Praise

Thousands of young French Catholics converge on soccer stadium for prayer with Pope Leo #Catholic SAINT-DENIS, France — At least 80,000 young Catholics flocked to France’s national soccer stadium north of Paris on Friday night to pray with Pope Leo XIV and to hear his message for the Church.Whether they were lifting their arms in praise-and-worship or silently venerating the relics of saints and the Holy Tunic of Christ, the entire Stade de France was united in prayer before Leo’s arrival and throughout an hour and a half-long program.People from working-class suburbs stood alongside families from the more traditional Catholic milieu associated with the city of Versailles. In the lines outside the stadium, Breton and Vendéan flags — from regions with strong Catholic histories — stood alongside groups with a more popular, charismatic style.One young woman, 29-year-old Romance Bono, wiped tears from her eyes as the pope entered the stadium to deafening cheers.“It brought tears to my eyes because it’s such an emotional moment,” she told EWTN News. “Seeing all these young people cheering for the pope like a rock star, that is the strength of the Church, and it is the future of the Church here. It was very moving.” Young people greet Pope Leo XIV at a prayer vigil at Stade de France on Sept. 25, 2026 in Saint-Denis, France. | Credit: Vatican Media Soon after Pope Leoʼs arrival at the stadium, hundreds of young French Catholics staged an artistic performance depicting French saints and the history of the Church in France, including the use of live horses, and culminating in fireworks launched above the stadium.One 28-year-old volunteer, Jacques-Henri de Livron, told EWTN News that as soon as he heard the pope was coming to France, he decided to take a day off work to see him. He was so afraid of missing the events that he volunteered to make sure he could be in attendance. De Livron grew up in a Catholic environment, but returned to the faith in his twenties after painful deaths among his siblings and close friends. Those experiences, he said, made him recognize its value anew.“Christianity is really the religion of the human person,” he said. “In this age of narcissism, it helps us get out of ourselves, turn toward others and care about them instead of thinking only about ourselves. People often call it a religion of the book, or a religion of revelation. But it’s much more than that. It’s the religion of the human person.”De Livron also made a point of sharing his surname, which is unusual in France, where anticlerical culture is widespread and religious people usually ask to be identified in press reports only by their first names in order to avoid trouble at work. “I want to be part of a generation that stops being afraid to testify, that gives its name, and isn’t afraid of anything,” he said.Pierre-Alain Belaube, 34, described the effort to arrive hours early after a long day at work, and to fight the crowds to enter into the packed stadium, as “200% worth it. It’s a privilege to be here.”Belaube described himself as a formerly lukewarm Catholic, whose life was transformed when he read the autobiography of St. Ignatius of Loyola.“I have the hope that many more young people will open their hearts to God and let him change their life,” he said. “I think that such an event can be, for many, the first milestone of a life-changing experience. I hope we will inspire many more young people to get to know Jesus.”Thibault, a religious brother who preferred not to give his last name because he did not have permission from his superiors to speak with reporters, accompanied 400 members from the youth movement of his religious community, the Missionaries of Divine Mercy, to the event.He told EWTN News that it is very moving to be surrounded by young people “wanting to say, ‘Here I am, I’m Catholic and I’m proud to show it.’”The young religious, who is also studying for the priesthood, said he hopes Leo’s visit to France “will contribute to the missionary awakening that needs to happen in France.”While the primarily secular country is seeing a surprising surge in baptisms, he said he thinks “Catholics still find it difficult to go out and meet people, to be missionaries in their daily lives.”“I think this could become a significant moment in the life of the Church in France.”In his message during the prayer, which included religious hymns and a Litany of Saints, Leo invited young people to shun evil and strive for good.“God is the Lord of history, and no matter what happens, he guides its course toward salvation. In Christ, every evil comes to an end, precisely because that end becomes the beginning of a new and eternal life,” he said.“The work well done, the work that is good, is the redemption that Jesus accomplishes for us,” Leo said. “Through his struggle against sin and death, Christ’s victory sets us free. He saves us from all evil and invites us to all that is good.”The pontiff also answered the questions of two young French people as part of the evening’s program.Chloé, 25, talked about her involvement in her parish and in a group of young Catholics “eager to live out and share their faith with others.” But she lamented that society “is founded on different principles” and sometimes has “no regard for the question of God.”Pope Leo responded that, “It is true, as you say, that the society in which we live seems indifferent to God. But the Lord is not indifferent to us! This is what matters, and what always gives us hope.”Chloé, who is from Saint-Denis, described the vitality of Catholic life there. Saint-Denis is often described as a quartier sensible (“a vulnerable neighborhood”). Her testimony echoed what EWTN News heard from local Catholics in the crowd, including people from immigrant backgrounds, about the life of the Church in their neighborhoods that have a strong Muslim presence.A young man from Burgundy, named François, also addressed the pope and asked him how young people can discern how the Lord is calling them to serve.Leo’s advice to young people was to keep their hearts open to the suffering of their peers, to follow Jesus, and to draw inspiration from the examples of the saints.“Even in the face of persecution, these brothers and sisters of ours opened paths of peace. Look to those priests who were passionate about Christ, such as St. Eugene de Mazenod and St. John Mary Vianney. Look to the mystical beauty of St. Thérèse of the Child Jesus; the fervor in charity and mission of Blessed Pauline Jaricot; and the courage of the 50 martyrs of the apostolate who served their brothers and sisters even to the point of sacrificing their own lives during the Second World War,” he said.“These saints changed the course of history by leading many people from hardship to hope, since they first changed their own hearts, transforming them in the light of faith.”The youth vigil was the pope’s last event on a packed first day in France. The Sept. 25-28 journey will also take him to Lourdes and Metz.
