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Punk legend Patti Smith, Mexican architect Tatiana Bilbao to represent Vatican at Venice Biennale #Catholic For the fourth consecutive year, the Holy See will have its own pavilion at the 61st International Art Exhibition of La Biennale di Venezia in Italy.The Dicastery for Culture and Education announced the participation of several influential figures in contemporary art and culture — including American singer Patti Smith and Mexican architect Tatiana Bilbao — in the Holy See Pavilion at the 61st International Art Exhibition of the Venice Biennale, which will be held May 9 through Nov. 22.This edition of the Italian cultural event, titled “In Minor Keys,” is a sensory and meditative experience that seeks to reconnect participants with the emotional and affective roles of art in society.In a press release, the Dicastery for Culture and Education announced the 24 artists who will form part of the Holy See’s selection this year, reflecting the eventʼs concept for 2026, which invites visitors to slow down the pace of life and open up spaces for reflection and silence.This edition is marked by the unexpected death in May 2025 in Basel, Switzerland, of its curator, Koyo Kouoh, a Cameroonian-Swiss artist globally recognized as one of the most powerful voices in the promotion of contemporary African art.Patti Smith is popularly known as the “Godmother of Punk.” Her 1975 debut album “Horses” marked a turning point in New York punk by fusing rock and poetry.The prestigious Mexican architect Tatiana Bilbao, internationally renowned for her humanist and social approach to architecture, will also participate in the project. She designed the pavilion for the 2025 Venice Biennale, a project titled “Opera Aperta” (“Open Work”), which received a special mention from the jury.Inspired by a medieval saintInspired by the life and spiritual legacy of St. Hildegard of Bingen, the Holy See’s pavilion as explained by the Vatican is conceived as a space for contemplation and deep listening. Titled “L’orecchio è l’occhio dell’anima” (“The Ear Is the Eye of the Soul”), the pavilion will be hosted across two historic venues in the city: Cannaregio and Castello. St. Hildegard of Bingen. | Credit: Haffitt (CC BY-SA 4.0) It has been curated by Hans Ulrich Obrist and Ben Vickers in collaboration with the Soundwalk Collective and draws upon the life and spiritual legacy of St. Hildegard, a 12th-century Benedictine nun, mystic, composer, and thinker who was proclaimed a saint and doctor of the Church in 2012 by Pope Benedict XVI.The works commissioned from the participating artists are conceived as a “sonic prayer”: an art form that unites music, spoken word, film, and silence, and invites the visitor to an experience of contemplative listening.As explained by the Vatican, the proposal reflects a curatorial vision that conceives of sound as a path to inner knowledge and spiritual experience, reviving a central insight of the thought of Hildegard of Bingen.The project is curated by Cardinal José Tolentino de Mendonça, prefect of the Dicastery for Culture and Education.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
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Punk legend Patti Smith, Mexican architect Tatiana Bilbao to represent Vatican at Venice Biennale #Catholic For the fourth consecutive year, the Holy See will have its own pavilion at the 61st International Art Exhibition of La Biennale di Venezia in Italy.The Dicastery for Culture and Education announced the participation of several influential figures in contemporary art and culture — including American singer Patti Smith and Mexican architect Tatiana Bilbao — in the Holy See Pavilion at the 61st International Art Exhibition of the Venice Biennale, which will be held May 9 through Nov. 22.This edition of the Italian cultural event, titled “In Minor Keys,” is a sensory and meditative experience that seeks to reconnect participants with the emotional and affective roles of art in society.In a press release, the Dicastery for Culture and Education announced the 24 artists who will form part of the Holy See’s selection this year, reflecting the eventʼs concept for 2026, which invites visitors to slow down the pace of life and open up spaces for reflection and silence.This edition is marked by the unexpected death in May 2025 in Basel, Switzerland, of its curator, Koyo Kouoh, a Cameroonian-Swiss artist globally recognized as one of the most powerful voices in the promotion of contemporary African art.Patti Smith is popularly known as the “Godmother of Punk.” Her 1975 debut album “Horses” marked a turning point in New York punk by fusing rock and poetry.The prestigious Mexican architect Tatiana Bilbao, internationally renowned for her humanist and social approach to architecture, will also participate in the project. She designed the pavilion for the 2025 Venice Biennale, a project titled “Opera Aperta” (“Open Work”), which received a special mention from the jury.Inspired by a medieval saintInspired by the life and spiritual legacy of St. Hildegard of Bingen, the Holy See’s pavilion as explained by the Vatican is conceived as a space for contemplation and deep listening. Titled “L’orecchio è l’occhio dell’anima” (“The Ear Is the Eye of the Soul”), the pavilion will be hosted across two historic venues in the city: Cannaregio and Castello. St. Hildegard of Bingen. | Credit: Haffitt (CC BY-SA 4.0) It has been curated by Hans Ulrich Obrist and Ben Vickers in collaboration with the Soundwalk Collective and draws upon the life and spiritual legacy of St. Hildegard, a 12th-century Benedictine nun, mystic, composer, and thinker who was proclaimed a saint and doctor of the Church in 2012 by Pope Benedict XVI.The works commissioned from the participating artists are conceived as a “sonic prayer”: an art form that unites music, spoken word, film, and silence, and invites the visitor to an experience of contemplative listening.As explained by the Vatican, the proposal reflects a curatorial vision that conceives of sound as a path to inner knowledge and spiritual experience, reviving a central insight of the thought of Hildegard of Bingen.The project is curated by Cardinal José Tolentino de Mendonça, prefect of the Dicastery for Culture and Education.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

