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‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News. Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople. The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music “Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.” The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed. The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia “Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said. Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo “AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.” Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”
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‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News. Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople. The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music “Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.” The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed. The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia “Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said. Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo “AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.” Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”

unitedyam

As AI encroaches on sacred music, Catholics still hold true to Gregorian chant, a historical form of sacred music that is still alive today.

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Pope Leo XIV in Barcelona calls Catholics to be martyrs of unity #Catholic BARCELONA, Spain — Pope Leo XIV dedicated Tuesday morning to thanking the thousands of volunteers who helped organize his apostolic journey to Spain before heading to Barcelona to touch the ancient traces of the country’s deeply rooted Christian faith.At the Cathedral of the Holy Cross and St. Eulalia, whose construction began at the end of the 13th century on the site of early Christian and Romanesque churches and which became, a century later, one of the most important jewels of European Gothic architecture, the pope prayed Midday Prayer with about 500 faithful.Hundreds more waited outside the cathedral to show their affection, many waving Vatican flags.The crowd erupted with excitement at his arrival. The pontiff was accompanied by Cardinal Juan José Omella, archbishop of Barcelona, who gestured with his hands to indicate to the people waiting outside that the pope had to leave. The plane carrying Leo XIV had landed in the Catalan capital 40 minutes late.During the ceremony, the pope sat in the oldest chair — the cathedra, or bishop’s seat — in the city that is still in use, dating at least to the cathedral’s consecration in 1058, according to recent research.In his homily, Leo XIV called Catholics to be builders of communion.“Dear brothers and sisters: it is in this spirit that we too, in a world torn apart by wars and divisions, in a society that is increasingly fragmented and individualistic, wish to be ‘martyrs’ — that is, witnesses and prophets of unity, of welcome, of harmony and of peace, even at the cost of sacrifice and renunciation,” the pope said.It was the first time during the trip that Leo XIV pronounced several phrases in Catalan, the language proper to Catalonia, co-official with Spanish and the main language of the regional administration.A symbol of Catalan cultural identity, the language to be used by the pontiff during the events scheduled in Barcelona had become the subject of public debate in Catalonia in recent days.The controversy intensified after it emerged that the blessing of the Tower of Jesus Christ at the Sagrada Familia — one of the central moments of the visit — would be conducted mainly in Spanish.In the Congress of Deputies, where the pope delivered an unprecedented address Monday, Junts per Catalunya lawmaker Miriam Nogueras asked him to speak Catalan.“It is important for each of us not to allow anything to destroy the unity in which God has established us and toward whose fullness he leads us day by day,” the pontiff said, alternating Catalan and Spanish in the homily.Leo XIV cited two addresses by his predecessor, Pope Francis, who never visited Spain but often expressed affection for the country.On the occasion of the inauguration of the Tower of the Virgin Mary at the Basilica of the Sagrada Familia on Dec. 8, 2021, Francis sent a message recalling that the Church “is the fruit of an act of love that precedes her and comes from God. Above all, she grows by allowing herself to be loved by him, united, with a humble and grateful heart, because only those who allow themselves to be loved by God can build, together with others, the works of love.”One year later, the Argentine pope told seminarians of the Archdiocese of Barcelona during a pilgrimage to Rome: “Never cease to savor and remember this love of predilection which pours and will pour itself abundantly into your heart.”Leo XIV structured his homily around the image of the Catholic Church as both beloved bride and body, with all believers as members of a single organism.The Spirit, he said, “impels us, as parts of a single living structure, not only to give ourselves unreservedly wherever Providence calls us, but to do so according to God’s designs, in obedience and trust.”Just as in a body, he continued, “so too among us there are members who are stronger and others who are weaker; some are visible, performing functions that are evident to the outside world, while others are hidden, working from within — in some cases without ceasing and carrying out vital functions without anyone taking notice.”The pope said there are many possible images to “illustrate the variety and importance of the roles and missions we find among ourselves,” but the message is always the same.“In the richness of the gifts we have received, we are strong because we are united, and we are united because we are animated by the same Spirit, the Spirit of Christ, who is the Spirit of communion for the salvation of all,” he said.Upon arriving, Leo XIV was received by Omella. After the greeting, the cardinal led him to the Chapel of the Blessed Sacrament for a brief moment of personal prayer.On his way to the altar, the pope passed by the baptismal font, built in 1433. It was in that baptistery that the first six Indigenous people brought from the Americas by Christopher Columbus received the sacrament of entrance into the Church, as a plaque in the chapel recalls.All of this forms part of the cathedral’s history, which inherits a tradition of worship in this part of Barcelona dating back to the fourth century.Leo XIV’s final act inside the cathedral was to descend to the crypt, where the tomb of the Roman martyr St. Eulalia, co-patroness of Barcelona, is located.Before her martyrdom, the young saint was said to have tended geese. For this reason, 13 geese are kept today in the cathedral cloister in her honor, recalling both her 13 tortures and the age at which she died for the Lord.The pontiff also spoke of “so many other martyrs” and called the faithful to respond with “our ‘yes,’ ready if necessary to die to ourselves, to lose ourselves in order to find ourselves again, to renounce the superfluous in order to build upon what is essential and lasts forever.”“This is what the crucified One teaches us,” the pope said. “This is what the Apostle Paul and the examples of the saints invite us to do.”The pope ended his homily by invoking Mary in Catalan: “Santa Maria de la Mercè, pregueu per nosaltres” — “Our Lady of Mercy, pray for us.”This story was first published by ACI Prensa, EWTN News’ Spanish-language sister service. It has been translated and adapted by EWTN News English.
