaughters.”He was convicted in 1985 in Louisiana for the death of 12-year-old Catherine Smith after he intentionally set fire to his own house, knowing she and her family were still inside.On Oct. 22, 1962, Carol Ann, an avid reader excited to check out the next book in a mystery series she was reading, was riding her bike to the Bristol Borough Free Library to meet her friends, according to the Bucks County District Attorney’s office. On her way, she had stopped to buy a soda and candy and was last seen alive outside of the doors to St. Mark’s Roman Catholic Church in Bristol, where she was raped and strangled to death. Authorities examine a bicycle after the murder of Carol Ann Dougherty in 1962. Credit: Courtesy of Buck’s County District Attorney’s Office.Her parents began to look for her when she did not return home for dinner. Her father found her body inside the church.Carol Ann’s sister, Kay Dougherty, speaking at Wednesday’s news conference, expressed her gratitude to Vincent Faragali, the Bristol police chief at the time of her sister’s murder, who kept a framed photograph of Carol Ann on his desk throughout his career to remind him of “a promise he made to seek justice for her.”She also thanked Faragali’s nephew, Mike Misanelli, a journalist who in 2024 produced a podcast that brought attention to the case. Doughterty said :“My parents both passed away without knowing on this earth who murdered their daughter. … After so many decades of unknowing, this finding finally brings closure and a truth to a wound that never healed.”“Our family lived without answers,” Dougherty said, crying, “and the uncertainty surrounding Carol’s death became a part of who we were, a shadow that touched every day of our lives.”“Though I know nothing can bring Carol back,” Dougherty said, “we can finally let her rest in peace knowing that her story has been told, her truth revealed, and her memory honored.”

unitedyam

Authorities say the killer of 9-year-old Carol Ann Dougherty, raped and murdered in a Pennsylvania Catholic church 63 years ago, was identified in October 2025 as William Schrader, who died in 2002. / Credit: Courtesy of Buck's County District Attorney's Office

CNA Staff, Oct 31, 2025 / 15:48 pm (CNA).

Authorities announced this week that the killer of 9-year-old Carol Ann Dougherty, raped and murdered in a Pennsylvania Catholic church 63 years ago, has finally been identified as William Schrader, who died in 2002.

The Bucks County Investigation Grand Jury found that Schrader is “definitively linked” to the murder “through the combination of decades-old evidence” and a recent breakthrough in the case, the district attorney’s office said in a statement.

The breakthrough came last year when Pennsylvania State Police interviewed Schrader’s stepson, Robert Leblanc, in November 2024, who said Schrader “confessed to him on two separate occasions that he murdered a little girl in a Pennsylvania church.”

Schrader allegedly told his stepson he lured Carol Ann inside the church, raped her and “had to kill the girl in Bristol to keep her from talking.”

“We believe it may be the only rape and murder of a little girl in a church in the United States,” Bucks County D.A. Jennifer Schorn said at a news conference on Oct 29.

In 1962, a witness reported seeing Schrader — who lived a block and a half from the church — outside the church around the time of the murder, and police initially questioned him, the D.A.’s office said. 

Schrader failed a polygraph test and lied to investigators about his alibi, saying he had been at work at the time of the murder. He also provided a pubic hair sample, authorities said. 

Knowing he was under investigation, Schrader fled Pennsylvania and moved to Florida and then Texas, eventually settling in Louisiana.

The pubic hair was tested in 1993, and it showed “significant similarities” to hair found in Carol Ann’s hand, according to the DA. Of samples collected from 176 men over the years, 141 pubic hair samples were tested during the decadeslong investigation, and “all other individuals were eliminated,” officials said.

The grand jury’s findings, detailed in a 53-page report approved this week by Judge Raymond McHugh, identified Schrader as an “absolute predator” whose criminal history included assaults with deadly weapons in multiple states.  

According to the prosecutor, “Schrader’s life was marked by a pattern of violence and sexual violence, particularly against young, pre-pubescent, and adolescent females.”

The grand jury found that Schrader also “sexually abused nearly every female child he lived with or had access to, including his own biological daughter and granddaughters.”

He was convicted in 1985 in Louisiana for the death of 12-year-old Catherine Smith after he intentionally set fire to his own house, knowing she and her family were still inside.

