beauty

‘Canticle of Peace’: Leo XIV presents the beauty of music as a path to God #Catholic Pope Leo XIV stated Wednesday that “the beauty of music invites us to encounter the One who is beauty itself,” during the “Canticle of Peace” prayer and fraternal gathering held at Castel Gandolfo’s Borgo Laudato Si’ gardens.Leo XIV also prayed for peace to reign “in all those places in the world that continue to suffer from violenceThe gathering, organized by the Laudato Si’ Center for Higher Education and the Andrea Bocelli Foundation (ABF), took place as part of the celebrations marking the eighth centenary of the death of St. Francis of Assisi.Addressing the young members of the ABF Voices choir who came from Uganda, the Holy Land, and Italy, Leo XIV assured them: “Know also that the Holy Father loves you and prays for you, for your families, and for your countries.”After listening to the performance by tenor Andrea Bocelli and the choir, the pope thanked them for the effort put into preparing the recital and congratulated their conductors, noting that “music has the extraordinary capacity to bring different voices together in unison, where each contributes something unique to the whole.”“In this sense, the choir becomes an ideal symbol of harmony and cooperation,” he added. Andrea Bocelli during his performance at the “Canticle of Peace” before Pope Leo XIV and the young people gathered at the Borgo Laudato Si’ in Castel Gandolfo on July 29, 2026 | Credit: Vatican Media. In his message, Leo XIV noted the significance of the fact that Sacred Scripture and the Church’s liturgy speak of “choirs of angels and saints” when describing the joy of heaven.This does not mean, he explained, that they are “literally singing all the time,” but rather that, “united in love, they contemplate God together and find the fullness of happiness in him.”The Holy Father then invited the young people to reflect on what had taken place during their performance: “As you sang, did you notice how music drew all of us into a new experience — something greater than anything any one of us could have created alone?”“This is the experience of beauty. It opens up a new horizon before us and awakens within us the desire to move towards it,” he continued.The pope explained that “when we journey toward that horizon, we do not simply discover something, but Someone. We encounter God, our Creator.” Pope Leo XIV speaking to the young participants in the “Canticle of Peace,” held at the Borgo Laudato Si’ in Castel Gandolfo on July 29, 2026. | Credit: Vatican Media Leo XIV encouraged the young people to continue cultivating the gifts God has bestowed upon them and to allow those talents to lead them to him, for “He is all we seek in life, the only one who can calm our restless hearts.”The pontiff also reminded them that “you were made for great things and that the whole world is not enough to satisfy your thirst for meaning and happiness.”Before concluding, Leo XIV thanked the Andrea Bocelli Foundation for its work on behalf of young people facing educational and social disadvantages, and highlighted that “through the power of music, you are contributing to the Church’s mission of promoting the integral development of every human person in service of the common good. May God bless your efforts.”This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
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‘Canticle of Peace’: Leo XIV presents the beauty of music as a path to God #Catholic Pope Leo XIV stated Wednesday that “the beauty of music invites us to encounter the One who is beauty itself,” during the “Canticle of Peace” prayer and fraternal gathering held at Castel Gandolfo’s Borgo Laudato Si’ gardens.Leo XIV also prayed for peace to reign “in all those places in the world that continue to suffer from violenceThe gathering, organized by the Laudato Si’ Center for Higher Education and the Andrea Bocelli Foundation (ABF), took place as part of the celebrations marking the eighth centenary of the death of St. Francis of Assisi.Addressing the young members of the ABF Voices choir who came from Uganda, the Holy Land, and Italy, Leo XIV assured them: “Know also that the Holy Father loves you and prays for you, for your families, and for your countries.”After listening to the performance by tenor Andrea Bocelli and the choir, the pope thanked them for the effort put into preparing the recital and congratulated their conductors, noting that “music has the extraordinary capacity to bring different voices together in unison, where each contributes something unique to the whole.”“In this sense, the choir becomes an ideal symbol of harmony and cooperation,” he added. Andrea Bocelli during his performance at the “Canticle of Peace” before Pope Leo XIV and the young people gathered at the Borgo Laudato Si’ in Castel Gandolfo on July 29, 2026 | Credit: Vatican Media. In his message, Leo XIV noted the significance of the fact that Sacred Scripture and the Church’s liturgy speak of “choirs of angels and saints” when describing the joy of heaven.This does not mean, he explained, that they are “literally singing all the time,” but rather that, “united in love, they contemplate God together and find the fullness of happiness in him.”The Holy Father then invited the young people to reflect on what had taken place during their performance: “As you sang, did you notice how music drew all of us into a new experience — something greater than anything any one of us could have created alone?”“This is the experience of beauty. It opens up a new horizon before us and awakens within us the desire to move towards it,” he continued.The pope explained that “when we journey toward that horizon, we do not simply discover something, but Someone. We encounter God, our Creator.” Pope Leo XIV speaking to the young participants in the “Canticle of Peace,” held at the Borgo Laudato Si’ in Castel Gandolfo on July 29, 2026. | Credit: Vatican Media Leo XIV encouraged the young people to continue cultivating the gifts God has bestowed upon them and to allow those talents to lead them to him, for “He is all we seek in life, the only one who can calm our restless hearts.”The pontiff also reminded them that “you were made for great things and that the whole world is not enough to satisfy your thirst for meaning and happiness.”Before concluding, Leo XIV thanked the Andrea Bocelli Foundation for its work on behalf of young people facing educational and social disadvantages, and highlighted that “through the power of music, you are contributing to the Church’s mission of promoting the integral development of every human person in service of the common good. May God bless your efforts.”This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

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The Holy Father made his remarks at an event organized by the Laudato Si’ Center for Higher Education and the Andrea Bocelli Foundation.

