Musical

Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”
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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”

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Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.”

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The Hillbilly Thomists hit the road with new album ‘Strange Land’ #Catholic Between ministering to their communities and traveling down the southern interstate from Macon, Georgia, to Birmingham, Alabama, the Dominican friars of The Hillbilly Thomists are balancing full-time religious life with the whirlwind of a regional tour.The music group’s latest project, “Strange Land,” was released as a surprise drop just a couple of days into their summer tour, offering listeners a blend of deep theological reflection and traditional Americana music.The surprise drop decision was driven largely by their demanding schedules. After writing and recording the tracks a year prior, the postproduction process had to fit around their primary duties as “hounds of the Lord.”“The postproduction process just takes a while because we are all full-time preachers and teachers and chaplains and pastors,” said Dominican Father Justin Bolger, who spoke with the National Catholic Register, the sister news partner of EWTN News, along with his band brothers while on the road.“After this kind of two-week stint that we do in the summer, the music takes a backseat to that … So it kind of came out when it came out.”Musically, “Strange Land” ranges from spiritual anthems like “In-A-My Soul” and “Gloria” to playfully titled tracks like “Garrigou” and “Good Old Elvis.”Dominican Father Thomas Joseph White, one of the founding members of the band who also serves as rector at the Angelicum in Rome, noted that the variety reflects the band’s distinct personalities while remaining grounded in shared themes.“There are some themes that show up, like pilgrimage and hope and struggle, that are in all the songs,” he explained. “It’s very consistent with what we’ve done on other albums, and it just comes out organically or naturally from our songwriting.”The record marks a step forward in technical execution for the ensemble. White described the album as representing a “slightly higher echelon of musical sophistication,” aided by tighter harmonies and complex arrangements. Unlike previous albums where the friars handled all engineering themselves in retreat houses, they hired a professional recording engineer for “Strange Land.” “It frees up more of the band to just focus on the music and to collaborate and just have that be the focus,” Bolger added.That spirit of collaboration is rooted deeply in their shared Dominican vocation. “We’ve known each other for years, and we’re all united in the Dominican order, so it just makes for a real atmosphere of ease,” said Dominican Father Jonah Teller, describing the mutual trust involved when bringing personal songs to the group. The Hillbilly Thomists have released a new album called “Strange Land.” | Photo courtesy of the Hillbilly Thomists As the band’s popularity grows, so does a devoted grassroots fan base. White observed a natural overlap between people interested in Catholic intellectual life — such as participants in the Thomistic Institute — and fans of their bluegrass music. That enthusiasm has even spilled over into unofficial merchandise crafted by fans. At recent shows, custom fan art has begun to emerge, including T-shirts designed by a college student featuring torch-bearing dogs alongside the caption “I’m a dog for my Lord,” as well as custom “Good Tree” hats.“You do see some kind of fan art emerge at these shows, which is charming,” Bolger noted. White deadpanned that the order was engaged in a “very serious lawsuit” to confiscate the student’s assets and protect its intellectual property, prompting laughter from the rest of the band.The group’s reach has extended all the way to the Vatican. Recalling a past meeting with Pope Leo XIV, White shared that while most gifts were set aside, the pontiff asked to keep The Hillbilly Thomists’ CDs close by. “So I don’t know if he listens to them, but I do know he made the point of keeping them,” White joked, adding: “It’s unclear at this point in time whether any of our lyrics will be quoted in forthcoming encyclicals, but there’s some speculation.”When asked about playing traditional American folk and bluegrass music, especially as the nation celebrates 250 years of independence, singer and mandolin player Dominican Father Austin Litke pointed out the unique place the band occupies within the genre.“The Christian part of American culture has not always been predominantly Catholic,” Litke noted.“To be able to take up that form of music and infuse it with Catholic doctrine, Catholic culture, and certainly Thomistic culture … we hope is part of the genius of the creativity that’s come out of our fraternal work.”The 11-show tour concludes on Saturday, Aug. 8, fittingly on the feast of St. Dominic, with a performance alongside the Dominican Sisters of St. Cecilia at the Dominican Campus in Nashville, Tennessee.As for how fans can support the new release, Bolger kept his message simple: “Let all the old people and the young people know that they can find it on Spotify.”This story was first published by the National Catholic Register, the sister partner of EWTN News, and has been adapted by EWTN News.
