Scripture

‘As men, you’re called to act!’ speaker says to a packed room of young men at SEEK 2026 #Catholic John Bishop, founder of Forge, speaks to hundreds of young men at the SEEK 2026 conference in the Diocese of Fort Worth, Texas, on Jan. 2, 2026. | Credit: Amira Abuzeid/CNA Jan 6, 2026 / 07:00 am (CNA). Hundreds of young men at the SEEK 2026 conference in the Fort Worth, Texas, Diocese this weekend filled a cavernous room to learn about what it means to be a man formed by “Jesus Christ and his Church.”John Bishop, founder and executive director of Forge, an organization that supports the family with an emphasis on masculinity, told the young men that “you are much more than your animalistic desires. Live something higher for someone higher.”In his talk titled “God Made Men,” Bishop spoke about how when Adam, the first man, “opened his eyes, he had never seen a woman before. She was completely naked.”“It was a great day for Adam,” Bishop said to waves of laughter. “Adam was the Elon Musk of the garden.”Taking a more serious tone, Bishop asked: “How would Adam see Eve? In his theology of the body, Pope John Paul II said Eve’s body was a manifestation of her soul. Eve had a perfect body, but when Adam saw her naked body, he didn’t lust over her.”“He realized who she was and who he was: made to make a gift of himself to her,” he said.Bishop then turned to what happened next: “What did Adam do as the snake came into the garden?” he asked.“Nothing! The most common, toxic, nauseating sin that runs rampant throughout men in the world is that we don’t do a damn thing.”“When we see our brothers walking into sin, we twiddle our thumbs. When we see our daughters walking out wearing next to nothing, we say nothing. When we’re grandfathers seeing the culture going in a bad way, we watch football,” he said.‘The image of God lives in a man fully alive’“You’re called to act!” Bishop admonished the group. “You might be filled with doubt … but it might be time for you to take the first step.”“The image of God lives in a man fully alive … Study after study shows that when a good man acts and doesn’t hold anything back, when he follows Christ with all [he is], … when he gives himself over [to Christ], the effect of that one man’s life multiplies beyond anything that we can understand,” he said.Hundreds of young men listen to John Bishop’s talk on masculinity on Jan. 2, 2026, at the SEEK conference in Grapevine, Texas. | Credit: Amira Abuzeid/CNAPatricio Parra, a sophomore at Texas A&M University, told CNA that he enjoyed Bishop’s talk because he and his friends have noticed how “society says it’s toxic to be masculine.”Parra said a New York Times journalist asked him and his friends after the talk why his generation of men was so invested in the faith.“There’s a striving for men to want to be men again,” he told her. “As a society, we see male role models on YouTube, but they are deformed. Recently, there aren’t a lot of good masculine models to follow.”Parra said what stood out to him the most after Bishop’s talk was the idea that Adam saw Eve’s physical beauty as the same as her internal beauty and recognized her dignity.“We have to strive to be as masculine as that,” Parra said.He said he took to heart three pieces of advice Bishop gave the men in the audience.First: “There’s no glory without the cross, no sainthood without suffering; so suffer a little bit. Make your body go through hard things,” Parra recalled. “Everything we suffer now will bring fruit for others, including our children someday, who will want to emulate us.”Next, Parra said Bishop advised that young men invest in solid, masculine friendships where they encourage one another toward sainthood.Last, Bishop told his listeners to be like St. Joseph, who, after Adam, was “one of the most manly men in Scripture.”“Joseph never said a word. We just know what he did,” Parra said. “We should do the same: just be quiet and act.”Parra demonstrated a hand motion he and his other friends from Texas A&M invented to go with the words “Zip it and act!” He made a zipper motion across his mouth and then the letter “A” with his fingers.“Don’t just talk about asking a girl out; do it!” he said enthusiastically. “Don’t just think about seminary; go do it!”
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‘As men, you’re called to act!’ speaker says to a packed room of young men at SEEK 2026 #Catholic John Bishop, founder of Forge, speaks to hundreds of young men at the SEEK 2026 conference in the Diocese of Fort Worth, Texas, on Jan. 2, 2026. | Credit: Amira Abuzeid/CNA Jan 6, 2026 / 07:00 am (CNA). Hundreds of young men at the SEEK 2026 conference in the Fort Worth, Texas, Diocese this weekend filled a cavernous room to learn about what it means to be a man formed by “Jesus Christ and his Church.”John Bishop, founder and executive director of Forge, an organization that supports the family with an emphasis on masculinity, told the young men that “you are much more than your animalistic desires. Live something higher for someone higher.”In his talk titled “God Made Men,” Bishop spoke about how when Adam, the first man, “opened his eyes, he had never seen a woman before. She was completely naked.”“It was a great day for Adam,” Bishop said to waves of laughter. “Adam was the Elon Musk of the garden.”Taking a more serious tone, Bishop asked: “How would Adam see Eve? In his theology of the body, Pope John Paul II said Eve’s body was a manifestation of her soul. Eve had a perfect body, but when Adam saw her naked body, he didn’t lust over her.”“He realized who she was and who he was: made to make a gift of himself to her,” he said.Bishop then turned to what happened next: “What did Adam do as the snake came into the garden?” he asked.“Nothing! The most common, toxic, nauseating sin that runs rampant throughout men in the world is that we don’t do a damn thing.”“When we see our brothers walking into sin, we twiddle our thumbs. When we see our daughters walking out wearing next to nothing, we say nothing. When we’re grandfathers seeing the culture going in a bad way, we watch football,” he said.‘The image of God lives in a man fully alive’“You’re called to act!” Bishop admonished the group. “You might be filled with doubt … but it might be time for you to take the first step.”“The image of God lives in a man fully alive … Study after study shows that when a good man acts and doesn’t hold anything back, when he follows Christ with all [he is], … when he gives himself over [to Christ], the effect of that one man’s life multiplies beyond anything that we can understand,” he said.Hundreds of young men listen to John Bishop’s talk on masculinity on Jan. 2, 2026, at the SEEK conference in Grapevine, Texas. | Credit: Amira Abuzeid/CNAPatricio Parra, a sophomore at Texas A&M University, told CNA that he enjoyed Bishop’s talk because he and his friends have noticed how “society says it’s toxic to be masculine.”Parra said a New York Times journalist asked him and his friends after the talk why his generation of men was so invested in the faith.“There’s a striving for men to want to be men again,” he told her. “As a society, we see male role models on YouTube, but they are deformed. Recently, there aren’t a lot of good masculine models to follow.”Parra said what stood out to him the most after Bishop’s talk was the idea that Adam saw Eve’s physical beauty as the same as her internal beauty and recognized her dignity.“We have to strive to be as masculine as that,” Parra said.He said he took to heart three pieces of advice Bishop gave the men in the audience.First: “There’s no glory without the cross, no sainthood without suffering; so suffer a little bit. Make your body go through hard things,” Parra recalled. “Everything we suffer now will bring fruit for others, including our children someday, who will want to emulate us.”Next, Parra said Bishop advised that young men invest in solid, masculine friendships where they encourage one another toward sainthood.Last, Bishop told his listeners to be like St. Joseph, who, after Adam, was “one of the most manly men in Scripture.”“Joseph never said a word. We just know what he did,” Parra said. “We should do the same: just be quiet and act.”Parra demonstrated a hand motion he and his other friends from Texas A&M invented to go with the words “Zip it and act!” He made a zipper motion across his mouth and then the letter “A” with his fingers.“Don’t just talk about asking a girl out; do it!” he said enthusiastically. “Don’t just think about seminary; go do it!”

