Sacrifice

Catholic music debate: Should certain hymns be banned? #Catholic 
 
 Scene from the 2024 National Eucharistic Congress in Indianapolis, Indiana. / Credit: EWTN News in Depth/Screenshot

Washington, D.C. Newsroom, Oct 18, 2025 / 12:00 pm (CNA).
Several hymns were temporarily banned last year in the Diocese of Jefferson City, Missouri after being found “to be insufficient in sound doctrine,” with the action raising questions about what music is allowed at the Holy Mass.In a special report for the Oct. 17, 2025 edition of “EWTN News In Depth,” correspondent Mark Irons explored the subject. Archbishop Shawn McKnight, who implemented the brief ban, told Irons: “I would hope everybody else learns from my mistake.”McKnight, who was the bishop of Jefferson City at the time, now serves as the archbishop of Kansas City. The controversial ban in question encompassed 12 songs in total, including the popular hymns “I am the Bread of Life” and “All Are Welcome.” McKnight said the decree was implemented too quickly and without enough discussion among Catholics in the diocese. Currently, no particular hymns are excluded in the Diocese of Jefferson City, but parishes are required to evaluate Mass music using guidelines that were provided for archdioceses and dioceses across the nation by the U.S. Conference of Catholic Bishops (USCCB).The USCCB’s 2020 “Catholic Hymnody at the Service of the Church: An Aid for Evaluating Hymn Lyrics” was created to make sure Mass hymns are in conformity with Catholic doctrine. The bishops list a number of specific concerns regarding hymns, including ones with “deficiencies in the presentation of Eucharistic doctrine,” those “with a view of the Church that sees Her as essentially a human construction,” or songs with “an inadequate sense of a distinctively Christian anthropology.”Kevin Callahan, who serves as the music director at Sacred Heart Parish in Glyndon, Maryland, told Irons: “We believe…the body and blood, soul and divinity of Christ is here at the Mass, in the Eucharist. The songs, of course, should reflect that.” Callhan explained that he understands why the bishops would create the aid. The bishops “want the right thing to be said in Church, they don’t want the wrong idea to get tossed around.” Callahan said he does believe there are certain hymns that could be misleading. The ‘pride of place” of Gregorian chantOver time, Callahan said, Gregorian chant has earned pride of place within the liturgy of the Mass.This was reflected in the Second Vatican Council document Sacrosanctum Concilium, which explains: “The Church acknowledges Gregorian chant as specially suited to the Roman liturgy.” Sara Pecknold, a professor of liturgical music at Christendom College, noted that “Gregorian chant, beyond a shadow of a doubt, was developed with and for the liturgy.” “The Second Vatican council teaches us that the more closely tied the music is to the liturgical action…the more sacred it is,” she pointed out.RecommendationsIf Gregorian chant is unfamiliar to a parish, Pecknold recommends small steps that could be taken. She said: “I would first start with the very simplest chant melodies, for the ordinaries of the Mass.”Beyond Gregorian chant, the Second Vatican Council decided that the Church approves “of all forms of true art having the needed qualities, and admits them into divine worship.” Pecknold explained: “Liturgical music should glorify God and it should sanctify and edify all of us who are present at this great sacrifice.”Welcoming a diversity of stylesDave Moore, the music director at the 2024 U.S. National Eucharistic Congress, was in charge of bringing together a wide variety of Catholic musicians from across the country for the event.Moore said the musical goal of the Congress was to create a unity rooted in Christ, through different styles of music.”I don’t know how you find unity without diversity,” Moore said. “There’s a lot of people who do things differently than we’re used to, but what we’re looking for is the heart, like are you pursuing the heart of God?”Archbishop McKnight also noted the need for variety. “Catholicity means there’s a universality to who we are, that we’re not of just one kind or one culture, but there’s a diversity of charisms and a diversity of styles,” he said. “The fact that there are different ways of entering into the mystery of Christ, actually increases the unity we have, otherwise we’re just a church of some, and not the Church of all.”Music is “often associated with memories and emotions, too,” he said. “That’s a part of our celebration of the Eucharist. It’s not just a thing of the mind. It’s not just a doctrinal assent. It’s also a movement of the heart and ultimately it’s active prayer.”“Hymns that are liked by the people are a good choice, but it’s also important that they convey the Catholic faith,” McKnight said. “It’s about discernment of the will of God and what the Holy Spirit wants.”

