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Major restoration in Minneapolis aims to renew ‘every square inch’ of country’s oldest basilica #Catholic If you want to clean more-than-century-old marble statues of the apostles, you don’t simply use soap and water. Rather, you must spray the figures with a “specialized conservation material” that subsequently dries into a “latex-like layer,” which is then “carefully peeled away,” thus preserving the statue’s original finish. The process “is labor intensive and takes significant time,” according to staff at the Basilica of Saint Mary, a towering and historic minor basilica in downtown Minneapolis. The massive church, which was dedicated in 1915 and became the first basilica in the United States when it was designated as such by Pope Pius XI in 1926, has been undergoing a major restoration project since 2025. A specialty cleaning material is sprayed on a statue of St. Peter at the Basilica of Saint Mary in Minneapolis in an undated photo. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Built in the Beaux-Arts style — what was at the time a popular architectural form in the United States — the co-cathedral boasts a towering flèche-topped central dome and an 82-foot-high barrel vault. Among its many adornments include the statues of the apostles, which were carved in Italy as half-scale replicas of statues at the Archbasilica of St. John Lateran, the cathedral of the pope in Rome. Church’s roots stretch back to 1860sOn its website, the basilica says its roots can be traced to 1868, when a simple “shed church” was constructed in Minneapolis. Years later another, more substantial Gothic Revival edifice was built, but burgeoning development in the neighborhood eventually pushed the parish to relocate to its present location on Hennepin Avenue. The cornerstone of the current structure was laid in 1908. The church, designated a pro-cathedral, celebrated its first Mass in 1914; it was dedicated the following year. It was still being worked on when the U.S. entered World War I in 1917. An original print of the basilica, drafted by architect Emmanuel Louis Masqueray, hangs in the church’s undercroft. | Credit: Courtesy of the Basilica of Saint Mary In 1926, Pius XI raised the pro-cathedral to the rank of minor basilica, after which it took on its present name. It would enjoy a vibrant parish life in the following decades, though the construction of adjacent freeways in the 1960s “took a heavy toll” on the building. The 1980s and 1990s saw parishioners spearheading efforts at ongoing restoration. The latest restoration campaign, titled “Restoring Beauty, Inspiring Hope,” has aimed to raise a total of about million in funding. Among the project’s goals are masonry repairs, roof repairs, pew restorations with new kneelers, plaster restoration, and numerous other projects. Workers in an undated photograph clean a limestone surface in an ambulatory of the Basilica of Saint Mary in Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary Johan van Parys, who has served as the basilica’s director of liturgy and the sacred arts since 1995, told EWTN News that the basilica has needed repairs almost from its inception. “Even from the beginning, the building had issues with moisture intrusion,” he said. The architect who designed the church, Emmanuel Louis Masqueray, was French, and he “didn’t completely understand the challenges of Minnesota summers and winters.” “He designed flat roofs over part of the building,” van Parys said. He jokingly described flat roofs as “the bane of our existence” due to their tendency to hold water. In existing photographs of the church taken in 1914, van Parys said, water damage is already visible. “We’ve had to do work on the building ever since,” he said. The church underwent a “somewhat major” restoration in the 1950s, van Parys said, during which for unknown reasons workers painted over intricate stenciling within coffers and other parts of the structure. Along with those details, van Parys said, the restoration effort is “bringing back the original look of the basilica.” The effort was formally launched in 2019 with a master plan for the entire church campus, but the COVID-19 pandemic the next year set the project back. The process resumed after a few years, and the restoration work itself formally began in 2025. Scaffolding towers above the nave of the Basilica of Saint Mary in Minneapolis in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Van Parys said the basilica is being restored both inside and out from top to the bottom, including the plaster ceiling, which has suffered damage over the years and has to be replastered in parts. Work is also being done on the church’s extensive stained-glass window arrangements. Such windows are generally held in place with a lead matrix, but over time the weight of the glass can weaken the metal frame, leading the glass to bulge outward. A stained-glass specialist, however, told the restoration crew that the window fixtures were in “great condition,” meaning considerable amounts of work could be avoided. Some of the windows were still in need of repair, however, and were sent to a specialist in Newark, New