Music

Meet Fio: the Catholic alternative to Spotify aiming to bring faith to your playlists #Catholic For many Catholics, faith formation often competes with busy schedules and endless digital distractions. Fio, a Catholic audio streaming platform, hopes to change that by putting faith-filled content at listeners’ fingertips. Dubbed “the Catholic alternative to Spotify,” the platform offers a growing library of podcasts, audiobooks, and music, giving users a way to stay connected to their faith wherever life takes them.Currently, Fio is being used in over 100 countries, is host to over 100,000 hours of Catholic content, and has over 1,000 Catholic creators putting their work onto the platform. Will Hickl, co-founder of Fio, has been in the music industry for 15 years as a musician and founder of the Catholic record label Novum Records. During his career, he realized that secular platforms were not built for faith-based work — it was difficult to stand out, there was no fair compensation, and there was no community around it.With this in mind, Hickl, and co-founder Peter Buonincontro, launched Fio in 2023. The first version of the app hosted podcasts alone. The following year music was added, and the following year — thanks to a generous investor — the platform was able to host audiobooks and grow their collection of content. In an interview with EWTN News, Hickl shared that the platform’s “North Star” is the fact that he cares deeply about the artists and content creators.“We are a platform who, because we care, weʼre paying a penny per stream, which is already three to four times what Spotify pays,” he explained. “We want to offer better exposure and tooling. In fact, we already offer better exposure because a musician doesnʼt have to compete with 10 million other musicians. Thereʼs only maybe like 100, maybe 200 artists on the platform right now…thereʼs greater discoverability.”For creators, he hopes they would know that Fio “is the one that genuinely cares about them more than Apple or Spotify ever will.” From left to right: Will Hickl and Peter Buonincontro, founders of Fio. | Credit: Houston Dragna Currently, Fio offers three subscription levels for listeners — free, premium, and audiobooks +. While users who subscribe to the platform for free will have to listen to advertisements, Hickl pointed out that these ads “are reserved and curated for Catholic businesses, Catholic ministries, and then Catholic artists on the platform.”He also emphasized that these faith-based advertisements can also serve as a “cultural safeguard” so that parents who may be listening with children present don’t have to worry about inappropriate advertisements being played, as is the case with many secular platforms.Hickl explained that Fio aims to serve three different cohorts: Catholic creators, consumers, and businesses.“We are an artist first platform. We want to give you the best exposure, the best economics than any other platform,” he said. “For consumers, we want to give you greater choice, a better experience in terms of what you find, what your kids are exposed to. The third would be Catholic businesses who canʼt target based on religion on Facebook or Google or YouTube or anything like that. So weʼre offering a greater targeting mechanism, greater value in that regard.”For those seeking to have their content on Fio, they must go through a submission and review process. Before their content is accepted, creators must affirm that they are practicing Catholics who accept the teachings of the Church. They must also verify that their work was not primarily created by artificial intelligence. Lastly, each creator goes through a manual review process by the Fio team before their work is allowed to be on the platform.Looking to the future, the team at Fio is working on creating original content for the platform as well as being able to host video podcasts and music videos. Additionally, they are working to give Fio a more “liturgical feel.” For example, if there’s an important saint’s feast day, Fio would make suggestions to listeners of a podcast that talks about the saint or a song inspired by the saint.Hickl hopes that one day more artists will “be more excited about sharing their Fio link than the Spotify link.”He added that he hopes Catholics “would know I can trust this platform, it can and should be a part of my every day, because thereʼs so much treasure to discover.”“Thatʼs something I say a lot, which is that the Church has an immense amount of treasure and we just donʼt know about it. And so I want people to know the treasure is here and Fio is a place where itʼs aggregated,” he said.
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Meet Fio: the Catholic alternative to Spotify aiming to bring faith to your playlists #Catholic For many Catholics, faith formation often competes with busy schedules and endless digital distractions. Fio, a Catholic audio streaming platform, hopes to change that by putting faith-filled content at listeners’ fingertips. Dubbed “the Catholic alternative to Spotify,” the platform offers a growing library of podcasts, audiobooks, and music, giving users a way to stay connected to their faith wherever life takes them.Currently, Fio is being used in over 100 countries, is host to over 100,000 hours of Catholic content, and has over 1,000 Catholic creators putting their work onto the platform. Will Hickl, co-founder of Fio, has been in the music industry for 15 years as a musician and founder of the Catholic record label Novum Records. During his career, he realized that secular platforms were not built for faith-based work — it was difficult to stand out, there was no fair compensation, and there was no community around it.With this in mind, Hickl, and co-founder Peter Buonincontro, launched Fio in 2023. The first version of the app hosted podcasts alone. The following year music was added, and the following year — thanks to a generous investor — the platform was able to host audiobooks and grow their collection of content. In an interview with EWTN News, Hickl shared that the platform’s “North Star” is the fact that he cares deeply about the artists and content creators.“We are a platform who, because we care, weʼre paying a penny per stream, which is already three to four times what Spotify pays,” he explained. “We want to offer better exposure and tooling. In fact, we already offer better exposure because a musician doesnʼt have to compete with 10 million other musicians. Thereʼs only maybe like 100, maybe 200 artists on the platform right now…thereʼs greater discoverability.”For creators, he hopes they would know that Fio “is the one that genuinely cares about them more than Apple or Spotify ever will.” From left to right: Will Hickl and Peter Buonincontro, founders of Fio. | Credit: Houston Dragna Currently, Fio offers three subscription levels for listeners — free, premium, and audiobooks +. While users who subscribe to the platform for free will have to listen to advertisements, Hickl pointed out that these ads “are reserved and curated for Catholic businesses, Catholic ministries, and then Catholic artists on the platform.”He also emphasized that these faith-based advertisements can also serve as a “cultural safeguard” so that parents who may be listening with children present don’t have to worry about inappropriate advertisements being played, as is the case with many secular platforms.Hickl explained that Fio aims to serve three different cohorts: Catholic creators, consumers, and businesses.