unitedyam

John Bishop, founder of Forge, speaks to hundreds of young men at the SEEK 2026 conference in the Diocese of Fort Worth, Texas, on Jan. 2, 2026. | Credit: Amira Abuzeid/CNA

Jan 6, 2026 / 07:00 am (CNA).

Hundreds of young men at the SEEK 2026 conference in the Fort Worth, Texas, Diocese this weekend filled a cavernous room to learn about what it means to be a man formed by “Jesus Christ and his Church.”

John Bishop, founder and executive director of Forge, an organization that supports the family with an emphasis on masculinity, told the young men that “you are much more than your animalistic desires. Live something higher for someone higher.”

In his talk titled “God Made Men,” Bishop spoke about how when Adam, the first man, “opened his eyes, he had never seen a woman before. She was completely naked.”

“It was a great day for Adam,” Bishop said to waves of laughter. “Adam was the Elon Musk of the garden.”

Taking a more serious tone, Bishop asked: “How would Adam see Eve? In his theology of the body, Pope John Paul II said Eve’s body was a manifestation of her soul. Eve had a perfect body, but when Adam saw her naked body, he didn’t lust over her.”

“He realized who she was and who he was: made to make a gift of himself to her,” he said.

Bishop then turned to what happened next: “What did Adam do as the snake came into the garden?” he asked.

“Nothing! The most common, toxic, nauseating sin that runs rampant throughout men in the world is that we don’t do a damn thing.”

“When we see our brothers walking into sin, we twiddle our thumbs. When we see our daughters walking out wearing next to nothing, we say nothing. When we’re grandfathers seeing the culture going in a bad way, we watch football,” he said.

‘The image of God lives in a man fully alive’

“You’re called to act!” Bishop admonished the group. “You might be filled with doubt … but it might be time for you to take the first step.”

“The image of God lives in a man fully alive … Study after study shows that when a good man acts and doesn’t hold anything back, when he follows Christ with all [he is], … when he gives himself over [to Christ], the effect of that one man’s life multiplies beyond anything that we can understand,” he said.

Hundreds of young men listen to John Bishop’s talk on masculinity on Jan. 2, 2026, at the SEEK conference in Grapevine, Texas. | Credit: Amira Abuzeid/CNA
Hundreds of young men listen to John Bishop’s talk on masculinity on Jan. 2, 2026, at the SEEK conference in Grapevine, Texas. | Credit: Amira Abuzeid/CNA

Patricio Parra, a sophomore at Texas A&M University, told CNA that he enjoyed Bishop’s talk because he and his friends have noticed how “society says it’s toxic to be masculine.”

Parra said a New York Times journalist asked him and his friends after the talk why his generation of men was so invested in the faith.

“There’s a striving for men to want to be men again,” he told her. “As a society, we see male role models on YouTube, but they are deformed. Recently, there aren’t a lot of good masculine models to follow.”

Parra said what stood out to him the most after Bishop’s talk was the idea that Adam saw Eve’s physical beauty as the same as her internal beauty and recognized her dignity.

“We have to strive to be as masculine as that,” Parra said.

He said he took to heart three pieces of advice Bishop gave the men in the audience.

First: “There’s no glory without the cross, no sainthood without suffering; so suffer a little bit. Make your body go through hard things,” Parra recalled. “Everything we suffer now will bring fruit for others, including our children someday, who will want to emulate us.”

Next, Parra said Bishop advised that young men invest in solid, masculine friendships where they encourage one another toward sainthood.

Last, Bishop told his listeners to be like St. Joseph, who, after Adam, was “one of the most manly men in Scripture.”

“Joseph never said a word. We just know what he did,” Parra said. “We should do the same: just be quiet and act.”

Parra demonstrated a hand motion he and his other friends from Texas A&M invented to go with the words “Zip it and act!” He made a zipper motion across his mouth and then the letter “A” with his fingers.

“Don’t just talk about asking a girl out; do it!” he said enthusiastically. “Don’t just think about seminary; go do it!”