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The exhibition by the Dicastery for Culture and Education features the work of contemporary artists in various fields, inspired by the life and spiritual legacy of St. Hildegard of Bingen.

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Picture of the day Famous sanctuary of the temple of Ramses II, Abu Simbel, Egypt. The Great Temple at Abu Simbel, which took about twenty years to build, was completed around year 24 of the reign of Ramesses the Great (which corresponds to 1265 BC). It was dedicated to the gods Amun, Ra-Horakhty, and Ptah, as well as to the deified Ramesses himself. It is generally considered the grandest and most beautiful of the temples commissioned during the reign of Ramesses II, and one of the most beautiful in Egypt. In the sanctuary are rock cut sculptures of four seated figures: Ra-Horakhty, the deified king Ramesses, and the gods Amun Ra and Ptah, the main divinities in that period. It is believed that the axis of the temple was positioned by the ancient Egyptian architects in such a way that on October 22 and February 22 (allegedly the king’s birthday and coronation day, respectively), the rays of the sun would penetrate the sanctuary and illuminate the sculptures on the back wall, except for the statue of Ptah, a god connected with the realm of the dead, who always remained in the dark. People gather at Abu Simbel on these days to witness this. #ImageOfTheDay
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Picture of the day Famous sanctuary of the temple of Ramses II, Abu Simbel, Egypt. The Great Temple at Abu Simbel, which took about twenty years to build, was completed around year 24 of the reign of Ramesses the Great (which corresponds to 1265 BC). It was dedicated to the gods Amun, Ra-Horakhty, and Ptah, as well as to the deified Ramesses himself. It is generally considered the grandest and most beautiful of the temples commissioned during the reign of Ramesses II, and one of the most beautiful in Egypt. In the sanctuary are rock cut sculptures of four seated figures: Ra-Horakhty, the deified king Ramesses, and the gods Amun Ra and Ptah, the main divinities in that period. It is believed that the axis of the temple was positioned by the ancient Egyptian architects in such a way that on October 22 and February 22 (allegedly the king’s birthday and coronation day, respectively), the rays of the sun would penetrate the sanctuary and illuminate the sculptures on the back wall, except for the statue of Ptah, a god connected with the realm of the dead, who always remained in the dark. People gather at Abu Simbel on these days to witness this. #ImageOfTheDay

