19th Century

Notre-Dame Cathedral enters final stage of restoration following 2019 fire #Catholic A symbol of Christian heritage and one of the finest examples of Gothic architecture, Notre-Dame Cathedral in Paris, attracts millions of tourists and pilgrims from around the world each year.The devastating fire that significantly damaged the iconic cathedral on April 15, 2019, led to an unprecedented wave of international solidarity to ensure its restoration.Although the cathedral reopened for worship in December 2024, restoration work is not yet complete. French authorities recently unveiled a final phase of work to be carried out from 2027 to 2033, which will require a new fundraising campaign aiming to raise 130 million euros (8.5 million). A view of the interior of the restored Notre Dame Cathedral. | Credit: Photo courtesy of Martín Muñoz Ledo The planned investment amounts to 150 million euros (1.3 million). Of that sum, nearly 20 million euros (.8 million) has already been secured, while the remainder is to come from donations from individuals, companies, and partner organizations, following the funding model used to rebuild the monument after the fire.“Our goal is to fully complete the cathedral’s restoration,” stated Philippe Jost, president of Rebâtir Notre-Dame de Paris (Rebuilding Notre Dame in Paris), in an interview with the French Catholic newspaper La Croix.The program consists of around a dozen projects aimed both at repairing damage done by the fire and at restoring elements of cultural heritage that were already in a fragile state of preservation prior to 2019.The western rose window: The central focusThe planned works feature the complete restoration of the great western rose window, one of the most iconic examples of European Gothic architecture. This historic 13th-century stained-glass window has not undergone a complete restoration since the work directed by Eugène Viollet-le-Duc in the 19th century.The plans also include the restoration of the north transept façades, various medieval sculptures, and other architectural elements showing signs of wear. Project leaders believe these works will be crucial for ensuring the cathedralʼs long-term preservation.A functioning cathedral, yet still under constructionThe reopening of Notre Dame in late 2024 allowed the resumption of the cathedralʼs ordinary liturgical life. Since then, thousands of the faithful and tourists have once again passed through its doors each day.However, the fire also made evident conservation issues that had accumulated over decades in a building with more than eight centuries of history. Consequently, the new phase of work aims not only to repair fire damage but also to address broader structural and heritage-related needs.The reopening ceremony, held in December 2024, was considered one of the most significant cultural and religious events in Europe in recent years.Furthermore, those responsible for the restoration hope to rekindle the spirit of solidarity that emerged following the 2019 tragedy. At that time, financial pledges totaling nearly 1 billion euros (.14 billion) were secured, funds that made the reconstruction possible and left resources for future conservation work.Debate persists over new stained-glass windowsThe unveiling of this final phase does not put an end to one of the most notable controversies surrounding Notre Dame: the proposal, backed by President Emmanuel Macron, to replace six 19th-century stained-glass windows created by Viollet-le-Duc with contemporary works by French artist Claire Tabouret.The project remains subject to a court ruling following challenges filed by various heritage preservation associations. Their representatives argue that the historic stained-glass windows sustained minimal damage during the fire and consider their replacement unjustified.The issue has divided restoration experts, public officials, and figures from the world of culture. While some advocate for the complete preservation of the cathedralʼs historic legacy, others view the proposal as an opportunity to incorporate a new artistic expression into one of Franceʼs most recognizable monuments.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
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Notre-Dame Cathedral enters final stage of restoration following 2019 fire #Catholic A symbol of Christian heritage and one of the finest examples of Gothic architecture, Notre-Dame Cathedral in Paris, attracts millions of tourists and pilgrims from around the world each year.The devastating fire that significantly damaged the iconic cathedral on April 15, 2019, led to an unprecedented wave of international solidarity to ensure its restoration.Although the cathedral reopened for worship in December 2024, restoration work is not yet complete. French authorities recently unveiled a final phase of work to be carried out from 2027 to 2033, which will require a new fundraising campaign aiming to raise 130 million euros ($148.5 million). A view of the interior of the restored Notre Dame Cathedral. | Credit: Photo courtesy of Martín Muñoz Ledo The planned investment amounts to 150 million euros ($171.3 million). Of that sum, nearly 20 million euros ($22.8 million) has already been secured, while the remainder is to come from donations from individuals, companies, and partner organizations, following the funding model used to rebuild the monument after the fire.“Our goal is to fully complete the cathedral’s restoration,” stated Philippe Jost, president of Rebâtir Notre-Dame de Paris (Rebuilding Notre Dame in Paris), in an interview with the French Catholic newspaper La Croix.The program consists of around a dozen projects aimed both at repairing damage done by the fire and at restoring elements of cultural heritage that were already in a fragile state of preservation prior to 2019.The western rose window: The central focusThe planned works feature the complete restoration of the great western rose window, one of the most iconic examples of European Gothic architecture. This historic 13th-century stained-glass window has not undergone a complete restoration since the work directed by Eugène Viollet-le-Duc in the 19th century.The plans also include the restoration of the north transept façades, various medieval sculptures, and other architectural elements showing signs of wear. Project leaders believe these works will be crucial for ensuring the cathedralʼs long-term preservation.A functioning cathedral, yet still under constructionThe reopening of Notre Dame in late 2024 allowed the resumption of the cathedralʼs ordinary liturgical life. Since then, thousands of the faithful and tourists have once again passed through its doors each day.However, the fire also made evident conservation issues that had accumulated over decades in a building with more than eight centuries of history. Consequently, the new phase of work aims not only to repair fire damage but also to address broader structural and heritage-related needs.The reopening ceremony, held in December 2024, was considered one of the most significant cultural and religious events in Europe in recent years.Furthermore, those responsible for the restoration hope to rekindle the spirit of solidarity that emerged following the 2019 tragedy. At that time, financial pledges totaling nearly 1 billion euros ($1.14 billion) were secured, funds that made the reconstruction possible and left resources for future conservation work.Debate persists over new stained-glass windowsThe unveiling of this final phase does not put an end to one of the most notable controversies surrounding Notre Dame: the proposal, backed by President Emmanuel Macron, to replace six 19th-century stained-glass windows created by Viollet-le-Duc with contemporary works by French artist Claire Tabouret.The project remains subject to a court ruling following challenges filed by various heritage preservation associations. Their representatives argue that the historic stained-glass windows sustained minimal damage during the fire and consider their replacement unjustified.The issue has divided restoration experts, public officials, and figures from the world of culture. While some advocate for the complete preservation of the cathedralʼs historic legacy, others view the proposal as an opportunity to incorporate a new artistic expression into one of Franceʼs most recognizable monuments.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