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Rest in peace: Looking back at notable Catholics who passed away in 2025 #Catholic Credit: udra11/Shutterstock Dec 31, 2025 / 06:00 am (CNA). The past year has seen several notable Catholics pass away — from public officials to the vicar of Christ himself.Here’s a rundown of some prominent Catholics around the world who left us in 2025:Pope Francis (Dec. 17, 1936 — April 21, 2025)The Holy Father, Pope Francis, passed away at 7:35 a.m. on Easter Monday, April 21, at his residence in the Vatican’s Casa Santa Marta. The 88-year-old pontiff led the Catholic Church for a little more than 12 years.The first Latin American pope in history as well as the first Jesuit pope, Francis led the Church through significant canonical and catechetical reforms, urging the faithful to reach out and minister to those on the margins of society while preaching the mercy of God.Upon his death he left the legacy of what Cardinal Kevin Farrell said was a life “dedicated to the service of God and his Church,” one that urged the faithful to “live the values of the Gospel with fidelity, courage, and universal love, especially for the poorest and most marginalized.”Pope Francis was succeeded in the chair of St. Peter by Pope Leo XIV on May 8.Mabel Landry Staton (Nov. 20, 1932 — Feb. 20, 2025)Mabel Landry Staton, a trailblazing athlete who briefly set an Olympic record at the 1952 Summer Olympics, died on Feb. 20 at age 92.Representing the United States at the Olympic games in Helsinki in 1952, Staton — known as “Dolly” after a nickname from her father — set a record in the long jump category at 19 feet 3.25 inches. Though the record only lasted for several minutes before New Zealand athlete Yvette Williams bested it, Staton would go on to win medals in the 1955 Pan American Games.The Philadelphia Inquirer reported that Staton served as a Eucharistic minister at St. Thomas More Church in Cherry Hill, New Jersey, as well as on the board of the Black Catholic Ministry of the Diocese of Camden.According to the Inquirer, Staton “could still outsprint some of the local high school boys in her 70s.”Alasdair MacIntyre (Jan. 12, 1929 — May 21, 2025)Alasdair MacIntyre, a towering figure in moral philosophy and a Catholic convert credited with reviving the discipline of virtue ethics, died on May 21 at age 96.His seminal 1981 work “After Virtue” reshaped contemporary moral and political philosophy, emphasizing virtue over utilitarian or deontological frameworks.Known by many as “the most important” modern Catholic philosopher, MacIntyre’s intellectual and spiritual journey spanned atheism, Marxism, Anglicanism, and ultimately Roman Catholicism.James Hitchcock (Feb. 13, 1938 — July 14, 2025)James Hitchcock — a noted historian of the Catholic Church, popular author, and longtime college professor — died on July 14 at age 87.Hitchcock was remembered by friends and colleagues as a man of prophetic insight who defended Church teaching and helped to make the Catholic intellectual tradition accessible for his students and readers.Hitchcock taught history at Saint Louis University from the late 1960s until 2013. Some of the most popular of the dozen books he wrote include his one-volume “History of the Catholic Church: From the Apostolic Age to the Third Millennium,” published in 2012 by Ignatius Press.Frank Caprio (Nov. 24, 1936 — Aug. 20, 2025)Frank Caprio, who served as a Providence, Rhode Island, municipal court judge for nearly 40 years and came to be known as “America’s nicest judge,” passed away on Aug. 20 from pancreatic cancer.Caprio gained worldwide fame for a lenient judicial style that blended justice, extreme empathy, and mercy when his courtroom was televised in a program called “Caught in Providence.”The program began in 1999 and went viral in 2017, achieving hundreds of millions of views since then. The show was nominated for a Daytime Emmy Award in 2021 and has a YouTube channel with nearly 3 million subscribers.Caprio told EWTN News in February that he always kept in mind something his father, a hardworking Italian immigrant with a fifth-grade education, had impressed upon him: “What might seem like a small fine to some was something that many couldn’t afford.”“Your case is dismissed” became Caprio’s signature phrase.Thomas A. Nelson (March 1, 1937 — Aug. 16, 2025)Thomas A. Nelson, the founder of TAN Books — a Catholic publishing house known for its books promoting traditional Catholicism in the post-Vatican II era — died Aug. 16 at age 88.Nelson, who had previously worked as a teacher, founded TAN Books and Publishers Inc. in Rockford, Illinois, in 1967 and an accompanying printing plant in 1978. In addition to being Nelson’s initials, TAN is an acronym for the Latin phrase “Tuum Adoramus Nomen” (“Let Us Adore Thy Name”).Under Nelson’s ownership, TAN became known for publishing orthodox Catholic books, including reprints of classic Catholic works on theology, Scripture, traditional devotions, the Traditional Latin Mass, and the lives of the saints as well as new titles on these subjects by contemporary authors.Katharine, Duchess of Kent (Feb. 22, 1933 — Sept. 4, 2025)The Duchess of Kent, who became the first senior British royal to be received into the Catholic Church since the 17th century, died on Sept. 4 at the age of 92.Renowned for her natural charm, compassion for the sick and downtrodden, and commitment to serving others, the duchess was a much-loved and hardworking British royal whose popularity was enhanced by her own personal suffering and self-effacing nature.She was received into the Church in January 1994 by Cardinal Basil Hume. Up until then, no senior royal had publicly been received into the Church since 1685.Katharine spoke favorably of the Church’s moral precepts. “I do love guidelines and the Catholic Church offers you guidelines,” she once told the BBC. “I have always wanted that in my life. I like to know what’s expected of me.”Sister Jean Dolores Schmidt (Aug. 21, 1919 — Oct. 9, 2025)Sister Jean Dolores Schmidt, the beloved Catholic nun who became known across the country at the age of 98 as the chaplain of the Loyola University Chicago men’s basketball team, died Oct. 9 at the age of 106.Sister Jean was born Dolores Bertha Schmidt on Aug. 21, 1919, to Joseph and Bertha Schmidt. She was raised in a devout Catholic home in San Francisco’s Castro District.In 1937, she joined the Sisters of Charity of the Blessed Virgin Mary and took the name Sister Jean Dolores. In 1991, she joined the staff at Loyola Chicago and three years later became part of the basketball team, first as an academic adviser before transitioning to chaplain.Sister Jean led the team in prayer before each game — praying for her players to be safe, for the referees to be fair, and for God’s assistance during the game.She also admitted to praying for the opposing team, though “not as hard.”Sister Mary Michael of the Eucharistic Heart of Jesus, PCPA (Feb. 25, 1931 — Nov. 10, 2025)Sister Mary Michael of the Eucharistic Heart of Jesus, PCPA, died on Nov. 10 at age 94 after roughly three-quarters of a century of religious life.Sister Mary Michael was the last of the original five nuns who, along with EWTN foundress Mother Angelica, began the Our Lady of the Angels Monastery in Irondale, Alabama.Born Evelyn Shinosky on Feb. 25, 1931, to Joseph and Helen Shinosky, she entered Sancta Clara Monastery in Canton, Ohio, on Aug. 15, 1951, and received the habit and her new name the following May.Her passing marked the end of an era at EWTN and at the monastery — one that saw both the launch of the global Catholic network and the expansion of the religious community to include the Shrine of the Most Blessed Sacrament of Our Lady of the Angels Monastery.Paul Badde (March 10, 1948 — Nov. 10, 2025)Paul Badde, author of many well-known books such as “Benedict Up Close,” “The Face of God,” and “The True Icon,” died on Nov. 10 at the age of 77 after a long illness. Badde was also a veteran contributor to EWTN and CNA Deutsch, CNA’s German-language news partner.Born in Schaag, Germany — a small village on the Lower Rhine — he studied philosophy and sociology in Freiburg as well as art history, history, and political science in Frankfurt. Before embarking on a journalistic career, Badde worked as a teacher for several years.A founding editor of Vatican Magazine, Paul and his wife, Ellen, had five children. Sister JoAnn Persch (June 27, 1934 — Nov. 14, 2025)Longtime immigrant rights advocate Sister JoAnn Persch died on Nov. 14 at age 91.Two weeks before her death, Persch attempted to bring Communion to detainees at the Broadview, Illinois, Immigration and Customs Enforcement (ICE) facility where for decades the Sisters of Mercy ministered to migrants and refugees. Officials denied her entry.Persch and Sister Pat Murphy were founding members of the Su Casa Catholic Worker House in Chicago, serving refugees from Central America who were survivors of war, torture, and political persecution.May the souls of the faithful departed, through the mercy of God, rest in peace.