On Oct. 22, 1962, Carol Ann, an avid reader excited to check out the next book in a mystery series she was reading, was riding her bike to the Bristol Borough Free Library to meet her friends, according to the Bucks County District Attorney’s office. 

On her way, she had stopped to buy a soda and candy and was last seen alive outside of the doors to St. Mark’s Roman Catholic Church in Bristol, where she was raped and strangled to death. 

Authorities examine a bicycle after the murder of Carol Ann Dougherty in 1962. Credit: Courtesy of Buck's County District Attorney's Office.
Authorities examine a bicycle after the murder of Carol Ann Dougherty in 1962. Credit: Courtesy of Buck’s County District Attorney’s Office.

Her parents began to look for her when she did not return home for dinner. Her father found her body inside the church.

Carol Ann’s sister, Kay Dougherty, speaking at Wednesday’s news conference, expressed her gratitude to Vincent Faragali, the Bristol police chief at the time of her sister’s murder, who kept a framed photograph of Carol Ann on his desk throughout his career to remind him of “a promise he made to seek justice for her.”

She also thanked Faragali’s nephew, Mike Misanelli, a journalist who in 2024 produced a podcast that brought attention to the case. 

Doughterty said :“My parents both passed away without knowing on this earth who murdered their daughter. … After so many decades of unknowing, this finding finally brings closure and a truth to a wound that never healed.”

“Our family lived without answers,” Dougherty said, crying, “and the uncertainty surrounding Carol’s death became a part of who we were, a shadow that touched every day of our lives.”

“Though I know nothing can bring Carol back,” Dougherty said, “we can finally let her rest in peace knowing that her story has been told, her truth revealed, and her memory honored.”

Read More
Catholic music debate: Should certain hymns be banned? #Catholic Scene from the 2024 National Eucharistic Congress in Indianapolis, Indiana. / Credit: EWTN News in Depth/Screenshot Washington, D.C. Newsroom, Oct 18, 2025 / 12:00 pm (CNA). Several hymns were temporarily banned last year in the Diocese of Jefferson City, Missouri after being found “to be insufficient in sound doctrine,” with the action raising questions about what music is allowed at the Holy Mass.In a special report for the Oct. 17, 2025 edition of “EWTN News In Depth,” correspondent Mark Irons explored the subject. Archbishop Shawn McKnight, who implemented the brief ban, told Irons: “I would hope everybody else learns from my mistake.”McKnight, who was the bishop of Jefferson City at the time, now serves as the archbishop of Kansas City. The controversial ban in question encompassed 12 songs in total, including the popular hymns “I am the Bread of Life” and “All Are Welcome.” McKnight said the decree was implemented too quickly and without enough discussion among Catholics in the diocese. Currently, no particular hymns are excluded in the Diocese of Jefferson City, but parishes are required to evaluate Mass music using guidelines that were provided for archdioceses and dioceses across the nation by the U.S. Conference of Catholic Bishops (USCCB).The USCCB’s 2020 “Catholic Hymnody at the Service of the Church: An Aid for Evaluating Hymn Lyrics” was created to make sure Mass hymns are in conformity with Catholic doctrine. The bishops list a number of specific concerns regarding hymns, including ones with “deficiencies in the presentation of Eucharistic doctrine,” those “with a view of the Church that sees Her as essentially a human construction,” or songs with “an inadequate sense of a distinctively Christian anthropology.”Kevin Callahan, who serves as the music director at Sacred Heart Parish in Glyndon, Maryland, told Irons: “We believe…the body and blood, soul and divinity of Christ is here at the Mass, in the Eucharist. The songs, of course, should reflect that.” Callhan explained that he understands why the bishops would create the aid. The bishops “want the right thing to be said in Church, they don’t want the wrong idea to get tossed around.” Callahan said he does believe there are certain hymns that could be misleading. The ‘pride of place” of Gregorian chantOver time, Callahan said, Gregorian chant has earned pride of place within the liturgy of the Mass.This was reflected in the Second Vatican Council document Sacrosanctum Concilium, which explains: “The Church acknowledges Gregorian chant as specially suited to the Roman liturgy.” Sara Pecknold, a professor of liturgical music at Christendom College, noted that “Gregorian chant, beyond a shadow of a doubt, was developed with and for the liturgy.” “The Second Vatican council teaches us that the more closely tied the music is to the liturgical action…the more sacred it is,” she pointed out.RecommendationsIf Gregorian chant is unfamiliar to a parish, Pecknold recommends small steps that could be taken. She said: “I would first start with the very simplest chant melodies, for the ordinaries of the Mass.”Beyond Gregorian chant, the Second Vatican Council decided that the Church approves “of all forms of true art having the needed qualities, and admits them into divine worship.” Pecknold explained: “Liturgical music should glorify God and it should sanctify and edify all of us who are present at this great sacrifice.”Welcoming a diversity of stylesDave Moore, the music director at the 2024 U.S. National Eucharistic Congress, was in charge of bringing together a wide variety of Catholic musicians from across the country for the event.Moore said the musical goal of the Congress was to create a unity rooted in Christ, through different styles of music.”I don’t know how you find unity without diversity,” Moore said. “There’s a lot of people who do things differently than we’re used to, but what we’re looking for is the heart, like are you pursuing the heart of God?”Archbishop McKnight also noted the need for variety. “Catholicity means there’s a universality to who we are, that we’re not of just one kind or one culture, but there’s a diversity of charisms and a diversity of styles,” he said. “The fact that there are different ways of entering into the mystery of Christ, actually increases the unity we have, otherwise we’re just a church of some, and not the Church of all.”Music is “often associated with memories and emotions, too,” he said. “That’s a part of our celebration of the Eucharist. It’s not just a thing of the mind. It’s not just a doctrinal assent. It’s also a movement of the heart and ultimately it’s active prayer.”“Hymns that are liked by the people are a good choice, but it’s also important that they convey the Catholic faith,” McKnight said. “It’s about discernment of the will of God and what the Holy Spirit wants.”
Read More

