beauty

‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News. Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople. The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music “Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.” The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed. The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia “Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said. Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo “AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.” Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”
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‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News. Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople. The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music “Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.” The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed. The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia “Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said. Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo “AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.” Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”

unitedyam

As AI encroaches on sacred music, Catholics still hold true to Gregorian chant, a historical form of sacred music that is still alive today.

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Pope Leo XIV in Madrid: Corpus Christi must not become museum of the past #Catholic Madrid, Spain, June 7, 2026 — Pope Leo XIV on Sunday called on Spain to renew its historic Eucharistic faith, warning that the country’s centuries-old religious traditions must not become “a museum of the past to be visited” but remain “a school of faith from which to draw even today.”The pope made the appeal while presiding over Mass, a procession, and Eucharistic blessing for the solemnity of Corpus Christi in Madrid’s Plaza de Cibeles, one of the Spanish capital’s most emblematic sites.“As I begin my visit to Spain, it is with a heart filled with joy that I preside over this celebration on the Solemnity of Corpus Christi,” the pope said in his homily.Corpus Christi has deep roots in Spain and throughout the Catholic world. The feast originated after the efforts of St. Juliana of Cornillon, a Belgian religious sister who promoted a liturgical celebration dedicated to the Blessed Sacrament. Pope Urban IV confirmed the feast for the universal Church in 1264, and within decades it had reached the Iberian Peninsula. King Alfonso X, known as “the Wise,” took part in a Corpus Christi celebration in Toledo in 1280.Over the centuries, the tradition became firmly established in Spain, making the country one of the great centers of Eucharistic devotion. During the period of the Council of Trent, when the real presence of Christ in the Eucharist was contested in parts of Europe, Spanish popular piety continued to exalt it through processions, music, art, and public expressions of faith.In Madrid, Pope Leo said Corpus Christi is “more than just another celebration on the liturgical calendar.”“It is a way of returning to the heart of the faith to renew our love and fidelity to God,” he said.“The solemn processions held on this day have for centuries shaped the piety, art, music, architecture and life of the Spanish people,” the pope continued. “Even today, they still express and manifest the spiritual sentiments of this country through the beauty and elegance of the floral carpets, the altars erected in the streets, the carefully crafted monstrances and stands, the hymns and the liturgical vestments.”The setting itself added a striking backdrop to the celebration. Plaza de Cibeles, crowned by the statue of the Roman goddess in a chariot drawn by lions, is known internationally as the place where Real Madrid celebrates its titles. On Sunday, however, the square’s focus was Christ in the Eucharist.One participant joked that with Pope Leo XIV in Madrid, the Spanish capital had three lions.The pope said the Corpus Christi procession is not “an exhibition, a remnant of folklore or a simple display of beauty.”“It is a profession of faith in the presence of the risen Lord, who is alive and continues to walk among us, who becomes bread to satiate our hunger for life, and visits the recesses of our hearts and history, even those shrouded in darkness,” he said.The procession route, about 600 meters along Calle de Alcalá, one of Madrid’s central thoroughfares, was adorned with 16 floral carpets — eight on each side — made with more than 30,000 carnations. Numerous faithful joined the pope, including many boys and girls who had recently received their first Communion.Pope Leo said the procession reveals that Christ “is not confined to the church, but comes out to meet us.”“Jesus travels the streets, crosses the squares and visits our neighborhoods, dwelling in the settings of our daily lives,” he said. “He is a God who is close to us, who walks with his people, the Lord of history.”The pope also connected Corpus Christi with charity, noting that the Church in Spain has long associated the solemnity with the Day for Charity.“The Christ who processes through the streets in the monstrance is the same one who identifies with the poor, the downtrodden, those who are alone and forsaken,” he said.