unitedyam
Picture of the day
Famous sanctuary of the temple of Ramses II, Abu Simbel, Egypt. The Great Temple at Abu Simbel, which took about twenty years to build, was completed around year 24 of the reign of Ramesses the Great (which corresponds to 1265 BC). It was dedicated to the gods Amun, Ra-Horakhty, and Ptah, as well as to the deified Ramesses himself. It is generally considered the grandest and most beautiful of the temples commissioned during the reign of Ramesses II, and one of the most beautiful in Egypt. In the sanctuary are rock cut sculptures of four seated figures: Ra-Horakhty, the deified king Ramesses, and the gods Amun Ra and Ptah, the main divinities in that period. It is believed that the axis of the temple was positioned by the ancient Egyptian architects in such a way that on October 22 and February 22 (allegedly the king’s birthday and coronation day, respectively), the rays of the sun would penetrate the sanctuary and illuminate the sculptures on the back wall, except for the statue of Ptah, a god connected with the realm of the dead, who always remained in the dark. People gather at Abu Simbel on these days to witness this.
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Picture of the day Apse of the higher church in the Royal Monastery of San Juan de la Peña, Huesca, Aragon, Spain. It was one of the most important monasteries in Aragon in the Middle Ages. Its two-level church is partially carved in the stone of the great cliff that overhangs the foundation. San Juan de la Peña means “Saint John of the Cliff”. The lower church includes some mozarabic architectural surviving elements, although most of the parts of the monastery (including the impressive cloister, under the great rock) are Romanesque. After the fire of 1675, a new monastery was built. The old monastery (built in 920) was declared a National Monument on 13 July 1889, and the new monastery in 1923. #ImageOfTheDay
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Picture of the day Apse of the higher church in the Royal Monastery of San Juan de la Peña, Huesca, Aragon, Spain. It was one of the most important monasteries in Aragon in the Middle Ages. Its two-level church is partially carved in the stone of the great cliff that overhangs the foundation. San Juan de la Peña means “Saint John of the Cliff”. The lower church includes some mozarabic architectural surviving elements, although most of the parts of the monastery (including the impressive cloister, under the great rock) are Romanesque. After the fire of 1675, a new monastery was built. The old monastery (built in 920) was declared a National Monument on 13 July 1889, and the new monastery in 1923. #ImageOfTheDay

unitedyam
Picture of the day
Apse of the higher church in the Royal Monastery of San Juan de la Peña, Huesca, Aragon, Spain. It was one of the most important monasteries in Aragon in the Middle Ages. Its two-level church is partially carved in the stone of the great cliff that overhangs the foundation. San Juan de la Peña means “Saint John of the Cliff”. The lower church includes some mozarabic architectural surviving elements, although most of the parts of the monastery (including the impressive cloister, under the great rock) are Romanesque. After the fire of 1675, a new monastery was built. The old monastery (built in 920) was declared a National Monument on 13 July 1889, and the new monastery in 1923.
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Picture of the day Fresh water collecting in the valleys between sand dunes in the Lençóis Maranhenses National Park in Brazil. A layer of rock beneath the sand prevents the rain water from dissipating during the rainy season, resulting in a broad expanse of lagoons. #ImageOfTheDay
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Picture of the day Fresh water collecting in the valleys between sand dunes in the Lençóis Maranhenses National Park in Brazil. A layer of rock beneath the sand prevents the rain water from dissipating during the rainy season, resulting in a broad expanse of lagoons. #ImageOfTheDay

unitedyam
Picture of the day
Fresh water collecting in the valleys between sand dunes in the Lençóis Maranhenses National Park in Brazil. A layer of rock beneath the sand prevents the rain water from dissipating during the rainy season, resulting in a broad expanse of lagoons.
Read More