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Pope Leo XIV urges halt to Mideast attacks, return to diplomacy #Catholic Pope Leo XIV on Sunday urged parties across the Middle East to suspend their attacks and reopen diplomatic negotiations, warning that escalating military operations were endangering civilians and worsening shortages of drinking water and electricity.“I continue to follow with deep concern the ongoing and escalating violence in the Holy Land, where, in recent days, many civilians, both in the West Bank and in Gaza, have once again fallen victim,” the pope said July 26 after leading the Angelus from the Apostolic Palace in Castel Gandolfo.His remarks followed one of the most tense days in the West Bank in recent months. A shooting in Tell, southwest of Nablus, reportedly killed at least four Palestinians and two Israeli soldiers and was followed by attacks by Israeli settlers against several Palestinian communities.Israeli Prime Minister Benjamin Netanyahu and Defense Minister Israel Katz subsequently announced that military operations would be intensified in areas Israel considers centers of terrorism.“I make a heartfelt appeal for a return to negotiations to achieve a just political solution, founded on the equal dignity and equal rights of every human person,” Pope Leo said.“At the same time, I urge the rejection of further military actions and unilateral decisions, especially those that violate the respect for and the status quo of the holy places of every religion.”The pope also renewed his appeal concerning the wider Middle East, where he said intensified military operations had “again wreaked violence and destruction, endangering the lives of countless civilians and further aggravating the shortages of drinking water and electricity.”“From the depths of my heart, I exhort all parties involved to suspend the attacks and urgently reopen paths of dialogue and diplomacy, so that the longed-for peace for the entire region may be achieved without delay,” he said.Pope Leo invited the faithful to continue praying for people throughout the world who are suffering because of war.“May the Lord touch the hearts and enlighten the minds of those in power, so that reconciliation and peace may soon prevail,” he said.Prayers for wildfire victimsThe pope also expressed his closeness to people affected by devastating wildfires in France and Spain and called for prayers for both the victims and emergency workers involved in relief efforts.The fires have forced hundreds of thousands of people to leave their homes, while forecasts of temperatures reaching approximately 108 degrees Fahrenheit were expected to increase the danger in the affected areas.Beatification of Elias HoayekPope Leo recalled the July 25 beatification in Lebanon of Elias Hoayek, who served as Maronite patriarch of Antioch from 1899 to 1931 and founded the Congregation of the Maronite Sisters of the Holy Family.“For more than thirty years, he led the Maronite Church with great dedication and pastoral sensitivity,” the pope said.“A man of dialogue and hope, he was an outstanding ecclesial, social and political leader, so much so that he came to be known as the ‘Father of Greater Lebanon.’”The pope prayed that the new blessed’s intercession would accompany Maronite Catholics throughout the world and obtain peace for Lebanon, “a country dear to my heart.”World Day for Grandparents and the ElderlyPope Leo also marked the sixth World Day for Grandparents and the Elderly, whose theme was drawn from the words of the prophet Isaiah: “I will never forget you.”“Together, let us give thanks to the Lord for the gift that the elderly are to the Church and society,” he said.“Let us also commit ourselves to respecting and valuing the precious role they play, and to ensuring that they always receive the care, attention and assistance they deserve.”The kingdom of God enlarges lifeDuring his Angelus reflection, Pope Leo focused on the Gospel’s images of the kingdom of God as a hidden treasure and a pearl of great price.“The parables convey the surprise of those who find something far beyond what they could have hoped for, so much so that selling or leaving everything behind no longer seems a sacrifice, but a gain,” he said.The pope said the evangelists present Christ’s call to discipleship as irresistible.“It is a free choice, yet also urgent and capable of eliciting a ready and wholehearted response,” he said. “Encountering his Kingdom marks a turning point that does not limit life but enlarges it.”“If anything must change on our part, it is only so that our lives may be opened to greater possibilities, not fewer.”Pope Leo noted that the figures appearing in Christ’s parables include peasants, merchants, travelers, fishermen, scribes, shepherds, farmers and women carrying out ordinary household tasks.“In short, the Kingdom of God reveals its inestimable beauty in different ways, but calls everyone — men and women, young and old, rich and poor — to a profound renewal,” he said. “Everyone is capable of understanding it and is drawn to it.”The pope said that the Church likewise brings together people with different backgrounds, cultures, abilities and responsibilities.“Yet all are called to recognize themselves as ‘one’ in Jesus Christ: he is the hidden treasure, the pearl of great price, the net that gathers those who are scattered,” he said.“From the beginning, Jesus called and gathered around himself people who would otherwise never have come to know one another. In this way, he demonstrated that God has no favorites, but instead offers his love freely, especially to the little ones or those cast aside.”Pope Leo concluded by urging Catholics to ask for the wisdom sought by the young King Solomon: the ability to recognize what is truly valuable.“While the consumer culture influences our tastes, constantly creating new needs only to sell us solutions that never satisfy, and that sometimes even poison the heart, we must learn to grasp what truly matters,” he said.That treasure, the pope continued, is “a relationship with God that opens us to joy and helps us to live our relationships with one another more fully.”The July 26 Angelus was Pope Leo’s final Sunday appearance during his summer stay at the Apostolic Palace in Castel Gandolfo. He was scheduled to return to the Vatican on Monday, July 27.The pope was expected to return to Castel Gandolfo on Wednesday, July 29, to meet young choristers participating in the Andrea Bocelli Foundation’s Voices of Global Gathering at the Borgo Laudato Si’. Bocelli was scheduled to perform a musical work titled “Cantico di Pace.”This story was first published in two parts by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
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Pope Leo XIV urges halt to Mideast attacks, return to diplomacy #Catholic Pope Leo XIV on Sunday urged parties across the Middle East to suspend their attacks and reopen diplomatic negotiations, warning that escalating military operations were endangering civilians and worsening shortages of drinking water and electricity.“I continue to follow with deep concern the ongoing and escalating violence in the Holy Land, where, in recent days, many civilians, both in the West Bank and in Gaza, have once again fallen victim,” the pope said July 26 after leading the Angelus from the Apostolic Palace in Castel Gandolfo.His remarks followed one of the most tense days in the West Bank in recent months. A shooting in Tell, southwest of Nablus, reportedly killed at least four Palestinians and two Israeli soldiers and was followed by attacks by Israeli settlers against several Palestinian communities.Israeli Prime Minister Benjamin Netanyahu and Defense Minister Israel Katz subsequently announced that military operations would be intensified in areas Israel considers centers of terrorism.“I make a heartfelt appeal for a return to negotiations to achieve a just political solution, founded on the equal dignity and equal rights of every human person,” Pope Leo said.“At the same time, I urge the rejection of further military actions and unilateral decisions, especially those that violate the respect for and the status quo of the holy places of every religion.”The pope also renewed his appeal concerning the wider Middle East, where he said intensified military operations had “again wreaked violence and destruction, endangering the lives of countless civilians and further aggravating the shortages of drinking water and electricity.”