“It is not merely a matter of bringing out the monstrance,” Pope Leo emphasized, “but of allowing ourselves to be brought out of our selfishness and indifference, of a comfortable, private faith, so as to respond to his invitation to conversion, to change our perspective, and to welcome his presence which transforms us and makes us builders of a new world.”The pope said the historical memory of Spain’s Corpus Christi processions “is not confined to wistful nostalgia.”“Instead, it stands as an invitation in the present moment, in our daily lives, in our relationships, in society, and in the building of the future,” he said.That, he added, is the task facing Spain today and tomorrow: “to ensure that the religiosity which has shaped and defined this country for centuries is not a museum of the past to be visited, but a school of faith from which to draw even today.”The pope described that school of faith as one that “teaches us to kneel before God and before our neighbor, because no one can kneel before the Lord and despise their brother.”It is also, he said, “a school that teaches us of the gratitude of love that becomes a gift, so that it may flow among us and break the chains of all selfishness.”From the Eucharist, he continued, Catholics learn “that God is a real presence and that we too are called to be present in the realities and challenges of society, not shying away, but personally committing ourselves to the building of the common good.”Pope Leo also recalled St. Manuel González García, the Spanish bishop known as “the bishop of the abandoned tabernacle.”“His life reminds us that the Eucharist should be honored not only during great celebrations or on special occasions, but also through the silent fidelity of those who accompany the Lord with a humble and quiet friendship that is nourished day by day,” the pope said.The pope also cited St. John of the Cross, recalling that while imprisoned in harsh conditions in Toledo around the time of Corpus Christi in 1578, the Spanish mystic recognized the hidden presence of the Lord even in darkness.“The Eucharistic Jesus is ‘that eternal spring that is hidden’ — a spring that flows and quenches thirst, yet without blinding, without imposing itself through outward power, without presenting itself in a spectacular way,” the pope said.Pope Leo closed by urging the faithful to return to Christ in the Eucharist with “sincere love.”“Let us open ourselves to the encounter with him, let us allow him to quench the thirst of our hearts, so that we may then go forth into the paths of life and history, bringing to the people this stream of fresh water, a stream of love, peace, justice and joy,” he said.“Let us drink anew from this Eucharistic spring, which does not enclose us in private devotion, but sends us out to refresh our brothers and sisters, our families, the poor, the suffering, and those who have lost hope,” the pope said. “Eucharistic grace transforms us and makes us protagonists of the transformation of history, a sign of hope for those we meet.”“May the Lord Jesus, present in the Eucharist, transform you into bread that is broken, given, and offered,” he concluded, “so that a life of fullness may spring forth for you, for your families, and for your country.”This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
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Pope Leo XIV in Madrid: Corpus Christi must not become museum of the past #Catholic Madrid, Spain, June 7, 2026 — Pope Leo XIV on Sunday called on Spain to renew its historic Eucharistic faith, warning that the country’s centuries-old religious traditions must not become “a museum of the past to be visited” but remain “a school of faith from which to draw even today.”The pope made the appeal while presiding over Mass, a procession, and Eucharistic blessing for the solemnity of Corpus Christi in Madrid’s Plaza de Cibeles, one of the Spanish capital’s most emblematic sites.“As I begin my visit to Spain, it is with a heart filled with joy that I preside over this celebration on the Solemnity of Corpus Christi,” the pope said in his homily.Corpus Christi has deep roots in Spain and throughout the Catholic world. The feast originated after the efforts of St. Juliana of Cornillon, a Belgian religious sister who promoted a liturgical celebration dedicated to the Blessed Sacrament. Pope Urban IV confirmed the feast for the universal Church in 1264, and within decades it had reached the Iberian Peninsula. King Alfonso X, known as “the Wise,” took part in a Corpus Christi celebration in Toledo in 1280.Over the centuries, the tradition became firmly established in Spain, making the country one of the great centers of Eucharistic devotion. During the period of the Council of Trent, when the real presence of Christ in the Eucharist was contested in parts of Europe, Spanish popular piety continued to exalt it through processions, music, art, and public expressions of faith.In Madrid, Pope Leo said Corpus Christi is “more than just another celebration on the liturgical calendar.”“It is a way of returning to the heart of the faith to renew our love and fidelity to God,” he said.