“We are an artist first platform. We want to give you the best exposure, the best economics than any other platform,” he said. “For consumers, we want to give you greater choice, a better experience in terms of what you find, what your kids are exposed to. The third would be Catholic businesses who canʼt target based on religion on Facebook or Google or YouTube or anything like that. So weʼre offering a greater targeting mechanism, greater value in that regard.”For those seeking to have their content on Fio, they must go through a submission and review process. Before their content is accepted, creators must affirm that they are practicing Catholics who accept the teachings of the Church. They must also verify that their work was not primarily created by artificial intelligence. Lastly, each creator goes through a manual review process by the Fio team before their work is allowed to be on the platform.Looking to the future, the team at Fio is working on creating original content for the platform as well as being able to host video podcasts and music videos. Additionally, they are working to give Fio a more “liturgical feel.” For example, if there’s an important saint’s feast day, Fio would make suggestions to listeners of a podcast that talks about the saint or a song inspired by the saint.Hickl hopes that one day more artists will “be more excited about sharing their Fio link than the Spotify link.”He added that he hopes Catholics “would know I can trust this platform, it can and should be a part of my every day, because thereʼs so much treasure to discover.”“Thatʼs something I say a lot, which is that the Church has an immense amount of treasure and we just donʼt know about it. And so I want people to know the treasure is here and Fio is a place where itʼs aggregated,” he said.

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Currently, Fio is being used in over 100 countries, is host to over 100,000 hours of Catholic content, and has over 1,000 Catholic creators putting their work on the platform.

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Parents sentenced to prison in Brazil after excluding gender content in homeschool curriculum #Catholic A Brazilian couple was sentenced to 50 days in prison related to the homeschooling of their two daughters in an unprecedented case that has raised concerns regarding educational freedom and parental rights in Brazil.Audato and Ieda Denardi were found guilty of the crime of “intellectual neglect” by a court in the state of São Paulo, even though the prosecution itself had requested their acquittal after concluding that the minors were not suffering from any neglect and were demonstrating appropriate academic and social development.The Christian legal organization ADF International, which is representing the family in the appeal, denounced the case as “a grotesque abuse of criminal law” and stated that it would continue defending the couple.The conviction, initially handed down in April 2026 and currently under appeal before the Seventh Criminal Court Chamber of the São Paulo State Court of Justice, will remain suspended while the appeal is being resolved.‘I cannot conceive of a more dictatorial state’Ieda Denardi expressed her distress and defended the right of parents to choose their childrenʼs education.“As a mother, I cannot conceive of a more dictatorial state than the one that wants me in jail because I chose to exercise my right to direct the education and upbringing of my daughters,” she told ADF International.“My husband and I are hopeful the court will recognize our right to choose the best education for our children and overturn this unjust conviction,” she added.The couple began homeschooling their daughters in 2020 after realizing the limitations of the remote public education imposed during the COVID-19 pandemic.Since then, they report a significant improvement in their daughters' academic performance and have been able to incorporate family values ​​and faith into their education.Judge takes into account the girls’ music preferencesOne of the most striking aspects of the case is the reasoning the judge used to reach the verdict. According to the ruling, the educational program provided by the parents did not include content regarding “gender and sex education” or “tolerance and diversity.”Furthermore, the court concluded that the fact that the girls, aged 15 and 11, do not enjoy popular musical genres such as “trap” or “sertanejo” demonstrated an alleged deficiency in their cultural education.The judge cited this despite the fact that both girls are pianists with advanced training and are fluent in several languages.In his ruling, the judge further accused the parents of “using their daughters as pawns in an ideological struggle, subjecting them to a form of unregulated education, the effectiveness and quality of which lack adequate metrics within the Brazilian legal system, while completely excluding the state’s involvement.”The prosecution sought the parents' acquittal“The prosecutor examined the witnesses and recommended acquittal. An independent educational psychologist found no sign of neglect. The girls themselves described rigorous daily education,” explained Julio Pohl, legal counsel for Latin America at ADF International.However, “the judge convicted anyway,” he said, “because a fifteen-year-old said she finds some music lyrics morally questionable, and because the curriculum didn’t include state-approved content on gender.”“A parent has been sentenced to prison not for failing to educate her children, but for educating them according to her own values. This is a grotesque abuse of the criminal law, and we will not let it stand.” Pohl pledged.First criminal prosecution against homeschooling familiesAccording to ADF International, more than 70,000 children are currently being homeschooled in Brazil. However, a lack of regulation has left thousands of families in a state of uncertainty.The Denardi case sets a precedent as the first criminal conviction of parents for homeschooling their children.The situation has even reached the country’s legislature, where hearings were recently held on the matter, and the Denardis asked lawmakers to pass a law guaranteeing families the right to choose this educational model.Although a homeschooling bill was passed by the Chamber of Deputies (lower house) in 2022, the initiative remains stalled in the Senate.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
