Machines

Earthquake survivor in Venezuela: ‘The Miraculous Medal saved me’ #Catholic In Playa Grande, a neighborhood in the city of La Guaira, Venezuela, Kamar Galíndez was on the top floor of Chipi’s Beach Hotel, preparing to start his daily workout in the gym, unaware that his life was about to change forever.It was Wednesday, June 24, the feast day of St. John the Baptist and a national holiday commemorating the anniversary of the decisive Battle of Carabobo. At 6:05 p.m., the peaceful atmosphere created by the stunning ocean view from the top of the hotel was shattered by the thunderous violence of two consecutive earthquakes that took everyone by surprise, sowing anguish and confusion.Speaking with ACI Prensa, the Spanish-language sister service of EWTN News, Galíndez, a 53-year-old lawyer, recalled how the heavy gym machines began moving from one side to the other, much like an air hockey puck. Disaster struck within seconds.“The floor split, and immediately I saw half the building tilting forward while the section I was in collapsed straight down; I felt my feet were no longer standing on anything, and the next thing [I knew], I was trapped in the rubble,” he recounted. Remains of Chipi’s Beach Hotel in Playa Grande, from which Kamar Galíndez managed to come out alive. | Credit: Andrés Henríquez/EWTN News Faced with imminent death: ‘Lord, have mercy!’Galíndez recounted that the only thing he managed to do was to seek protection beside a nearby wall. As he felt the building collapsing, what came to his mind was the image of the Lord Jesus as he first appeared to St. Faustina Kowalska on Feb. 22, 1931.“I remember thinking of the merciful Christ and praying, ‘Lord, have mercy,’” he said, on the verge of tears. “The next thing was feeling the building collapse because with that violent shaking, I kept saying, ‘It’s going to fall,’ and of course, it did.”Galíndez never lost consciousness. He said he felt every blow but that “amid the shock and fear, physical sensations become secondary.” Once the confusion of the collapse subsided, he realized he was alive, though his body was completely buried in the rubble and pinned by a massive beam crushing his chest.He couldn’t breathe properly. His head had not been buried, and through that immense mountain of twisted metal, bricks, and earth, he could see the sky, still lit by the last rays of the evening sun. All around, the desperate screams of other people trapped in the rubble could be heard.Galíndez wiped his face and tried to move to free himself. Then he realized his left arm was broken: “A lot of desperation, a lot of fear” is what he recalled feeling, yet amid the suffering, he didn’t hesitate to entrust himself to God’s protection.“Then I prayed to stay calm. What I did was to pray a lot: ‘OK, Father God, help me get out of here. Keep me calm’ was the first thing I prayed. ‘Keep me calm and tell me what I need to do,’” he recounted.He signaled for help as best he could. He said he has no idea how long he was underneath the rubble, but he knows it “felt like an eternity.” Finally, a man who had climbed the mountain of debris helped him break free.‘The Miraculous Medal saved me’Galíndez made his way down the remains of the collapsed building on his own. Upon realizing the magnitude of the tragedy, which claimed thousands of lives in a split second, he is positive that emerging virtually unharmed was a miracle, one he attributes to Our Lady of the Miraculous Medal, to whom he has always been devoted.“I was wearing a small chain with a crucifix and a tiny medal of the Miraculous Virgin. Among the things I lost track of, the chain broke, though, of course, I hadnʼt noticed it at the time,” he recalled.On his way to his home, which was also completely destroyed, a couple of young people helped Galíndez with first aid. While they were tending to him, he became aware of one of those small miracles that holds profound meaning for someone with sincere faith.He asked the young people to help him put his watch into one of the pockets of his shorts, as he needed to remove it to hold his fractured arm still. And then, the inexplicable happened.“I was wearing shorts with a small zippered pocket, and when I looked — don’t ask me where from, don’t ask me how — a piece of the chain and the Miraculous Medal were caught inside.”"Of course, I told the boy: ‘Please, put that little medal away for me too, because that was what saved me,’” he said. “I havenʼt the slightest doubt.”“Absolutely, absolutely,” he replied when asked if he truly believes his life is a miracle obtained through the intercession of the Blessed Virgin. The Miraculous Medal that Kamar Galíndez wore around his neck, which broke during the collapse and later appeared — inexplicably — in the pocket of his shorts. | Credit: Andrés Henríquez/EWTN News Many people didn’t make it out of what was left of the hotel. For Galíndez, having survived is the work of the mercy of God, who listened to his pleas in every instant and granted him his request for a reason he still does not know.“In the greatest adversity, you begin to see it in terms of what is most basic, because the most basic thing becomes impossible. When the most basic thing is impossible and you manage to do it anyway, you say: ‘Only God can do that,’” he reflected.“There is a God who looks after you in that moment, attending to what you are asking of him and what you need. From freeing up an arm or reminding you of his presence by leaving a small medal hanging from your [shorts],” he said. He then emphasized what he considers most important following his harrowing experience: "I have the greatest gift God [my dear] Father gave me, which is life.”Galíndez said he feels deeply grateful to be alive. For him, what happened serves as a humbling reminder that what we have comes from the will and mercy of God, who does not abandon his people; who does not abandon Venezuelans, especially during times of greatest suffering.At the time of publication, the official death toll in Venezuela from the double earthquake has risen to 3,535, while the number of injured has reached 16,740. Estimates by independent organizations indicate that tens of thousands of people are still missing.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