Catholic music debate: Should certain hymns be banned? #Catholic Scene from the 2024 National Eucharistic Congress in Indianapolis, Indiana. / Credit: EWTN News in Depth/Screenshot Washington, D.C. Newsroom, Oct 18, 2025 / 12:00 pm (CNA). Several hymns were temporarily banned last year in the Diocese of Jefferson City, Missouri after being found “to be insufficient in sound doctrine,” with the action raising questions about what music is allowed at the Holy Mass.In a special report for the Oct. 17, 2025 edition of “EWTN News In Depth,” correspondent Mark Irons explored the subject. Archbishop Shawn McKnight, who implemented the brief ban, told Irons: “I would hope everybody else learns from my mistake.”McKnight, who was the bishop of Jefferson City at the time, now serves as the archbishop of Kansas City. The controversial ban in question encompassed 12 songs in total, including the popular hymns “I am the Bread of Life” and “All Are Welcome.” McKnight said the decree was implemented too quickly and without enough discussion among Catholics in the diocese. Currently, no particular hymns are excluded in the Diocese of Jefferson City, but parishes are required to evaluate Mass music using guidelines that were provided for archdioceses and dioceses across the nation by the U.S. Conference of Catholic Bishops (USCCB).The USCCB’s 2020 “Catholic Hymnody at the Service of the Church: An Aid for Evaluating Hymn Lyrics” was created to make sure Mass hymns are in conformity with Catholic doctrine. The bishops list a number of specific concerns regarding hymns, including ones with “deficiencies in the presentation of Eucharistic doctrine,” those “with a view of the Church that sees Her as essentially a human construction,” or songs with “an inadequate sense of a distinctively Christian anthropology.”Kevin Callahan, who serves as the music director at Sacred Heart Parish in Glyndon, Maryland, told Irons: “We believe…the body and blood, soul and divinity of Christ is here at the Mass, in the Eucharist. The songs, of course, should reflect that.” Callhan explained that he understands why the bishops would create the aid. The bishops “want the right thing to be said in Church, they don’t want the wrong idea to get tossed around.” Callahan said he does believe there are certain hymns that could be misleading. The ‘pride of place” of Gregorian chantOver time, Callahan said, Gregorian chant has earned pride of place within the liturgy of the Mass.This was reflected in the Second Vatican Council document Sacrosanctum Concilium, which explains: “The Church acknowledges Gregorian chant as specially suited to the Roman liturgy.” Sara Pecknold, a professor of liturgical music at Christendom College, noted that “Gregorian chant, beyond a shadow of a doubt, was developed with and for the liturgy.” “The Second Vatican council teaches us that the more closely tied the music is to the liturgical action…the more sacred it is,” she pointed out.RecommendationsIf Gregorian chant is unfamiliar to a parish, Pecknold recommends small steps that could be taken. She said: “I would first start with the very simplest chant melodies, for the ordinaries of the Mass.”Beyond Gregorian chant, the Second Vatican Council decided that the Church approves “of all forms of true art having the needed qualities, and admits them into divine worship.” Pecknold explained: “Liturgical music should glorify God and it should sanctify and edify all of us who are present at this great sacrifice.”Welcoming a diversity of stylesDave Moore, the music director at the 2024 U.S. National Eucharistic Congress, was in charge of bringing together a wide variety of Catholic musicians from across the country for the event.Moore said the musical goal of the Congress was to create a unity rooted in Christ, through different styles of music.”I don’t know how you find unity without diversity,” Moore said. “There’s a lot of people who do things differently than we’re used to, but what we’re looking for is the heart, like are you pursuing the heart of God?”Archbishop McKnight also noted the need for variety. “Catholicity means there’s a universality to who we are, that we’re not of just one kind or one culture, but there’s a diversity of charisms and a diversity of styles,” he said. “The fact that there are different ways of entering into the mystery of Christ, actually increases the unity we have, otherwise we’re just a church of some, and not the Church of all.”Music is “often associated with memories and emotions, too,” he said. “That’s a part of our celebration of the Eucharist. It’s not just a thing of the mind. It’s not just a doctrinal assent. It’s also a movement of the heart and ultimately it’s active prayer.”“Hymns that are liked by the people are a good choice, but it’s also important that they convey the Catholic faith,” McKnight said. “It’s about discernment of the will of God and what the Holy Spirit wants.”

