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Pope Leo meets with renowned singer Bob Dylan #Catholic Pope Leo XIV welcomed legendary American singer-songwriter and 2016 Nobel Prize in literature laureate Bob Dylan to the Vatican on Wednesday, Nov. 4.During the meeting, for which Dylan wore a black-hooded jacket, the Holy Father presented him with a rosary, while the 85-year-old singer gifted the pontiff a copy of his autobiography, “Chronicles: Volume One,” according to Vatican News.Dylan is in Rome for a Thursday, Nov. 5, concert at the Palazzo dello Sport as part of his “Rough and Rowdy Ways” tour, which also includes stops in Milan and Bologna.Pope Leo XIV has quoted DylanIn July, Pope Leo XIV quoted Dylan to criticize the arms race, which he described as something that “frightens and terrifies us today.”"As singer-songwriter and poet Bob Dylan wrote, figuratively addressing the atomic bomb, in one of his poetic compositions: ‘I hate you cause yer man-made and man-owned an’ man-handled,’" the pope wrote, referring to the song "Go Away You Bomb" (1963).The quote appears in an unpublished text from the book “Unarmed and Disarming: Peace Is a Gift,” published by the Vatican Publishing House. It is the first anthology to collect various statements by Pope Leo XIV on the subject of peace, dating from his election on May 8, 2025.A performance before St. John Paul II and a multitude of young peopleDylan’s audience with Pope Leo XIV was not the first time the singer-songwriter had met a pope.In September 1997, Dylan was invited to perform at the 23rd National Eucharistic Congress in Bologna, Italy, before St. John Paul II and a crowd of approximately 300,000 young people.The singer performed some of his hits, such as "Knockin’ on Heaven’s Door" — a song also popularized by Guns N’ Roses and Eric Clapton.Although Dylan did not perform "Blowin’ in the Wind," the song’s theme was referenced by Pope John Paul II in his address to the gathering. In the song, the singer-songwriter asks, “How many roads must a man walk down before he can truly call himself a man?” — to which he himself provides the answer, in the song’s title: “The answer, my friend, is blowin’ in the wind.”In his address, John Paul II revisited Dylan’s question, gave it a masterful twist, and offered an answer imbued with Christian realism: “One of your representatives has said, on your behalf, that the answer to the questions in your life ‘is blowin’ in the wind.’ That is true. But it is not the wind that scatters everything into the whirlpools of nothingness; rather, it is the wind that is the breath and voice of the Spirit.”And he added: “You have asked me: ‘How many paths must a man travel to be able to recognize himself as a man?’ I answer you: one. There is only one path for man; it is Christ, who said: ‘I am the way’ (Jn 14:6). He is the way of truth, the way of life.”This story was first published by EWTN News Español, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

Exorcist Father Ripperger agrees to 1-year ‘fast’ from public speaking #Catholic Archbishop James Golka of Denver has asked Father Chad Ripperger, a prominent Catholic exorcist whose podcast appearances have reached millions of viewers, to take a yearlong break from public speaking and interviews.Ripperger agreed to the request, according to a statement from Kelly Clark, director of communications for the Archdiocese of Denver, provided to the National Catholic Register, the sister partner of EWTN News, and LifeSiteNews and later posted to the archdiocese’s website.“Archbishop Golka recently met with Fr. Chad Ripperger to discuss his ministry and his community, the Society of the Most Sorrowful Mother,” Clark said. “During that conversation, the Archbishop asked Fr. Ripperger to consider a one-year fast from public speaking and interviews.”“The time will allow him to devote himself to the Society and to the people it serves,” she continued. “Fr. Ripperger readily agreed. At the end of the year, they will review the arrangement together.”Golka is “grateful for Fr. Ripperger’s priestly service, exorcism ministry, and for the generous spirit in which he received this request,” the statement continued. “We ask the faithful to join us in praying for Fr. Ripperger and for the Society.”LifeSiteNews reported Oct. 19 that Ripperger — who in 2012 founded the Society of the Most Sorrowful Mother (also known as the Doloran Fathers), a semi-contemplative society of priests located in Keenesburg, Colorado, that focuses on spiritual warfare and traditional Catholic liturgy — had canceled several speaking engagements, including one scheduled for the outlet’s 30th anniversary gala in April 2027.The archdiocese’s statement did not clarify whether the request would affect any of his other priestly duties, or whether it was disciplinary in nature.Ripperger has drawn a large audience through appearances on podcasts hosted by Tucker Carlson and Shawn Ryan. In his April interview with Carlson, he spoke about the role of exorcism in the Gospels and what he sees as a decline in belief in the devil among Christians.“A lot of the Christians will just say, ‘Well, I believe in God, but I don’t necessarily believe in the devil,’” Ripperger told Carlson. “Well, then how can you not believe that this is one of the primary missions of Christ, was to save us from them, ultimately?”The nearly two-hour conversation also covered psychology, the nature of demons, and the distinction between supernatural and preternatural phenomena.In his March interview with Ryan, Ripperger took the discussion further, addressing UFOs and alien abductions. He suggested in the four-hour interview that some reported abduction experiences were demonic, saying that if “you strip the veneer of the alien aspect of it off,” what remains is “just demons.”Discussing Jeffrey Epstein’s island, Ripperger said the layout and things he had read online suggested occult involvement, though he acknowledged he could not be certain about everything he had seen.In a later July episode, Ryan gifted him a rifle, prompting Ripperger — who had mentioned in their previous interview that he carries a firearm and that his community has a target range — to respond: “We’ll have to use it later this afternoon.”The archdiocese has not said whether Golka’s request had anything to do with Ripperger’s remarks in either interview.The development comes amid a larger discussion within the Church about how exorcists should approach speaking to larger audiences through podcasts and media.A July Register feature examined this recent trend, in which several priests and experts said these appearances help people learn about the Church’s ministry, while others raised concerns that sensational talk about demons can frighten people and take the focus away from Christ. On June 3, another prominent priest, Monsignor Stephen Rossetti, was removed from his role as an exorcist in the Archdiocese of Washington. Rossetti had previously said in a YouTube video that he believes many UFO sightings are demonic in nature.This story was first published by the National Catholic Register, the sister partner of EWTN News, and has been adapted by EWTN News.