“From the depths of my heart, I exhort all parties involved to suspend the attacks and urgently reopen paths of dialogue and diplomacy, so that the longed-for peace for the entire region may be achieved without delay,” he said.Pope Leo invited the faithful to continue praying for people throughout the world who are suffering because of war.“May the Lord touch the hearts and enlighten the minds of those in power, so that reconciliation and peace may soon prevail,” he said.Prayers for wildfire victimsThe pope also expressed his closeness to people affected by devastating wildfires in France and Spain and called for prayers for both the victims and emergency workers involved in relief efforts.The fires have forced hundreds of thousands of people to leave their homes, while forecasts of temperatures reaching approximately 108 degrees Fahrenheit were expected to increase the danger in the affected areas.Beatification of Elias HoayekPope Leo recalled the July 25 beatification in Lebanon of Elias Hoayek, who served as Maronite patriarch of Antioch from 1899 to 1931 and founded the Congregation of the Maronite Sisters of the Holy Family.“For more than thirty years, he led the Maronite Church with great dedication and pastoral sensitivity,” the pope said.“A man of dialogue and hope, he was an outstanding ecclesial, social and political leader, so much so that he came to be known as the ‘Father of Greater Lebanon.’”The pope prayed that the new blessed’s intercession would accompany Maronite Catholics throughout the world and obtain peace for Lebanon, “a country dear to my heart.”World Day for Grandparents and the ElderlyPope Leo also marked the sixth World Day for Grandparents and the Elderly, whose theme was drawn from the words of the prophet Isaiah: “I will never forget you.”“Together, let us give thanks to the Lord for the gift that the elderly are to the Church and society,” he said.“Let us also commit ourselves to respecting and valuing the precious role they play, and to ensuring that they always receive the care, attention and assistance they deserve.”The kingdom of God enlarges lifeDuring his Angelus reflection, Pope Leo focused on the Gospel’s images of the kingdom of God as a hidden treasure and a pearl of great price.“The parables convey the surprise of those who find something far beyond what they could have hoped for, so much so that selling or leaving everything behind no longer seems a sacrifice, but a gain,” he said.The pope said the evangelists present Christ’s call to discipleship as irresistible.“It is a free choice, yet also urgent and capable of eliciting a ready and wholehearted response,” he said. “Encountering his Kingdom marks a turning point that does not limit life but enlarges it.”“If anything must change on our part, it is only so that our lives may be opened to greater possibilities, not fewer.”Pope Leo noted that the figures appearing in Christ’s parables include peasants, merchants, travelers, fishermen, scribes, shepherds, farmers and women carrying out ordinary household tasks.“In short, the Kingdom of God reveals its inestimable beauty in different ways, but calls everyone — men and women, young and old, rich and poor — to a profound renewal,” he said. “Everyone is capable of understanding it and is drawn to it.”The pope said that the Church likewise brings together people with different backgrounds, cultures, abilities and responsibilities.“Yet all are called to recognize themselves as ‘one’ in Jesus Christ: he is the hidden treasure, the pearl of great price, the net that gathers those who are scattered,” he said.“From the beginning, Jesus called and gathered around himself people who would otherwise never have come to know one another. In this way, he demonstrated that God has no favorites, but instead offers his love freely, especially to the little ones or those cast aside.”Pope Leo concluded by urging Catholics to ask for the wisdom sought by the young King Solomon: the ability to recognize what is truly valuable.“While the consumer culture influences our tastes, constantly creating new needs only to sell us solutions that never satisfy, and that sometimes even poison the heart, we must learn to grasp what truly matters,” he said.That treasure, the pope continued, is “a relationship with God that opens us to joy and helps us to live our relationships with one another more fully.”The July 26 Angelus was Pope Leo’s final Sunday appearance during his summer stay at the Apostolic Palace in Castel Gandolfo. He was scheduled to return to the Vatican on Monday, July 27.The pope was expected to return to Castel Gandolfo on Wednesday, July 29, to meet young choristers participating in the Andrea Bocelli Foundation’s Voices of Global Gathering at the Borgo Laudato Si’. Bocelli was scheduled to perform a musical work titled “Cantico di Pace.”This story was first published in two parts by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

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The pontiff also reflected on the kingdom of God as a treasure that enlarges life and unites people of different backgrounds in Christ.

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Major restoration in Minneapolis aims to renew ‘every square inch’ of country’s oldest basilica #Catholic If you want to clean more-than-century-old marble statues of the apostles, you don’t simply use soap and water. Rather, you must spray the figures with a “specialized conservation material” that subsequently dries into a “latex-like layer,” which is then “carefully peeled away,” thus preserving the statue’s original finish. The process “is labor intensive and takes significant time,” according to staff at the Basilica of Saint Mary, a towering and historic minor basilica in downtown Minneapolis. The massive church, which was dedicated in 1915 and became the first basilica in the United States when it was designated as such by Pope Pius XI in 1926, has been undergoing a major restoration project since 2025. A specialty cleaning material is sprayed on a statue of St. Peter at the Basilica of Saint Mary in Minneapolis in an undated photo. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Built in the Beaux-Arts style — what was at the time a popular architectural form in the United States — the co-cathedral boasts a towering flèche-topped central dome and an 82-foot-high barrel vault. Among its many adornments include the statues of the apostles, which were carved in Italy as half-scale replicas of statues at the Archbasilica of St. John Lateran, the cathedral of the pope in Rome. Church’s roots stretch back to 1860sOn its website, the basilica says its roots can be traced to 1868, when a simple “shed church” was constructed in Minneapolis. Years later another, more substantial Gothic Revival edifice was built, but burgeoning development in the neighborhood eventually pushed the parish to relocate to its present location on Hennepin Avenue. The cornerstone of the current structure was laid in 1908. The church, designated a pro-cathedral, celebrated its first Mass in 1914; it was dedicated the following year. It was still being worked on when the U.S. entered World War I in 1917. An original print of the basilica, drafted by architect Emmanuel Louis Masqueray, hangs in the church’s undercroft. | Credit: Courtesy of the Basilica of Saint Mary In 1926, Pius XI raised the pro-cathedral to the rank of minor basilica, after which it took on its present name. It would enjoy a vibrant parish life in the following decades, though the construction of adjacent freeways in the 1960s “took a heavy toll” on the building. The 1980s and 1990s saw parishioners spearheading efforts at ongoing restoration. The latest restoration campaign, titled “Restoring Beauty, Inspiring Hope,” has aimed to raise a total of about million in funding. Among the project’s goals are masonry repairs, roof repairs, pew restorations with new kneelers, plaster restoration, and numerous other projects. Workers in an undated photograph clean a limestone surface in an ambulatory of the Basilica of Saint Mary in Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary Johan van Parys, who has served as the basilica’s director of liturgy and the sacred arts since 1995, told EWTN News that the basilica has needed repairs almost from its inception. “Even from the beginning, the building had issues with moisture intrusion,” he said. The architect who designed the church, Emmanuel Louis