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Parents sentenced to prison in Brazil after excluding gender content in homeschool curriculum #Catholic A Brazilian couple was sentenced to 50 days in prison related to the homeschooling of their two daughters in an unprecedented case that has raised concerns regarding educational freedom and parental rights in Brazil.Audato and Ieda Denardi were found guilty of the crime of “intellectual neglect” by a court in the state of São Paulo, even though the prosecution itself had requested their acquittal after concluding that the minors were not suffering from any neglect and were demonstrating appropriate academic and social development.The Christian legal organization ADF International, which is representing the family in the appeal, denounced the case as “a grotesque abuse of criminal law” and stated that it would continue defending the couple.The conviction, initially handed down in April 2026 and currently under appeal before the Seventh Criminal Court Chamber of the São Paulo State Court of Justice, will remain suspended while the appeal is being resolved.‘I cannot conceive of a more dictatorial state’Ieda Denardi expressed her distress and defended the right of parents to choose their childrenʼs education.“As a mother, I cannot conceive of a more dictatorial state than the one that wants me in jail because I chose to exercise my right to direct the education and upbringing of my daughters,” she told ADF International.“My husband and I are hopeful the court will recognize our right to choose the best education for our children and overturn this unjust conviction,” she added.The couple began homeschooling their daughters in 2020 after realizing the limitations of the remote public education imposed during the COVID-19 pandemic.Since then, they report a significant improvement in their daughters' academic performance and have been able to incorporate family values ​​and faith into their education.Judge takes into account the girls’ music preferencesOne of the most striking aspects of the case is the reasoning the judge used to reach the verdict. According to the ruling, the educational program provided by the parents did not include content regarding “gender and sex education” or “tolerance and diversity.”Furthermore, the court concluded that the fact that the girls, aged 15 and 11, do not enjoy popular musical genres such as “trap” or “sertanejo” demonstrated an alleged deficiency in their cultural education.The judge cited this despite the fact that both girls are pianists with advanced training and are fluent in several languages.In his ruling, the judge further accused the parents of “using their daughters as pawns in an ideological struggle, subjecting them to a form of unregulated education, the effectiveness and quality of which lack adequate metrics within the Brazilian legal system, while completely excluding the state’s involvement.”The prosecution sought the parents' acquittal“The prosecutor examined the witnesses and recommended acquittal. An independent educational psychologist found no sign of neglect. The girls themselves described rigorous daily education,” explained Julio Pohl, legal counsel for Latin America at ADF International.However, “the judge convicted anyway,” he said, “because a fifteen-year-old said she finds some music lyrics morally questionable, and because the curriculum didn’t include state-approved content on gender.”“A parent has been sentenced to prison not for failing to educate her children, but for educating them according to her own values. This is a grotesque abuse of the criminal law, and we will not let it stand.” Pohl pledged.First criminal prosecution against homeschooling familiesAccording to ADF International, more than 70,000 children are currently being homeschooled in Brazil. However, a lack of regulation has left thousands of families in a state of uncertainty.The Denardi case sets a precedent as the first criminal conviction of parents for homeschooling their children.The situation has even reached the country’s legislature, where hearings were recently held on the matter, and the Denardis asked lawmakers to pass a law guaranteeing families the right to choose this educational model.Although a homeschooling bill was passed by the Chamber of Deputies (lower house) in 2022, the initiative remains stalled in the Senate.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

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The judge said the fact that the 15- and 11-year-old girls do not enjoy popular music demonstrated an alleged deficiency in their cultural education.

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‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News. Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople. The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music “Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.” The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed. The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia “Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said. Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo “AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.” Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”
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‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News. Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople. The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music “Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.” The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed. The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia “Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said. Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo “AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.” Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”

unitedyam

As AI encroaches on sacred music, Catholics still hold true to Gregorian chant, a historical form of sacred music that is still alive today.

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Michigan diocese celebrates new priests after ordinations moved out of cathedral #Catholic ANN ARBOR, Michigan — Bishop Earl Boyea of Lansing, Michigan, ordained four men to the priesthood on June 6 at St. Thomas Aquinas Parish in East Lansing after the crowd was too big for St. Mary’s Cathedral, the mother church of the diocese. In the packed church, Boyea told the ordinands: “You have been spending years being with Jesus. He’s calling you as he called those 12 so many centuries ago. Today, as you are consecrated by the Church for a sacred ministry, consecrate yourselves to drink the cup which the Lord gives and take in the word which the Spirit is providing. Though weak vessels that we are, we will not let that prevent us from following the calling we have received.”Now 75 and due to retire from his duties in Lansing, Boyea has ordained 45 priests during his 18 years of leadership of the diocese in Michigan’s capital. The diocese, one of seven Latin-rite dioceses in Michigan, is currently sponsoring 29 seminarians, and last year’s ordination class was the largest in nearly 50 years.Fathers Joshua Bauer, Jacob Derry, Ryan Ferrigan, and Peter Randolph, ordained by Boyea, all attended Sacred Heart Major Seminary of the Detroit Archdiocese. Bishop Earl Boyea of Lansing, Michigan, washes the feet of one of the four men he ordained to the priesthood on June 6, 2026, at St. Thomas Aquinas Parish in East Lansing, Michigan. | Credit: Valerie Hendrickson Before their ordination, the men were interviewed on video, displaying the chalices they will use as priests.Ferrigan, 28, said his antique sacred vessel had been left behind at the now-shuttered St. Michael Parish church in Flint, Michigan, established more than 170 years ago. Inscribed on its base are the words of an anonymous donor: “In reparation from a friend of the Sacred Heart.”