Jersey. Limestone throughout the building is also being restored, van Parys said. The visible stone throughout the building is bolstered by several inches of reinforced concrete and bricks; moisture often makes its way through this sandwiching of materials, leading to a buildup of salt crystals on the stone, what is known as “efflorescence.” Removing this blemish beautifies the facade of the stone and also protects it from degradation. Crews use a spray-and-peel chemical similar to the process used on the statues of the apostles. A century’s worth of visible soot and grime contrasts with a restored limestone surface in an undated photograph in the Basilica of Saint Mary, Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary The restoration crews also removed the basilica’s pews in order to have them restored with cleaning, sanding, and shellac finishing.“We opted to restore the original 1914 pews,” van Parys said. “One of our principles in terms of restoration is that we don’t want to over-restore. We didn’t want it to be a new church. People have worshipped in here since 1914. We want this presence of prayer and generations before us to remain.”“So rather than have new pews we decided to restore the old ones,” he said. “In doing so we discovered that the people who built the pews in 1914 signed them. So we have the names of all the people who worked on the pews.” Workmen in an undated photo remove pews from the Basilica of Saint Mary in Minneapolis as part of the restoration of the church. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Upon removing the pews, the work crews discovered that the flooring of the nave was not level. “One option was to put shims under all the pews,” van Parys said. “But that would have been a huge operation.” Since crews were already removing the wood flooring to restore it, they also removed part of the old concrete subfloor and re-leveled it. A worker at Fresh Air Finishers in Saint Paul, Minnesota, restores a pew from the Basilica of Saint Mary in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Numerous other restoration projects are ongoing, van Parys said, including restoring the church’s bronze doors, which were installed after it was designated a basilica. The church’s rector at the time, Monsignor James Reardon, had traveled to Rome and observed that the basilicas there had bronze doors. “He decided we needed bronze doors as well,” van Parys said. Archbishop Bernard Hebda blesses and seals bronze doors at the Basilica of Saint Mary ahead of restoration of the century-old features of the historic church, April 5, 2026. | Credit: Photo courtesy of the Basilica of Saint Mary Crews are aiming to be done with the massive project by Palm Sunday 2027. At the moment the parish holds Masses in the building’s undercroft beneath the structure. “Every week at Mass, I tell people, for instance, ‘Last Sunday was Week 35, which means we have 34 weeks to go,’” van Parys said with a laugh. He said the work is “quite expedited” and progressing quickly. Ultimately the effort is meant not just to restore the church but to develop a “manual of preservation” for future generations to help protect it. “Our goal is to restore and to also make sure that everything is cared for in the best possible way, to extend the lifespan of the basilica as long as possible before another restoration is necessary,” he said. He said the entire project is being conducted “not only with liturgical principles but also historical preservation principles.”“It is really comprehensive,” he said. “Every square inch of the basilica will be restored.”
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Major restoration in Minneapolis aims to renew ‘every square inch’ of country’s oldest basilica #Catholic If you want to clean more-than-century-old marble statues of the apostles, you don’t simply use soap and water. Rather, you must spray the figures with a “specialized conservation material” that subsequently dries into a “latex-like layer,” which is then “carefully peeled away,” thus preserving the statue’s original finish. The process “is labor intensive and takes significant time,” according to staff at the Basilica of Saint Mary, a towering and historic minor basilica in downtown Minneapolis. The massive church, which was dedicated in 1915 and became the first basilica in the United States when it was designated as such by Pope Pius XI in 1926, has been undergoing a major restoration project since 2025. A specialty cleaning material is sprayed on a statue of St. Peter at the Basilica of Saint Mary in Minneapolis in an undated photo. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Built in the Beaux-Arts style — what was at the time a popular architectural form in the United States — the co-cathedral boasts a towering flèche-topped central dome and an 82-foot-high barrel vault. Among its many adornments include the statues of the apostles, which were carved in Italy as half-scale replicas of statues at the Archbasilica of St. John Lateran, the cathedral of the pope in Rome. Church’s roots stretch back to 1860sOn its website, the basilica says its roots can be traced to 1868, when a simple “shed church” was constructed in Minneapolis. Years later another, more substantial Gothic Revival edifice was built, but burgeoning development in the neighborhood eventually pushed the parish to relocate to its present location on Hennepin Avenue. The cornerstone of the current structure was laid in 1908. The church, designated a pro-cathedral, celebrated its first Mass in 1914; it was dedicated the following year. It was still being worked on when the U.S. entered World War I in 1917. An original print of the basilica, drafted by architect Emmanuel Louis Masqueray, hangs in the church’s undercroft. | Credit: Courtesy of the Basilica of Saint Mary In 1926, Pius XI raised the pro-cathedral to the rank of minor basilica, after which it took on its present name. It would enjoy a vibrant parish life in the following decades, though the construction of adjacent freeways in the 1960s “took a heavy toll” on the building. The 1980s and 1990s saw parishioners spearheading efforts at ongoing restoration. The latest restoration campaign, titled “Restoring Beauty, Inspiring Hope,” has aimed to raise a total of about $50 million in funding. Among the project’s goals are masonry repairs, roof repairs, pew restorations with new kneelers, plaster restoration, and numerous other projects. Workers in an undated photograph clean a limestone surface in an ambulatory of the Basilica of Saint Mary in Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary Johan van Parys, who has served as the basilica’s director of liturgy and the sacred arts since 1995, told EWTN News that the basilica has needed repairs almost from its inception. “Even from the beginning, the building had issues with moisture intrusion,” he said. The architect who designed the church, Emmanuel Louis Masqueray, was French, and he “didn’t completely understand the challenges of Minnesota summers and winters.” “He designed flat roofs over part of the building,” van Parys said. He jokingly described flat roofs as “the bane of our existence” due to their tendency to hold water. In existing photographs of the church taken in 1914, van Parys said, water damage is already visible. “We’ve had to do work on the building ever since,” he said. The church underwent a “somewhat major” restoration in the 1950s, van Parys said, during which for unknown reasons workers painted over intricate stenciling within coffers and other parts of the structure. Along with those details, van Parys said, the restoration effort is “bringing back the original look of the basilica.” The effort was formally launched in 2019 with a master plan for the entire church campus, but the COVID-19 pandemic the next year set the project back. The process resumed after a few years, and the restoration work itself formally began in 2025. Scaffolding towers above the nave of the Basilica of Saint Mary in Minneapolis in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Van Parys said the basilica is being restored both inside and out from top to the bottom, including the plaster ceiling, which has suffered damage over the years and has to be replastered in parts. Work is also being done on the church’s extensive stained-glass window arrangements. Such windows are generally held in place with a lead matrix, but over time the weight of the glass can weaken the metal frame, leading the glass to bulge outward. A stained-glass specialist, however, told the restoration crew that the window fixtures were in “great condition,” meaning considerable amounts of work could be avoided. Some of the windows were still in need of repair, however, and were sent to a specialist in Newark, New Jersey. Limestone throughout the building is also being restored, van Parys said. The visible stone throughout the building is bolstered by several inches of reinforced concrete and bricks; moisture often makes its way through this sandwiching of materials, leading to a buildup of salt crystals on the stone, what is known as “efflorescence.” Removing this blemish beautifies the facade of the stone and also protects it from degradation. Crews use a spray-and-peel chemical similar to the process used on the statues of the apostles. A century’s worth of visible soot and grime contrasts with a restored limestone surface in an undated photograph in the Basilica of Saint Mary, Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary The restoration crews also removed the basilica’s pews in order to have them restored with cleaning, sanding, and shellac finishing.“We opted to restore the original 1914 pews,” van Parys said. “One of our principles in terms of restoration is that we don’t want to over-restore. We didn’t want it to be a new church. People have worshipped in here since 1914. We want this presence of prayer and generations before us to remain.”“So rather than have new pews we decided to restore the old ones,” he said. “In doing so we discovered that the people who built the pews in 1914 signed them. So we have the names of all the people who worked on the pews.” Workmen in an undated photo remove pews from the Basilica of Saint Mary in Minneapolis as part of the restoration of the church. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Upon removing the pews, the work crews discovered that the flooring of the nave was not level. “One option was to put shims under all the pews,” van Parys said. “But that would have been a huge operation.” Since crews were already removing the wood flooring to restore it, they also removed part of the old concrete subfloor and re-leveled it. A worker at Fresh Air Finishers in Saint Paul, Minnesota, restores a pew from the Basilica of Saint Mary in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Numerous other restoration projects are ongoing, van Parys said, including restoring the church’s bronze doors, which were installed after it was designated a basilica. The church’s rector at the time, Monsignor James Reardon, had traveled to Rome and observed that the basilicas there had bronze doors. “He decided we needed bronze doors as well,” van Parys said. Archbishop Bernard Hebda blesses and seals bronze doors at the Basilica of Saint Mary ahead of restoration of the century-old features of the historic church, April 5, 2026. | Credit: Photo courtesy of the Basilica of Saint Mary Crews are aiming to be done with the massive project by Palm Sunday 2027. At the moment the parish holds Masses in the building’s undercroft beneath the structure. “Every week at Mass, I tell people, for instance, ‘Last Sunday was Week 35, which means we have 34 weeks to go,’” van Parys said with a laugh. He said the work is “quite expedited” and progressing quickly. Ultimately the effort is meant not just to restore the church but to develop a “manual of preservation” for future generations to help protect it. “Our goal is to restore and to also make sure that everything is cared for in the best possible way, to extend the lifespan of the basilica as long as possible before another restoration is necessary,” he said. He said the entire project is being conducted “not only with liturgical principles but also historical preservation principles.”“It is really comprehensive,” he said. “Every square inch of the basilica will be restored.”

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The massive church was dedicated in 1915 and became the first basilica in the United States when it was designated as such by Pope Pius XI in 1926.

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Argentinians join in prayer for earthquake-shattered Venezuelans #Catholic With thousands dead, injured, and missing in the wake of last week’s devastating earthquakes in Venezuela, Argentinians gathered in prayer for the Venezuelan people on June 28 at the basilica and national shrine of Our Lady of Luján. There, the archbishop of Mercedes-Luján, Jorge Eduardo Scheinig, offered Mass for the Venezuelan people.“Let us think of those who have died and their families,” Scheinig said in his homily. “In a single minute, so many people were left with nothing, absolutely nothing,” he noted.“Let us pray for the rescue workers and for all those who are working [on the ground]. Let us stand in solidarity with them through prayer,” said Scheinig, who proceeded to lead a moment of silence to pray to God and the Virgin for the people of Venezuela.The archbishop dedicated the rest of his homily to examining priorities, those things that “carry more weight than others” and “have the power to bring order to our lives.”“If you have the right priorities, you are at peace. But if you choose your priorities poorly, it causes confusion and anguish for you; it doesn’t help you live well. So, from time to time, we need to have the courage to reexamine our priorities,” he noted.In this regard, he said that “Jesus helps us order our priorities,” and elaborated: “What is Jesus’ priority? God. What comes first for Jesus? God. And what does he advise us? Put God first, and you won’t regret it,” he explained.He therefore urged people to ask themselves: “What place does God hold? What place does Mass hold?” he continued. “If you put God’s love first, if you love God in your life — that love is so good, so pure, and so radiant that it brings order to your entire life and helps you understand your whole life. Because God takes nothing away from you; he fills your life with love,” he pointed out. “Putting God first means taking a stand, taking a risk, and filling your heart with love; that helps you love everyone and everything in a different way, to love better,” he emphasized.Referring to the situation in Venezuela, Scheinig reflected: “Just look at how strange the world is. Today, television shows harrowing scenes. I was watching the news and saw a little boy crying — he had been left all alone after the earthquake, and it breaks your heart. Yet, a short while later, we’re watching the Argentina [World Cup] match.”“And notice, too, that we see scenes of war, of migrants who have nothing and live in a small tent. That’s the world. It happens to us in a family as well: You might be celebrating the 15th birthday of one of your children and then a close relative dies or someone comes down with an illness. That’s life. Life is that strange mix of very beautiful things and deeply painful things,” he noted.