“The solemn processions held on this day have for centuries shaped the piety, art, music, architecture and life of the Spanish people,” the pope continued. “Even today, they still express and manifest the spiritual sentiments of this country through the beauty and elegance of the floral carpets, the altars erected in the streets, the carefully crafted monstrances and stands, the hymns and the liturgical vestments.”The setting itself added a striking backdrop to the celebration. Plaza de Cibeles, crowned by the statue of the Roman goddess in a chariot drawn by lions, is known internationally as the place where Real Madrid celebrates its titles. On Sunday, however, the square’s focus was Christ in the Eucharist.One participant joked that with Pope Leo XIV in Madrid, the Spanish capital had three lions.The pope said the Corpus Christi procession is not “an exhibition, a remnant of folklore or a simple display of beauty.”“It is a profession of faith in the presence of the risen Lord, who is alive and continues to walk among us, who becomes bread to satiate our hunger for life, and visits the recesses of our hearts and history, even those shrouded in darkness,” he said.The procession route, about 600 meters along Calle de Alcalá, one of Madrid’s central thoroughfares, was adorned with 16 floral carpets — eight on each side — made with more than 30,000 carnations. Numerous faithful joined the pope, including many boys and girls who had recently received their first Communion.Pope Leo said the procession reveals that Christ “is not confined to the church, but comes out to meet us.”“Jesus travels the streets, crosses the squares and visits our neighborhoods, dwelling in the settings of our daily lives,” he said. “He is a God who is close to us, who walks with his people, the Lord of history.”The pope also connected Corpus Christi with charity, noting that the Church in Spain has long associated the solemnity with the Day for Charity.“The Christ who processes through the streets in the monstrance is the same one who identifies with the poor, the downtrodden, those who are alone and forsaken,” he said.“It is not merely a matter of bringing out the monstrance,” Pope Leo emphasized, “but of allowing ourselves to be brought out of our selfishness and indifference, of a comfortable, private faith, so as to respond to his invitation to conversion, to change our perspective, and to welcome his presence which transforms us and makes us builders of a new world.”The pope said the historical memory of Spain’s Corpus Christi processions “is not confined to wistful nostalgia.”“Instead, it stands as an invitation in the present moment, in our daily lives, in our relationships, in society, and in the building of the future,” he said.That, he added, is the task facing Spain today and tomorrow: “to ensure that the religiosity which has shaped and defined this country for centuries is not a museum of the past to be visited, but a school of faith from which to draw even today.”The pope described that school of faith as one that “teaches us to kneel before God and before our neighbor, because no one can kneel before the Lord and despise their brother.”It is also, he said, “a school that teaches us of the gratitude of love that becomes a gift, so that it may flow among us and break the chains of all selfishness.”From the Eucharist, he continued, Catholics learn “that God is a real presence and that we too are called to be present in the realities and challenges of society, not shying away, but personally committing ourselves to the building of the common good.”Pope Leo also recalled St. Manuel González García, the Spanish bishop known as “the bishop of the abandoned tabernacle.”“His life reminds us that the Eucharist should be honored not only during great celebrations or on special occasions, but also through the silent fidelity of those who accompany the Lord with a humble and quiet friendship that is nourished day by day,” the pope said.The pope also cited St. John of the Cross, recalling that while imprisoned in harsh conditions in Toledo around the time of Corpus Christi in 1578, the Spanish mystic recognized the hidden presence of the Lord even in darkness.“The Eucharistic Jesus is ‘that eternal spring that is hidden’ — a spring that flows and quenches thirst, yet without blinding, without imposing itself through outward power, without presenting itself in a spectacular way,” the pope said.Pope Leo closed by urging the faithful to return to Christ in the Eucharist with “sincere love.”“Let us open ourselves to the encounter with him, let us allow him to quench the thirst of our hearts, so that we may then go forth into the paths of life and history, bringing to the people this stream of fresh water, a stream of love, peace, justice and joy,” he said.“Let us drink anew from this Eucharistic spring, which does not enclose us in private devotion, but sends us out to refresh our brothers and sisters, our families, the poor, the suffering, and those who have lost hope,” the pope said. “Eucharistic grace transforms us and makes us protagonists of the transformation of history, a sign of hope for those we meet.”“May the Lord Jesus, present in the Eucharist, transform you into bread that is broken, given, and offered,” he concluded, “so that a life of fullness may spring forth for you, for your families, and for your country.”This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