“You know, it’s a paradox because this chalice has a long history, and I don’t know who the priests are who used it in the past,” he said. “They offered the Holy Sacrifice using this vessel for over 100 years, and I get to continue faithfully offering the Mass and praying for the salvation of the world every day.”In his thanksgiving address to the congregation, Ferrigan said of his priesthood: “It’s all about the glory of God and the salvation of souls!”In an interview with EWTN News, the new priest said: “In being ordained, the palpable joy they could see in me was there because in ordination, I am seeing the purpose for which God created me coming to fruition. I have become what the Lord created me to be.”“The day of my ordination was the best day of my life. Lots of friends and family were there to support me. The Lord has blessed me and is very good to me. I’m still adjusting and realizing that I’m really a priest now and have the privilege of offering the Mass every day. This is my commission and what the Lord wants me to do for his praise and the salvation of the world. It is still sinking in,” he told EWTN News. From left to right: Fathers Peter Randolph, Ryan Ferrigan, Jacob Derry, and Joshua Bauer at their ordaination on June 6, 2026, in East Lansing, Michigan. | Credit: Valerie Hendrickson Ferrigan celebrated his first solo Mass that same day at St. Martha Parish in Okemos, near Lansing. He was able to distribute the Eucharist for the first time in both instances to his mother. He will serve at St. Thomas the Apostle Parish in Ann Arbor, which is close to the University of Michigan campus and known for its music and solemn liturgies.“I’m excited to be going there, and I expect to serve about three years at St. Thomas,” he said, adding: “I’m excited about learning to be a parish priest and diving into ministry. This is how the Lord wants me to feed his sheep.”Randolph, 27, reflected in the video about his journey to the altar, which has included profound loss. “The emphasis of this chalice upon the humanity of Christ and about receiving the chalice, and then living it out to the fullest extent, both in pain and suffering, and full self-abandonment and full self-emptying and glory, means a lot to me, because my [18-year-old] brother Xavier died less than a year ago. And the Lord has really promised me that he’s going to meet me in the place of my pain,” he said, adding: “He’s not going to leave me alone. But it’s going to come in my very broken humanity. In my humanity that is now broken in a particular way in grief.” Peter Randolph prepares for his ordination to the priesthood on June 6, 2026, in East Lansing, Michigan. | Credit: Valerie Hendrickson Randolph’s father and grandfather serve as deacons in the Lansing Diocese. At the July 2025 funeral for Xavier, hundreds of friends and parishioners of the close-knit Christ the King Parish in Ann Arbor were on hand to support the Randolph family with the same solidarity shown at Randolph’s ordination. He has been assigned to St. Patrick Parish in Brighton, Michigan, which is known for its healing services and charismatic liturgies.As Boyea consecrated Randolph, the newly ordained young man openly sobbed in the presence of his many friends and family members. “I want every day of my priesthood and every time that I offer Mass in this chalice, to be able to say, like, ‘Accipiam calicem,’ right, I accept the chalice,” Randolph vowed. Paraphrasing Matthew 26:42, Randolph said: “Father, I accept this chalice, and I will drink it to the dregs with your Son.”
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Michigan diocese celebrates new priests after ordinations moved out of cathedral #Catholic ANN ARBOR, Michigan — Bishop Earl Boyea of Lansing, Michigan, ordained four men to the priesthood on June 6 at St. Thomas Aquinas Parish in East Lansing after the crowd was too big for St. Mary’s Cathedral, the mother church of the diocese. In the packed church, Boyea told the ordinands: “You have been spending years being with Jesus. He’s calling you as he called those 12 so many centuries ago. Today, as you are consecrated by the Church for a sacred ministry, consecrate yourselves to drink the cup which the Lord gives and take in the word which the Spirit is providing. Though weak vessels that we are, we will not let that prevent us from following the calling we have received.”Now 75 and due to retire from his duties in Lansing, Boyea has ordained 45 priests during his 18 years of leadership of the diocese in Michigan’s capital. The diocese, one of seven Latin-rite dioceses in Michigan, is currently sponsoring 29 seminarians, and last year’s ordination class was the largest in nearly 50 years.Fathers Joshua Bauer, Jacob Derry, Ryan Ferrigan, and Peter Randolph, ordained by Boyea, all attended Sacred Heart Major Seminary of the Detroit Archdiocese. Bishop Earl Boyea of Lansing, Michigan, washes the feet of one of the four men he ordained to the priesthood on June 6, 2026, at St. Thomas Aquinas Parish in East Lansing, Michigan. | Credit: Valerie Hendrickson Before their ordination, the men were interviewed on video, displaying the chalices they will use as priests.Ferrigan, 28, said his antique sacred vessel had been left behind at the now-shuttered St. Michael Parish church in Flint, Michigan, established more than 170 years ago. Inscribed on its base are the words of an anonymous donor: “In reparation from a friend of the Sacred Heart.”“You know, it’s a paradox because this chalice has a long history, and I don’t know who the priests are who used it in the past,” he said. “They offered the Holy Sacrifice using this vessel for over 100 years, and I get to continue faithfully offering the Mass and praying for the salvation of the world every day.”In his thanksgiving address to the congregation, Ferrigan said of his priesthood: “It’s all about the glory of God and the salvation of souls!”In an interview with EWTN News, the new priest said: “In being ordained, the palpable joy they could see in me was there because in ordination, I am seeing the purpose for which God created me coming to fruition. I have become what the Lord created me to be.”“The day of my ordination was the best day of my life. Lots of friends and family were there to support me. The Lord has blessed me and is very good to me. I’m still adjusting and realizing that I’m really a priest now and have the privilege of offering the Mass every day. This is my commission and what the Lord wants me to do for his praise and the salvation of the world. It is still sinking in,” he told EWTN News. From left to right: Fathers Peter Randolph, Ryan Ferrigan, Jacob Derry, and Joshua Bauer at their ordaination on June 6, 2026, in East Lansing, Michigan. | Credit: Valerie Hendrickson Ferrigan celebrated his first solo Mass that same day at St. Martha Parish in Okemos, near Lansing. He was able to distribute the Eucharist for the first time in both instances to his mother. He will serve at St. Thomas the Apostle Parish in Ann Arbor, which is close to the University of Michigan campus and known for its music and solemn liturgies.