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Rest in peace: Looking back at notable Catholics who passed away in 2025 #Catholic Credit: udra11/Shutterstock Dec 31, 2025 / 06:00 am (CNA). The past year has seen several notable Catholics pass away — from public officials to the vicar of Christ himself.Here’s a rundown of some prominent Catholics around the world who left us in 2025:Pope Francis (Dec. 17, 1936 — April 21, 2025)The Holy Father, Pope Francis, passed away at 7:35 a.m. on Easter Monday, April 21, at his residence in the Vatican’s Casa Santa Marta. The 88-year-old pontiff led the Catholic Church for a little more than 12 years.The first Latin American pope in history as well as the first Jesuit pope, Francis led the Church through significant canonical and catechetical reforms, urging the faithful to reach out and minister to those on the margins of society while preaching the mercy of God.Upon his death he left the legacy of what Cardinal Kevin Farrell said was a life “dedicated to the service of God and his Church,” one that urged the faithful to “live the values of the Gospel with fidelity, courage, and universal love, especially for the poorest and most marginalized.”Pope Francis was succeeded in the chair of St. Peter by Pope Leo XIV on May 8.Mabel Landry Staton (Nov. 20, 1932 — Feb. 20, 2025)Mabel Landry Staton, a trailblazing athlete who briefly set an Olympic record at the 1952 Summer Olympics, died on Feb. 20 at age 92.Representing the United States at the Olympic games in Helsinki in 1952, Staton — known as “Dolly” after a nickname from her father — set a record in the long jump category at 19 feet 3.25 inches. Though the record only lasted for several minutes before New Zealand athlete Yvette Williams bested it, Staton would go on to win medals in the 1955 Pan American Games.The Philadelphia Inquirer reported that Staton served as a Eucharistic minister at St. Thomas More Church in Cherry Hill, New Jersey, as well as on the board of the Black Catholic Ministry of the Diocese of Camden.According to the Inquirer, Staton “could still outsprint some of the local high school boys in her 70s.”Alasdair MacIntyre (Jan. 12, 1929 — May 21, 2025)Alasdair MacIntyre, a towering figure in moral philosophy and a Catholic convert credited with reviving the discipline of virtue ethics, died on May 21 at age 96.His seminal 1981 work “After Virtue” reshaped contemporary moral and political philosophy, emphasizing virtue over utilitarian or deontological frameworks.Known by many as “the most important” modern Catholic philosopher, MacIntyre’s intellectual and spiritual journey spanned atheism, Marxism, Anglicanism, and ultimately Roman Catholicism.James Hitchcock (Feb. 13, 1938 — July 14, 2025)James Hitchcock — a noted historian of the Catholic Church, popular author, and longtime college professor — died on July 14 at age 87.Hitchcock was remembered by friends and colleagues as a man of prophetic insight who defended Church teaching and helped to make the Catholic intellectual tradition accessible for his students and readers.Hitchcock taught history at Saint Louis University from the late 1960s until 2013. Some of the most popular of the dozen books he wrote include his one-volume “History of the Catholic Church: From the Apostolic Age to the Third Millennium,” published in 2012 by Ignatius Press.Frank Caprio (Nov. 24, 1936 — Aug. 20, 2025)Frank Caprio, who served as a Providence, Rhode Island, municipal court judge for nearly 40 years and came to be known as “America’s nicest judge,” passed away on Aug. 20 from pancreatic cancer.Caprio gained worldwide fame for a lenient judicial style that blended justice, extreme empathy, and mercy when his courtroom was televised in a program called “Caught in Providence.”The program began in 1999 and went viral in 2017, achieving hundreds of millions of views since then. The show was nominated for a Daytime Emmy Award in 2021 and has a YouTube channel with nearly 3 million subscribers.Caprio told EWTN News in February that he always kept in mind something his father, a hardworking Italian immigrant with a fifth-grade education, had impressed upon him: “What might seem like a small fine to some was something that many couldn’t afford.”“Your case is dismissed” became Caprio’s signature phrase.Thomas A. Nelson (March 1, 1937 — Aug. 16, 2025)Thomas A. Nelson, the founder of TAN Books — a Catholic publishing house known for its books promoting traditional Catholicism in the post-Vatican II era — died Aug. 16 at age 88.Nelson, who had previously worked as a teacher, founded TAN Books and Publishers Inc. in Rockford, Illinois, in 1967 and an accompanying printing plant in 1978. In addition to being Nelson’s initials, TAN is an acronym for the Latin phrase “Tuum Adoramus Nomen” (“Let Us Adore Thy Name”).Under Nelson’s ownership, TAN became known for publishing orthodox Catholic books, including reprints of classic Catholic works on theology, Scripture, traditional devotions, the Traditional Latin Mass, and the lives of the saints as well as new titles on these subjects by contemporary authors.Katharine, Duchess of Kent (Feb. 22, 1933 — Sept. 4, 2025)The Duchess of Kent, who became the first senior British royal to be received into the Catholic Church since the 17th century, died on Sept. 4 at the age of 92.Renowned for her natural charm, compassion for the sick and downtrodden, and commitment to serving others, the duchess was a much-loved and hardworking British royal whose popularity was enhanced by her own personal suffering and self-effacing nature.She was received into the Church in January 1994 by Cardinal Basil Hume. Up until then, no senior royal had publicly been received into the Church since 1685.Katharine spoke favorably of the Church’s moral precepts. “I do love guidelines and the Catholic Church offers you guidelines,” she once told the BBC. “I have always wanted that in my life. I like to know what’s expected of me.”Sister Jean Dolores Schmidt (Aug. 21, 1919 — Oct. 9, 2025)Sister Jean Dolores Schmidt, the beloved Catholic nun who became known across the country at the age of 98 as the chaplain of the Loyola University Chicago men’s basketball team, died Oct. 9 at the age of 106.Sister Jean was born Dolores Bertha Schmidt on Aug. 21, 1919, to Joseph and Bertha Schmidt. She was raised in a devout Catholic home in San Francisco’s Castro District.In 1937, she joined the Sisters of Charity of the Blessed Virgin Mary and took the name Sister Jean Dolores. In 1991, she joined the staff at Loyola Chicago and three years later became part of the basketball team, first as an academic adviser before transitioning to chaplain.Sister Jean led the team in prayer before each game — praying for her players to be safe, for the referees to be fair, and for God’s assistance during the game.She also admitted to praying for the opposing team, though “not as hard.”Sister Mary Michael of the Eucharistic Heart of Jesus, PCPA (Feb. 25, 1931 — Nov. 10, 2025)Sister Mary Michael of the Eucharistic Heart of Jesus, PCPA, died on Nov. 10 at age 94 after roughly three-quarters of a century of religious life.Sister Mary Michael was the last of the original five nuns who, along with EWTN foundress Mother Angelica, began the Our Lady of the Angels Monastery in Irondale, Alabama.Born Evelyn Shinosky on Feb. 25, 1931, to Joseph and Helen Shinosky, she entered Sancta Clara Monastery in Canton, Ohio, on Aug. 15, 1951, and received the habit and her new name the following May.Her passing marked the end of an era at EWTN and at the monastery — one that saw both the launch of the global Catholic network and the expansion of the religious community to include the Shrine of the Most Blessed Sacrament of Our Lady of the Angels Monastery.Paul Badde (March 10, 1948 — Nov. 10, 2025)Paul Badde, author of many well-known books such as “Benedict Up Close,” “The Face of God,” and “The True Icon,” died on Nov. 10 at the age of 77 after a long illness. Badde was also a veteran contributor to EWTN and CNA Deutsch, CNA’s German-language news partner.Born in Schaag, Germany — a small village on the Lower Rhine — he studied philosophy and sociology in Freiburg as well as art history, history, and political science in Frankfurt. Before embarking on a journalistic career, Badde worked as a teacher for several years.A founding editor of Vatican Magazine, Paul and his wife, Ellen, had five children. Sister JoAnn Persch (June 27, 1934 — Nov. 14, 2025)Longtime immigrant rights advocate Sister JoAnn Persch died on Nov. 14 at age 91.Two weeks before her death, Persch attempted to bring Communion to detainees at the Broadview, Illinois, Immigration and Customs Enforcement (ICE) facility where for decades the Sisters of Mercy ministered to migrants and refugees. Officials denied her entry.Persch and Sister Pat Murphy were founding members of the Su Casa Catholic Worker House in Chicago, serving refugees from Central America who were survivors of war, torture, and political persecution.May the souls of the faithful departed, through the mercy of God, rest in peace.

