providence

The enduring appeal of St. Thérèse of Lisieux, one of France’s most beloved saints #Catholic During the First World War, before being proclaimed a saint, devotion to St. Thérèse of Lisieux became particularly widespread in France. Soldiers carried medals and images of her, and many French Catholics saw her as a spiritual companion and intercessor.The Carmelite nun, patron saint of missions, and the youngest doctor of the Church died at the age of 24 and was canonized in 1925 by Pope Pius XI. She was declared the second patron saint of France in 1944, during the Battle of Normandy, by Pope Pius XII.The town of Lisieux, a 90-minute train ride from Paris, is where Thérèse spent her entire religious life. It is the second most visited pilgrimage destination in France, after Lourdes, with over 2 million pilgrims every year.Last year, in Pope Leo XIV’s message on the occasion of the 10th anniversary of the canonization of St. Thérèse’s parents, Louis and Zélie Martin, he called the faithful to “put Jesus at the centre of your families, your activities, and your choices. Help your children discover His boundless love and tenderness, and strive to make them love Him in return as He deserves: this is the great lesson that Louis and Zélie teach us today, and which the Church and the world so urgently need. How could Thérèse have loved Jesus and Mary so much — and then passed on such a beautiful doctrine to us — if she had not learned it from her saintly parents from an early age?”Thérèse lost her mother when she was just 4 years old and endured periods of illness and intense emotional sensitivity as a child. At 14, however, she experienced a moment of spiritual transformation where she received a special grace from God. In France, young children left their shoes by the hearth at Christmas, and parents would fill them with gifts. But her sister Celine didnʼt want Thérèse to grow up, so they continued to place gifts in “baby” Thérèseʼs shoes. As she and Celine climbed the stairs to take off their hats their fatherʼs voice rose from the parlor below. Standing over the shoes, he said: “Thank goodness thatʼs the last time we shall have this kind of thing!” Thérèse froze, and her sister looked at her helplessly, knowing that in a few minutes she would be in tears over what their father had said. But the tantrum never came. A special grace came over Thérèse as Jesus had done what she could not do herself. She swallowed her tears, walked slowly down the stairs, and went over the gifts in the shoes, as if she had never heard a word her father said. In her autobiography, “Story of Soul,” she referred to that Christmas as her “conversion.”From childish to childlikeIn his book “The Way of Trust and Love,” French priest Jacques Philippe explores St. Thérèse of Lisieuxʼs “Little Way” to holiness. He recalls that “through seemingly insignificant events, God can heal us deeply. Sometimes we feel a call from the Lord to step outside ourselves, to take a step forward, to become more mature, more free. There are times in life when we dwell on our immaturity, our complaints, our laments, our dependencies, and then suddenly one day we are given grace, a gift from God, but one that also calls upon our freedom. There is a choice to be made; it is both healing and conversion: freedom must choose to perform an act of courage.”He then later proposes: “Let us then ask God this question: What is the ‘yes’ you are asking of me today? What is the small act of courage and trust you are asking me to do today?”For St. Thérèse, it was about overcoming her emotional sensitivity. For others, it might be learning to control their tongue, be more optimistic, or manage their temper.A ‘Little Way’ for everyoneFrom the very beginning of her life, Thérèse desired to be a saint; still, when she entered the convent, she also thought how inaccessible and unrealizable it was when she compared herself to others.And here, perhaps, is where we can learn one of her most powerful teachings: never lose courage.She goes on: “Instead of being discouraged, I told myself: God would not make me wish for something impossible and so, in spite of my littleness, I can aim at being a saint. It is impossible for me to grow bigger, so I put up with myself as I am, with all my countless faults. But I will look for some means of going to heaven by a little way which is very short and very straight, a little way that is quite new … It is your arms, Jesus, which are the lift to carry me to heaven, and so there is no need for me to grow up. In fact, just the opposite: I must stay little and become less and less.”But by “little,” Thérèse does not suggest we think of ourselves as of small value; instead, she reminds us of an unchanging truth: We are children of God.As St. John Paul II on his apostolic trip to France in June 1980 recalled: “There is something unique about it, a characteristic