unitedyam

Scene from the 2024 National Eucharistic Congress in Indianapolis, Indiana. / Credit: EWTN News in Depth/Screenshot

Washington, D.C. Newsroom, Oct 18, 2025 / 12:00 pm (CNA).

Several hymns were temporarily banned last year in the Diocese of Jefferson City, Missouri after being found “to be insufficient in sound doctrine,” with the action raising questions about what music is allowed at the Holy Mass.

In a special report for the Oct. 17, 2025 edition of “EWTN News In Depth,” correspondent Mark Irons explored the subject. Archbishop Shawn McKnight, who implemented the brief ban, told Irons: “I would hope everybody else learns from my mistake.”

McKnight, who was the bishop of Jefferson City at the time, now serves as the archbishop of Kansas City. The controversial ban in question encompassed 12 songs in total, including the popular hymns “I am the Bread of Life” and “All Are Welcome.”

McKnight said the decree was implemented too quickly and without enough discussion among Catholics in the diocese. 

Currently, no particular hymns are excluded in the Diocese of Jefferson City, but parishes are required to evaluate Mass music using guidelines that were provided for archdioceses and dioceses across the nation by the U.S. Conference of Catholic Bishops (USCCB).

The USCCB’s 2020 “Catholic Hymnody at the Service of the Church: An Aid for Evaluating Hymn Lyrics” was created to make sure Mass hymns are in conformity with Catholic doctrine. The bishops list a number of specific concerns regarding hymns, including ones with “deficiencies in the presentation of Eucharistic doctrine,” those “with a view of the Church that sees Her as essentially a human construction,” or songs with “an inadequate sense of a distinctively Christian anthropology.”

Kevin Callahan, who serves as the music director at Sacred Heart Parish in Glyndon, Maryland, told Irons: “We believe…the body and blood, soul and divinity of Christ is here at the Mass, in the Eucharist. The songs, of course, should reflect that.” 

Callhan explained that he understands why the bishops would create the aid. The bishops “want the right thing to be said in Church, they don’t want the wrong idea to get tossed around.” Callahan said he does believe there are certain hymns that could be misleading. 

The ‘pride of place” of Gregorian chant

Over time, Callahan said, Gregorian chant has earned pride of place within the liturgy of the Mass.

This was reflected in the Second Vatican Council document Sacrosanctum Concilium, which explains: “The Church acknowledges Gregorian chant as specially suited to the Roman liturgy.” 