In a wealthy Asian city, a play asks why St. Clare of Assisi chose to own nothing #Catholic SINGAPORE — St. Clare of Assisi, as she appears on a church stage in Singapore this week, opens her story with a list of what her family owned. “We had money, we had servants … we had horses,” she tells the audience. “We had everything, but for a girl like me, my life was already written for me.”The line comes early in “TO GAZE: St. Clare of Assisi,” performed Oct. 16 and 17 at the Church of St. Mary of the Angels, a Catholic parish in Bukit Batok in western Singapore served by Franciscan friars. The official poster for “TO GAZE: St. Clare of Assisi,” presented by CANA and Saint Max in Singapore Oct. 16–17, 2026, for the Jubilee Year of St. Francis, with Sharda Harrison as St. Clare and Fra Rowland Yeo, OFM, as St. Francis. | Credit: Courtesy of CANA and Saint Max Presented by CANA, a faith-based community and cultural hub in Singapore, and Saint Max, the production is part of the celebrations of the Jubilee Year of St. Francis of Assisi, which the worldwide Franciscan family has held to mark 800 years since Francis died in October 1226.Actress Sharda Harrison wrote the script and plays the role of Clare; according to the organizers, she also directed the show. Fra Rowland Yeo, OFM, a Franciscan friar, plays St. Francis, and the productionʼs poster says all proceeds go to the development office of the Franciscan friars. Fra Michael D’Cruz, OFM, welcomes the audience before the performance Oct. 16, 2026, in Singapore. | Credit: Benedict Tang An organizer from CANA who asked not to be named said that after a year of jubilee celebrations for Francis, the play was a fitting way to close the celebration with “the precious legacy of St. Clare.” The group turned to Harrison, the organizer said, because she had portrayed St. Thérèse of Lisieux for them in 2024 in “St. Thérèse: The Little Way,” a play she also wrote and directed.Asked what audiences should take home, the organizer answered with a question: “Why is poverty a privilege? … Why is this crazy lady Clare so resolved to live it?” The second and last performance falls on Oct. 17, the United Nations' International Day for the Eradication of Poverty. Sharda Harrison, barefoot, addresses the audience as St. Clare at the first performance of “TO GAZE: St. Clare of Assisi,” Oct. 16, 2026. | Credit: Benedict Tang Medieval marriage, modern ‘swiping’In a city-state where Catholics live alongside Buddhists, Muslims, Hindus, Taoists, and others, the script reaches for references from everyday modern life. When Clareʼs father looks for a husband for her, suitors appear on a large screen: Guido, Bernardo, and Silvestro, “my fatherʼs favorite.” Clare asks the audience to vote. “In your time … you swipe right if you like the boy, and you swipe left if you donʼt like the boy,” she says.The comedy gives way to the turning point of her life. Clare describes Francis as a merchantʼs son “born into wealth just like me.” She says: “I realized that I had everything, but I wanted none of it.” She slips out of her family home on Palm Sunday night, has her hair cut before Francis, and faces her furious father: “I belong to Christ now, Father.”It is not a one-woman show. Other actors play Clareʼs companions and the early friars, and Clare pulls women from the audience into the story, choosing them as “sisters” and giving them vows as her community grows. Clare’s hair is cut as she gives up her life of privilege, with Fra Rowland Yeo, OFM, as St. Francis, at a performance in Singapore on Oct. 16, 2026. | Credit: Benedict Tang ‘The right to possess nothing’Poverty runs through the script. Clare recalls that her mother, Ortolana, “saw God everywhere, especially in the poor,” and adds: “They were not hidden like today.”“This is what it means to live in the privilege of poverty,” she says, “to be given the right to possess nothing.” The world, she tells them, “did not understand. Not even the Church.”The title of the play echoes Clareʼs letters to St. Agnes of Prague, a princess who, in the playʼs words, “decided to give up everything to become a poor lady.” In welcoming remarks before the curtain, Fra Michael DʼCruz, OFM, the Franciscan friar overseeing the event for the parish, quoted those letters and described how the two saints, Clare and Francis, worked together. “Francis was the voice; Clare was the quiet powerhouse of prayer,” he said.Near the end, Clare looks back on a life of refusals. “Perhaps saying no was never the whole point,” she says. “I had to learn how to say yes, yes to Christ, yes to poverty.”After the cast took their bow on opening night, Harrison dropped Clareʼs Italian accent to thank those present “for wanting to be here to listen to Clareʼs story,” promising “a bigger, grander farewell” for the last night.St. Clare died in 1253 at San Damiano, near Assisi, Italy, her home “for the next 40 years,” as she says in the script.

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Inside Project Hail Mary – NASA astronaut Kjell Lindgren takes a selfie with the people behind “Project Hail Mary” and the audience during a panel about the movie at NASA’s Jet Propulsion Laboratory on Feb. 25, 2026.