ambition

Archbishop Lori tells women religious: ‘The Church looks to you with hope’ #Catholic Baltimore Archbishop William Lori this week praised an assembly of women religious major superiors for their witness of “evangelical poverty,” with the prelate noting the outsized influence that women religious have had on American society over the past 250 years. “You and those who came before you have taught our children, tended to the sick, welcomed immigrants, accompanied the dying, consoled the brokenhearted, and proclaimed Christ where no one else was willing to go,” the archbishop told the major superiors on Sept. 18 in Florissant, Missouri.“For that, the Church gives thanks. But gratitude alone is not enough. The Church also looks to you with hope,” he said. The archbishop spoke at the 2026 National Assembly of the Council of Major Superiors of Women Religious, the theme of which was: “250 Years of Freedom: Daughters of the Church from One Generation to the Next.”The council comprises major superiors and vicars from 112 religious communities around the U.S. The group describes its national assembly as “the springboard for collaboration, participation, and dialogue among members” which “promotes unity among the major superiors that gives witness to the joy of religious life.”Addressing the gathering as the keynote speaker, Lori acknowledged the assembly’s recognition of the 250th anniversary of the founding of the United States. The U.S. has been instrumental in advancing religious freedom and human dignity across the world, the archbishop argued. He noted that most histories of the founding of the U.S. focus on the Founding Fathers such as George Washington, Thomas Jefferson and others. But “the American experiment would have looked very different” without the contributions of “thousands and thousands of women religious,” he said.“Who welcomed wave after wave of immigrants? Who cared for the victims of epidemics when others fled? Who taught generations of children not simply arithmetic and grammar, but honesty, sacrifice, discipline, and love of God?” he said. Women religious “changed the nation because they first allowed Christ to change them,” the archbishop said. He noted the “paradox” in which those who take vows of poverty “enriched countless communities” and those who “renounced worldly ambition” often “exercised the greatest influence upon society.” “The world struggles to understand this paradox,” Lori said. “The Gospel does not.” Women religious have historically both upheld the ideals of America while challenging it when it “falls short of the Gospel,” Lori said. He cited the witness of St. Frances Xavier Cabrini’s “evangelical poverty” as she carried out the founding of schools, hospitals and orphanages around the world. And he further pointed to the work of Servant of God Sister Mary Thea Bowman, praising her for her “profoundly Catholic way” of confronting racism while evangelizing about the love of Christ. Urging the women religious to pursue “an ever-new embrace of the heart of your vocation,” Lori told the assembly: “The world needs women who have been seized by Christ.”“It needs women whose lives bear unmistakable witness to the truth that God is real, that holiness is possible, that sacrifice is fruitful, and that love poured out in communion with Christ can transform the world,” he said.
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Archbishop Lori tells women religious: ‘The Church looks to you with hope’ #Catholic Baltimore Archbishop William Lori this week praised an assembly of women religious major superiors for their witness of “evangelical poverty,” with the prelate noting the outsized influence that women religious have had on American society over the past 250 years. “You and those who came before you have taught our children, tended to the sick, welcomed immigrants, accompanied the dying, consoled the brokenhearted, and proclaimed Christ where no one else was willing to go,” the archbishop told the major superiors on Sept. 18 in Florissant, Missouri.“For that, the Church gives thanks. But gratitude alone is not enough. The Church also looks to you with hope,” he said. The archbishop spoke at the 2026 National Assembly of the Council of Major Superiors of Women Religious, the theme of which was: “250 Years of Freedom: Daughters of the Church from One Generation to the Next.”The council comprises major superiors and vicars from 112 religious communities around the U.S. The group describes its national assembly as “the springboard for collaboration, participation, and dialogue among members” which “promotes unity among the major superiors that gives witness to the joy of religious life.”Addressing the gathering as the keynote speaker, Lori acknowledged the assembly’s recognition of the 250th anniversary of the founding of the United States. The U.S. has been instrumental in advancing religious freedom and human dignity across the world, the archbishop argued. He noted that most histories of the founding of the U.S. focus on the Founding Fathers such as George Washington, Thomas Jefferson and others. But “the American experiment would have looked very different” without the contributions of “thousands and thousands of women religious,” he said.“Who welcomed wave after wave of immigrants? Who cared for the victims of epidemics when others fled? Who taught generations of children not simply arithmetic and grammar, but honesty, sacrifice, discipline, and love of God?” he said. Women religious “changed the nation because they first allowed Christ to change them,” the archbishop said. He noted the “paradox” in which those who take vows of poverty “enriched countless communities” and those who “renounced worldly ambition” often “exercised the greatest influence upon society.” “The world struggles to understand this paradox,” Lori said. “The Gospel does not.” Women religious have historically both upheld the ideals of America while challenging it when it “falls short of the Gospel,” Lori said. He cited the witness of St. Frances Xavier Cabrini’s “evangelical poverty” as she carried out the founding of schools, hospitals and orphanages around the world. And he further pointed to the work of Servant of God Sister Mary Thea Bowman, praising her for her “profoundly Catholic way” of confronting racism while evangelizing about the love of Christ. Urging the women religious to pursue “an ever-new embrace of the heart of your vocation,” Lori told the assembly: “The world needs women who have been seized by Christ.”“It needs women whose lives bear unmistakable witness to the truth that God is real, that holiness is possible, that sacrifice is fruitful, and that love poured out in communion with Christ can transform the world,” he said.

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The Baltimore archbishop gave the keynote address to the Council of Major Superiors of Women Religious meeting in Missouri.

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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”
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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”

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Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.”

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