Sara Pecknold, a professor of liturgical music at Christendom College, noted that “Gregorian chant, beyond a shadow of a doubt, was developed with and for the liturgy.”

“The Second Vatican council teaches us that the more closely tied the music is to the liturgical action…the more sacred it is,” she pointed out.

Recommendations

If Gregorian chant is unfamiliar to a parish, Pecknold recommends small steps that could be taken. She said: “I would first start with the very simplest chant melodies, for the ordinaries of the Mass.”

Beyond Gregorian chant, the Second Vatican Council decided that the Church approves “of all forms of true art having the needed qualities, and admits them into divine worship.”

Pecknold explained: “Liturgical music should glorify God and it should sanctify and edify all of us who are present at this great sacrifice.”

Welcoming a diversity of styles

Dave Moore, the music director at the 2024 U.S. National Eucharistic Congress, was in charge of bringing together a wide variety of Catholic musicians from across the country for the event.

Moore said the musical goal of the Congress was to create a unity rooted in Christ, through different styles of music.

“I don’t know how you find unity without diversity,” Moore said. “There’s a lot of people who do things differently than we’re used to, but what we’re looking for is the heart, like are you pursuing the heart of God?”

Archbishop McKnight also noted the need for variety.

“Catholicity means there’s a universality to who we are, that we’re not of just one kind or one culture, but there’s a diversity of charisms and a diversity of styles,” he said. “The fact that there are different ways of entering into the mystery of Christ, actually increases the unity we have, otherwise we’re just a church of some, and not the Church of all.”

Music is “often associated with memories and emotions, too,” he said. “That’s a part of our celebration of the Eucharist. It’s not just a thing of the mind. It’s not just a doctrinal assent. It’s also a movement of the heart and ultimately it’s active prayer.”

“Hymns that are liked by the people are a good choice, but it’s also important that they convey the Catholic faith,” McKnight said. “It’s about discernment of the will of God and what the Holy Spirit wants.”

Read More
Michael, Gabriel, and Raphael: The 3 great archangels of the Bible
Read More

Michael, Gabriel, and Raphael: The 3 great archangels of the Bible

unitedyam

A stained-glass window in St. Sulpice Church in Fougeres, France, depicts (from left to right) the archangels Michael, Raphael, and Gabriel. / Credit: Tiberiu Stan/Shutterstock

CNA Staff, Sep 29, 2025 / 04:00 am (CNA).

Many Catholics can, at the drop of a hat, recite the prayer to St. Michael the Archangel — the famous petition to that venerable saint to “defend us in battle” and “cast into hell Satan.”

In the culture of the Church, Michael is often accompanied by his two fellow archangels — Sts. Gabriel and Raphael — with the three forming a phalanx of protection, healing, and petition for those who ask for their intercession. The Church celebrates the three archangels with a joint feast day on Sept. 29.

St. Michael the Archangel

St. Michael the Archangel is hailed in the Book of Daniel as “the great prince who has charge of [God’s] people.”

Michael Aquilina, the executive vice president and trustee of the St. Paul Center for Biblical Theology in Steubenville, Ohio, described Michael among angels as “the one most often named — and most often invoked — and most often seen in history-changing apparitions.”

Devotion to Michael, Aquilina told CNA, “has been with the Church from the beginning. And Michael has been with God’s people since before the beginning of the Church.”

Michael’s history in the Bible is depicted through Daniel, in Jude (in which he battles Satan for possession of Moses’ body), and in Revelation as he “wag[es] war with the dragon” alongside his fellow angels. 

Michael, Aquilina said, was “a supremely important character who was there from the beginning of the story.” Rabbinic tradition holds that Michael was at the center of many of the great biblical dramas even if not explicitly mentioned. 

He was an early subject of veneration in the Church, though Aquilina noted that the Reformation led to a steep decline in devotion to the angels — until the end of the 19th century, when Michael began an “amazing comeback journey” in the life of the Church. 

Following a vision of Satan “running riot” on the planet, “Pope Leo composed three prayers to St. Michael, ranging from short to long,” Aquilina said. “The brief one, he commanded, should be prayed at the end of every Mass.” 

This was a regular feature of the Mass until the Vatican II era, after which it came to an end — though Pope John Paul II in 1994 urged Catholics to make the prayer a regular part of their lives.