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At Mass in Madrid’s Plaza de Cibeles, the pope called Spain’s centuries-old Eucharistic devotion “a school of faith” for the present and future.

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Centennial honors historic Michigan church built amid KKK threats and strikes #Catholic A richly diverse Catholic community in southern Michigan is preparing to mark a milestone: the centennial of St. Mary Star of the Sea in Jackson, where the beauty of sacred space, reverent liturgy, and a vibrant musical tradition continue to shape the lives of the faithful. The church has thrived through historic events and turbulent times, even as it was being rebuilt. In 1924, one of the largest Ku Klux Klan (KKK) rallies ever recorded saw 100,000 participants tramp through Jacksonʼs streets, and parish tradition holds that the Knights of Columbus kept vigil at the construction site to protect it from KKK vandalism. St. Mary Star of the Sea Parish in Jackson, Michigan. | Credit: Photo courtesy of Father Timothy Nelson As he prepares to wrap up his 15-year tenure as pastor of the parish, Father Timothy Nelson reflected on the churchʼs enduring vitality: “Our church is not a relic but a dynamic part of the present, enriched by a legacy of faith.”Located west of Detroit, Jackson has long been a railroad hub with ties to the automobile industry. St. Mary’s is one of three current parishes, following a consolidation of several others. Following decades of a strong Polish-American presence, demographic changes have included the growing influx of Hispanic families. Children of the latter now make up about a quarter of the enrollment at St. Mary School.St. Mary’s three spires dominate the skyline, reaching up 180 feet in an imposing Romanesque style. Long regarded as one of the most beautiful churches in Michigan, it features magnificent stained-glass windows fashioned in Innsbruck, Austria, an apse mosaic of Our Lady Star of the Sea, murals of the apostles, and Carrara marble altars and Communion rail. The latter embellishments were donated by George Washington Hill, president of the American Tobacco Co., as a memorial to his young wife, Aquinas Heiler Hill, who died in 1925. The green and red colors in the mosaics around the high altar repeat the original colors used on packs of Lucky Strike cigarettes. A mosaic of the Crucifixion at St. Mary Star of the Sea Parish in Jackson, Michigan. | Credit: Photo courtesy of Father Timothy Nelson The present structure replaced an earlier church, with its cornerstone laid on Sept. 23, 1923. Construction faced delays because of a prolonged labor strike at limestone quarries. The era was also marred with social unrest, including the Ku Klux Klan and its virulent anti-Catholicism and racism. Construction was not completed until May 31, 1926, at a cost of 5,000. Then-Auxiliary Bishop Joseph C. Plagens came from Detroit to officiate the dedicatory Mass.Among its treasures is a unique stained-glass rose window memorializing the fallen of the first world war, including nuns who tended the wounded. “The window shows not only the American soldiers and sailors of the war, but even their enemies who reach out to Jesus rising above them,” Nelson said as he gave a tour of the magnificent church. Restoration of the windows cost million and was made possible through the generosity of parishioners and benefactors, including the Eisele Family Foundation. St. Mary’s is depicted in “Buildings of Michigan” by Kathryn Bishop Eckert as one of the most notable in the Mitten State. Stained-glass window at St. Mary Star of the Sea Parish in Jackson, Michigan. | Credit: Kathryn Mietelka Now 74, Nelson will step down as pastor this summer. A former cardiologist, he will continue his ministry as chaplain of the St. Pio Medical Center in nearby Howell, which is part of a Vatican-authorized healthcare network inspired by St. Pio of Pietrelcina (Padre Pio). He will be succeeded by Father John Vinton, who will continue offering Traditional Latin Masses and Spanish-language Masses.St. Mary’s serves about 1,086 families, including the active Sacred Heart of Jesus Hispanic Community.Nelson said: “The school is necessary for parish life” and is the most diverse parochial school in the area.The parish’s liturgical life shows both continuity and renewal. The Traditional Latin Mass, celebrated every Sunday, is accompanied by Gregorian chant and organ led by Aine Schroeder, a student at nearby Hillsdale College. Schroeder said the Gregorian schola will chant the “Ave Maria” and “Salve Regina” at the centennial concert. Dispelling concerns that the Latin liturgy is stuck in the past, Nelson said: “I agree with Pope Benedict XVI that the past continues to be lived in the present. We are bringing it into the future.” Inside St. Mary Star of the Sea Parish in Jackson, Michigan. | Credit: Photo courtesy of Father Timothy Nelson For longtime parishioner Mary Belknap, a fourth-generation member who serves on the parish guild, St. Mary’s is a spiritual home and a place of encounter. “It’s one of the hallmark parishes in the state. People come from all over to see us and our beautiful church,” she said. Bridging the gaps between communities came easily to educator Belknap, who said that, having been raised in poverty as a child, she has experienced life on the margins, and “I personally reach out to embrace the goodness of other people.”The parishʼs centennial observance will commence with a concert on May 29 and culminate in a solemn Mass on May 31 — exactly 100 years after its first Mass — to be celebrated by Bishop Earl Boyea. Mary Malewitz, parish music director since 1981, is organizing the opening concert, which will feature adult and school choirs, a Hispanic choir, and a Gregorian schola. Between each performance, parishioners will sing their favorite hymns. “St. Mary’s has brought glory to Michigan for generations,” she told EWTN News.