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Pope Leo XIV in Barcelona calls Catholics to be martyrs of unity #Catholic BARCELONA, Spain — Pope Leo XIV dedicated Tuesday morning to thanking the thousands of volunteers who helped organize his apostolic journey to Spain before heading to Barcelona to touch the ancient traces of the country’s deeply rooted Christian faith.At the Cathedral of the Holy Cross and St. Eulalia, whose construction began at the end of the 13th century on the site of early Christian and Romanesque churches and which became, a century later, one of the most important jewels of European Gothic architecture, the pope prayed Midday Prayer with about 500 faithful.Hundreds more waited outside the cathedral to show their affection, many waving Vatican flags.The crowd erupted with excitement at his arrival. The pontiff was accompanied by Cardinal Juan José Omella, archbishop of Barcelona, who gestured with his hands to indicate to the people waiting outside that the pope had to leave. The plane carrying Leo XIV had landed in the Catalan capital 40 minutes late.During the ceremony, the pope sat in the oldest chair — the cathedra, or bishop’s seat — in the city that is still in use, dating at least to the cathedral’s consecration in 1058, according to recent research.In his homily, Leo XIV called Catholics to be builders of communion.“Dear brothers and sisters: it is in this spirit that we too, in a world torn apart by wars and divisions, in a society that is increasingly fragmented and individualistic, wish to be ‘martyrs’ — that is, witnesses and prophets of unity, of welcome, of harmony and of peace, even at the cost of sacrifice and renunciation,” the pope said.It was the first time during the trip that Leo XIV pronounced several phrases in Catalan, the language proper to Catalonia, co-official with Spanish and the main language of the regional administration.A symbol of Catalan cultural identity, the language to be used by the pontiff during the events scheduled in Barcelona had become the subject of public debate in Catalonia in recent days.The controversy intensified after it emerged that the blessing of the Tower of Jesus Christ at the Sagrada Familia — one of the central moments of the visit — would be conducted mainly in Spanish.In the Congress of Deputies, where the pope delivered an unprecedented address Monday, Junts per Catalunya lawmaker Miriam Nogueras asked him to speak Catalan.“It is important for each of us not to allow anything to destroy the unity in which God has established us and toward whose fullness he leads us day by day,” the pontiff said, alternating Catalan and Spanish in the homily.Leo XIV cited two addresses by his predecessor, Pope Francis, who never visited Spain but often expressed affection for the country.On the occasion of the inauguration of the Tower of the Virgin Mary at the Basilica of the Sagrada Familia on Dec. 8, 2021, Francis sent a message recalling that the Church “is the fruit of an act of love that precedes her and comes from God. Above all, she grows by allowing herself to be loved by him, united, with a humble and grateful heart, because only those who allow themselves to be loved by God can build, together with others, the works of love.”One year later, the Argentine pope told seminarians of the Archdiocese of Barcelona during a pilgrimage to Rome: “Never cease to savor and remember this love of predilection which pours and will pour itself abundantly into your heart.”Leo XIV structured his homily around the image of the Catholic Church as both beloved bride and body, with all believers as members of a single organism.The Spirit, he said, “impels us, as parts of a single living structure, not only to give ourselves unreservedly wherever Providence calls us, but to do so according to God’s designs, in obedience and trust.”Just as in a body, he continued, “so too among us there are members who are stronger and others who are weaker; some are visible, performing functions that are evident to the outside world, while others are hidden, working from within — in some cases without ceasing and carrying out vital functions without anyone taking notice.”The pope said there are many possible images to “illustrate the variety and importance of the roles and missions we find among ourselves,” but the message is always the same.“In the richness of the gifts we have received, we are strong because we are united, and we are united because we are animated by the same Spirit, the Spirit of Christ, who is the Spirit of communion for the salvation of all,” he said.Upon arriving, Leo XIV was received by Omella. After the greeting, the cardinal led him to the Chapel of the Blessed Sacrament for a brief moment of personal prayer.On his way to the altar, the pope passed by the baptismal font, built in 1433. It was in that baptistery that the first six Indigenous people brought from the Americas by Christopher Columbus received the sacrament of entrance into the Church, as a plaque in the chapel recalls.All of this forms part of the cathedral’s history, which inherits a tradition of worship in this part of Barcelona dating back to the fourth century.Leo XIV’s final act inside the cathedral was to descend to the crypt, where the tomb of the Roman martyr St. Eulalia, co-patroness of Barcelona, is located.Before her martyrdom, the young saint was said to have tended geese. For this reason, 13 geese are kept today in the cathedral cloister in her honor, recalling both her 13 tortures and the age at which she died for the Lord.The pontiff also spoke of “so many other martyrs” and called the faithful to respond with “our ‘yes,’ ready if necessary to die to ourselves, to lose ourselves in order to find ourselves again, to renounce the superfluous in order to build upon what is essential and lasts forever.”“This is what the crucified One teaches us,” the pope said. “This is what the Apostle Paul and the examples of the saints invite us to do.”The pope ended his homily by invoking Mary in Catalan: “Santa Maria de la Mercè, pregueu per nosaltres” — “Our Lady of Mercy, pray for us.”This story was first published by ACI Prensa, EWTN News’ Spanish-language sister service. It has been translated and adapted by EWTN News English.

unitedyam

After an exuberant welcome in the Catalan capital, the pope prayed Midday Prayer in Barcelona’s cathedral and urged the faithful to be “witnesses and prophets of unity.”

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