“I’m excited to be going there, and I expect to serve about three years at St. Thomas,” he said, adding: “I’m excited about learning to be a parish priest and diving into ministry. This is how the Lord wants me to feed his sheep.”Randolph, 27, reflected in the video about his journey to the altar, which has included profound loss. “The emphasis of this chalice upon the humanity of Christ and about receiving the chalice, and then living it out to the fullest extent, both in pain and suffering, and full self-abandonment and full self-emptying and glory, means a lot to me, because my [18-year-old] brother Xavier died less than a year ago. And the Lord has really promised me that he’s going to meet me in the place of my pain,” he said, adding: “He’s not going to leave me alone. But it’s going to come in my very broken humanity. In my humanity that is now broken in a particular way in grief.” Peter Randolph prepares for his ordination to the priesthood on June 6, 2026, in East Lansing, Michigan. | Credit: Valerie Hendrickson Randolph’s father and grandfather serve as deacons in the Lansing Diocese. At the July 2025 funeral for Xavier, hundreds of friends and parishioners of the close-knit Christ the King Parish in Ann Arbor were on hand to support the Randolph family with the same solidarity shown at Randolph’s ordination. He has been assigned to St. Patrick Parish in Brighton, Michigan, which is known for its healing services and charismatic liturgies.As Boyea consecrated Randolph, the newly ordained young man openly sobbed in the presence of his many friends and family members. “I want every day of my priesthood and every time that I offer Mass in this chalice, to be able to say, like, ‘Accipiam calicem,’ right, I accept the chalice,” Randolph vowed. Paraphrasing Matthew 26:42, Randolph said: “Father, I accept this chalice, and I will drink it to the dregs with your Son.”

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Bishop Earl Boyea ordained four new priests at a local Lansing parish, urging them to “drink the cup which the Lord gives” as they begin their ministry.

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Pope Leo XIV in Madrid: Corpus Christi must not become museum of the past #Catholic Madrid, Spain, June 7, 2026 — Pope Leo XIV on Sunday called on Spain to renew its historic Eucharistic faith, warning that the country’s centuries-old religious traditions must not become “a museum of the past to be visited” but remain “a school of faith from which to draw even today.”The pope made the appeal while presiding over Mass, a procession, and Eucharistic blessing for the solemnity of Corpus Christi in Madrid’s Plaza de Cibeles, one of the Spanish capital’s most emblematic sites.“As I begin my visit to Spain, it is with a heart filled with joy that I preside over this celebration on the Solemnity of Corpus Christi,” the pope said in his homily.Corpus Christi has deep roots in Spain and throughout the Catholic world. The feast originated after the efforts of St. Juliana of Cornillon, a Belgian religious sister who promoted a liturgical celebration dedicated to the Blessed Sacrament. Pope Urban IV confirmed the feast for the universal Church in 1264, and within decades it had reached the Iberian Peninsula. King Alfonso X, known as “the Wise,” took part in a Corpus Christi celebration in Toledo in 1280.Over the centuries, the tradition became firmly established in Spain, making the country one of the great centers of Eucharistic devotion. During the period of the Council of Trent, when the real presence of Christ in the Eucharist was contested in parts of Europe, Spanish popular piety continued to exalt it through processions, music, art, and public expressions of faith.In Madrid, Pope Leo said Corpus Christi is “more than just another celebration on the liturgical calendar.”“It is a way of returning to the heart of the faith to renew our love and fidelity to God,” he said.“The solemn processions held on this day have for centuries shaped the piety, art, music, architecture and life of the Spanish people,” the pope continued. “Even today, they still express and manifest the spiritual sentiments of this country through the beauty and elegance of the floral carpets, the altars erected in the streets, the carefully crafted monstrances and stands, the hymns and the liturgical vestments.”The setting itself added a striking backdrop to the celebration. Plaza de Cibeles, crowned by the statue of the Roman goddess in a chariot drawn by lions, is known internationally as the place where Real Madrid celebrates its titles. On Sunday, however, the square’s focus was Christ in the Eucharist.One participant joked that with Pope Leo XIV in Madrid, the Spanish capital had three lions.The pope said the Corpus Christi procession is not “an exhibition, a remnant of folklore or a simple display of beauty.”“It is a profession of faith in the presence of the risen Lord, who is alive and continues to walk among us, who becomes bread to satiate our hunger for life, and visits the recesses of our hearts and history, even those shrouded in darkness,” he said.The procession route, about 600 meters along Calle de Alcalá, one of Madrid’s central thoroughfares, was adorned with 16 floral carpets — eight on each side — made with more than 30,000 carnations. Numerous faithful joined the pope, including many boys and girls who had recently received their first Communion.Pope Leo said the procession reveals that Christ “is not confined to the church, but comes out to meet us.”“Jesus travels the streets, crosses the squares and visits our neighborhoods, dwelling in the settings of our daily lives,” he said. “He is a God who is close to us, who walks with his people, the Lord of history.”The pope also connected Corpus Christi with charity, noting that the Church in Spain has long associated the solemnity with the Day for Charity.“The Christ who processes through the streets in the monstrance is the same one who identifies with the poor, the downtrodden, those who are alone and forsaken,” he said.“It is not merely a matter of bringing out the monstrance,” Pope Leo emphasized, “but of allowing ourselves to be brought out of our selfishness and indifference, of a comfortable, private faith, so as to respond to his invitation to conversion, to change our perspective, and to welcome his presence which transforms us and makes us builders of a new world.”The pope said the historical memory of Spain’s Corpus Christi processions “is not confined to wistful nostalgia.”