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The cathedral has reopened but restoration work remains to be done, including on the western rose window.

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Catholic historians reflect on the Church’s role as America marks 250 years #Catholic As the United States prepares to celebrate the 250th anniversary of its founding, two Catholic historians say the nationʼs story cannot be fully understood without recognizing the role Catholics have played in shaping American life.In a July 3 “EWTN News in Depth” interview with Catherine Hadro, Kathleen Sprows Cummings of the University of Notre Dame and Christopher Shannon of Christendom College reflected on the complex history of Catholicism in the United States. Cummings, director of Notre Dameʼs Global Catholic Research Initiative, said it is difficult for many Americans today to imagine the level of hostility Catholics once faced.“It’s hard to imagine today the extent to which Catholics were seen as not welcome in the United States,” she said. Nineteenth-century Catholic immigrants, particularly those arriving from Ireland, Italy, and Eastern Europe, were often viewed with suspicion because they were poor, came from “undesirable” countries, and were believed to be “loyal to the pope.”“Anti-Catholicism in the 19th century often meant anti-papist,” Cummings explained, noting that many Americans feared the pope harbored “imperial designs on the United States.”Despite that prejudice, Catholics gradually demonstrated their loyalty to the nation through military service, civic life, and public leadership, she said.Shannon, author of “American Pilgrimage: A Historical Journey Through Catholic Life in a New World,” said Catholics ultimately proved themselves to be deeply patriotic, though often “on their own terms.”“Catholics seem just so darn American now,” he said.The conversation also highlighted the witness of American saints, including St. Frances Xavier Cabrini, St. Elizabeth Ann Seton, and St. John Neumann, whose lives demonstrated, Cummings said, the harmony between “patriotism and sanctity.”The historians also discussed Catholic political leaders from Al Smith to President John F. Kennedy, the challenges of living an authentically Catholic public life, and what the election of Pope Leo XIV, the first U.S.-born pope, means for American Catholics.Calling the moment “truly astonishing,” Cummings said an American pope “would have been a travesty at home and an absurdity in Rome” for much of U.S. history. Yet she emphasized that Catholics should remember Pope Leo “views the world not primarily through an American filter, but through a Catholic lens.”
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Catholic historians reflect on the Church’s role as America marks 250 years #Catholic As the United States prepares to celebrate the 250th anniversary of its founding, two Catholic historians say the nationʼs story cannot be fully understood without recognizing the role Catholics have played in shaping American life.In a July 3 “EWTN News in Depth” interview with Catherine Hadro, Kathleen Sprows Cummings of the University of Notre Dame and Christopher Shannon of Christendom College reflected on the complex history of Catholicism in the United States. Cummings, director of Notre Dameʼs Global Catholic Research Initiative, said it is difficult for many Americans today to imagine the level of hostility Catholics once faced.“It’s hard to imagine today the extent to which Catholics were seen as not welcome in the United States,” she said. Nineteenth-century Catholic immigrants, particularly those arriving from Ireland, Italy, and Eastern Europe, were often viewed with suspicion because they were poor, came from “undesirable” countries, and were believed to be “loyal to the pope.”“Anti-Catholicism in the 19th century often meant anti-papist,” Cummings explained, noting that many Americans feared the pope harbored “imperial designs on the United States.”Despite that prejudice, Catholics gradually demonstrated their loyalty to the nation through military service, civic life, and public leadership, she said.Shannon, author of “American Pilgrimage: A Historical Journey Through Catholic Life in a New World,” said Catholics ultimately proved themselves to be deeply patriotic, though often “on their own terms.”“Catholics seem just so darn American now,” he said.The conversation also highlighted the witness of American saints, including St. Frances Xavier Cabrini, St. Elizabeth Ann Seton, and St. John Neumann, whose lives demonstrated, Cummings said, the harmony between “patriotism and sanctity.”The historians also discussed Catholic political leaders from Al Smith to President John F. Kennedy, the challenges of living an authentically Catholic public life, and what the election of Pope Leo XIV, the first U.S.-born pope, means for American Catholics.Calling the moment “truly astonishing,” Cummings said an American pope “would have been a travesty at home and an absurdity in Rome” for much of U.S. history. Yet she emphasized that Catholics should remember Pope Leo “views the world not primarily through an American filter, but through a Catholic lens.”