Catholic music debate: Should certain hymns be banned? #Catholic Scene from the 2024 National Eucharistic Congress in Indianapolis, Indiana. / Credit: EWTN News in Depth/Screenshot Washington, D.C. Newsroom, Oct 18, 2025 / 12:00 pm (CNA). Several hymns were temporarily banned last year in the Diocese of Jefferson City, Missouri after being found “to be insufficient in sound doctrine,” with the action raising questions about what music is allowed at the Holy Mass.In a special report for the Oct. 17, 2025 edition of “EWTN News In Depth,” correspondent Mark Irons explored the subject. Archbishop Shawn McKnight, who implemented the brief ban, told Irons: “I would hope everybody else learns from my mistake.”McKnight, who was the bishop of Jefferson City at the time, now serves as the archbishop of Kansas City. The controversial ban in question encompassed 12 songs in total, including the popular hymns “I am the Bread of Life” and “All Are Welcome.” McKnight said the decree was implemented too quickly and without enough discussion among Catholics in the diocese. Currently, no particular hymns are excluded in the Diocese of Jefferson City, but parishes are required to evaluate Mass music using guidelines that were provided for archdioceses and dioceses across the nation by the U.S. Conference of Catholic Bishops (USCCB).The USCCB’s 2020 “Catholic Hymnody at the Service of the Church: An Aid for Evaluating Hymn Lyrics” was created to make sure Mass hymns are in conformity with Catholic doctrine. The bishops list a number of specific concerns regarding hymns, including ones with “deficiencies in the presentation of Eucharistic doctrine,” those “with a view of the Church that sees Her as essentially a human construction,” or songs with “an inadequate sense of a distinctively Christian anthropology.”Kevin Callahan, who serves as the music director at Sacred Heart Parish in Glyndon, Maryland, told Irons: “We believe…the body and blood, soul and divinity of Christ is here at the Mass, in the Eucharist. The songs, of course, should reflect that.” Callhan explained that he understands why the bishops would create the aid. The bishops “want the right thing to be said in Church, they don’t want the wrong idea to get tossed around.” Callahan said he does believe there are certain hymns that could be misleading. The ‘pride of place” of Gregorian chantOver time, Callahan said, Gregorian chant has earned pride of place within the liturgy of the Mass.This was reflected in the Second Vatican Council document Sacrosanctum Concilium, which explains: “The Church acknowledges Gregorian chant as specially suited to the Roman liturgy.” Sara Pecknold, a professor of liturgical music at Christendom College, noted that “Gregorian chant, beyond a shadow of a doubt, was developed with and for the liturgy.” “The Second Vatican council teaches us that the more closely tied the music is to the liturgical action…the more sacred it is,” she pointed out.RecommendationsIf Gregorian chant is unfamiliar to a parish, Pecknold recommends small steps that could be taken. She said: “I would first start with the very simplest chant melodies, for the ordinaries of the Mass.”Beyond Gregorian chant, the Second Vatican Council decided that the Church approves “of all forms of true art having the needed qualities, and admits them into divine worship.” Pecknold explained: “Liturgical music should glorify God and it should sanctify and edify all of us who are present at this great sacrifice.”Welcoming a diversity of stylesDave Moore, the music director at the 2024 U.S. National Eucharistic Congress, was in charge of bringing together a wide variety of Catholic musicians from across the country for the event.Moore said the musical goal of the Congress was to create a unity rooted in Christ, through different styles of music.”I don’t know how you find unity without diversity,” Moore said. “There’s a lot of people who do things differently than we’re used to, but what we’re looking for is the heart, like are you pursuing the heart of God?”Archbishop McKnight also noted the need for variety. “Catholicity means there’s a universality to who we are, that we’re not of just one kind or one culture, but there’s a diversity of charisms and a diversity of styles,” he said. “The fact that there are different ways of entering into the mystery of Christ, actually increases the unity we have, otherwise we’re just a church of some, and not the Church of all.”Music is “often associated with memories and emotions, too,” he said. “That’s a part of our celebration of the Eucharist. It’s not just a thing of the mind. It’s not just a doctrinal assent. It’s also a movement of the heart and ultimately it’s active prayer.”“Hymns that are liked by the people are a good choice, but it’s also important that they convey the Catholic faith,” McKnight said. “It’s about discernment of the will of God and what the Holy Spirit wants.”


