ideas

Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”
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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”

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Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.”

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Apostolic nuncio calls for ‘moral voice’ in AI development #Catholic Archbishop Gabriele Giordano Caccia, apostolic nuncio to the United States, discussed the need for a “moral voice” in artificial intelligence (AI) development during a panel discussion hosted by Georgetown University on Sept. 9.The panel, titled “AI, Catholic Social Teaching, and Pope Leoʼs Invitation to Dialogue with the World,” examined Pope Leo XIV’s encyclical Magnifica Humanitas and its call for a shared human effort to develop technology that serves the common good rather than harms it.Speakers noted that the Holy Father’s encyclical stopped short of prescribing specific policy ideas for addressing the moral and ethical concerns, but the nuncio said “there is the perception that we need a moral voice” on the subject.“A moral voice is what?” he said. “Not everything which is possible to be done should be done. Not everything that technology offers should be taken. This is a moral choice.”Caccia stressed that decisions affecting human lives should not be handed over to AI, citing distinctions between AI algorithms and the human conscience, as the Holy Father discussed in Magnifica Humanitas.Leo drew a distinction between artificial intelligence and human intelligence in the encyclical, focusing on how each approaches moral questions. The pope wrote that he rejected ideas of “artificial moral agents” and the notion that a machine can “distinguish between right and wrong with greater consistency than a human being.”“Moral judgment cannot be reduced to calculation, for it involves conscience, personal responsibility and the recognition of the other as a person,” Leo wrote. “Therefore, it is not permissible to entrust lethal or otherwise irreversible decisions to artificial systems.”Caccia said during the panel discussion that, as a society, “we have to keep the value of the human relationship.”“The problem is that [if] life and death is decided by a machine, not by the human being, who is accountable?” he said. “So these are very important, important questions. But I am confident, as I said, that together we can face this situation and find a way.”The nuncio said he has similar concerns about the use of AI in other types of decision-making that impacts humans.“I hear very troubling accounts of algorithms that can block access to healthcare, employment, and security on the basis of data tainted by prejudice and injustice,” he said. “And Iʼve heard the silence of those who have no voice. When decisions are made, decisions [are] likely to generate new forms of exclusion and suffering.”Quoting the encyclical, Caccia affirmed the pope’s call that AI “needs to be disarmed.” Archbishop Gabriele Caccia, the Holy See’s permanent observer to the United Nations in New York, speaks on Aug. 29, 2025, the International Day Against Nuclear Tests. | Credit: Holy See Mission to the United Nations “The word is strong, I know, but deliberately chosen because this moment needs words capable of attracting attention, awakening consciences, and indicating paths forward for humanity,” he said. “This is more or less a framework in which we can go on with the conversation.”Speaking to EWTN News after the panel, Caccia said the pope’s call to address moral concerns of AI is not just a call to Church leadership but to every Catholic.“There is, of course, the voice of the bishops,” he said. “But there is also the voice of Catholic people who are in the business or are engineers who are in the economy, who are in the field. So itʼs not just for those who have pastoral responsibility, but for the bigger community.”Pope’s impact on AI discussionSeveral panelists discussed the importance of Magnifica Humanitas in providing a type of moral guidance on AI development that focuses on the common good of humanity.Jasmine Sun, a journalist who writes about AI and Silicon Valley, said she “was actually surprised by how much folks I knew in Silicon Valley, in the AI industry did pay attention to Magnifica Humanitas.”“It was a lot more engagement, I think, than I expected,” she said. “And once again, I think itʼs because there is this sense that the profit motive that has driven Silicon Valley, that continues to drive Silicon Valley, is not enough.”Molly Kinder, CEO of the Breakwater Initiative, said the Church provides “wisdom and moral leadership” and believes its broad focus on humanity is why people listened.“Iʼm struck that in the opening pages of the Bible, there is a discussion of Adam and Eve being put on Earth to till the land as our fundamental reason for existing,” she said. “And it feels to me sometimes when Iʼm in Silicon Valley … they almost talk about almost a new Garden of Eden that AI is going to bring about, that maybe our purpose is not to work, or maybe itʼs leisure or a check and a hobby.”Caccia too said he was “positively surprised” by the reaction to the encyclical, saying “it seems that there was a need to do something about this.”“It didnʼt pretend to have the answers,” he said, “but he put questions, common questions that we have to tackle together to decide where we want to go.”