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The Hillbilly Thomists hit the road with new album ‘Strange Land’ #Catholic Between ministering to their communities and traveling down the southern interstate from Macon, Georgia, to Birmingham, Alabama, the Dominican friars of The Hillbilly Thomists are balancing full-time religious life with the whirlwind of a regional tour.The music group’s latest project, “Strange Land,” was released as a surprise drop just a couple of days into their summer tour, offering listeners a blend of deep theological reflection and traditional Americana music.The surprise drop decision was driven largely by their demanding schedules. After writing and recording the tracks a year prior, the postproduction process had to fit around their primary duties as “hounds of the Lord.”“The postproduction process just takes a while because we are all full-time preachers and teachers and chaplains and pastors,” said Dominican Father Justin Bolger, who spoke with the National Catholic Register, the sister news partner of EWTN News, along with his band brothers while on the road.“After this kind of two-week stint that we do in the summer, the music takes a backseat to that … So it kind of came out when it came out.”Musically, “Strange Land” ranges from spiritual anthems like “In-A-My Soul” and “Gloria” to playfully titled tracks like “Garrigou” and “Good Old Elvis.”Dominican Father Thomas Joseph White, one of the founding members of the band who also serves as rector at the Angelicum in Rome, noted that the variety reflects the band’s distinct personalities while remaining grounded in shared themes.“There are some themes that show up, like pilgrimage and hope and struggle, that are in all the songs,” he explained. “It’s very consistent with what we’ve done on other albums, and it just comes out organically or naturally from our songwriting.”The record marks a step forward in technical execution for the ensemble. White described the album as representing a “slightly higher echelon of musical sophistication,” aided by tighter harmonies and complex arrangements. Unlike previous albums where the friars handled all engineering themselves in retreat houses, they hired a professional recording engineer for “Strange Land.” “It frees up more of the band to just focus on the music and to collaborate and just have that be the focus,” Bolger added.That spirit of collaboration is rooted deeply in their shared Dominican vocation. “We’ve known each other for years, and we’re all united in the Dominican order, so it just makes for a real atmosphere of ease,” said Dominican Father Jonah Teller, describing the mutual trust involved when bringing personal songs to the group. The Hillbilly Thomists have released a new album called “Strange Land.” | Photo courtesy of the Hillbilly Thomists As the band’s popularity grows, so does a devoted grassroots fan base. White observed a natural overlap between people interested in Catholic intellectual life — such as participants in the Thomistic Institute — and fans of their bluegrass music. That enthusiasm has even spilled over into unofficial merchandise crafted by fans. At recent shows, custom fan art has begun to emerge, including T-shirts designed by a college student featuring torch-bearing dogs alongside the caption “I’m a dog for my Lord,” as well as custom “Good Tree” hats.“You do see some kind of fan art emerge at these shows, which is charming,” Bolger noted. White deadpanned that the order was engaged in a “very serious lawsuit” to confiscate the student’s assets and protect its intellectual property, prompting laughter from the rest of the band.The group’s reach has extended all the way to the Vatican. Recalling a past meeting with Pope Leo XIV, White shared that while most gifts were set aside, the pontiff asked to keep The Hillbilly Thomists’ CDs close by. “So I don’t know if he listens to them, but I do know he made the point of keeping them,” White joked, adding: “It’s unclear at this point in time whether any of our lyrics will be quoted in forthcoming encyclicals, but there’s some speculation.”When asked about playing traditional American folk and bluegrass music, especially as the nation celebrates 250 years of independence, singer and mandolin player Dominican Father Austin Litke pointed out the unique place the band occupies within the genre.“The Christian part of American culture has not always been predominantly Catholic,” Litke noted.“To be able to take up that form of music and infuse it with Catholic doctrine, Catholic culture, and certainly Thomistic culture … we hope is part of the genius of the creativity that’s come out of our fraternal work.”The 11-show tour concludes on Saturday, Aug. 8, fittingly on the feast of St. Dominic, with a performance alongside the Dominican Sisters of St. Cecilia at the Dominican Campus in Nashville, Tennessee.As for how fans can support the new release, Bolger kept his message simple: “Let all the old people and the young people know that they can find it on Spotify.”This story was first published by the National Catholic Register, the sister partner of EWTN News, and has been adapted by EWTN News.

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The music group’s latest project was released as a surprise drop just a couple of days into their summer tour.

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