Scene from the 2024 National Eucharistic Congress in Indianapolis, Indiana. / Credit: EWTN News in Depth/Screenshot

Washington, D.C. Newsroom, Oct 18, 2025 / 12:00 pm (CNA).

Several hymns were temporarily banned last year in the Diocese of Jefferson City, Missouri after being found “to be insufficient in sound doctrine,” with the action raising questions about what music is allowed at the Holy Mass.

In a special report for the Oct. 17, 2025 edition of “EWTN News In Depth,” correspondent Mark Irons explored the subject. Archbishop Shawn McKnight, who implemented the brief ban, told Irons: “I would hope everybody else learns from my mistake.”

McKnight, who was the bishop of Jefferson City at the time, now serves as the archbishop of Kansas City. The controversial ban in question encompassed 12 songs in total, including the popular hymns “I am the Bread of Life” and “All Are Welcome.”

McKnight said the decree was implemented too quickly and without enough discussion among Catholics in the diocese. 

Currently, no particular hymns are excluded in the Diocese of Jefferson City, but parishes are required to evaluate Mass music using guidelines that were provided for archdioceses and dioceses across the nation by the U.S. Conference of Catholic Bishops (USCCB).

The USCCB’s 2020 “Catholic Hymnody at the Service of the Church: An Aid for Evaluating Hymn Lyrics” was created to make sure Mass hymns are in conformity with Catholic doctrine. The bishops list a number of specific concerns regarding hymns, including ones with “deficiencies in the presentation of Eucharistic doctrine,” those “with a view of the Church that sees Her as essentially a human construction,” or songs with “an inadequate sense of a distinctively Christian anthropology.”

Kevin Callahan, who serves as the music director at Sacred Heart Parish in Glyndon, Maryland, told Irons: “We believe…the body and blood, soul and divinity of Christ is here at the Mass, in the Eucharist. The songs, of course, should reflect that.” 

Callhan explained that he understands why the bishops would create the aid. The bishops “want the right thing to be said in Church, they don’t want the wrong idea to get tossed around.” Callahan said he does believe there are certain hymns that could be misleading. 

The ‘pride of place” of Gregorian chant

Over time, Callahan said, Gregorian chant has earned pride of place within the liturgy of the Mass.

This was reflected in the Second Vatican Council document Sacrosanctum Concilium, which explains: “The Church acknowledges Gregorian chant as specially suited to the Roman liturgy.” 

Sara Pecknold, a professor of liturgical music at Christendom College, noted that “Gregorian chant, beyond a shadow of a doubt, was developed with and for the liturgy.”

“The Second Vatican council teaches us that the more closely tied the music is to the liturgical action…the more sacred it is,” she pointed out.

Recommendations

If Gregorian chant is unfamiliar to a parish, Pecknold recommends small steps that could be taken. She said: “I would first start with the very simplest chant melodies, for the ordinaries of the Mass.”

Beyond Gregorian chant, the Second Vatican Council decided that the Church approves “of all forms of true art having the needed qualities, and admits them into divine worship.”

Pecknold explained: “Liturgical music should glorify God and it should sanctify and edify all of us who are present at this great sacrifice.”

Welcoming a diversity of styles

Dave Moore, the music director at the 2024 U.S. National Eucharistic Congress, was in charge of bringing together a wide variety of Catholic musicians from across the country for the event.

Moore said the musical goal of the Congress was to create a unity rooted in Christ, through different styles of music.

“I don’t know how you find unity without diversity,” Moore said. “There’s a lot of people who do things differently than we’re used to, but what we’re looking for is the heart, like are you pursuing the heart of God?”

Archbishop McKnight also noted the need for variety.

“Catholicity means there’s a universality to who we are, that we’re not of just one kind or one culture, but there’s a diversity of charisms and a diversity of styles,” he said. “The fact that there are different ways of entering into the mystery of Christ, actually increases the unity we have, otherwise we’re just a church of some, and not the Church of all.”

Music is “often associated with memories and emotions, too,” he said. “That’s a part of our celebration of the Eucharist. It’s not just a thing of the mind. It’s not just a doctrinal assent. It’s also a movement of the heart and ultimately it’s active prayer.”