Masqueray, was French, and he “didn’t completely understand the challenges of Minnesota summers and winters.” “He designed flat roofs over part of the building,” van Parys said. He jokingly described flat roofs as “the bane of our existence” due to their tendency to hold water. In existing photographs of the church taken in 1914, van Parys said, water damage is already visible. “We’ve had to do work on the building ever since,” he said. The church underwent a “somewhat major” restoration in the 1950s, van Parys said, during which for unknown reasons workers painted over intricate stenciling within coffers and other parts of the structure. Along with those details, van Parys said, the restoration effort is “bringing back the original look of the basilica.” The effort was formally launched in 2019 with a master plan for the entire church campus, but the COVID-19 pandemic the next year set the project back. The process resumed after a few years, and the restoration work itself formally began in 2025. Scaffolding towers above the nave of the Basilica of Saint Mary in Minneapolis in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Van Parys said the basilica is being restored both inside and out from top to the bottom, including the plaster ceiling, which has suffered damage over the years and has to be replastered in parts. Work is also being done on the church’s extensive stained-glass window arrangements. Such windows are generally held in place with a lead matrix, but over time the weight of the glass can weaken the metal frame, leading the glass to bulge outward. A stained-glass specialist, however, told the restoration crew that the window fixtures were in “great condition,” meaning considerable amounts of work could be avoided. Some of the windows were still in need of repair, however, and were sent to a specialist in Newark, New Jersey. Limestone throughout the building is also being restored, van Parys said. The visible stone throughout the building is bolstered by several inches of reinforced concrete and bricks; moisture often makes its way through this sandwiching of materials, leading to a buildup of salt crystals on the stone, what is known as “efflorescence.” Removing this blemish beautifies the facade of the stone and also protects it from degradation. Crews use a spray-and-peel chemical similar to the process used on the statues of the apostles. A century’s worth of visible soot and grime contrasts with a restored limestone surface in an undated photograph in the Basilica of Saint Mary, Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary The restoration crews also removed the basilica’s pews in order to have them restored with cleaning, sanding, and shellac finishing.“We opted to restore the original 1914 pews,” van Parys said. “One of our principles in terms of restoration is that we don’t want to over-restore. We didn’t want it to be a new church. People have worshipped in here since 1914. We want this presence of prayer and generations before us to remain.”“So rather than have new pews we decided to restore the old ones,” he said. “In doing so we discovered that the people who built the pews in 1914 signed them. So we have the names of all the people who worked on the pews.” Workmen in an undated photo remove pews from the Basilica of Saint Mary in Minneapolis as part of the restoration of the church. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Upon removing the pews, the work crews discovered that the flooring of the nave was not level. “One option was to put shims under all the pews,” van Parys said. “But that would have been a huge operation.” Since crews were already removing the wood flooring to restore it, they also removed part of the old concrete subfloor and re-leveled it. A worker at Fresh Air Finishers in Saint Paul, Minnesota, restores a pew from the Basilica of Saint Mary in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Numerous other restoration projects are ongoing, van Parys said, including restoring the church’s bronze doors, which were installed after it was designated a basilica. The church’s rector at the time, Monsignor James Reardon, had traveled to Rome and observed that the basilicas there had bronze doors. “He decided we needed bronze doors as well,” van Parys said. Archbishop Bernard Hebda blesses and seals bronze doors at the Basilica of Saint Mary ahead of restoration of the century-old features of the historic church, April 5, 2026. | Credit: Photo courtesy of the Basilica of Saint Mary Crews are aiming to be done with the massive project by Palm Sunday 2027. At the moment the parish holds Masses in the building’s undercroft beneath the structure. “Every week at Mass, I tell people, for instance, ‘Last Sunday was Week 35, which means we have 34 weeks to go,’” van Parys said with a laugh. He said the work is “quite expedited” and progressing quickly. Ultimately the effort is meant not just to restore the church but to develop a “manual of preservation” for future generations to help protect it. “Our goal is to restore and to also make sure that everything is cared for in the best possible way, to extend the lifespan of the basilica as long as possible before another restoration is necessary,” he said. He said the entire project is being conducted “not only with liturgical principles but also historical preservation principles.”“It is really comprehensive,” he said. “Every square inch of the basilica will be restored.”
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Major restoration in Minneapolis aims to renew ‘every square inch’ of country’s oldest basilica #Catholic If you want to clean more-than-century-old marble statues of the apostles, you don’t simply use soap and water. Rather, you must spray the figures with a “specialized conservation material” that subsequently dries into a “latex-like layer,” which is then “carefully peeled away,” thus preserving the statue’s original finish. The process “is labor intensive and takes significant time,” according to staff at the Basilica of Saint Mary, a towering and historic minor basilica in downtown Minneapolis. The massive church, which was dedicated in 1915 and became the first basilica in the United States when it was designated as such by Pope Pius XI in 1926, has been undergoing a major restoration project since 2025. A specialty cleaning material is sprayed on a statue of St. Peter at the Basilica of Saint Mary in Minneapolis in an undated photo. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Built in the Beaux-Arts style — what was at the time a popular architectural form in the United States — the co-cathedral boasts a towering flèche-topped central dome and an 82-foot-high barrel vault. Among its many adornments include the statues of the apostles, which were carved in Italy as half-scale replicas of statues at the Archbasilica of St. John Lateran, the cathedral of the pope in Rome. Church’s roots stretch back to 1860sOn its website, the basilica says its roots can be traced to 1868, when a simple “shed church” was constructed in Minneapolis. Years later another, more substantial Gothic Revival edifice was built, but burgeoning development in the neighborhood eventually pushed the parish to relocate to its present location on Hennepin Avenue. The cornerstone of the current structure was laid in 1908. The church, designated a pro-cathedral, celebrated its first Mass in 1914; it was dedicated the following year. It was still being worked on when the U.S. entered World War I in 1917. An original print of the basilica, drafted by architect Emmanuel Louis Masqueray, hangs in the church’s undercroft. | Credit: Courtesy of the Basilica of Saint Mary In 1926, Pius XI raised the pro-cathedral to the rank of minor basilica, after which it took on its present name. It would enjoy a vibrant parish life in the following decades, though the construction of adjacent freeways in the 1960s “took a heavy toll” on the building. The 1980s and 1990s saw parishioners spearheading efforts at ongoing restoration. The latest restoration campaign, titled “Restoring Beauty, Inspiring Hope,” has aimed to raise a total of about $50 million in funding. Among the project’s goals are masonry repairs, roof repairs, pew restorations with new kneelers, plaster restoration, and numerous other projects. Workers in an undated photograph clean a limestone surface in an ambulatory of the Basilica of Saint Mary in Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary Johan