of St. Thérèse of Lisieux. In it, one finds both the confirmation and the renewal of the most fundamental and universal truth. What truth in the Gospel message is more fundamental and universal than this: God is our Father, and we are his children?”And like children who trust, even if thrown into the air, in the safety of returning to their parents' arms, we must trust in the providence of our Father, with a deep knowledge of his unlimited and unconditional love for us: “In truth I tell you, unless you change and become like little children you will never enter the kingdom of heaven” (Mt 18:3).A missionary without ever leaving homeProclaimed the patron saint of missionaries for her support of the missions through constant prayer and sacrifice despite being a cloistered nun who never left her convent, she said: “My strength lies in prayer and sacrifice; they are invincible weapons, and touch hearts more surely than words can do, as I have learned by experience.”To many, even in the convent, she seemed like an average, ordinary person. Her greatness showed in the constancy of her love for others in the simplest ways. Perhaps some of the missionary work we are called to do today doesn’t necessarily begin externally but within our hearts. As the saint herself wrote: “A word, a kindly smile, will often suffice to gladden a wounded and sorrowful heart.”Thérèse also found strength in Scripture: “But above all it is the Gospels that occupy me during my prayers; in them I find everything that is necessary for my poor little soul. I constantly discover in them new lights, hidden and mysterious meanings.”Her life was characterized by austerity, far from recognition and noise from the world. She died anonymously in 1897 at the young age of 24, and no more than 30 people attended her funeral.This saint’s life and journal is a legacy for all who want to learn a simple and practical approach toward their relationship with God. Her advice is for everyone: “Miss no single opportunity of making some small sacrifice, here by a smiling look, there by a kindly word; always doing the smallest right and doing it all for love.”
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The enduring appeal of St. Thérèse of Lisieux, one of France’s most beloved saints #Catholic During the First World War, before being proclaimed a saint, devotion to St. Thérèse of Lisieux became particularly widespread in France. Soldiers carried medals and images of her, and many French Catholics saw her as a spiritual companion and intercessor.The Carmelite nun, patron saint of missions, and the youngest doctor of the Church died at the age of 24 and was canonized in 1925 by Pope Pius XI. She was declared the second patron saint of France in 1944, during the Battle of Normandy, by Pope Pius XII.The town of Lisieux, a 90-minute train ride from Paris, is where Thérèse spent her entire religious life. It is the second most visited pilgrimage destination in France, after Lourdes, with over 2 million pilgrims every year.Last year, in Pope Leo XIV’s message on the occasion of the 10th anniversary of the canonization of St. Thérèse’s parents, Louis and Zélie Martin, he called the faithful to “put Jesus at the centre of your families, your activities, and your choices. Help your children discover His boundless love and tenderness, and strive to make them love Him in return as He deserves: this is the great lesson that Louis and Zélie teach us today, and which the Church and the world so urgently need. How could Thérèse have loved Jesus and Mary so much — and then passed on such a beautiful doctrine to us — if she had not learned it from her saintly parents from an early age?”Thérèse lost her mother when she was just 4 years old and endured periods of illness and intense emotional sensitivity as a child. At 14, however, she experienced a moment of spiritual transformation where she received a special grace from God. In France, young children left their shoes by the hearth at Christmas, and parents would fill them with gifts. But her sister Celine didnʼt want Thérèse to grow up, so they continued to place gifts in “baby” Thérèseʼs shoes. As she and Celine climbed the stairs to take off their hats their fatherʼs voice rose from the parlor below. Standing over the shoes, he said: “Thank goodness thatʼs the last time we shall have this kind of thing!” Thérèse froze, and her sister looked at her helplessly, knowing that in a few minutes she would be in tears over what their father had said. But the tantrum never came. A special grace came over Thérèse as Jesus had done what she could not do herself. She swallowed her tears, walked slowly down the stairs, and went over the gifts in the shoes, as if she had never heard a word her father said. In her autobiography, “Story of Soul,” she referred to that Christmas as her “conversion.”From childish to childlikeIn his book “The