simplicity

Pope Leo urges Vatican police to guard their hearts as they protect others #Catholic Pope Leo XIV urged members of the Vatican Gendarmerie on Oct. 3 to nurture their faith as they protect others, telling them that their service requires hearts guarded by the Lord.The pope celebrated Mass at the Lourdes Grotto in the Vatican Gardens in honor of the force’s patron, St. Michael the Archangel.He described the gendarmes’ work as “a way of being laborers in the Lord’s vineyard,” stressing that their responsibilities extend beyond safeguarding buildings, grounds, and entrances to caring for people.“One quality that stands out when we meet you is precisely this care: It is beautiful to see how you regard others not as problems to be solved but as people to be respected and protected,” he said.Reflecting on the parable of the wicked tenants in Matthew 21:33-43, the pope said the gendarmes should understand that “what we receive is a responsibility to be safeguarded with humility and dedication, to be carried out with discretion and a sense of duty.”“You know well that authority, in the light of the Gospel, is expressed above all in the ability to protect, listen, and accompany, with balance, firmness, and respect,” he added.Just as the vineyard owner’s son stands at the center of the parable, Leo urged the gendarmes to place Jesus at the center of their lives.“Before being gendarmes, you are men called to follow him. From him we learn strength that knows how to become gentleness, vigilance born of trust, authority that walks alongside humility, and the courage to intervene with a merciful heart,” he said.The pope also reflected on the second reading, from St. Paul’s Letter to the Philippians, which urges believers to bring their needs to God in prayer rather than give in to anxiety.The gendarmes’ work, he said, would bring “quiet days and difficult days,” moments requiring quick decisions, and situations that cause fatigue and worry.But prayer offers a way to bear those burdens.“A gendarme does not carry everything alone: He prays, knows how to entrust himself to God, and knows how to find again in God the peace that allows him to act with clarity and a serene heart,” Leo said.Those who protect others need hearts and minds “formed in goodness,” he said, because they “must first safeguard within themselves truth, justice, goodness, and respect. Protecting others requires a heart guarded by the Lord.”“Your work certainly requires you to be vigilant, but today’s word invites you to something even deeper: to watch carefully over yourselves as well,” the pope added.He urged the gendarmes to guard their hearts against becoming hardened, keeping them “always docile to God and attentive to others.”He also called on them to safeguard their consciences and their bonds of fraternity. A group becomes a community, he said, when “its members care for one another and learn to walk together, supporting one another with simplicity and love.”Leo concluded by thanking the gendarmes’ families for the sacrifices that make their service possible.“This year, too, I conclude with a thought of affection and gratitude for your families. To parents, wives, children, and fiancées: Thank you! You know the sacrifices, the absences, the schedules, the worries, and also the burden of a service that is not always seen,” he said.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
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Pope Leo urges Vatican police to guard their hearts as they protect others #Catholic Pope Leo XIV urged members of the Vatican Gendarmerie on Oct. 3 to nurture their faith as they protect others, telling them that their service requires hearts guarded by the Lord.The pope celebrated Mass at the Lourdes Grotto in the Vatican Gardens in honor of the force’s patron, St. Michael the Archangel.He described the gendarmes’ work as “a way of being laborers in the Lord’s vineyard,” stressing that their responsibilities extend beyond safeguarding buildings, grounds, and entrances to caring for people.“One quality that stands out when we meet you is precisely this care: It is beautiful to see how you regard others not as problems to be solved but as people to be respected and protected,” he said.Reflecting on the parable of the wicked tenants in Matthew 21:33-43, the pope said the gendarmes should understand that “what we receive is a responsibility to be safeguarded with humility and dedication, to be carried out with discretion and a sense of duty.”“You know well that authority, in the light of the Gospel, is expressed above all in the ability to protect, listen, and accompany, with balance, firmness, and respect,” he added.Just as the vineyard owner’s son stands at the center of the parable, Leo urged the gendarmes to place Jesus at the center of their lives.“Before being gendarmes, you are men called to follow him. From him we learn strength that knows how to become gentleness, vigilance born of trust, authority that walks alongside humility, and the courage to intervene with a merciful heart,” he said.The pope also reflected on the second reading, from St. Paul’s Letter to the Philippians, which urges believers to bring their needs to God in prayer rather than give in to anxiety.The gendarmes’ work, he said, would bring “quiet days and difficult days,” moments requiring quick decisions, and situations that cause fatigue and worry.But prayer offers a way to bear those burdens.“A gendarme does not carry everything alone: He prays, knows how to entrust himself to God, and knows how to find again in God the peace that allows him to act with clarity and a serene heart,” Leo said.Those who protect others need hearts and minds “formed in goodness,” he said, because they “must first safeguard within themselves truth, justice, goodness, and respect. Protecting others requires a heart guarded by the Lord.”“Your work certainly requires you to be vigilant, but today’s word invites you to something even deeper: to watch carefully over yourselves as well,” the pope added.He urged the gendarmes to guard their hearts against becoming hardened, keeping them “always docile to God and attentive to others.”He also called on them to safeguard their consciences and their bonds of fraternity. A group becomes a community, he said, when “its members care for one another and learn to walk together, supporting one another with simplicity and love.”Leo concluded by thanking the gendarmes’ families for the sacrifices that make their service possible.“This year, too, I conclude with a thought of affection and gratitude for your families. To parents, wives, children, and fiancées: Thank you! You know the sacrifices, the absences, the schedules, the worries, and also the burden of a service that is not always seen,” he said.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