“Hymns that are liked by the people are a good choice, but it’s also important that they convey the Catholic faith,” McKnight said. “It’s about discernment of the will of God and what the Holy Spirit wants.”

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Judge rules against saints’ statues on Massachusetts government building #Catholic 
 
 Statues of St. Florian (at left) and St. Michael the Archangel (at right) are currently barred from appearing on the planned public safety building of Quincy, Massachusetts. / Credit: Courtesy of Office of Mayor Thomas Koch

Boston, Massachusetts, Oct 16, 2025 / 12:18 pm (CNA).
A Massachusetts trial court judge has issued an order blocking the installation of statues of two Catholic saints on a new public safety building in the city of Quincy, setting up a likely appeal that may determine how the state treats separation of church and state disputes going forward.The 10-foot-high bronze statues of St. Michael the Archangel and St. Florian, which were scheduled to be installed on the building’s façade this month, will instead await a higher court’s decision.The statues cost an estimated $850,000, part of the new, $175 million public safety building that will serve as police headquarters and administration offices for the Boston suburb’s fire department.Quincy Mayor Thomas Koch, a practicing Catholic, has said he chose St. Michael the Archangel because he is the patron of police officers and St. Florian because he is the patron of firefighters, not to send a message about religion.But the judge said the statues can’t be separated from the saints’ Catholic connections.“The complaint here plausibly alleges that the statues at issue convey a message endorsing one religion over others,” Norfolk County Superior Court Judge William Sullivan wrote in a 26-page ruling Oct. 14.The judge noted that the statues “represent two Catholic saints.”“The statues, particularly when considered together, patently endorse Catholic beliefs,” the judge wrote.The plaintiffs who brought the lawsuit challenging the statues — 15 city residents represented by the American Civil Liberties Union of Massachusetts — have amassed facts that “plausibly suggest that an objective observer would view these statues on the façade of the public safety building as primarily endorsing Catholicism/Christianity and conveying a distinctly religious message,” the judge wrote.Rachel Davidson, staff attorney at the ACLU of Massachusetts, who argued the case during a lengthy court hearing on Sept. 19, praised the judge’s decision.“This ruling affirms the bedrock principle that our government cannot favor one religion above others, or religious beliefs over nonreligious beliefs,” Davidson said in a written statement. “We are grateful to the court for acknowledging the immediate harm that the installation of these statues would cause and for ensuring that Quincy residents can continue to make their case for the proper separation of church and state, as the Massachusetts Constitution requires.”The mayor said the city will appeal.“We chose the statues of Michael and Florian to honor Quincy’s first responders, not to promote any religion,” Koch said in a written statement provided to the National Catholic Register, CNA’s sister news partner, by a spokesman. “These figures are recognized symbols of courage and sacrifice in police and fire communities across the world. We will appeal this ruling so our city can continue to celebrate and inspire the men and women who protect us.” The lawsuit, which was filed May 27 in Norfolk County Superior Court in Dedham, relies on the Massachusetts Constitution, not the U.S. Constitution, but there is a tie-in.In 1979, the Massachusetts Supreme Judicial Court adopted the U.S. Supreme Court’s 1971 three-pronged “Lemon test” when considering church and state cases — whether a law concerning religion has “a secular legislative purpose,” whether “its principal or primary effect … neither advances [n]or inhibits religion,” and whether it fosters “excessive entanglement between government and religion.” The state’s highest court also added a fourth standard — whether a “challenged practice” has “divisive political potential.”But in June 2022, the U.S. Supreme Court ditched the Lemon test in Kennedy v. Bremerton School District, a case involving prayers offered by a high school football coach in Washington state.If the Massachusetts Supreme Judicial Court, which is the ultimate interpreter of state law, takes the Quincy statues dispute, it would be the first time the court has considered a case on point since the U.S. Supreme Court’s Kennedy decision.This story was first published by the National Catholic Register, CNA’s sister news partner, and has been adapted by CNA.