Way of Trust and Love,” French priest Jacques Philippe explores St. Thérèse of Lisieuxʼs “Little Way” to holiness. He recalls that “through seemingly insignificant events, God can heal us deeply. Sometimes we feel a call from the Lord to step outside ourselves, to take a step forward, to become more mature, more free. There are times in life when we dwell on our immaturity, our complaints, our laments, our dependencies, and then suddenly one day we are given grace, a gift from God, but one that also calls upon our freedom. There is a choice to be made; it is both healing and conversion: freedom must choose to perform an act of courage.”He then later proposes: “Let us then ask God this question: What is the ‘yes’ you are asking of me today? What is the small act of courage and trust you are asking me to do today?”For St. Thérèse, it was about overcoming her emotional sensitivity. For others, it might be learning to control their tongue, be more optimistic, or manage their temper.A ‘Little Way’ for everyoneFrom the very beginning of her life, Thérèse desired to be a saint; still, when she entered the convent, she also thought how inaccessible and unrealizable it was when she compared herself to others.And here, perhaps, is where we can learn one of her most powerful teachings: never lose courage.She goes on: “Instead of being discouraged, I told myself: God would not make me wish for something impossible and so, in spite of my littleness, I can aim at being a saint. It is impossible for me to grow bigger, so I put up with myself as I am, with all my countless faults. But I will look for some means of going to heaven by a little way which is very short and very straight, a little way that is quite new … It is your arms, Jesus, which are the lift to carry me to heaven, and so there is no need for me to grow up. In fact, just the opposite: I must stay little and become less and less.”But by “little,” Thérèse does not suggest we think of ourselves as of small value; instead, she reminds us of an unchanging truth: We are children of God.As St. John Paul II on his apostolic trip to France in June 1980 recalled: “There is something unique about it, a characteristic of St. Thérèse of Lisieux. In it, one finds both the confirmation and the renewal of the most fundamental and universal truth. What truth in the Gospel message is more fundamental and universal than this: God is our Father, and we are his children?”And like children who trust, even if thrown into the air, in the safety of returning to their parents' arms, we must trust in the providence of our Father, with a deep knowledge of his unlimited and unconditional love for us: “In truth I tell you, unless you change and become like little children you will never enter the kingdom of heaven” (Mt 18:3).A missionary without ever leaving homeProclaimed the patron saint of missionaries for her support of the missions through constant prayer and sacrifice despite being a cloistered nun who never left her convent, she said: “My strength lies in prayer and sacrifice; they are invincible weapons, and touch hearts more surely than words can do, as I have learned by experience.”To many, even in the convent, she seemed like an average, ordinary person. Her greatness showed in the constancy of her love for others in the simplest ways. Perhaps some of the missionary work we are called to do today doesn’t necessarily begin externally but within our hearts. As the saint herself wrote: “A word, a kindly smile, will often suffice to gladden a wounded and sorrowful heart.”Thérèse also found strength in Scripture: “But above all it is the Gospels that occupy me during my prayers; in them I find everything that is necessary for my poor little soul. I constantly discover in them new lights, hidden and mysterious meanings.”Her life was characterized by austerity, far from recognition and noise from the world. She died anonymously in 1897 at the young age of 24, and no more than 30 people attended her funeral.This saint’s life and journal is a legacy for all who want to learn a simple and practical approach toward their relationship with God. Her advice is for everyone: “Miss no single opportunity of making some small sacrifice, here by a smiling look, there by a kindly word; always doing the smallest right and doing it all for love.”

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The beloved Carmelite nun, patron saint of the missions, and youngest doctor of the Church is celebrated in the universal Church on Oct. 1.

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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”
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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”

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Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.”

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