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Vatican group to discuss AI, human dignity with world leaders at UN General Assembly #Catholic A Vatican-led organization is meeting with world leaders on artificial intelligence, human dignity, the common good, and other aspects of Catholic social teaching on the sidelines of the United Nations General Assembly this week.The “Borgo Dialogues,” organized by the Vatican-run Laudato Si’ Center for Higher Education, began on Sept. 20 and will continue until Sept. 23 in New York, in conjunction with the U.N. meeting.According to a news release, the gathering will focus on the question “What are we building, for whom, and who will inherit it?” The invitation-only meetings include leaders in business, finance, academia, faith, healthcare, sports, civil society, and international institutions.“The Borgo Dialogues represent an invitation to courageous leadership rooted in listening, encounter and shared responsibility,” Cardinal Fabio Baggio, director general of the Laudato Si’ Center and founder of the Borgo Dialogues, said in a statement.“At a moment when many institutions face growing fragmentation and distrust, we need spaces where leaders can engage difficult questions honestly, build trust across differences and commit themselves to actions that uphold human dignity and advance the common good,” he said.The Borgo Dialogues initiative began in June with a meeting at the Vatican. It is inspired by papal teachings contained in Pope Francis’ encyclicals Laudato Si’ and Fratelli Tutti and Pope Leo XIV’s encyclical Magnifica Humanitas.According to the news release, the main focus of the talks is AI and work transformation, healthcare and human dignity, sustainable development, systems-level change across industries, and the evolving responsibilities of leaders navigating an increasingly interconnected world.The news release states there is a shared commitment to designing technologies, institutions, and systems that recognize the inherent dignity of each person, with a focus on those who are most vulnerable.“The world’s most urgent challenges require relationships that rise above institutions and ideologies,” said Father Daniel G. Groody, CSC, a member of the Laudato Si’ Center’s General Council.“The Borgo Dialogues create a distinctive environment where intellectual rigor, moral purpose and practical leadership come together, helping diverse leaders transform reflection into responsibility and ideas into action,” said Groody, who is also the vice president and associate provost for undergraduate education at the University of Notre Dame.The inaugural Borgo Dialogues were held in the Pontifical Gardens of Castel Gandolfo, Vatican State, from June 17–19. It included more than 80 participants. The Laudato Si’ Center is expected to present proposals to the World Economic Forum based on the discussions.The 81st U.N. General Assembly began on Sept. 8 in New York. General debate meetings begin on Sept. 22 and end on Sept. 28.
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Vatican group to discuss AI, human dignity with world leaders at UN General Assembly #Catholic A Vatican-led organization is meeting with world leaders on artificial intelligence, human dignity, the common good, and other aspects of Catholic social teaching on the sidelines of the United Nations General Assembly this week.The “Borgo Dialogues,” organized by the Vatican-run Laudato Si’ Center for Higher Education, began on Sept. 20 and will continue until Sept. 23 in New York, in conjunction with the U.N. meeting.According to a news release, the gathering will focus on the question “What are we building, for whom, and who will inherit it?” The invitation-only meetings include leaders in business, finance, academia, faith, healthcare, sports, civil society, and international institutions.“The Borgo Dialogues represent an invitation to courageous leadership rooted in listening, encounter and shared responsibility,” Cardinal Fabio Baggio, director general of the Laudato Si’ Center and founder of the Borgo Dialogues, said in a statement.“At a moment when many institutions face growing fragmentation and distrust, we need spaces where leaders can engage difficult questions honestly, build trust across differences and commit themselves to actions that uphold human dignity and advance the common good,” he said.The Borgo Dialogues initiative began in June with a meeting at the Vatican. It is inspired by papal teachings contained in Pope Francis’ encyclicals Laudato Si’ and Fratelli Tutti and Pope Leo XIV’s encyclical Magnifica Humanitas.According to the news release, the main focus of the talks is AI and work transformation, healthcare and human dignity, sustainable development, systems-level change across industries, and the evolving responsibilities of leaders navigating an increasingly interconnected world.The news release states there is a shared commitment to designing technologies, institutions, and systems that recognize the inherent dignity of each person, with a focus on those who are most vulnerable.“The world’s most urgent challenges require relationships that rise above institutions and ideologies,” said Father Daniel G. Groody, CSC, a member of the Laudato Si’ Center’s General Council.“The Borgo Dialogues create a distinctive environment where intellectual rigor, moral purpose and practical leadership come together, helping diverse leaders transform reflection into responsibility and ideas into action,” said Groody, who is also the vice president and associate provost for undergraduate education at the University of Notre Dame.The inaugural Borgo Dialogues were held in the Pontifical Gardens of Castel Gandolfo, Vatican State, from June 17–19. It included more than 80 participants. The Laudato Si’ Center is expected to present proposals to the World Economic Forum based on the discussions.The 81st U.N. General Assembly began on Sept. 8 in New York. General debate meetings begin on Sept. 22 and end on Sept. 28.

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The discussion focuses on the question “What are we building, for whom, and who will inherit it?”

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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”
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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”

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Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.”

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