“St. Michael is there for us in the day of battle, which is every day,” Aquilina said.

The St. Michael Prayer: St. Michael the Archangel, defend us in battle. Be our protection against the wickedness and snares of the devil / May God rebuke him, we humbly pray / And do thou, O Prince of the Heavenly Host, by the divine power of God, cast into hell Satan and all the evil spirits who prowl about the world seeking the ruin of souls. Amen.

St. Gabriel the Archangel

Gabriel appears regularly in Scripture as a messenger of God’s word, both in the Old and New Testaments. Daniel identifies Gabriel as a “man” who came “to give [him] insight and understanding,” relaying prophetic answers to Daniel’s entreaties to God. 

In the New Testament, Luke relays Gabriel’s appearances to both Zechariah and the Virgin Mary. At the former, he informs the priest that his wife, Elizabeth, will soon conceive a child; at the latter he informs Mary herself that she will do the same. The two children in question, of course, were respectively John the Baptist and Jesus Christ. 

Christian tradition further associates Gabriel with the apostle Paul’s reference in his First Letter to the Thessalonians to the “archangel’s call” and “the sound of the trumpet of God.”

“Judgment will begin with the archangel’s call and the sound of the horn,” Aquilina told CNA. “Thus we hear often of Gabriel’s trumpet.”

Media workers in particular have “good professional reasons to go to Gabriel,” Aquilina said.

“Since he is the Bible’s great communicator — the great teller of good news — he is the natural patron of broadcasters and all those who work in electronic media,” he said. 

“For the same reason, he’s the patron saint of preachers … but also of postal workers, diplomats, and messengers.”

The St. Gabriel Prayer: O Blessed Archangel Gabriel, we beseech thee, do thou intercede for us at the throne of divine mercy in our present necessities, that as thou didst announce to Mary the mystery of the Incarnation, so through thy prayers and patronage in heaven we may obtain the benefits of the same, and sing the praise of God forever in the land of the living. Amen.

St. Raphael the Archangel

Lesser-known among the three great archangels, Raphael’s mission from God “is not obvious to the casual reader” of the Bible, Aquilina said. Yet his story, depicted in the Book of Tobit, is “something unique in the whole Bible.” In other depictions of angels, they come to Earth only briefly, to deliver a message or to help God’s favored people in some way. 

“Raphael is different,” Aquilina said. “He stays around for the whole story, and by the end he’s become something more than an angel … he’s become a friend.”

In Tobit, Raphael accompanies Tobias, the son of the book’s namesake, as he travels to retrieve money left by his father in another town, helping him along the way and arranging for his marriage to Sarah. 

The biblical account “has in every generation provided insight and consolation to the devout,” Aquilina said. 

Notably, Raphael deftly uses the natural world to work God’s miracles: “What we would ordinarily call catastrophes — blindness, multiple widowhood, destitution, estrangement — all these become providential channels of grace by the time the threads of the story are all wound up in the end.”

“Raphael is patron of many kinds of people,” Aquilina said. “Of course, he’s the patron of singles in search of a mate — and those in search of a friend. He is the patron of pharmacists because he provided the salve of healing. He is a patron for anyone in search of a cure.” 

He is also the patron saint of blind people, travelers, sick people, and youth. 

“Raphael’s story,” Aquilina said, “remains a model for those who would enjoy the friendship of the angels.”

Prayer to St. Raphael: St. Raphael, of the glorious seven who stand before the throne of him who lives and reigns, angel of health, the Lord has filled your hand with balm from heaven to soothe or cure our pains. Heal or cure the victim of disease. And guide our steps when doubtful of our ways. Amen.

This story was first published on Sept. 29, 2023, and has been updated.

Read More
#Mystery Readers will be enthralled by this book!
Read More

#Mystery Readers will be enthralled by this book!

unitedyam

Mystery Readers will be enthralled by this book!

L. D. C. Fitzgerald, renowned author of two nonfiction books about Kennedy, brings you ‘Saving Jackie K’, a science fiction odyssey with a time-travel twist on one of the most significant conspiracy theories of modern times. This gripping tale blends fact and fiction to unravel the greatest mystery of the 20th century. ‘Saving Jackie K’ offers a thrilling, intellectual journey and is the most provocative science fiction thriller you’ll ever read.

Read More