unitedyam

Credit: udra11/Shutterstock

Dec 31, 2025 / 06:00 am (CNA).

The past year has seen several notable Catholics pass away — from public officials to the vicar of Christ himself.

Here’s a rundown of some prominent Catholics around the world who left us in 2025:

Pope Francis (Dec. 17, 1936 — April 21, 2025)

The Holy Father, Pope Francis, passed away at 7:35 a.m. on Easter Monday, April 21, at his residence in the Vatican’s Casa Santa Marta. The 88-year-old pontiff led the Catholic Church for a little more than 12 years.

The first Latin American pope in history as well as the first Jesuit pope, Francis led the Church through significant canonical and catechetical reforms, urging the faithful to reach out and minister to those on the margins of society while preaching the mercy of God.

Upon his death he left the legacy of what Cardinal Kevin Farrell said was a life “dedicated to the service of God and his Church,” one that urged the faithful to “live the values of the Gospel with fidelity, courage, and universal love, especially for the poorest and most marginalized.”

Pope Francis was succeeded in the chair of St. Peter by Pope Leo XIV on May 8.

Mabel Landry Staton (Nov. 20, 1932 — Feb. 20, 2025)

Mabel Landry Staton, a trailblazing athlete who briefly set an Olympic record at the 1952 Summer Olympics, died on Feb. 20 at age 92.

Representing the United States at the Olympic games in Helsinki in 1952, Staton — known as “Dolly” after a nickname from her father — set a record in the long jump category at 19 feet 3.25 inches. Though the record only lasted for several minutes before New Zealand athlete Yvette Williams bested it, Staton would go on to win medals in the 1955 Pan American Games.

The Philadelphia Inquirer reported that Staton served as a Eucharistic minister at St. Thomas More Church in Cherry Hill, New Jersey, as well as on the board of the Black Catholic Ministry of the Diocese of Camden.

According to the Inquirer, Staton “could still outsprint some of the local high school boys in her 70s.”

Alasdair MacIntyre (Jan. 12, 1929 — May 21, 2025)

Alasdair MacIntyre, a towering figure in moral philosophy and a Catholic convert credited with reviving the discipline of virtue ethics, died on May 21 at age 96.

His seminal 1981 work “After Virtue” reshaped contemporary moral and political philosophy, emphasizing virtue over utilitarian or deontological frameworks.

Known by many as “the most important” modern Catholic philosopher, MacIntyre’s intellectual and spiritual journey spanned atheism, Marxism, Anglicanism, and ultimately Roman Catholicism.

James Hitchcock (Feb. 13, 1938 — July 14, 2025)

James Hitchcock — a noted historian of the Catholic Church, popular author, and longtime college professor — died on July 14 at age 87.

Hitchcock was remembered by friends and colleagues as a man of prophetic insight who defended Church teaching and helped to make the Catholic intellectual tradition accessible for his students and readers.

Hitchcock taught history at Saint Louis University from the late 1960s until 2013. Some of the most popular of the dozen books he wrote include his one-volume “History of the Catholic Church: From the Apostolic Age to the Third Millennium,” published in 2012 by Ignatius Press.

Frank Caprio (Nov. 24, 1936 — Aug. 20, 2025)

Frank Caprio, who served as a Providence, Rhode Island, municipal court judge for nearly 40 years and came to be known as “America’s nicest judge,” passed away on Aug. 20 from pancreatic cancer.

Caprio gained worldwide fame for a lenient judicial style that blended justice, extreme empathy, and mercy when his courtroom was televised in a program called “Caught in Providence.”

The program began in 1999 and went viral in 2017, achieving hundreds of millions of views since then. The show was nominated for a Daytime Emmy Award in 2021 and has a YouTube channel with nearly 3 million subscribers.

Caprio told EWTN News in February that he always kept in mind something his father, a hardworking Italian immigrant with a fifth-grade education, had impressed upon him: “What might seem like a small fine to some was something that many couldn’t afford.”

“Your case is dismissed” became Caprio’s signature phrase.

Thomas A. Nelson (March 1, 1937 — Aug. 16, 2025)

Thomas A. Nelson, the founder of TAN Books — a Catholic publishing house known for its books promoting traditional Catholicism in the post-Vatican II era — died Aug. 16 at age 88.

Nelson, who had previously worked as a teacher, founded TAN Books and Publishers Inc. in Rockford, Illinois, in 1967 and an accompanying printing plant in 1978. In addition to being Nelson’s initials, TAN is an acronym for the Latin phrase “Tuum Adoramus Nomen” (“Let Us Adore Thy Name”).