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Earthquake survivor in Venezuela: ‘The Miraculous Medal saved me’ #Catholic In Playa Grande, a neighborhood in the city of La Guaira, Venezuela, Kamar Galíndez was on the top floor of Chipi’s Beach Hotel, preparing to start his daily workout in the gym, unaware that his life was about to change forever.It was Wednesday, June 24, the feast day of St. John the Baptist and a national holiday commemorating the anniversary of the decisive Battle of Carabobo. At 6:05 p.m., the peaceful atmosphere created by the stunning ocean view from the top of the hotel was shattered by the thunderous violence of two consecutive earthquakes that took everyone by surprise, sowing anguish and confusion.Speaking with ACI Prensa, the Spanish-language sister service of EWTN News, Galíndez, a 53-year-old lawyer, recalled how the heavy gym machines began moving from one side to the other, much like an air hockey puck. Disaster struck within seconds.“The floor split, and immediately I saw half the building tilting forward while the section I was in collapsed straight down; I felt my feet were no longer standing on anything, and the next thing [I knew], I was trapped in the rubble,” he recounted. Remains of Chipi’s Beach Hotel in Playa Grande, from which Kamar Galíndez managed to come out alive. | Credit: Andrés Henríquez/EWTN News Faced with imminent death: ‘Lord, have mercy!’Galíndez recounted that the only thing he managed to do was to seek protection beside a nearby wall. As he felt the building collapsing, what came to his mind was the image of the Lord Jesus as he first appeared to St. Faustina Kowalska on Feb. 22, 1931.“I remember thinking of the merciful Christ and praying, ‘Lord, have mercy,’” he said, on the verge of tears. “The next thing was feeling the building collapse because with that violent shaking, I kept saying, ‘It’s going to fall,’ and of course, it did.”Galíndez never lost consciousness. He said he felt every blow but that “amid the shock and fear, physical sensations become secondary.” Once the confusion of the collapse subsided, he realized he was alive, though his body was completely buried in the rubble and pinned by a massive beam crushing his chest.He couldn’t breathe properly. His head had not been buried, and through that immense mountain of twisted metal, bricks, and earth, he could see the sky, still lit by the last rays of the evening sun. All around, the desperate screams of other people trapped in the rubble could be heard.Galíndez wiped his face and tried to move to free himself. Then he realized his left arm was broken: “A lot of desperation, a lot of fear” is what he recalled feeling, yet amid the suffering, he didn’t hesitate to entrust himself to God’s protection.“Then I prayed to stay calm. What I did was to pray a lot: ‘OK, Father God, help me get out of here. Keep me calm’ was the first thing I prayed. ‘Keep me calm and tell me what I need to do,’” he recounted.He signaled for help as best he could. He said he has no idea how long he was underneath the rubble, but he knows it “felt like an eternity.” Finally, a man who had climbed the mountain of debris helped him break free.‘The Miraculous Medal saved me’Galíndez made his way down the remains of the collapsed building on his own. Upon realizing the magnitude of the tragedy, which claimed thousands of lives in a split second, he is positive that emerging virtually unharmed was a miracle, one he attributes to Our Lady of the Miraculous Medal, to whom he has always been devoted.“I was wearing a small chain with a crucifix and a tiny medal of the Miraculous Virgin. Among the things I lost track of, the chain broke, though, of course, I hadnʼt noticed it at the time,” he recalled.On his way to his home, which was also completely destroyed, a couple of young people helped Galíndez with first aid. While they were tending to him, he became aware of one of those small miracles that holds profound meaning for someone with sincere faith.He asked the young people to help him put his watch into one of the pockets of his shorts, as he needed to remove it to hold his fractured arm still. And then, the inexplicable happened.“I was wearing shorts with a small zippered pocket, and when I looked — don’t ask me where from, don’t ask me how — a piece of the chain and the Miraculous Medal were caught inside.”"Of course, I told the boy: ‘Please, put that little medal away for me too, because that was what saved me,’” he said. “I havenʼt the slightest doubt.”“Absolutely, absolutely,” he replied when asked if he truly believes his life is a miracle obtained through the intercession of the Blessed Virgin. The Miraculous Medal that Kamar Galíndez wore around his neck, which broke during the collapse and later appeared — inexplicably — in the pocket of his shorts. | Credit: Andrés Henríquez/EWTN News Many people didn’t make it out of what was left of the hotel. For Galíndez, having survived is the work of the mercy of God, who listened to his pleas in every instant and granted him his request for a reason he still does not know.“In the greatest adversity, you begin to see it in terms of what is most basic, because the most basic thing becomes impossible. When the most basic thing is impossible and you manage to do it anyway, you say: ‘Only God can do that,’” he reflected.“There is a God who looks after you in that moment, attending to what you are asking of him and what you need. From freeing up an arm or reminding you of his presence by leaving a small medal hanging from your [shorts],” he said. He then emphasized what he considers most important following his harrowing experience: "I have the greatest gift God [my dear] Father gave me, which is life.”Galíndez said he feels deeply grateful to be alive. For him, what happened serves as a humbling reminder that what we have comes from the will and mercy of God, who does not abandon his people; who does not abandon Venezuelans, especially during times of greatest suffering.At the time of publication, the official death toll in Venezuela from the double earthquake has risen to 3,535, while the number of injured has reached 16,740. Estimates by independent organizations indicate that tens of thousands of people are still missing.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

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Kamar Galíndez credits his survival to the Blessed Virgin Mary. The Miraculous Medal he wore was torn from his neck as the building collapsed and inexplicably ended up in one of his zippered pockets.

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‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News. Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople. The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music “Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.” The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed. The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia “Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said. Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo “AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.” Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”
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‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News. Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople. The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music “Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.” The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed. The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia “Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said. Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo “AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.” Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”

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As AI encroaches on sacred music, Catholics still hold true to Gregorian chant, a historical form of sacred music that is still alive today.

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