“Instead, it stands as an invitation in the present moment, in our daily lives, in our relationships, in society, and in the building of the future,” he said.That, he added, is the task facing Spain today and tomorrow: “to ensure that the religiosity which has shaped and defined this country for centuries is not a museum of the past to be visited, but a school of faith from which to draw even today.”The pope described that school of faith as one that “teaches us to kneel before God and before our neighbor, because no one can kneel before the Lord and despise their brother.”It is also, he said, “a school that teaches us of the gratitude of love that becomes a gift, so that it may flow among us and break the chains of all selfishness.”From the Eucharist, he continued, Catholics learn “that God is a real presence and that we too are called to be present in the realities and challenges of society, not shying away, but personally committing ourselves to the building of the common good.”Pope Leo also recalled St. Manuel González García, the Spanish bishop known as “the bishop of the abandoned tabernacle.”“His life reminds us that the Eucharist should be honored not only during great celebrations or on special occasions, but also through the silent fidelity of those who accompany the Lord with a humble and quiet friendship that is nourished day by day,” the pope said.The pope also cited St. John of the Cross, recalling that while imprisoned in harsh conditions in Toledo around the time of Corpus Christi in 1578, the Spanish mystic recognized the hidden presence of the Lord even in darkness.“The Eucharistic Jesus is ‘that eternal spring that is hidden’ — a spring that flows and quenches thirst, yet without blinding, without imposing itself through outward power, without presenting itself in a spectacular way,” the pope said.Pope Leo closed by urging the faithful to return to Christ in the Eucharist with “sincere love.”“Let us open ourselves to the encounter with him, let us allow him to quench the thirst of our hearts, so that we may then go forth into the paths of life and history, bringing to the people this stream of fresh water, a stream of love, peace, justice and joy,” he said.“Let us drink anew from this Eucharistic spring, which does not enclose us in private devotion, but sends us out to refresh our brothers and sisters, our families, the poor, the suffering, and those who have lost hope,” the pope said. “Eucharistic grace transforms us and makes us protagonists of the transformation of history, a sign of hope for those we meet.”“May the Lord Jesus, present in the Eucharist, transform you into bread that is broken, given, and offered,” he concluded, “so that a life of fullness may spring forth for you, for your families, and for your country.”This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
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Pope Leo XIV in Madrid: Corpus Christi must not become museum of the past #Catholic Madrid, Spain, June 7, 2026 — Pope Leo XIV on Sunday called on Spain to renew its historic Eucharistic faith, warning that the country’s centuries-old religious traditions must not become “a museum of the past to be visited” but remain “a school of faith from which to draw even today.”The pope made the appeal while presiding over Mass, a procession, and Eucharistic blessing for the solemnity of Corpus Christi in Madrid’s Plaza de Cibeles, one of the Spanish capital’s most emblematic sites.“As I begin my visit to Spain, it is with a heart filled with joy that I preside over this celebration on the Solemnity of Corpus Christi,” the pope said in his homily.Corpus Christi has deep roots in Spain and throughout the Catholic world. The feast originated after the efforts of St. Juliana of Cornillon, a Belgian religious sister who promoted a liturgical celebration dedicated to the Blessed Sacrament. Pope Urban IV confirmed the feast for the universal Church in 1264, and within decades it had reached the Iberian Peninsula. King Alfonso X, known as “the Wise,” took part in a Corpus Christi celebration in Toledo in 1280.Over the centuries, the tradition became firmly established in Spain, making the country one of the great centers of Eucharistic devotion. During the period of the Council of Trent, when the real presence of Christ in the Eucharist was contested in parts of Europe, Spanish popular piety continued to exalt it through processions, music, art, and public expressions of faith.In Madrid, Pope Leo said Corpus Christi is “more than just another celebration on the liturgical calendar.”“It is a way of returning to the heart of the faith to renew our love and fidelity to God,” he said.“The solemn processions held on this day have for centuries shaped the piety, art, music, architecture and life of the Spanish people,” the pope continued. “Even today, they still express and manifest the spiritual sentiments of this country through the beauty and elegance of the floral carpets, the altars erected in the streets, the carefully crafted monstrances and stands, the hymns and the liturgical vestments.”The setting itself added a striking backdrop to the celebration. Plaza de Cibeles, crowned by the statue of the Roman goddess in a chariot drawn by lions, is known internationally as the place where Real Madrid celebrates its titles. On Sunday, however, the square’s focus was Christ in the Eucharist.One participant joked that with Pope Leo XIV in Madrid, the Spanish capital had three lions.The pope said the Corpus Christi procession is not “an exhibition, a remnant of folklore or a simple display of beauty.”“It is a profession of faith in the presence of the risen Lord, who is alive and continues to walk among us, who becomes bread to satiate our hunger for life, and visits the recesses of our hearts and history, even those shrouded in darkness,” he said.The procession route, about 600 meters along Calle de Alcalá, one of Madrid’s central thoroughfares, was adorned with 16 floral carpets — eight on each side — made with more than 30,000 carnations. Numerous faithful joined the pope, including many boys and girls who had recently received their first Communion.Pope Leo said the procession reveals that Christ “is not confined to the church, but comes out to meet us.”“Jesus travels the streets, crosses the squares and visits our neighborhoods, dwelling in the settings of our daily lives,” he said. “He is a God who is close to us, who walks with his people, the Lord of history.”The pope also connected Corpus Christi with charity, noting that the Church in Spain has long associated the solemnity with the Day for Charity.“The Christ who processes through the streets in the monstrance is the same one who identifies with the poor, the downtrodden, those who are alone and forsaken,” he said.“It is not merely a matter of bringing out the monstrance,” Pope Leo emphasized, “but of allowing ourselves to be brought out of our selfishness and indifference, of a comfortable, private faith, so as to respond to his invitation to conversion, to change our perspective, and to welcome his presence which transforms us and makes us builders of a new world.”The pope said the historical memory of Spain’s Corpus Christi processions “is not confined to wistful nostalgia.”