Judge rules against saints’ statues on Massachusetts government building #Catholic Statues of St. Florian (at left) and St. Michael the Archangel (at right) are currently barred from appearing on the planned public safety building of Quincy, Massachusetts. / Credit: Courtesy of Office of Mayor Thomas Koch Boston, Massachusetts, Oct 16, 2025 / 12:18 pm (CNA). A Massachusetts trial court judge has issued an order blocking the installation of statues of two Catholic saints on a new public safety building in the city of Quincy, setting up a likely appeal that may determine how the state treats separation of church and state disputes going forward.The 10-foot-high bronze statues of St. Michael the Archangel and St. Florian, which were scheduled to be installed on the building’s façade this month, will instead await a higher court’s decision.The statues cost an estimated $850,000, part of the new, $175 million public safety building that will serve as police headquarters and administration offices for the Boston suburb’s fire department.Quincy Mayor Thomas Koch, a practicing Catholic, has said he chose St. Michael the Archangel because he is the patron of police officers and St. Florian because he is the patron of firefighters, not to send a message about religion.But the judge said the statues can’t be separated from the saints’ Catholic connections.“The complaint here plausibly alleges that the statues at issue convey a message endorsing one religion over others,” Norfolk County Superior Court Judge William Sullivan wrote in a 26-page ruling Oct. 14.The judge noted that the statues “represent two Catholic saints.”“The statues, particularly when considered together, patently endorse Catholic beliefs,” the judge wrote.The plaintiffs who brought the lawsuit challenging the statues — 15 city residents represented by the American Civil Liberties Union of Massachusetts — have amassed facts that “plausibly suggest that an objective observer would view these statues on the façade of the public safety building as primarily endorsing Catholicism/Christianity and conveying a distinctly religious message,” the judge wrote.Rachel Davidson, staff attorney at the ACLU of Massachusetts, who argued the case during a lengthy court hearing on Sept. 19, praised the judge’s decision.“This ruling affirms the bedrock principle that our government cannot favor one religion above others, or religious beliefs over nonreligious beliefs,” Davidson said in a written statement. “We are grateful to the court for acknowledging the immediate harm that the installation of these statues would cause and for ensuring that Quincy residents can continue to make their case for the proper separation of church and state, as the Massachusetts Constitution requires.”The mayor said the city will appeal.“We chose the statues of Michael and Florian to honor Quincy’s first responders, not to promote any religion,” Koch said in a written statement provided to the National Catholic Register, CNA’s sister news partner, by a spokesman. “These figures are recognized symbols of courage and sacrifice in police and fire communities across the world. We will appeal this ruling so our city can continue to celebrate and inspire the men and women who protect us.” The lawsuit, which was filed May 27 in Norfolk County Superior Court in Dedham, relies on the Massachusetts Constitution, not the U.S. Constitution, but there is a tie-in.In 1979, the Massachusetts Supreme Judicial Court adopted the U.S. Supreme Court’s 1971 three-pronged “Lemon test” when considering church and state cases — whether a law concerning religion has “a secular legislative purpose,” whether “its principal or primary effect … neither advances [n]or inhibits religion,” and whether it fosters “excessive entanglement between government and religion.” The state’s highest court also added a fourth standard — whether a “challenged practice” has “divisive political potential.”But in June 2022, the U.S. Supreme Court ditched the Lemon test in Kennedy v. Bremerton School District, a case involving prayers offered by a high school football coach in Washington state.If the Massachusetts Supreme Judicial Court, which is the ultimate interpreter of state law, takes the Quincy statues dispute, it would be the first time the court has considered a case on point since the U.S. Supreme Court’s Kennedy decision.This story was first published by the National Catholic Register, CNA’s sister news partner, and has been adapted by CNA.


Statues of St. Florian (at left) and St. Michael the Archangel (at right) are currently barred from appearing on the planned public safety building of Quincy, Massachusetts. / Credit: Courtesy of Office of Mayor Thomas Koch

Boston, Massachusetts, Oct 16, 2025 / 12:18 pm (CNA).

A Massachusetts trial court judge has issued an order blocking the installation of statues of two Catholic saints on a new public safety building in the city of Quincy, setting up a likely appeal that may determine how the state treats separation of church and state disputes going forward.

The 10-foot-high bronze statues of St. Michael the Archangel and St. Florian, which were scheduled to be installed on the building’s façade this month, will instead await a higher court’s decision.

The statues cost an estimated $850,000, part of the new, $175 million public safety building that will serve as police headquarters and administration offices for the Boston suburb’s fire department.

Quincy Mayor Thomas Koch, a practicing Catholic, has said he chose St. Michael the Archangel because he is the patron of police officers and St. Florian because he is the patron of firefighters, not to send a message about religion.