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Dr. Kathleen Sprows Cummings of the University of Notre Dame and Dr. Christopher Shannon of Christendom College reflected on the complex history of Catholicism in the United States.

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Picture of the day Doll (musha-ningyo) featuring Takenouchi no Sukune, minister of Emperor Ōjin; end of the Edo period, 19th century, Japan. Ann and Gabriel Barbier-Mueller Museum, Dallas (Texas) ; the photograph was taken during an exhibition in the Musée des Arts Premiers in Paris #ImageOfTheDay
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Picture of the day Doll (musha-ningyo) featuring Takenouchi no Sukune, minister of Emperor Ōjin; end of the Edo period, 19th century, Japan. Ann and Gabriel Barbier-Mueller Museum, Dallas (Texas) ; the photograph was taken during an exhibition in the Musée des Arts Premiers in Paris #ImageOfTheDay

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Picture of the day
Doll (musha-ningyo) featuring Takenouchi no Sukune, minister of Emperor Ōjin; end of the Edo period, 19th century, Japan. Ann and Gabriel Barbier-Mueller Museum, Dallas (Texas) ; the photograph was taken during an exhibition in the Musée des Arts Premiers in Paris
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Picture of the day Fortified city of Carcassonne during the blue hour, France. Founded during the Gallo-Roman period, the citadel derives its reputation from its 3 kilometres (1.9 mi) long double surrounding walls interspersed by 52 towers. The medieval citadel, situated on a hill on the right bank of the river Aude, was restored at the end of the 19th century by the theorist and architect Eugène Viollet-le-Duc. In 1997, it was added to the UNESCO list of World Heritage Sites because of its exceptional testimony to the architecture and planning of a medieval fortress town. #ImageOfTheDay
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Picture of the day Fortified city of Carcassonne during the blue hour, France. Founded during the Gallo-Roman period, the citadel derives its reputation from its 3 kilometres (1.9 mi) long double surrounding walls interspersed by 52 towers. The medieval citadel, situated on a hill on the right bank of the river Aude, was restored at the end of the 19th century by the theorist and architect Eugène Viollet-le-Duc. In 1997, it was added to the UNESCO list of World Heritage Sites because of its exceptional testimony to the architecture and planning of a medieval fortress town. #ImageOfTheDay

unitedyam
Picture of the day
Fortified city of Carcassonne during the blue hour, France. Founded during the Gallo-Roman period, the citadel derives its reputation from its 3 kilometres (1.9 mi) long double surrounding walls interspersed by 52 towers. The medieval citadel, situated on a hill on the right bank of the river Aude, was restored at the end of the 19th century by the theorist and architect Eugène Viollet-le-Duc. In 1997, it was added to the UNESCO list of World Heritage Sites because of its exceptional testimony to the architecture and planning of a medieval fortress town.
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