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At a Mass honoring their patron, St. Michael the Archangel, the pontiff called on gendarmes to exercise authority with humility and compassion.

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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”
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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”

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Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.”

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10 lesser-known facts about St. Teresa of Calcutta, 10 years after canonization #Catholic On Sept. 5, Catholics around the world celebrate the feast of St. Teresa of Calcutta, popularly known as Mother Teresa, and this year marks 10 years since she was declared a saint by the Catholic Church. The beloved religious sister was known globally for her work among the poorest of poor in India and for founding the Missionaries of Charity.Yet behind the familiar image of the saint there are aspects of her life that may not be as well-known — from her childhood in the Balkans and years as a teacher to her surprising friendships and spiritual struggles.Here are 10 lesser-known facts about the life of St. Teresa of Calcutta as we celebrate her 10 years as a canonized saint:1. She wasn’t born in IndiaMother Teresa was born Anjezë (Agnes) Gonxhe Bojaxhiu in 1910 in Skopje, which was then part of the Ottoman Empire and is now the capital of North Macedonia. She came from an ethnic Albanian family and was the youngest of five children — two of whom died in infancy.2. She entered religious life at 18At age 12, she felt called to serve the poor and at 18, left home to join the Institute of the Blessed Virgin Mary, known as the Sisters of Loreto, an Irish order of nuns, with the intention to serve in India. She would never again live with her immediate family.3. She chose the name Teresa after St. Thérèse of LisieuxUpon her arrival at Rathfarnham Abbey in Ireland, she took the name Teresa after St. Thérèse of Lisieux, a 19th-century French nun known as the “Little Flower” who was known for her simplicity and doing things in her “Little Way.”4. She was a teacher before she served the poorBefore beginning her work among the poor, Mother Teresa taught in India for nearly two decades. She arrived in Calcutta, India. on Jan. 6, 1929, and after making her first vows in 1931, she was assigned to the Loretto Entally community and taught at St. Mary’s Bengali Medium School for girls. In 1937, Teresa made her final vows as a Loreto nun and then reassumed her duties at the school. In 1944 she became principal of the school.5. She experienced a ‘call within a call’On Sept. 10, 1946, Mother Teresa experienced what she would refer to as the “call within a call.” Over the following weeks and months, she would receive inspiration from God asking her to establish a religious community that would serve the poorest of the poor.6. She didn’t immediately start the religious orderIn August of 1948, Teresa left the Loreto convent and went to a short medical training with the Medical Mission Sisters in Patna. In December of the same year, she returned to Calcutta and stayed temporarily with the Little Sisters of the Poor. During this time, she worked in the slums tending to the sick and dying. On Oct. 7, 1950, the congregation of the Missionaries of Charity was officially established.7. She founded branches for men and priests, tooIn order to serve the various physical and spiritual needs of the sick, Teresa founded the Missionaries of Charity Brothers in 1963 and in 1984 the Missionaries of Charity Fathers. She also created groups for lay people including Co-Workers of Mother Teresa and the Sick and Suffering Co-Workers, which were groups of people who shared her spirit of prayer, simplicity, and love for those most in need.8. She received the Nobel Peace Prize — and rejected the traditional banquetWhen Mother Teresa received the Nobel Peace Prize in 1979, she asked that the money that would have been spent on the customary banquet instead be given to the poor. She also used her Nobel platform to speak about the dignity of human life and the need for the protection of the unborn.9. She experienced profound spiritual darknessOne of the most surprising aspects of Mother Teresa’s life is that she endured decades of what she described as profound interior darkness. Despite being a woman of deep prayer, her private letters revealed that she sometimes felt distant from God even as she continued serving him.10. Her congregation spread around the worldToday the Missionaries of Charity have 754 homes in 138 countries around the world and a little over 5,000 nuns serving the poorest of the poor.