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Centennial honors historic Michigan church built amid KKK threats and strikes #Catholic A richly diverse Catholic community in southern Michigan is preparing to mark a milestone: the centennial of St. Mary Star of the Sea in Jackson, where the beauty of sacred space, reverent liturgy, and a vibrant musical tradition continue to shape the lives of the faithful. The church has thrived through historic events and turbulent times, even as it was being rebuilt. In 1924, one of the largest Ku Klux Klan (KKK) rallies ever recorded saw 100,000 participants tramp through Jacksonʼs streets, and parish tradition holds that the Knights of Columbus kept vigil at the construction site to protect it from KKK vandalism. St. Mary Star of the Sea Parish in Jackson, Michigan. | Credit: Photo courtesy of Father Timothy Nelson As he prepares to wrap up his 15-year tenure as pastor of the parish, Father Timothy Nelson reflected on the churchʼs enduring vitality: “Our church is not a relic but a dynamic part of the present, enriched by a legacy of faith.”Located west of Detroit, Jackson has long been a railroad hub with ties to the automobile industry. St. Mary’s is one of three current parishes, following a consolidation of several others. Following decades of a strong Polish-American presence, demographic changes have included the growing influx of Hispanic families. Children of the latter now make up about a quarter of the enrollment at St. Mary School.St. Mary’s three spires dominate the skyline, reaching up 180 feet in an imposing Romanesque style. Long regarded as one of the most beautiful churches in Michigan, it features magnificent stained-glass windows fashioned in Innsbruck, Austria, an apse mosaic of Our Lady Star of the Sea, murals of the apostles, and Carrara marble altars and Communion rail. The latter embellishments were donated by George Washington Hill, president of the American Tobacco Co., as a memorial to his young wife, Aquinas Heiler Hill, who died in 1925. The green and red colors in the mosaics around the high altar repeat the original colors used on packs of Lucky Strike cigarettes. A mosaic of the Crucifixion at St. Mary Star of the Sea Parish in Jackson, Michigan. | Credit: Photo courtesy of Father Timothy Nelson The present structure replaced an earlier church, with its cornerstone laid on Sept. 23, 1923. Construction faced delays because of a prolonged labor strike at limestone quarries. The era was also marred with social unrest, including the Ku Klux Klan and its virulent anti-Catholicism and racism. Construction was not completed until May 31, 1926, at a cost of $375,000. Then-Auxiliary Bishop Joseph C. Plagens came from Detroit to officiate the dedicatory Mass.Among its treasures is a unique stained-glass rose window memorializing the fallen of the first world war, including nuns who tended the wounded. “The window shows not only the American soldiers and sailors of the war, but even their enemies who reach out to Jesus rising above them,” Nelson said as he gave a tour of the magnificent church. Restoration of the windows cost $1 million and was made possible through the generosity of parishioners and benefactors, including the Eisele Family Foundation. St. Mary’s is depicted in “Buildings of Michigan” by Kathryn Bishop Eckert as one of the most notable in the Mitten State. Stained-glass window at St. Mary Star of the Sea Parish in Jackson, Michigan. | Credit: Kathryn Mietelka Now 74, Nelson will step down as pastor this summer. A former cardiologist, he will continue his ministry as chaplain of the St. Pio Medical Center in nearby Howell, which is part of a Vatican-authorized healthcare network inspired by St. Pio of Pietrelcina (Padre Pio). He will be succeeded by Father John Vinton, who will continue offering Traditional Latin Masses and Spanish-language Masses.St. Mary’s serves about 1,086 families, including the active Sacred Heart of Jesus Hispanic Community.Nelson said: “The school is necessary for parish life” and is the most diverse parochial school in the area.The parish’s liturgical life shows both continuity and renewal. The Traditional Latin Mass, celebrated every Sunday, is accompanied by Gregorian chant and organ led by Aine Schroeder, a student at nearby Hillsdale College. Schroeder said the Gregorian schola will chant the “Ave Maria” and “Salve Regina” at the centennial concert. Dispelling concerns that the Latin liturgy is stuck in the past, Nelson said: “I agree with Pope Benedict XVI that the past continues to be lived in the present. We are bringing it into the future.” Inside St. Mary Star of the Sea Parish in Jackson, Michigan. | Credit: Photo courtesy of Father Timothy Nelson For longtime parishioner Mary Belknap, a fourth-generation member who serves on the parish guild, St. Mary’s is a spiritual home and a place of encounter. “It’s one of the hallmark parishes in the state. People come from all over to see us and our beautiful church,” she said. Bridging the gaps between communities came easily to educator Belknap, who said that, having been raised in poverty as a child, she has experienced life on the margins, and “I personally reach out to embrace the goodness of other people.”The parishʼs centennial observance will commence with a concert on May 29 and culminate in a solemn Mass on May 31 — exactly 100 years after its first Mass — to be celebrated by Bishop Earl Boyea. Mary Malewitz, parish music director since 1981, is organizing the opening concert, which will feature adult and school choirs, a Hispanic choir, and a Gregorian schola. Between each performance, parishioners will sing their favorite hymns. “St. Mary’s has brought glory to Michigan for generations,” she told EWTN News.