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Apostolic nuncio calls for ‘moral voice’ in AI development #Catholic Archbishop Gabriele Giordano Caccia, apostolic nuncio to the United States, discussed the need for a “moral voice” in artificial intelligence (AI) development during a panel discussion hosted by Georgetown University on Sept. 9.The panel, titled “AI, Catholic Social Teaching, and Pope Leoʼs Invitation to Dialogue with the World,” examined Pope Leo XIV’s encyclical Magnifica Humanitas and its call for a shared human effort to develop technology that serves the common good rather than harms it.Speakers noted that the Holy Father’s encyclical stopped short of prescribing specific policy ideas for addressing the moral and ethical concerns, but the nuncio said “there is the perception that we need a moral voice” on the subject.“A moral voice is what?” he said. “Not everything which is possible to be done should be done. Not everything that technology offers should be taken. This is a moral choice.”Caccia stressed that decisions affecting human lives should not be handed over to AI, citing distinctions between AI algorithms and the human conscience, as the Holy Father discussed in Magnifica Humanitas.Leo drew a distinction between artificial intelligence and human intelligence in the encyclical, focusing on how each approaches moral questions. The pope wrote that he rejected ideas of “artificial moral agents” and the notion that a machine can “distinguish between right and wrong with greater consistency than a human being.”“Moral judgment cannot be reduced to calculation, for it involves conscience, personal responsibility and the recognition of the other as a person,” Leo wrote. “Therefore, it is not permissible to entrust lethal or otherwise irreversible decisions to artificial systems.”Caccia said during the panel discussion that, as a society, “we have to keep the value of the human relationship.”“The problem is that [if] life and death is decided by a machine, not by the human being, who is accountable?” he said. “So these are very important, important questions. But I am confident, as I said, that together we can face this situation and find a way.”The nuncio said he has similar concerns about the use of AI in other types of decision-making that impacts humans.“I hear very troubling accounts of algorithms that can block access to healthcare, employment, and security on the basis of data tainted by prejudice and injustice,” he said. “And Iʼve heard the silence of those who have no voice. When decisions are made, decisions [are] likely to generate new forms of exclusion and suffering.”Quoting the encyclical, Caccia affirmed the pope’s call that AI “needs to be disarmed.” Archbishop Gabriele Caccia, the Holy See’s permanent observer to the United Nations in New York, speaks on Aug. 29, 2025, the International Day Against Nuclear Tests. | Credit: Holy See Mission to the United Nations “The word is strong, I know, but deliberately chosen because this moment needs words capable of attracting attention, awakening consciences, and indicating paths forward for humanity,” he said. “This is more or less a framework in which we can go on with the conversation.”Speaking to EWTN News after the panel, Caccia said the pope’s call to address moral concerns of AI is not just a call to Church leadership but to every Catholic.“There is, of course, the voice of the bishops,” he said. “But there is also the voice of Catholic people who are in the business or are engineers who are in the economy, who are in the field. So itʼs not just for those who have pastoral responsibility, but for the bigger community.”Pope’s impact on AI discussionSeveral panelists discussed the importance of Magnifica Humanitas in providing a type of moral guidance on AI development that focuses on the common good of humanity.Jasmine Sun, a journalist who writes about AI and Silicon Valley, said she “was actually surprised by how much folks I knew in Silicon Valley, in the AI industry did pay attention to Magnifica Humanitas.”“It was a lot more engagement, I think, than I expected,” she said. “And once again, I think itʼs because there is this sense that the profit motive that has driven Silicon Valley, that continues to drive Silicon Valley, is not enough.”Molly Kinder, CEO of the Breakwater Initiative, said the Church provides “wisdom and moral leadership” and believes its broad focus on humanity is why people listened.“Iʼm struck that in the opening pages of the Bible, there is a discussion of Adam and Eve being put on Earth to till the land as our fundamental reason for existing,” she said. “And it feels to me sometimes when Iʼm in Silicon Valley … they almost talk about almost a new Garden of Eden that AI is going to bring about, that maybe our purpose is not to work, or maybe itʼs leisure or a check and a hobby.”Caccia too said he was “positively surprised” by the reaction to the encyclical, saying “it seems that there was a need to do something about this.”“It didnʼt pretend to have the answers,” he said, “but he put questions, common questions that we have to tackle together to decide where we want to go.”

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Speakers at a Georgetown University event said Magnifica Humanitas offers moral guidance without policy steps, and the nuncio noted rising concern that debates over AI need a moral voice.

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