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10 lesser-known facts about St. Teresa of Calcutta, 10 years after canonization #Catholic On Sept. 5, Catholics around the world celebrate the feast of St. Teresa of Calcutta, popularly known as Mother Teresa, and this year marks 10 years since she was declared a saint by the Catholic Church. The beloved religious sister was known globally for her work among the poorest of poor in India and for founding the Missionaries of Charity.Yet behind the familiar image of the saint there are aspects of her life that may not be as well-known — from her childhood in the Balkans and years as a teacher to her surprising friendships and spiritual struggles.Here are 10 lesser-known facts about the life of St. Teresa of Calcutta as we celebrate her 10 years as a canonized saint:1. She wasn’t born in IndiaMother Teresa was born Anjezë (Agnes) Gonxhe Bojaxhiu in 1910 in Skopje, which was then part of the Ottoman Empire and is now the capital of North Macedonia. She came from an ethnic Albanian family and was the youngest of five children — two of whom died in infancy.2. She entered religious life at 18At age 12, she felt called to serve the poor and at 18, left home to join the Institute of the Blessed Virgin Mary, known as the Sisters of Loreto, an Irish order of nuns, with the intention to serve in India. She would never again live with her immediate family.3. She chose the name Teresa after St. Thérèse of LisieuxUpon her arrival at Rathfarnham Abbey in Ireland, she took the name Teresa after St. Thérèse of Lisieux, a 19th-century French nun known as the “Little Flower” who was known for her simplicity and doing things in her “Little Way.”4. She was a teacher before she served the poorBefore beginning her work among the poor, Mother Teresa taught in India for nearly two decades. She arrived in Calcutta, India. on Jan. 6, 1929, and after making her first vows in 1931, she was assigned to the Loretto Entally community and taught at St. Mary’s Bengali Medium School for girls. In 1937, Teresa made her final vows as a Loreto nun and then reassumed her duties at the school. In 1944 she became principal of the school.5. She experienced a ‘call within a call’On Sept. 10, 1946, Mother Teresa experienced what she would refer to as the “call within a call.” Over the following weeks and months, she would receive inspiration from God asking her to establish a religious community that would serve the poorest of the poor.6. She didn’t immediately start the religious orderIn August of 1948, Teresa left the Loreto convent and went to a short medical training with the Medical Mission Sisters in Patna. In December of the same year, she returned to Calcutta and stayed temporarily with the Little Sisters of the Poor. During this time, she worked in the slums tending to the sick and dying. On Oct. 7, 1950, the congregation of the Missionaries of Charity was officially established.7. She founded branches for men and priests, tooIn order to serve the various physical and spiritual needs of the sick, Teresa founded the Missionaries of Charity Brothers in 1963 and in 1984 the Missionaries of Charity Fathers. She also created groups for lay people including Co-Workers of Mother Teresa and the Sick and Suffering Co-Workers, which were groups of people who shared her spirit of prayer, simplicity, and love for those most in need.8. She received the Nobel Peace Prize — and rejected the traditional banquetWhen Mother Teresa received the Nobel Peace Prize in 1979, she asked that the money that would have been spent on the customary banquet instead be given to the poor. She also used her Nobel platform to speak about the dignity of human life and the need for the protection of the unborn.9. She experienced profound spiritual darknessOne of the most surprising aspects of Mother Teresa’s life is that she endured decades of what she described as profound interior darkness. Despite being a woman of deep prayer, her private letters revealed that she sometimes felt distant from God even as she continued serving him.10. Her congregation spread around the worldToday the Missionaries of Charity have 754 homes in 138 countries around the world and a little over 5,000 nuns serving the poorest of the poor.

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Sept. 5 marks the feast of Mother Teresa and the 10th anniversary of her canonization.

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