van Parys, who has served as the basilica’s director of liturgy and the sacred arts since 1995, told EWTN News that the basilica has needed repairs almost from its inception. “Even from the beginning, the building had issues with moisture intrusion,” he said. The architect who designed the church, Emmanuel Louis Masqueray, was French, and he “didn’t completely understand the challenges of Minnesota summers and winters.” “He designed flat roofs over part of the building,” van Parys said. He jokingly described flat roofs as “the bane of our existence” due to their tendency to hold water. In existing photographs of the church taken in 1914, van Parys said, water damage is already visible. “We’ve had to do work on the building ever since,” he said. The church underwent a “somewhat major” restoration in the 1950s, van Parys said, during which for unknown reasons workers painted over intricate stenciling within coffers and other parts of the structure. Along with those details, van Parys said, the restoration effort is “bringing back the original look of the basilica.” The effort was formally launched in 2019 with a master plan for the entire church campus, but the COVID-19 pandemic the next year set the project back. The process resumed after a few years, and the restoration work itself formally began in 2025. Scaffolding towers above the nave of the Basilica of Saint Mary in Minneapolis in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Van Parys said the basilica is being restored both inside and out from top to the bottom, including the plaster ceiling, which has suffered damage over the years and has to be replastered in parts. Work is also being done on the church’s extensive stained-glass window arrangements. Such windows are generally held in place with a lead matrix, but over time the weight of the glass can weaken the metal frame, leading the glass to bulge outward. A stained-glass specialist, however, told the restoration crew that the window fixtures were in “great condition,” meaning considerable amounts of work could be avoided. Some of the windows were still in need of repair, however, and were sent to a specialist in Newark, New Jersey. Limestone throughout the building is also being restored, van Parys said. The visible stone throughout the building is bolstered by several inches of reinforced concrete and bricks; moisture often makes its way through this sandwiching of materials, leading to a buildup of salt crystals on the stone, what is known as “efflorescence.” Removing this blemish beautifies the facade of the stone and also protects it from degradation. Crews use a spray-and-peel chemical similar to the process used on the statues of the apostles. A century’s worth of visible soot and grime contrasts with a restored limestone surface in an undated photograph in the Basilica of Saint Mary, Minneapolis. | Credit: Photo courtesy of the Basilica of Saint Mary The restoration crews also removed the basilica’s pews in order to have them restored with cleaning, sanding, and shellac finishing.“We opted to restore the original 1914 pews,” van Parys said. “One of our principles in terms of restoration is that we don’t want to over-restore. We didn’t want it to be a new church. People have worshipped in here since 1914. We want this presence of prayer and generations before us to remain.”“So rather than have new pews we decided to restore the old ones,” he said. “In doing so we discovered that the people who built the pews in 1914 signed them. So we have the names of all the people who worked on the pews.” Workmen in an undated photo remove pews from the Basilica of Saint Mary in Minneapolis as part of the restoration of the church. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Upon removing the pews, the work crews discovered that the flooring of the nave was not level. “One option was to put shims under all the pews,” van Parys said. “But that would have been a huge operation.” Since crews were already removing the wood flooring to restore it, they also removed part of the old concrete subfloor and re-leveled it. A worker at Fresh Air Finishers in Saint Paul, Minnesota, restores a pew from the Basilica of Saint Mary in an undated photograph. | Credit: Ken Fournelle/Courtesy of the Basilica of Saint Mary Numerous other restoration projects are ongoing, van Parys said, including restoring the church’s bronze doors, which were installed after it was designated a basilica. The church’s rector at the time, Monsignor James Reardon, had traveled to Rome and observed that the basilicas there had bronze doors. “He decided we needed bronze doors as well,” van Parys said. Archbishop Bernard Hebda blesses and seals bronze doors at the Basilica of Saint Mary ahead of restoration of the century-old features of the historic church, April 5, 2026. | Credit: Photo courtesy of the Basilica of Saint Mary Crews are aiming to be done with the massive project by Palm Sunday 2027. At the moment the parish holds Masses in the building’s undercroft beneath the structure. “Every week at Mass, I tell people, for instance, ‘Last Sunday was Week 35, which means we have 34 weeks to go,’” van Parys said with a laugh. He said the work is “quite expedited” and progressing quickly. Ultimately the effort is meant not just to restore the church but to develop a “manual of preservation” for future generations to help protect it. “Our goal is to restore and to also make sure that everything is cared for in the best possible way, to extend the lifespan of the basilica as long as possible before another restoration is necessary,” he said. He said the entire project is being conducted “not only with liturgical principles but also historical preservation principles.”“It is really comprehensive,” he said. “Every square inch of the basilica will be restored.”

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The massive church was dedicated in 1915 and became the first basilica in the United States when it was designated as such by Pope Pius XI in 1926.

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Various U.S. bishops ‘invite home’ SSPX attendees after excommunications of leadership #Catholic A growing number of Catholic bishops are instructing the faithful to avoid illicit sacraments celebrated by the Society of St. Pius X (SSPX) after the traditionalist group’s bishops incurred the penalty of excommunication last week.The Vatican declared July 2 that six prelates involved in the SSPX’s unauthorized July 1 episcopal consecrations incurred automatic excommunication. Despite repeated warnings, SSPX bishops consecrated four new bishops without a pontifical mandate — an act of open disobedience to the authority of the pope that carries automatic excommunication for the six bishops involved.The SSPX is a fraternity of priests known for its celebration of the Traditional Latin Mass and opposition to the reforms of the Second Vatican Council.Various Catholic bishops with SSPX locations in their areas are explicitly forbidding Catholics from attending SSPX services while also urging frequent attendees or SSPX priests to seek spiritual guidance and return to the Catholic Church.Invited ‘home’Archbishop Bernard Hebda of St. Paul and Minneapolis urged SSPX families in his community to stay with the Catholic Church.“In the 10 years that I have led this local Church, I have met many sincere people who worship regularly or occasionally at the chapels of the SSPX within the territory of our archdiocese,” Hebda said. “I have been impressed by the strength of their families and their commitment to traditional Catholic values.”“It is my hope they will not follow the above-mentioned bishops in separating themselves from the successor of Peter, Pope Leo XIV, and from the Church that he humbly leads,” Hebda continued. “Throughout the centuries, our Catholic Church has consistently echoed the teaching of St. Ambrose: Ubi Petrus ibi ecclesia (Where there is Peter, there is the Church).”“At this difficult moment, we are blessed that the same traditional Eucharistic liturgy beloved by those who have worshipped with the SSPX in the past continues to be celebrated in six locations throughout the archdiocese,” Hebda said. “I am confident that those who prefer the Traditional Latin Mass could find a home here."Bishop Terry LaValley of Ogdensburg, New York, noted that in light of the “formal schism,” the disobedience “gravely harms the unity of the Church for which Christ so fervently prayed the night before he died.”LaValley said in a statement that Catholics are “forbidden” to participate in SSPX sacraments, the only exception being “when there is danger of death.” He noted that the schism “is not simply about the celebration of the Mass.”