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Thousands of young French Catholics converge on soccer stadium for prayer with Pope Leo #Catholic SAINT-DENIS, France — At least 80,000 young Catholics flocked to France’s national soccer stadium north of Paris on Friday night to pray with Pope Leo XIV and to hear his message for the Church.Whether they were lifting their arms in praise-and-worship or silently venerating the relics of saints and the Holy Tunic of Christ, the entire Stade de France was united in prayer before Leo’s arrival and throughout an hour and a half-long program.People from working-class suburbs stood alongside families from the more traditional Catholic milieu associated with the city of Versailles. In the lines outside the stadium, Breton and Vendéan flags — from regions with strong Catholic histories — stood alongside groups with a more popular, charismatic style.One young woman, 29-year-old Romance Bono, wiped tears from her eyes as the pope entered the stadium to deafening cheers.“It brought tears to my eyes because it’s such an emotional moment,” she told EWTN News. “Seeing all these young people cheering for the pope like a rock star, that is the strength of the Church, and it is the future of the Church here. It was very moving.” Young people greet Pope Leo XIV at a prayer vigil at Stade de France on Sept. 25, 2026 in Saint-Denis, France. | Credit: Vatican Media Soon after Pope Leoʼs arrival at the stadium, hundreds of young French Catholics staged an artistic performance depicting French saints and the history of the Church in France, including the use of live horses, and culminating in fireworks launched above the stadium.One 28-year-old volunteer, Jacques-Henri de Livron, told EWTN News that as soon as he heard the pope was coming to France, he decided to take a day off work to see him. He was so afraid of missing the events that he volunteered to make sure he could be in attendance. De Livron grew up in a Catholic environment, but returned to the faith in his twenties after painful deaths among his siblings and close friends. Those experiences, he said, made him recognize its value anew.“Christianity is really the religion of the human person,” he said. “In this age of narcissism, it helps us get out of ourselves, turn toward others and care about them instead of thinking only about ourselves. People often call it a religion of the book, or a religion of revelation. But it’s much more than that. It’s the religion of the human person.”De Livron also made a point of sharing his surname, which is unusual in France, where anticlerical culture is widespread and religious people usually ask to be identified in press reports only by their first names in order to avoid trouble at work. “I want to be part of a generation that stops being afraid to testify, that gives its name, and isn’t afraid of anything,” he said.Pierre-Alain Belaube, 34, described the effort to arrive hours early after a long day at work, and to fight the crowds to enter into the packed stadium, as “200% worth it. It’s a privilege to be here.”Belaube described himself as a formerly lukewarm Catholic, whose life was transformed when he read the autobiography of St. Ignatius of Loyola.“I have the hope that many more young people will open their hearts to God and let him change their life,” he said. “I think that such an event can be, for many, the first milestone of a life-changing experience. I hope we will inspire many more young people to get to know Jesus.”Thibault, a religious brother who preferred not to give his last name because he did not have permission from his superiors to speak with reporters, accompanied 400 members from the youth movement of his religious community, the Missionaries of Divine Mercy, to the event.He told EWTN News that it is very moving to be surrounded by young people “wanting to say, ‘Here I am, I’m Catholic and I’m proud to show it.’”The young religious, who is also studying for the priesthood, said he hopes Leo’s visit to France “will contribute to the missionary awakening that needs to happen in France.”While the primarily secular country is seeing a surprising surge in baptisms, he said he thinks “Catholics still find it difficult to go out and meet people, to be missionaries in their daily lives.”“I think this could become a significant moment in the life of the Church in France.”In his message during the prayer, which included religious hymns and a Litany of Saints, Leo invited young people to shun evil and strive for good.“God is the Lord of history, and no matter what happens, he guides its course toward salvation. In Christ, every evil comes to an end, precisely because that end becomes the beginning of a new and eternal life,” he said.“The work well done, the work that is good, is the redemption that Jesus accomplishes for us,” Leo said. “Through his struggle against sin and death, Christ’s victory sets us free. He saves us from all evil and invites us to all that is good.”The pontiff also answered the questions of two young French people as part of the evening’s program.Chloé, 25, talked about her involvement in her parish and in a group of young Catholics “eager to live out and share their faith with others.” But she lamented that society “is founded on different principles” and sometimes has “no regard for the question of God.”Pope Leo responded that, “It is true, as you say, that the society in which we live seems indifferent to God. But the Lord is not indifferent to us! This is what matters, and what always gives us hope.”Chloé, who is from Saint-Denis, described the vitality of Catholic life there. Saint-Denis is often described as a quartier sensible (“a vulnerable neighborhood”). Her testimony echoed what EWTN News heard from local Catholics in the crowd, including people from immigrant backgrounds, about the life of the Church in their neighborhoods that have a strong Muslim presence.A young man from Burgundy, named François, also addressed the pope and asked him how young people can discern how the Lord is calling them to serve.Leo’s advice to young people was to keep their hearts open to the suffering of their peers, to follow Jesus, and to draw inspiration from the examples of the saints.“Even in the face of persecution, these brothers and sisters of ours opened paths of peace. Look to those priests who were passionate about Christ, such as St. Eugene de Mazenod and St. John Mary Vianney. Look to the mystical beauty of St. Thérèse of the Child Jesus; the fervor in charity and mission of Blessed Pauline Jaricot; and the courage of the 50 martyrs of the apostolate who served their brothers and sisters even to the point of sacrificing their own lives during the Second World War,” he said.“These saints changed the course of history by leading many people from hardship to hope, since they first changed their own hearts, transforming them in the light of faith.”The youth vigil was the pope’s last event on a packed first day in France. The Sept. 25-28 journey will also take him to Lourdes and Metz.

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France’s Catholic culture and the energy of the country’s young people stole the show at a prayer vigil at the national stadium in Saint-Denis, France.

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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”
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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”

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Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.”

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