Under Nelson’s ownership, TAN became known for publishing orthodox Catholic books, including reprints of classic Catholic works on theology, Scripture, traditional devotions, the Traditional Latin Mass, and the lives of the saints as well as new titles on these subjects by contemporary authors.

Katharine, Duchess of Kent (Feb. 22, 1933 — Sept. 4, 2025)

The Duchess of Kent, who became the first senior British royal to be received into the Catholic Church since the 17th century, died on Sept. 4 at the age of 92.

Renowned for her natural charm, compassion for the sick and downtrodden, and commitment to serving others, the duchess was a much-loved and hardworking British royal whose popularity was enhanced by her own personal suffering and self-effacing nature.

She was received into the Church in January 1994 by Cardinal Basil Hume. Up until then, no senior royal had publicly been received into the Church since 1685.

Katharine spoke favorably of the Church’s moral precepts. “I do love guidelines and the Catholic Church offers you guidelines,” she once told the BBC. “I have always wanted that in my life. I like to know what’s expected of me.”

Sister Jean Dolores Schmidt (Aug. 21, 1919 — Oct. 9, 2025)

Sister Jean Dolores Schmidt, the beloved Catholic nun who became known across the country at the age of 98 as the chaplain of the Loyola University Chicago men’s basketball team, died Oct. 9 at the age of 106.

Sister Jean was born Dolores Bertha Schmidt on Aug. 21, 1919, to Joseph and Bertha Schmidt. She was raised in a devout Catholic home in San Francisco’s Castro District.

In 1937, she joined the Sisters of Charity of the Blessed Virgin Mary and took the name Sister Jean Dolores. In 1991, she joined the staff at Loyola Chicago and three years later became part of the basketball team, first as an academic adviser before transitioning to chaplain.

Sister Jean led the team in prayer before each game — praying for her players to be safe, for the referees to be fair, and for God’s assistance during the game.

She also admitted to praying for the opposing team, though “not as hard.”

Sister Mary Michael of the Eucharistic Heart of Jesus, PCPA (Feb. 25, 1931 — Nov. 10, 2025)

Sister Mary Michael of the Eucharistic Heart of Jesus, PCPA, died on Nov. 10 at age 94 after roughly three-quarters of a century of religious life.

Sister Mary Michael was the last of the original five nuns who, along with EWTN foundress Mother Angelica, began the Our Lady of the Angels Monastery in Irondale, Alabama.

Born Evelyn Shinosky on Feb. 25, 1931, to Joseph and Helen Shinosky, she entered Sancta Clara Monastery in Canton, Ohio, on Aug. 15, 1951, and received the habit and her new name the following May.

Her passing marked the end of an era at EWTN and at the monastery — one that saw both the launch of the global Catholic network and the expansion of the religious community to include the Shrine of the Most Blessed Sacrament of Our Lady of the Angels Monastery.

Paul Badde (March 10, 1948 — Nov. 10, 2025)

Paul Badde, author of many well-known books such as “Benedict Up Close,” “The Face of God,” and “The True Icon,” died on Nov. 10 at the age of 77 after a long illness. Badde was also a veteran contributor to EWTN and CNA Deutsch, CNA’s German-language news partner.

Born in Schaag, Germany — a small village on the Lower Rhine — he studied philosophy and sociology in Freiburg as well as art history, history, and political science in Frankfurt. Before embarking on a journalistic career, Badde worked as a teacher for several years.

A founding editor of Vatican Magazine, Paul and his wife, Ellen, had five children.

Sister JoAnn Persch (June 27, 1934 — Nov. 14, 2025)

Longtime immigrant rights advocate Sister JoAnn Persch died on Nov. 14 at age 91.

Two weeks before her death, Persch attempted to bring Communion to detainees at the Broadview, Illinois, Immigration and Customs Enforcement (ICE) facility where for decades the Sisters of Mercy ministered to migrants and refugees. Officials denied her entry.

Persch and Sister Pat Murphy were founding members of the Su Casa Catholic Worker House in Chicago, serving refugees from Central America who were survivors of war, torture, and political persecution.

May the souls of the faithful departed, through the mercy of God, rest in peace.

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PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit #Catholic Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library New York City, New York, Nov 30, 2025 / 08:00 am (CNA). Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England. Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan LibraryDavid appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New YorkProphets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York LibraryThe central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public LibraryLate 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public LibraryIn the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public LibraryScenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York LibraryIn his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York LibraryThis high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York LibraryMore’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York LibraryThe branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.
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PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit #Catholic Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library New York City, New York, Nov 30, 2025 / 08:00 am (CNA). Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England. Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan LibraryDavid appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New YorkProphets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York LibraryThe central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public LibraryLate 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public LibraryIn the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public LibraryScenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York LibraryIn his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York LibraryThis high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York LibraryMore’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York LibraryThe branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

unitedyam

Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. / Credit: Courtesy of the New York Library

New York City, New York, Nov 30, 2025 / 08:00 am (CNA).

Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England.

Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan Library
Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: Courtesy of the Morgan Library

David appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” 

These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.

King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New York
King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of the Metropolitan Museum of Art, New York
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York Library
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of the New York Library

The central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. 

Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public Library
Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of the New York Public Library
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public Library
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of the New York Public Library

In the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”

Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public Library
Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Photography by Janny Chiu. Credit: Courtesy of the New York Public Library
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York Library
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of the New York Library

In his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.

St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York Library
St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of the New York Library

This high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”

The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s "Sir Thomas More," positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York Library
The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s “Sir Thomas More,” positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of the New York Library

More’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. 

A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York Library
A crop of the enter of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of the New York Library

The branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.

David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.

Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

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Advent: What is it and how should it be celebrated? #Catholic Advent candles. / Credit: Romolo Tavini/Shutterstock CNA Staff, Nov 30, 2025 / 04:00 am (CNA). Advent begins this year on Sunday, Nov. 30. Most Catholics — even those who don’t often go to Mass — know that Advent involves a wreath with candles, possibly a “calendar” of hidden chocolates, and untangling strings of Christmas lights. But Advent is much more than that. Here’s an explainer of what Advent is really about.What is Advent?The people of Israel waited for generations for the promised Messiah to arrive. Their poetry, their songs and stories, and their religious worship focused on an awaited savior who would come to them to set them free from captivity and to lead them to the fulfillment of all that God had promised.Israel longed for a Messiah, and John the Baptist, who came before Jesus, promised that the Messiah was coming and could be found in Jesus Christ, God’s Son, the “Lamb of God who takes away the sins of the world.”Advent is a season in the Church’s life intended to renew the experience of waiting and longing for the Messiah. Though Christ has already come into the world, the Church invites us to renew our desire for the Lord more deeply in our lives and to renew our desire for Christ’s triumphant second coming into the world.Advent is the time in which we prepare for Christmas, the memorial of Jesus Christ being born into the world. Preparations are practical, like decorating trees and gift giving, but they’re also intended to be spiritual.During Advent, we’re invited to enter more frequently into silence, into prayer and reflection, into Scripture, and into the sacramental life of the Church — all to prepare for celebrating Christmas.The Catechism of the Catholic Church says the goal of Advent is to make present for ourselves and our families the “ancient expectancy of the Messiah … by sharing in the long preparation for the Savior’s first coming.”What does the word ‘Advent’ mean?Advent comes from the Latin “ad + venire,” which means, essentially, “to come to” or “to come toward.” “Ad + venire” is the root of the Latin “adventus,” which means “arrival.”So Advent is the season of arrival: the arrival of Christ in our hearts, in the world, and into God’s extraordinary plan for our salvation.So, it’s four weeks long?Advent is a slightly different length each year. It starts four Sundays before Christmas. But because Christmas is on a fixed date and could fall on different days of the week, Advent can be as short as three weeks and a day or as long as four weeks. Does Advent mark a ‘new year’?The Church’s feasts and celebrations run on a yearlong cycle, which we call the “liturgical year.” The “liturgical year” starts on the first Sunday of Advent. So it’s a new liturgical year when Advent starts. But the Church also uses the ordinary calendar, so it would probably be a bit weird to have a “New Year’s Eve” party the night before Advent starts.What is the significance of the Advent wreath? The Catholic Church has been using Advent wreaths since the Middle Ages. Lighting candles as we prepare for Christmas reminds us that Christ is the light of the world. And the evergreen boughs remind us of new and eternal life in Christ, the eternal son of the Father.It is definitely true that Germanic people were lighting up candle wreaths in wintertime long before the Gospel arrived in their homeland. They did so because candle wreaths in winter are beautiful and warm. That a Christian symbol emerged from that tradition is an indication that the Gospel can be expressed through the language, customs, and symbols of cultures that come to believe that Christ Jesus is Lord.One candle is pink on the wreath — why?There are four candles on the Advent wreath. Three are purple and lit on the first, second, and fourth Sundays of Advent. The pink candle is lit on the third Sunday of Advent, which we call Gaudete Sunday. On that Sunday, in addition to the pink candle, the priest wears a pink vestment, which he might refer to as “rose.”Gaudete is a word that means “rejoice,” and we rejoice on Gaudete Sunday because we are halfway through Advent. Some people have the custom of throwing Gaudete parties, and this is also a day on which Christmas carolers may begin caroling door to door.The three purple candles are sometimes said to represent prayer, fasting, and almsgiving — the three spiritual disciplines that are key to a fruitful Advent.Is it wrong to sing Christmas songs during Advent?No, but there are a lot of great Advent hymns and songs, such as “O Come O Come Emmanuel,” “Come Thou Long Expected Jesus,” “O Come Divine Messiah,” “Come Thou Fount,” and “Hark! A Thrilling Voice Is Sounding.”When should the tree go up?When to put up the tree is a decision that families decide on their own. Some people put up their tree and decorate it on the first Sunday of Advent to make a big transformation in their home and get them into “preparing for Christmas” mode. Some put up the tree on the first Sunday of Advent, put on lights the next Sunday, ornaments the next, and decorate it more and more as they get closer to Christmas. Some put up the tree on Gaudete Sunday, as a kind of rejoicing, and decorate it in the weeks between Gaudate and Christmas. When the tree goes up and gets decorated is up to the individual and family, but having a Christmas tree is a big part of many people’s Advent traditions. This story was first published in November 2019 and has been updated.
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Advent: What is it and how should it be celebrated? #Catholic Advent candles. / Credit: Romolo Tavini/Shutterstock CNA Staff, Nov 30, 2025 / 04:00 am (CNA). Advent begins this year on Sunday, Nov. 30. Most Catholics — even those who don’t often go to Mass — know that Advent involves a wreath with candles, possibly a “calendar” of hidden chocolates, and untangling strings of Christmas lights. But Advent is much more than that. Here’s an explainer of what Advent is really about.What is Advent?The people of Israel waited for generations for the promised Messiah to arrive. Their poetry, their songs and stories, and their religious worship focused on an awaited savior who would come to them to set them free from captivity and to lead them to the fulfillment of all that God had promised.Israel longed for a Messiah, and John the Baptist, who came before Jesus, promised that the Messiah was coming and could be found in Jesus Christ, God’s Son, the “Lamb of God who takes away the sins of the world.”Advent is a season in the Church’s life intended to renew the experience of waiting and longing for the Messiah. Though Christ has already come into the world, the Church invites us to renew our desire for the Lord more deeply in our lives and to renew our desire for Christ’s triumphant second coming into the world.Advent is the time in which we prepare for Christmas, the memorial of Jesus Christ being born into the world. Preparations are practical, like decorating trees and gift giving, but they’re also intended to be spiritual.During Advent, we’re invited to enter more frequently into silence, into prayer and reflection, into Scripture, and into the sacramental life of the Church — all to prepare for celebrating Christmas.The Catechism of the Catholic Church says the goal of Advent is to make present for ourselves and our families the “ancient expectancy of the Messiah … by sharing in the long preparation for the Savior’s first coming.”What does the word ‘Advent’ mean?Advent comes from the Latin “ad + venire,” which means, essentially, “to come to” or “to come toward.” “Ad + venire” is the root of the Latin “adventus,” which means “arrival.”So Advent is the season of arrival: the arrival of Christ in our hearts, in the world, and into God’s extraordinary plan for our salvation.So, it’s four weeks long?Advent is a slightly different length each year. It starts four Sundays before Christmas. But because Christmas is on a fixed date and could fall on different days of the week, Advent can be as short as three weeks and a day or as long as four weeks. Does Advent mark a ‘new year’?The Church’s feasts and celebrations run on a yearlong cycle, which we call the “liturgical year.” The “liturgical year” starts on the first Sunday of Advent. So it’s a new liturgical year when Advent starts. But the Church also uses the ordinary calendar, so it would probably be a bit weird to have a “New Year’s Eve” party the night before Advent starts.What is the significance of the Advent wreath? The Catholic Church has been using Advent wreaths since the Middle Ages. Lighting candles as we prepare for Christmas reminds us that Christ is the light of the world. And the evergreen boughs remind us of new and eternal life in Christ, the eternal son of the Father.It is definitely true that Germanic people were lighting up candle wreaths in wintertime long before the Gospel arrived in their homeland. They did so because candle wreaths in winter are beautiful and warm. That a Christian symbol emerged from that tradition is an indication that the Gospel can be expressed through the language, customs, and symbols of cultures that come to believe that Christ Jesus is Lord.One candle is pink on the wreath — why?There are four candles on the Advent wreath. Three are purple and lit on the first, second, and fourth Sundays of Advent. The pink candle is lit on the third Sunday of Advent, which we call Gaudete Sunday. On that Sunday, in addition to the pink candle, the priest wears a pink vestment, which he might refer to as “rose.”Gaudete is a word that means “rejoice,” and we rejoice on Gaudete Sunday because we are halfway through Advent. Some people have the custom of throwing Gaudete parties, and this is also a day on which Christmas carolers may begin caroling door to door.The three purple candles are sometimes said to represent prayer, fasting, and almsgiving — the three spiritual disciplines that are key to a fruitful Advent.Is it wrong to sing Christmas songs during Advent?No, but there are a lot of great Advent hymns and songs, such as “O Come O Come Emmanuel,” “Come Thou Long Expected Jesus,” “O Come Divine Messiah,” “Come Thou Fount,” and “Hark! A Thrilling Voice Is Sounding.”When should the tree go up?When to put up the tree is a decision that families decide on their own. Some people put up their tree and decorate it on the first Sunday of Advent to make a big transformation in their home and get them into “preparing for Christmas” mode. Some put up the tree on the first Sunday of Advent, put on lights the next Sunday, ornaments the next, and decorate it more and more as they get closer to Christmas. Some put up the tree on Gaudete Sunday, as a kind of rejoicing, and decorate it in the weeks between Gaudate and Christmas. When the tree goes up and gets decorated is up to the individual and family, but having a Christmas tree is a big part of many people’s Advent traditions. This story was first published in November 2019 and has been updated.