“The SSPX repudiates and denounces the teaching of the Second Vatican Council, in particular, ecumenism, religious liberty, collegiality of the bishops with the pope, and the Church’s understanding of and relationship with Judaism,” LaValley noted.LaValley instructed the faithful to avoid participation with SSPX and invited SSPX priests to remain with the Church.In a similar vein, Bishop Frank Caggiano of Bridgeport, Connecticut, invited anyone who previously worshipped with SSPX to come “home.”“The Holy See has made clear that the clergy of the society are now to be regarded as schismatic,” Caggiano said in a statement. “This means that, from this day forward, the sacraments they celebrate are illicit and, most significantly for the faithful, the confessions they hear and the marriages at which they preside are considered invalid by the Church.”“I know these words are difficult to hear, especially for those among us who have worshipped, whether regularly or on occasion, at liturgies celebrated by priests of the society,” Caggiano said. “Over the years I have come to know some of these families. I have been moved by their love for the beauty of the sacred liturgy, their devotion to our Catholic tradition, and the seriousness with which they seek to raise their children in the faith.”“My heart goes out to them at this painful moment, and I want them to know that they remain very much a part of our diocesan family,” Caggiano said.“I also wish to offer a word of reassurance. This excommunication does not fall upon those who have simply attended these liturgies out of a sincere desire to worship and who have never intended to reject the authority of the Holy Father or the teaching of the Church,” Caggiano said. “What the Church now asks is straightforward: Knowing the situation as it now stands, the faithful of the Catholic Church can no longer take part in the liturgies of the society, for to do so knowingly would be to share in a separation from the successor of Peter.”Caggiano noted that the “vetus ordo,” also known as the Traditional Latin Mass, is still celebrated in his diocese at several parishes throughout the diocese.He emphasized that the diocese also welcomes any SSPX priest who wants to return to full communion “with open arms and great tenderness.”Bishop James Johnston of Kansas City-St. Joseph, Missouri, said he will “be preparing guidance to assist our clergy, lay faithful, and especially any of the lay faithful who have worshipped locally with the SSPX at St. Vincent de Paul Kansas City.”“While it is imperative to not abandon future efforts toward full communion and to fervently pray for such, those who wish to maintain communion with the Catholic Church, including valid reception of the sacraments of matrimony and penance (confession), will no longer find that possible within the SSPX,” Johnston said in the statement.“In this moment, I wish to reassure the members of the SSPX within this diocese of my pastoral concern as a shepherd with a desire to assist you in this time of crisis,” Johnston said.Schism ‘wounds’ the body of ChristBishop Douglas Lucia of Syracuse, New York, emphasized that the announcement “forbids Roman Catholics of good standing to participate in and to receive the sacraments from bishops and priests associated with the Society of St. Pius X.”“[F]ormal adherence to schism is a grave offense against God and carries the penalty of excommunication decreed by the Churchʼs law,” Lucia wrote July 2.“I grieve over the wound that has been inflicted on Christʼs body, the Church, and its effect on the spiritual good of the faithful,” Lucia said. “Although todayʼs action relates to a specific event, I would caution that such wounds occur in the Church, when peopleʼs pain and concerns are ignored and the universal call to holiness is subjugated to personal agenda.”“I regret that the communion and trust that has been built in my seven years as bishop here in Syracuse is now so imperiled, but there cannot be accord when discord has been sown,” Lucia said.Bishop Donald Hying of Madison, Wisconsin, instructed Catholics “to refrain from attending Mass at any SSPX chapels.”“The Catholic faithful should attend Mass at a Catholic church with a Catholic priest where they can receive licit and valid sacraments,” Hying said. Bishop Donald Hying instructed Catholics “to refrain from attending Mass at any SSPX chapels.” | Credit: “EWTN News Nightly”/Screenshot “For many years, the Church has been in dialogue with the leadership of SSPX in the hope that the group would return to full communion with the Catholic Church,” Hying said. “Their continued rejection of papal authority and decision to undertake blatantly schismatic acts have harmed these discussions and wounded the path to unity.”Archbishop Shawn McKnight of Kansas City, Kansas, called the bishopʼs consecrations "a source of profound sorrow for the whole Church because it wounds the visible unity that Christ desires for his body.” He noted that Pope Francis and Pope Benedict XVI took several steps toward communion and acceptance of the society.“Fidelity to sacred tradition is never opposed to fidelity to the successor of Peter,” McKnight said in his letter. “Rather, both are gifts entrusted by Christ to his Church and serve together to safeguard the deposit of faith and promote the salvation of souls.”“The Church’s living tradition is preserved by remaining close to the successor of Peter, by adhering to the apostolic faith handed down through the centuries and safeguarded within the communion of the Church,” McKnight said.
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Various U.S. bishops ‘invite home’ SSPX attendees after excommunications of leadership #Catholic A growing number of Catholic bishops are instructing the faithful to avoid illicit sacraments celebrated by the Society of St. Pius X (SSPX) after the traditionalist group’s bishops incurred the penalty of excommunication last week.The Vatican declared July 2 that six prelates involved in the SSPX’s unauthorized July 1 episcopal consecrations incurred automatic excommunication. Despite repeated warnings, SSPX bishops consecrated four new bishops without a pontifical mandate — an act of open disobedience to the authority of the pope that carries automatic excommunication for the six bishops involved.The SSPX is a fraternity of priests known for its celebration of the Traditional Latin Mass and opposition to the reforms of the Second Vatican Council.Various Catholic bishops with SSPX locations in their areas are explicitly forbidding Catholics from attending SSPX services while also urging frequent attendees or SSPX priests to seek spiritual guidance and return to the Catholic Church.Invited ‘home’Archbishop Bernard Hebda of St. Paul and Minneapolis urged SSPX families in his community to stay with the Catholic Church.“In the 10 years that I have led this local Church, I have met many sincere people who worship regularly or occasionally at the chapels of the SSPX within the territory of our archdiocese,” Hebda said. “I have been impressed by the strength of their families and their commitment to traditional Catholic values.”“It is my hope they will not follow the above-mentioned bishops in separating themselves from the successor of Peter, Pope Leo XIV, and from the Church that he humbly leads,” Hebda continued. “Throughout the centuries, our Catholic Church has consistently echoed the teaching of St. Ambrose: Ubi Petrus ibi ecclesia (Where there is Peter, there is the Church).”“At this difficult moment, we are blessed that the same traditional Eucharistic liturgy beloved by those who have worshipped with the SSPX in the past continues to be celebrated in six locations throughout the archdiocese,” Hebda said. “I am confident that those who prefer the Traditional Latin Mass could find a home here."Bishop Terry LaValley of Ogdensburg, New York, noted that in light of the “formal schism,” the disobedience “gravely harms the unity of the Church for which Christ so fervently prayed the night before he died.”LaValley said in a statement that Catholics are “forbidden” to participate in SSPX sacraments, the only exception being “when there is danger of death.” He noted that the schism “is not simply about the celebration of the Mass.”