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Founded amid hardship and change, the centennial of St. Mary Star of the Sea in Jackson, Michigan, brings together generations to honor a diverse parish that continues to thrive.

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Telescopes Team Up for New View of Cat’s Eye Nebula – In Euclid’s wide, near-infrared, and visible light view, the arcs and filaments of the nebula’s bright central region are situated within a halo of colorful fragments of gas zooming away from the star. This ring was ejected from the star at an earlier stage, before the main nebula at the center formed. Hubble captures the very core of the billowing gas with high-resolution visible-light images, adding extra detail in the center of this image. The whole nebula stands out against a backdrop teeming with distant galaxies, demonstrating how local astrophysical beauty and the farthest reaches of the cosmos can be seen together in modern astronomical surveys. Together, these missions provide a rich and complementary view of NGC 6543 — revealing the delicate interplay between stellar end-of-life processes and the vast cosmic tapestry beyond.
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Telescopes Team Up for New View of Cat’s Eye Nebula – In Euclid’s wide, near-infrared, and visible light view, the arcs and filaments of the nebula’s bright central region are situated within a halo of colorful fragments of gas zooming away from the star. This ring was ejected from the star at an earlier stage, before the main nebula at the center formed. Hubble captures the very core of the billowing gas with high-resolution visible-light images, adding extra detail in the center of this image. The whole nebula stands out against a backdrop teeming with distant galaxies, demonstrating how local astrophysical beauty and the farthest reaches of the cosmos can be seen together in modern astronomical surveys. Together, these missions provide a rich and complementary view of NGC 6543 — revealing the delicate interplay between stellar end-of-life processes and the vast cosmic tapestry beyond.

unitedyam

In Euclid’s wide, near-infrared, and visible light view, the arcs and filaments of the nebula’s bright central region are situated within a halo of colorful fragments of gas zooming away from the star. This ring was ejected from the star at an earlier stage, before the main nebula at the center formed. Hubble captures the very core of the billowing gas with high-resolution visible-light images, adding extra detail in the center of this image. The whole nebula stands out against a backdrop teeming with distant galaxies, demonstrating how local astrophysical beauty and the farthest reaches of the cosmos can be seen together in modern astronomical surveys. Together, these missions provide a rich and complementary view of NGC 6543 — revealing the delicate interplay between stellar end-of-life processes and the vast cosmic tapestry beyond.

Read More