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Advent candles. / Credit: Romolo Tavini/Shutterstock

CNA Staff, Nov 30, 2025 / 04:00 am (CNA).

Advent begins this year on Sunday, Nov. 30. Most Catholics — even those who don’t often go to Mass — know that Advent involves a wreath with candles, possibly a “calendar” of hidden chocolates, and untangling strings of Christmas lights. But Advent is much more than that. Here’s an explainer of what Advent is really about.

What is Advent?

The people of Israel waited for generations for the promised Messiah to arrive. Their poetry, their songs and stories, and their religious worship focused on an awaited savior who would come to them to set them free from captivity and to lead them to the fulfillment of all that God had promised.

Israel longed for a Messiah, and John the Baptist, who came before Jesus, promised that the Messiah was coming and could be found in Jesus Christ, God’s Son, the “Lamb of God who takes away the sins of the world.”

Advent is a season in the Church’s life intended to renew the experience of waiting and longing for the Messiah. Though Christ has already come into the world, the Church invites us to renew our desire for the Lord more deeply in our lives and to renew our desire for Christ’s triumphant second coming into the world.

Advent is the time in which we prepare for Christmas, the memorial of Jesus Christ being born into the world. Preparations are practical, like decorating trees and gift giving, but they’re also intended to be spiritual.

During Advent, we’re invited to enter more frequently into silence, into prayer and reflection, into Scripture, and into the sacramental life of the Church — all to prepare for celebrating Christmas.

The Catechism of the Catholic Church says the goal of Advent is to make present for ourselves and our families the “ancient expectancy of the Messiah … by sharing in the long preparation for the Savior’s first coming.”

What does the word ‘Advent’ mean?

Advent comes from the Latin “ad + venire,” which means, essentially, “to come to” or “to come toward.” “Ad + venire” is the root of the Latin “adventus,” which means “arrival.”

So Advent is the season of arrival: the arrival of Christ in our hearts, in the world, and into God’s extraordinary plan for our salvation.

So, it’s four weeks long?

Advent is a slightly different length each year. It starts four Sundays before Christmas. But because Christmas is on a fixed date and could fall on different days of the week, Advent can be as short as three weeks and a day or as long as four weeks.

Does Advent mark a ‘new year’?

The Church’s feasts and celebrations run on a yearlong cycle, which we call the “liturgical year.” The “liturgical year” starts on the first Sunday of Advent. So it’s a new liturgical year when Advent starts. But the Church also uses the ordinary calendar, so it would probably be a bit weird to have a “New Year’s Eve” party the night before Advent starts.

What is the significance of the Advent wreath?

The Catholic Church has been using Advent wreaths since the Middle Ages. Lighting candles as we prepare for Christmas reminds us that Christ is the light of the world. And the evergreen boughs remind us of new and eternal life in Christ, the eternal son of the Father.

It is definitely true that Germanic people were lighting up candle wreaths in wintertime long before the Gospel arrived in their homeland. They did so because candle wreaths in winter are beautiful and warm. That a Christian symbol emerged from that tradition is an indication that the Gospel can be expressed through the language, customs, and symbols of cultures that come to believe that Christ Jesus is Lord.

One candle is pink on the wreath — why?

There are four candles on the Advent wreath. Three are purple and lit on the first, second, and fourth Sundays of Advent. The pink candle is lit on the third Sunday of Advent, which we call Gaudete Sunday. On that Sunday, in addition to the pink candle, the priest wears a pink vestment, which he might refer to as “rose.”

Gaudete is a word that means “rejoice,” and we rejoice on Gaudete Sunday because we are halfway through Advent. Some people have the custom of throwing Gaudete parties, and this is also a day on which Christmas carolers may begin caroling door to door.

The three purple candles are sometimes said to represent prayer, fasting, and almsgiving — the three spiritual disciplines that are key to a fruitful Advent.

Is it wrong to sing Christmas songs during Advent?

No, but there are a lot of great Advent hymns and songs, such as “O Come O Come Emmanuel,” “Come Thou Long Expected Jesus,” “O Come Divine Messiah,” “Come Thou Fount,” and “Hark! A Thrilling Voice Is Sounding.”

When should the tree go up?

When to put up the tree is a decision that families decide on their own. Some people put up their tree and decorate it on the first Sunday of Advent to make a big transformation in their home and get them into “preparing for Christmas” mode.

Some put up the tree on the first Sunday of Advent, put on lights the next Sunday, ornaments the next, and decorate it more and more as they get closer to Christmas.

Some put up the tree on Gaudete Sunday, as a kind of rejoicing, and decorate it in the weeks between Gaudate and Christmas.

When the tree goes up and gets decorated is up to the individual and family, but having a Christmas tree is a big part of many people’s Advent traditions.

This story was first published in November 2019 and has been updated.

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