“The SSPX repudiates and denounces the teaching of the Second Vatican Council, in particular, ecumenism, religious liberty, collegiality of the bishops with the pope, and the Church’s understanding of and relationship with Judaism,” LaValley noted.LaValley instructed the faithful to avoid participation with SSPX and invited SSPX priests to remain with the Church.In a similar vein, Bishop Frank Caggiano of Bridgeport, Connecticut, invited anyone who previously worshipped with SSPX to come “home.”“The Holy See has made clear that the clergy of the society are now to be regarded as schismatic,” Caggiano said in a statement. “This means that, from this day forward, the sacraments they celebrate are illicit and, most significantly for the faithful, the confessions they hear and the marriages at which they preside are considered invalid by the Church.”“I know these words are difficult to hear, especially for those among us who have worshipped, whether regularly or on occasion, at liturgies celebrated by priests of the society,” Caggiano said. “Over the years I have come to know some of these families. I have been moved by their love for the beauty of the sacred liturgy, their devotion to our Catholic tradition, and the seriousness with which they seek to raise their children in the faith.”“My heart goes out to them at this painful moment, and I want them to know that they remain very much a part of our diocesan family,” Caggiano said.“I also wish to offer a word of reassurance. This excommunication does not fall upon those who have simply attended these liturgies out of a sincere desire to worship and who have never intended to reject the authority of the Holy Father or the teaching of the Church,” Caggiano said. “What the Church now asks is straightforward: Knowing the situation as it now stands, the faithful of the Catholic Church can no longer take part in the liturgies of the society, for to do so knowingly would be to share in a separation from the successor of Peter.”Caggiano noted that the “vetus ordo,” also known as the Traditional Latin Mass, is still celebrated in his diocese at several parishes throughout the diocese.He emphasized that the diocese also welcomes any SSPX priest who wants to return to full communion “with open arms and great tenderness.”Bishop James Johnston of Kansas City-St. Joseph, Missouri, said he will “be preparing guidance to assist our clergy, lay faithful, and especially any of the lay faithful who have worshipped locally with the SSPX at St. Vincent de Paul Kansas City.”“While it is imperative to not abandon future efforts toward full communion and to fervently pray for such, those who wish to maintain communion with the Catholic Church, including valid reception of the sacraments of matrimony and penance (confession), will no longer find that possible within the SSPX,” Johnston said in the statement.“In this moment, I wish to reassure the members of the SSPX within this diocese of my pastoral concern as a shepherd with a desire to assist you in this time of crisis,” Johnston said.Schism ‘wounds’ the body of ChristBishop Douglas Lucia of Syracuse, New York, emphasized that the announcement “forbids Roman Catholics of good standing to participate in and to receive the sacraments from bishops and priests associated with the Society of St. Pius X.”“[F]ormal adherence to schism is a grave offense against God and carries the penalty of excommunication decreed by the Churchʼs law,” Lucia wrote July 2.“I grieve over the wound that has been inflicted on Christʼs body, the Church, and its effect on the spiritual good of the faithful,” Lucia said. “Although todayʼs action relates to a specific event, I would caution that such wounds occur in the Church, when peopleʼs pain and concerns are ignored and the universal call to holiness is subjugated to personal agenda.”“I regret that the communion and trust that has been built in my seven years as bishop here in Syracuse is now so imperiled, but there cannot be accord when discord has been sown,” Lucia said.Bishop Donald Hying of Madison, Wisconsin, instructed Catholics “to refrain from attending Mass at any SSPX chapels.”“The Catholic faithful should attend Mass at a Catholic church with a Catholic priest where they can receive licit and valid sacraments,” Hying said. Bishop Donald Hying instructed Catholics “to refrain from attending Mass at any SSPX chapels.” | Credit: “EWTN News Nightly”/Screenshot “For many years, the Church has been in dialogue with the leadership of SSPX in the hope that the group would return to full communion with the Catholic Church,” Hying said. “Their continued rejection of papal authority and decision to undertake blatantly schismatic acts have harmed these discussions and wounded the path to unity.”Archbishop Shawn McKnight of Kansas City, Kansas, called the bishopʼs consecrations "a source of profound sorrow for the whole Church because it wounds the visible unity that Christ desires for his body.” He noted that Pope Francis and Pope Benedict XVI took several steps toward communion and acceptance of the society.“Fidelity to sacred tradition is never opposed to fidelity to the successor of Peter,” McKnight said in his letter. “Rather, both are gifts entrusted by Christ to his Church and serve together to safeguard the deposit of faith and promote the salvation of souls.”“The Church’s living tradition is preserved by remaining close to the successor of Peter, by adhering to the apostolic faith handed down through the centuries and safeguarded within the communion of the Church,” McKnight said.

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Catholic bishops with Society of St. Pius X locations in their areas are forbidding Catholics from attending SSPX services and urging attendees and SSPX priests to return to the Catholic Church.

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‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News. Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople. The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music “Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.” The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed. The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia “Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said. Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo “AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.” Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”
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‘Chant GPT’: How Catholics are responding to AI-generated Gregorian chant #Catholic In the early morning and late at night, monks still rise to sing the divine office, their voices low and hoarse from sleep. With every breath they are keeping alive a centuries-old tradition in monasteries around the world.But in a small corner of the internet, and on music providers like Spotify, another form of chant has taken hold. The text is often a hodgepodge of Latin-sounding words; a mechanical simulation not sung by human voices but generated by artificial intelligence (AI).How should Catholics navigate the new phenomenon of AI-generated chant, or, in the term hymnist Alan Hommerding coined, “Chant GPT”?What is Gregorian chant?Chant isn’t something that is consumed, like social media or food. Instead, it is a way to worship and pray, according to Catholic theologians and musicians.“Chant is not meant to be performed for artistic consumption but meant to attune our hearts to the Lord over the course of time,” Father Phillip Alcon Ganir, a Jesuit priest who teaches sacred music classes at Boston College, told EWTN News. Father Phillip Alcon Ganir, a Jesuit priest who researches and teaches about music, catechetics, and liturgy at Boston College’s School of Theology and Ministry, encourages Catholics to “develop a more nuanced appreciation” of Gregorian chant by engaging more deeply with it. | Credit: Photo courtesy of Father Phillip Alcon Ganir Composer and liturgist Father Ricky Manalo, a Paulist priest, agreed, adding: “Gregorian chant is not merely an aesthetic; it is part of the Church’s living tradition of sung prayer, as much as Gospel music is a living tradition for many African American Catholics, or pentatonic melodies are a living tradition for many East Asian Catholics.”