“Instead, it stands as an invitation in the present moment, in our daily lives, in our relationships, in society, and in the building of the future,” he said.That, he added, is the task facing Spain today and tomorrow: “to ensure that the religiosity which has shaped and defined this country for centuries is not a museum of the past to be visited, but a school of faith from which to draw even today.”The pope described that school of faith as one that “teaches us to kneel before God and before our neighbor, because no one can kneel before the Lord and despise their brother.”It is also, he said, “a school that teaches us of the gratitude of love that becomes a gift, so that it may flow among us and break the chains of all selfishness.”From the Eucharist, he continued, Catholics learn “that God is a real presence and that we too are called to be present in the realities and challenges of society, not shying away, but personally committing ourselves to the building of the common good.”Pope Leo also recalled St. Manuel González García, the Spanish bishop known as “the bishop of the abandoned tabernacle.”“His life reminds us that the Eucharist should be honored not only during great celebrations or on special occasions, but also through the silent fidelity of those who accompany the Lord with a humble and quiet friendship that is nourished day by day,” the pope said.The pope also cited St. John of the Cross, recalling that while imprisoned in harsh conditions in Toledo around the time of Corpus Christi in 1578, the Spanish mystic recognized the hidden presence of the Lord even in darkness.“The Eucharistic Jesus is ‘that eternal spring that is hidden’ — a spring that flows and quenches thirst, yet without blinding, without imposing itself through outward power, without presenting itself in a spectacular way,” the pope said.Pope Leo closed by urging the faithful to return to Christ in the Eucharist with “sincere love.”“Let us open ourselves to the encounter with him, let us allow him to quench the thirst of our hearts, so that we may then go forth into the paths of life and history, bringing to the people this stream of fresh water, a stream of love, peace, justice and joy,” he said.“Let us drink anew from this Eucharistic spring, which does not enclose us in private devotion, but sends us out to refresh our brothers and sisters, our families, the poor, the suffering, and those who have lost hope,” the pope said. “Eucharistic grace transforms us and makes us protagonists of the transformation of history, a sign of hope for those we meet.”“May the Lord Jesus, present in the Eucharist, transform you into bread that is broken, given, and offered,” he concluded, “so that a life of fullness may spring forth for you, for your families, and for your country.”This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

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At Mass in Madrid’s Plaza de Cibeles, the pope called Spain’s centuries-old Eucharistic devotion “a school of faith” for the present and future.

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U.S. bishops unveil prayer service for America’s 250th anniversary centered on migrants #Catholic The U.S. Conference of Catholic Bishops (USCCB) has released a national prayer service for the country’s upcoming 250th anniversary that places immigration, justice, and the dignity of migrants at the center of America’s semiquincentennial observance.Titled “A National Prayer Service Honoring the Many Journeys that Shaped America,” the resource was developed by the Committee on Migration and the Subcommittee for the Promotion of Racial Justice and Reconciliation.Designed as a template for dioceses and parishes across the country, the prayer service invites Catholics to reflect on the nation’s history through the lens of migration, displacement, slavery, and faith while encouraging advocacy for vulnerable migrant populations.“In observance of the United States’ 250th anniversary in 2026, and rooted in the Church’s pastoral mission of welcome, accompaniment, and solidarity,” the instructions state, the service seeks “to acknowledge and honor the many diverse communities that have journeyed to the United States in search of hope, safety, and opportunity.”The document also highlights “the voices, sufferings, and enduring contributions of those who were forcibly brought to this land.”A prayer service rooted in hospitalityThe proposed service combines hymns, Scripture readings, intercessory prayers, testimonies, and guided reflections focused heavily on migrants, refugees, victims of trafficking, and immigrant communities.Organizers are encouraged to adapt the service to local needs and cultures by incorporating music and devotional practices that reflect “the lived experiences of migration, displacement, resilience, and faith.”The service opens with the hymn “All Are Welcome” by Marty Haugen and includes prayers asking Catholics to “walk in deeper solidarity with immigrant communities” and to advocate for “greater protection, justice, and accompaniment for vulnerable and at-risk migrant populations.”A prayer to St. Frances Xavier Cabrini — patroness of immigrants and herself an immigrant to the United States — asks for protection for migrant families separated from one another and for the grace to “welcome every stranger as Christ in our midst.”The document also includes a “call to action” encouraging Catholics to reflect on “concrete and compassionate ways to welcome, protect, promote, and integrate migrants, immigrants, and refugees” while advocating for “just and humane immigration reform that upholds the dignity of every human person created in the image of God.”The service concludes with a “Prayer for Migrants” asking God to help the Church “welcome, protect, promote, and integrate those who knock at our doors.”Scripture and civil rights themes woven throughoutThe Scripture passages selected for the service strongly emphasize hospitality toward foreigners and care for society’s most vulnerable.A reading from Deuteronomy 10:12-22 exhorts believers: “So you too must befriend the alien, for you were once aliens yourselves in the land of Egypt.”  The Gospel reading from Matthew 25:31-46 centers on Christ’s words, “I was thirsty and you gave me drink, a stranger and you welcomed me.”The template also incorporates themes of racial justice and historical memory. Intercessions address slavery and modern human trafficking, praying both for victims of exploitation and for “perpetrators of slavery” to repent.The service further recommends “Lift Every Voice and Sing,” often referred to as the Black national anthem and rooted in Black church worship and civic life in the U.S., as an intermediate hymn. It also includes optional excerpts from Dr. Martin Luther King Jr.’s “I Have a Dream" speech for use in a homily or guided reflection, alongside passages from the bishops’ 2025 special pastoral message on immigration.Dignity of migrantsIn recent years, U.S. bishops have consistently advocated for immigration reform while emphasizing the dignity of migrants, opposition to family separation, and support for refugees and trafficking victims.The prayer service places those concerns within the broader context of the nation’s identity ahead of America’s 250th anniversary observances.“This prayer service seeks to provide a sacred space for reflection, remembrance, lament, and hope,” the document states, inviting participants to encounter one another “as members of the one human family and the one body of Christ.”EWTN News reached out to the USCCB for comment but did not receive a response by publication time.