But the judge said the statues can’t be separated from the saints’ Catholic connections.

“The complaint here plausibly alleges that the statues at issue convey a message endorsing one religion over others,” Norfolk County Superior Court Judge William Sullivan wrote in a 26-page ruling Oct. 14.

The judge noted that the statues “represent two Catholic saints.”

“The statues, particularly when considered together, patently endorse Catholic beliefs,” the judge wrote.

The plaintiffs who brought the lawsuit challenging the statues — 15 city residents represented by the American Civil Liberties Union of Massachusetts — have amassed facts that “plausibly suggest that an objective observer would view these statues on the façade of the public safety building as primarily endorsing Catholicism/Christianity and conveying a distinctly religious message,” the judge wrote.

Rachel Davidson, staff attorney at the ACLU of Massachusetts, who argued the case during a lengthy court hearing on Sept. 19, praised the judge’s decision.

“This ruling affirms the bedrock principle that our government cannot favor one religion above others, or religious beliefs over nonreligious beliefs,” Davidson said in a written statement. “We are grateful to the court for acknowledging the immediate harm that the installation of these statues would cause and for ensuring that Quincy residents can continue to make their case for the proper separation of church and state, as the Massachusetts Constitution requires.”

The mayor said the city will appeal.

“We chose the statues of Michael and Florian to honor Quincy’s first responders, not to promote any religion,” Koch said in a written statement provided to the National Catholic Register, CNA’s sister news partner, by a spokesman. “These figures are recognized symbols of courage and sacrifice in police and fire communities across the world. We will appeal this ruling so our city can continue to celebrate and inspire the men and women who protect us.” The lawsuit, which was filed May 27 in Norfolk County Superior Court in Dedham, relies on the Massachusetts Constitution, not the U.S. Constitution, but there is a tie-in.

In 1979, the Massachusetts Supreme Judicial Court adopted the U.S. Supreme Court’s 1971 three-pronged “Lemon test” when considering church and state cases — whether a law concerning religion has “a secular legislative purpose,” whether “its principal or primary effect … neither advances [n]or inhibits religion,” and whether it fosters “excessive entanglement between government and religion.” 

The state’s highest court also added a fourth standard — whether a “challenged practice” has “divisive political potential.”

But in June 2022, the U.S. Supreme Court ditched the Lemon test in Kennedy v. Bremerton School District, a case involving prayers offered by a high school football coach in Washington state.

If the Massachusetts Supreme Judicial Court, which is the ultimate interpreter of state law, takes the Quincy statues dispute, it would be the first time the court has considered a case on point since the U.S. Supreme Court’s Kennedy decision.

This story was first published by the National Catholic Register, CNA’s sister news partner, and has been adapted by CNA.

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Monumental censer at Christendom College chapel represents ‘grandeur of Christ the King’

“Now people need not go as far away as Spain to see this beautiful thing,” said Christendom College President Emeritus Timothy O’Donnell of the school chapel’s monumental thurible. / Credit: Photo courtesy of Christendom College

Ann Arbor, Michigan, Sep 28, 2025 / 06:00 am (CNA).

A tradition dating from the 11th century has been brought to Christendom College in Front Royal, Virginia, extending an enduring symbol of faith and pilgrimage. A jumbo-sized thurible, commissioned by the college and made in Spain, now embellishes the college’s Christ the King chapel.

The connections between Christendom College and the Catholic culture of Spain date back to even before the college’s founding in 1977. Its first president and co-founder, Warren Carroll, took students to Spain on several visits to learn Spain’s history and experience life at El Escorial monastery near Madrid.

Among other works, Carroll, a historian, authored “Isabel of Spain: The Catholic Queen” and “The Last Crusade: Spain 1936” with an interest in defending Catholic faith and culture, said Timothy O’Donnell, the college’s president emeritus, in an interview with CNA.

Drone shot of Christendom College’s Christ the King Chapel in Front Royal, Virginia. Credit: Photo courtesy of Christendom College
Drone shot of Christendom College’s Christ the King Chapel in Front Royal, Virginia. Credit: Photo courtesy of Christendom College

Believed to be one of the largest thuribles or censers in the world, the famed Botafumeiro is a giant thurible used at the Santiago de Compostela Cathedral in northern Spain, which has been a pilgrimage destination for centuries, rivaled only by Rome and Jerusalem.