“But when your heart has priorities, you don’t get confused. And so, yes, we can cheer for the national team, but my priority isn’t soccer; my priority is life, it’s what happens to other people. I don’t let the things of life desensitize me,” he cautioned.That is why, “if God is your priority, you are able to not get desensitized to pain. You have your life on track. You can watch the World Cup, but you realize that it isn’t the priority. Your life is in order. You know where you stand, what you want, and what you don’t want,” he continued.In that context, he added, the need arises to stand with Venezuelans in prayer: “God, strengthen so many people whose lives changed in an instant.”“We also feel moved to show solidarity, to give money and goods, and to share what we have with those in need because your heart is rightly ordered; it is with God.”“Life presents us with complex, difficult moments in the world,” Scheinig acknowledged, while expressing the hope that “God holds first place on our list of priorities, so that we may remain good people.”This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
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Argentinians join in prayer for earthquake-shattered Venezuelans #Catholic With thousands dead, injured, and missing in the wake of last week’s devastating earthquakes in Venezuela, Argentinians gathered in prayer for the Venezuelan people on June 28 at the basilica and national shrine of Our Lady of Luján. There, the archbishop of Mercedes-Luján, Jorge Eduardo Scheinig, offered Mass for the Venezuelan people.“Let us think of those who have died and their families,” Scheinig said in his homily. “In a single minute, so many people were left with nothing, absolutely nothing,” he noted.“Let us pray for the rescue workers and for all those who are working [on the ground]. Let us stand in solidarity with them through prayer,” said Scheinig, who proceeded to lead a moment of silence to pray to God and the Virgin for the people of Venezuela.The archbishop dedicated the rest of his homily to examining priorities, those things that “carry more weight than others” and “have the power to bring order to our lives.”“If you have the right priorities, you are at peace. But if you choose your priorities poorly, it causes confusion and anguish for you; it doesn’t help you live well. So, from time to time, we need to have the courage to reexamine our priorities,” he noted.In this regard, he said that “Jesus helps us order our priorities,” and elaborated: “What is Jesus’ priority? God. What comes first for Jesus? God. And what does he advise us? Put God first, and you won’t regret it,” he explained.He therefore urged people to ask themselves: “What place does God hold? What place does Mass hold?” he continued. “If you put God’s love first, if you love God in your life — that love is so good, so pure, and so radiant that it brings order to your entire life and helps you understand your whole life. Because God takes nothing away from you; he fills your life with love,” he pointed out. “Putting God first means taking a stand, taking a risk, and filling your heart with love; that helps you love everyone and everything in a different way, to love better,” he emphasized.Referring to the situation in Venezuela, Scheinig reflected: “Just look at how strange the world is. Today, television shows harrowing scenes. I was watching the news and saw a little boy crying — he had been left all alone after the earthquake, and it breaks your heart. Yet, a short while later, we’re watching the Argentina [World Cup] match.”“And notice, too, that we see scenes of war, of migrants who have nothing and live in a small tent. That’s the world. It happens to us in a family as well: You might be celebrating the 15th birthday of one of your children and then a close relative dies or someone comes down with an illness. That’s life. Life is that strange mix of very beautiful things and deeply painful things,” he noted.“But when your heart has priorities, you don’t get confused. And so, yes, we can cheer for the national team, but my priority isn’t soccer; my priority is life, it’s what happens to other people. I don’t let the things of life desensitize me,” he cautioned.That is why, “if God is your priority, you are able to not get desensitized to pain. You have your life on track. You can watch the World Cup, but you realize that it isn’t the priority. Your life is in order. You know where you stand, what you want, and what you don’t want,” he continued.In that context, he added, the need arises to stand with Venezuelans in prayer: “God, strengthen so many people whose lives changed in an instant.”“We also feel moved to show solidarity, to give money and goods, and to share what we have with those in need because your heart is rightly ordered; it is with God.”“Life presents us with complex, difficult moments in the world,” Scheinig acknowledged, while expressing the hope that “God holds first place on our list of priorities, so that we may remain good people.”This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

unitedyam

In his homily during a Mass offered for the earthquake’s victims, Archbishop Jorge Scheinig urged the faithful to reexamine their priorities in life, realizing one can lose everything in an instant.

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