“Its beauty is tied not only to its sound but to its liturgical, scriptural, and cultural roots,” he said.Named for St. Gregory the Great, Gregorian chant is a “musical synthesis” of Roman and Gallican chant, according to Father Basil Nixen, a monk of the Abbey of San Benedetto in Monte, Norcia, Italy, where the monks chant daily together. These chanted psalms continue to be prayed as part of the Divine Office, or Liturgy of the Hours — a daily practice for Catholic priests, religious, and laypeople. The Monks of Norcia. | Credit: Christopher McLallen, courtesy of Benedicta, de Montfort Music “Many might assume that Gregorian chant is really a product of the medieval or dark ages from Western Christianity,” noted Giorgio Navarini, founder and director of the Catholic chant group Floriani Sacred Music. “However, Gregorian chant derives its existence from the Hebrew Temple. Sung psalmody, lamentations, and hymns were a significant part of the Hebraic liturgical life in both the synagogue and Temple.”In the Middle Ages came the “unprecedented notation” of the chant, which helped Gregorian chant spread, Nixen explained.“The sacred melodies of the chant were written by men and women inspired by the Holy Spirit, and every time we sing them, we allow the Holy Spirit to possess our hearts too so as to enter more fully into communion with God in prayer,” Nixen said.“Through the Divine Office the voice of Christ praying to his Father mingles with our own, allowing us to unite our voice with his and to participate in his priestly intercession for the salvation of the world,” Nixen said.How do we pray through Gregorian chant?Because Gregorian chant is more than just an aesthetic, questions about Gregorian chant are, at their root, questions about the connection between prayer and song.“Christian worship involves the whole human being — body and soul,” Nixen said. “Chanting is fundamental for Christian worship precisely for this purpose, because it allows us to pray not only with our minds but also with our bodies, our heart, our sentiments.”“Worship is the natural expression of the highest love, the love which most engages and engrosses us, which is why we owe it to God alone, whom we must love with all our hearts, all our minds, and all our strength — i.e., with body, heart, mind, and soul,” Nixen said. “And we do this most perfectly when we sing.” The Benedictine Monks of Norcia give their lives to pray for the world. | Credit: Photo courtesy of Monks of Norcia Music, Navarini said, is “an art form that directly reflects the inner workings of the soul, unlike other art forms, which gives it a unique power of being united to prayer.”“Chant has the power to raise the soul to the divine,” Navarini said. “It is unlike any music in this world and truly provides a doorway and glimpse into the life to come.”Can machines pray?Human chant is meant to be just that — human, in every imperfection, hoarse voice, or flat note.“Even with AI aside, one of the dangers of chant recordings is that singers often aim to present pristine, errorless, and sublime sounds — which are good and holy in and of themselves,” Ganir said. “But such perfection is not often reflective of a life that worships regularly with chant.”The monks who chant daily in monasteries often sing with “tired” voices, Ganir observed. The monks of Norcia chant the Divine Office seven times during the day and once during the night. | Credit: Photo courtesy of the Monks of Norcia “Sung prayer early in the morning or in the evening is often a different, usually 'tired,’ sound than prayers chanted during the day,” Ganir said.This isn’t a bad thing; in fact, it’s part of the deeper meaning behind chant.“Prayer is meant to span and intersect through all of life,” Ganir continued. “And music, especially our chant tradition, can be such a worthy and life-giving companion.”“AI-generated sacred-sounding music may have a place as a tool for study, preparation, or even private reflection, but it should not replace the living voice of the Church, the trained pastoral musician, the human composer, or the sung participation of the assembly,” Manalo said. Father Ricky Manalo, a distinguished liturgical composer who also gives lectures on artificial intelligence, defines liturgical music as “sung prayer” that “belongs to the embodied worship of a community gathered before God.” | Credit: Photo courtesy of Father Ricky Manalo “AI can generate chant-like sounds or contemporary songs, but it cannot replace the faith, breath, body, and communal participation during a liturgy,” Manalo continued.“Sacred music requires theological depth, pastoral sensitivity, scriptural grounding, ritual awareness, and a sense of the actual community that will sing or hear it,” Manalo said.“Every true prayer is an authentic and personal encounter of trust between a creature with its Creator, a recognition of our dependence on the one who is infinitely good,” Father Ezra Sullivan, a Dominican priest and director of the Spirituality Institute at the Angelicum, told EWTN News.“There is an old saying: ‘You cannot give what you do not have,’” Sullivan continued. “Because an algorithm does not have a knowledge and love of God, no person to have a relationship with him, it cannot make prayers or music that authentically express the raising up of the soul to the hands of our loving Father — even if it makes imitations that are somewhat pleasing, the soul would be missing.”“One of the reasons why we like to know the biography of composers or authors is because when we read their works or listen to their music, we can commune with them across the ages and join our souls with theirs in coming closer to God,” Sullivan continued. “Artificial intelligence might be able to fool us into thinking that it facilitates these horizontal and vertical relationships, and thatʼs precisely how it can be dangerous in the spiritual realm.” Giorgio Navarini, right, sings with his chant group Floriani Sacred Music, a group founded to bring about a revival of Catholic sacred chant. | Credit: Photo courtesy of Floriani Sacred Music In Pope Leoʼs recent encyclical letter, Magnifica Humanitas, the Holy Father wrote: “No computational system, however sophisticated, can create a heart that gives itself, or a conscience that discerns good from evil.”“Gregorian chant is what the soul sings to God; it is what a bride sings to her Divine Bridegroom,” Nixen said. “If an AI-generated thing can love and get married, then it can sing chant. If it can get baptized, then it can sing chant. But if it cannot love, get married, get baptized, or be united to God, then it cannot chant.”

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As AI encroaches on sacred music, Catholics still hold true to Gregorian chant, a historical form of sacred music that is still alive today.

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Telescopes Team Up for New View of Cat’s Eye Nebula – In Euclid’s wide, near-infrared, and visible light view, the arcs and filaments of the nebula’s bright central region are situated within a halo of colorful fragments of gas zooming away from the star. This ring was ejected from the star at an earlier stage, before the main nebula at the center formed. Hubble captures the very core of the billowing gas with high-resolution visible-light images, adding extra detail in the center of this image. The whole nebula stands out against a backdrop teeming with distant galaxies, demonstrating how local astrophysical beauty and the farthest reaches of the cosmos can be seen together in modern astronomical surveys. Together, these missions provide a rich and complementary view of NGC 6543 — revealing the delicate interplay between stellar end-of-life processes and the vast cosmic tapestry beyond.

unitedyam

In Euclid’s wide, near-infrared, and visible light view, the arcs and filaments of the nebula’s bright central region are situated within a halo of colorful fragments of gas zooming away from the star. This ring was ejected from the star at an earlier stage, before the main nebula at the center formed. Hubble captures the very core of the billowing gas with high-resolution visible-light images, adding extra detail in the center of this image. The whole nebula stands out against a backdrop teeming with distant galaxies, demonstrating how local astrophysical beauty and the farthest reaches of the cosmos can be seen together in modern astronomical surveys. Together, these missions provide a rich and complementary view of NGC 6543 — revealing the delicate interplay between stellar end-of-life processes and the vast cosmic tapestry beyond.

Read More