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U.S. bishops unveil prayer service for America’s 250th anniversary centered on migrants #Catholic The U.S. Conference of Catholic Bishops (USCCB) has released a national prayer service for the country’s upcoming 250th anniversary that places immigration, justice, and the dignity of migrants at the center of America’s semiquincentennial observance.Titled “A National Prayer Service Honoring the Many Journeys that Shaped America,” the resource was developed by the Committee on Migration and the Subcommittee for the Promotion of Racial Justice and Reconciliation.Designed as a template for dioceses and parishes across the country, the prayer service invites Catholics to reflect on the nation’s history through the lens of migration, displacement, slavery, and faith while encouraging advocacy for vulnerable migrant populations.“In observance of the United States’ 250th anniversary in 2026, and rooted in the Church’s pastoral mission of welcome, accompaniment, and solidarity,” the instructions state, the service seeks “to acknowledge and honor the many diverse communities that have journeyed to the United States in search of hope, safety, and opportunity.”The document also highlights “the voices, sufferings, and enduring contributions of those who were forcibly brought to this land.”A prayer service rooted in hospitalityThe proposed service combines hymns, Scripture readings, intercessory prayers, testimonies, and guided reflections focused heavily on migrants, refugees, victims of trafficking, and immigrant communities.Organizers are encouraged to adapt the service to local needs and cultures by incorporating music and devotional practices that reflect “the lived experiences of migration, displacement, resilience, and faith.”The service opens with the hymn “All Are Welcome” by Marty Haugen and includes prayers asking Catholics to “walk in deeper solidarity with immigrant communities” and to advocate for “greater protection, justice, and accompaniment for vulnerable and at-risk migrant populations.”A prayer to St. Frances Xavier Cabrini — patroness of immigrants and herself an immigrant to the United States — asks for protection for migrant families separated from one another and for the grace to “welcome every stranger as Christ in our midst.”The document also includes a “call to action” encouraging Catholics to reflect on “concrete and compassionate ways to welcome, protect, promote, and integrate migrants, immigrants, and refugees” while advocating for “just and humane immigration reform that upholds the dignity of every human person created in the image of God.”The service concludes with a “Prayer for Migrants” asking God to help the Church “welcome, protect, promote, and integrate those who knock at our doors.”Scripture and civil rights themes woven throughoutThe Scripture passages selected for the service strongly emphasize hospitality toward foreigners and care for society’s most vulnerable.A reading from Deuteronomy 10:12-22 exhorts believers: “So you too must befriend the alien, for you were once aliens yourselves in the land of Egypt.”  The Gospel reading from Matthew 25:31-46 centers on Christ’s words, “I was thirsty and you gave me drink, a stranger and you welcomed me.”The template also incorporates themes of racial justice and historical memory. Intercessions address slavery and modern human trafficking, praying both for victims of exploitation and for “perpetrators of slavery” to repent.The service further recommends “Lift Every Voice and Sing,” often referred to as the Black national anthem and rooted in Black church worship and civic life in the U.S., as an intermediate hymn. It also includes optional excerpts from Dr. Martin Luther King Jr.’s “I Have a Dream" speech for use in a homily or guided reflection, alongside passages from the bishops’ 2025 special pastoral message on immigration.Dignity of migrantsIn recent years, U.S. bishops have consistently advocated for immigration reform while emphasizing the dignity of migrants, opposition to family separation, and support for refugees and trafficking victims.The prayer service places those concerns within the broader context of the nation’s identity ahead of America’s 250th anniversary observances.“This prayer service seeks to provide a sacred space for reflection, remembrance, lament, and hope,” the document states, inviting participants to encounter one another “as members of the one human family and the one body of Christ.”EWTN News reached out to the USCCB for comment but did not receive a response by publication time.

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The prayer service invites Catholics to reflect on the nation’s history through the lens of migration, displacement, slavery, and faith while encouraging advocacy for vulnerable migrant populations.

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