According to tradition, it is the burial place of St. James the Greater, who evangelized the Iberian Peninsula. In a centuries-old tradition, the massive censer, which weighs hundreds of pounds, is swung from ropes when pulled by a team of eight men at the transept of the historic church on feast days. It weighs more than 176 pounds and is over 6 feet tall.

O’Donnell recalled that St. John Paul II said in a homily in 1982, as the first pilgrim pope to Santiago: “This place, so dear to Galicians and Spaniards alike, has in the past been a point of attraction and convergence for Europe and all of Christendom.”

According to O’Donnell: “I was so moved by that because that is the name of our college. So, on certain anniversaries, we would take pilgrimages to Santiago.”

Seeing the giant thurible there ultimately gave him the idea to reproduce such a symbol of faith. “I thought it would be awesome to have something like this in the new chapel.” He turned to Heritage Liturgical, which designed and realized the project.

Seeing the giant thurible at the Cathedral of Santiago de Compostela gave Timothy O'Donnell, speaking here at the chapel, the idea to reproduce such a symbol of faith in the college's chapel. Credit: Photo courtesy of Christendom College
Seeing the giant thurible at the Cathedral of Santiago de Compostela gave Timothy O’Donnell, speaking here at the chapel, the idea to reproduce such a symbol of faith in the college’s chapel. Credit: Photo courtesy of Christendom College

“Now people need not go as far away as Spain to see this beautiful thing and incense going up to heaven like the prayers of the faithful and angels going to God on high,” he said. In a tradition dating back to the Old Testament, costly incense was a sacrifice; after the coming of Christ, it joins our prayers with his perfect prayer and sacrifice.

Instead of producing an exact reproduction of the Botafumeiro in Spain, Heritage Liturgical executed a censer that echoes the design of the chapel. Enzo Selvaggi, principal and creative director of Heritage Liturgical, told CNA that Christendom’s monumental thurible was “designed in a cogent and well-defined Gothic Revival mode to fit the architecture of the college’s Chapel of Christ the King.”

Emilio León, a silversmith of Córdoba, Spain, was selected for the project and helped restore the original Botafumeiro. Starting in 2021, León sculpted and chiseled for a year and a half to complete the work, which is silver-plated brass.

In an email to CNA, León wrote: “I incorporated my spiritual and religious values, just as I do in all my work, giving my best effort, knowing that it is for the glory of God.” León belongs to a royal fraternity that preserves Catholic traditions such as Holy Week processions and the dignity of sacred spaces.

León is also working on other projects for Heritage Liturgical to be installed in the U.S. For Catholics in Spain, he continued, the Botafumeiro represents “the grandeur of Christ the King and the apostle James.”

On feast days of the Church, Christendom's thurible is brought near the central altar where it is hoisted on chains and swung by senior students. Credit: Courtesy of Christendom College
On feast days of the Church, Christendom’s thurible is brought near the central altar where it is hoisted on chains and swung by senior students. Credit: Courtesy of Christendom College

Christendom’s thurible is normally displayed near the image of the Virgin Mary in the chapel. On feast days of the Church, it is brought near the central altar where it is hoisted on chains and swung by senior students, much in the tradition of Spain. The next feast day for swinging the grand censer will be the solemnity of Our Lord Jesus Christ, King of the Universe, on Nov. 23.

Selvaggi told CNA that in works produced by Heritage Liturgical, the Catholic principle of sacramentality applies at their conception so that designers and artists use matter, as do theologians, to “make a spiritual reality encounterable in the world.”

Both Selvaggi and León are working on other projects destined for the U.S., including helping to restore churches in Nebraska and Georgia, and designing mosaics for churches in Wisconsin. The message from the company affirmed that the new thurible at Christendom College is “captivating not only because of its size and beauty, but more importantly, because it reveals something that already exists: the love of God that causes us to send our prayers rising up to God.”

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In the Style of Pop Art – recreate ‘The Sacrifice of Elijah Before the Priests of Baal’ by Domenico Fetti – Ahab summoned the people of Israel and 450 prophets of Baal to Mount Carmel. Elijah proposed that he and Baal’s prophets each sacrifice one of two bulls by placing them on wood that they would not light. Instead, Elijah bade the prophets of Baal to pray for a fire that would light the sacrifice. All day they prayed, but with no success. — using neon Color

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