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Disabled child’s papal blessing in Lourdes gives family ‘strength and hope’ #Catholic LOURDES, France — One of the most moving moments of Pope Leo XIV’s visit to France was his meeting Sept. 27 with 5,000 sick people and their caregivers at the Sanctuary of Our Lady of Lourdes.There, after defending the inalienable dignity of those who are suffering from illness or infirmity, he strongly criticized a trend toward the legalization of euthanasia and assisted suicide under the guise of “false compassion.”“It is impossible to regard causing death as something normal. What is legal is not necessarily moral,” he said to loud applause from those listening.Immediately following his speech, Leo broke from his schedule to go into the crowd and greet the sick and disabled, many of whom had waited hours in the hot sun to take part in the meeting.TweetHe also took time to bless a few people as he approached the Accueil Notre-Dame (Notre-Dame Home), a residential accommodation classified as a healthcare facility that hosts sick, disabled, and frail pilgrims to Lourdes.Olivia Hamelin, a girl with the rare genetic neurological condition CDKL5 deficiency disorder, was among those Leo blessed.“Seeing the pope bless Olivia was truly a moment of grace,” Olivia’s father, Alexandre Hamelin, told EWTN News afterward.After Leo blessed Olivia, her father embraced her with a look of pure joy and happiness.“The fact that he blessed Olivia, in a special way gives us so much strength and hope for her future. This pope radiates kindness and grace. I am certain he will leave a lasting mark on the history of the Church,” Hamelin said. The Hamelin family. From left to right, Alexandre, 3-year-old Olivia, 5-year-old Alba, Bérénice, and 6-month-old Raphaël. | Credit: Photo courtesy of the Hamelin family It was 3-year-old Olivia’s first time in Lourdes, alongside her parents, Alexandre and Bérénice, and her siblings, 5-year-old Alba and 6-month-old Raphaël.Raphaël was also blessed by Pope Leo in Lourdes.The family traveled almost four hours by car from their home in Périgueux, a town in southwestern France, to Lourdes for Leo’s visit.“For us, it was important to come to Lourdes to see the pope and hear his message of peace. It is a true sign of hope for our children,” Hamelin said.CDKL5 deficiency disorder affects brain development and causes severe epilepsy. Those with this condition can have difficulty with movement and speech, alongside other challenges.Hamelin said when they learned Olivia’s condition is not degenerative, it brought him and his family “enormous relief.”“Since then, our sole goal has been for Olivia to have the most beautiful and happiest life possible. Of course, we live with her disability, but we try not to let it limit us, especially in everything we do as a family,” he said.While his family had faith before the trial of Olivia’s illness, now, he said, it has “an even more important place in our lives.”“It helps us keep moving forward, maintain trust, and not lose hope, even in the more difficult moments,” he said. “Above all, we are convinced that Olivia is a blessing in our lives. We believe that the Lord entrusted her to us and that, through her, he also brings us an abundance of beautiful gifts.”The father noted how Olivia is teaching many people around her, even beyond their family.For their oldest daughter, Alba, growing up with Olivia teaches her consideration for others, patience, kindness, and acceptance of differences, he said.“These are beautiful values that Olivia passes on to her simply through her presence,” Hamelin noted.“Olivia profoundly touches the people around her. She creates deep connections and brings a very special joy wherever she goes,” he said. “In the end, where some might see only the difficulties associated with her disability, we also see all the beauty she brings into our lives and into the lives of others. That, too, is what nourishes our hope and our faith.”
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Disabled child’s papal blessing in Lourdes gives family ‘strength and hope’ #Catholic LOURDES, France — One of the most moving moments of Pope Leo XIV’s visit to France was his meeting Sept. 27 with 5,000 sick people and their caregivers at the Sanctuary of Our Lady of Lourdes.There, after defending the inalienable dignity of those who are suffering from illness or infirmity, he strongly criticized a trend toward the legalization of euthanasia and assisted suicide under the guise of “false compassion.”“It is impossible to regard causing death as something normal. What is legal is not necessarily moral,” he said to loud applause from those listening.Immediately following his speech, Leo broke from his schedule to go into the crowd and greet the sick and disabled, many of whom had waited hours in the hot sun to take part in the meeting.TweetHe also took time to bless a few people as he approached the Accueil Notre-Dame (Notre-Dame Home), a residential accommodation classified as a healthcare facility that hosts sick, disabled, and frail pilgrims to Lourdes.Olivia Hamelin, a girl with the rare genetic neurological condition CDKL5 deficiency disorder, was among those Leo blessed.“Seeing the pope bless Olivia was truly a moment of grace,” Olivia’s father, Alexandre Hamelin, told EWTN News afterward.After Leo blessed Olivia, her father embraced her with a look of pure joy and happiness.“The fact that he blessed Olivia, in a special way gives us so much strength and hope for her future. This pope radiates kindness and grace. I am certain he will leave a lasting mark on the history of the Church,” Hamelin said. The Hamelin family. From left to right, Alexandre, 3-year-old Olivia, 5-year-old Alba, Bérénice, and 6-month-old Raphaël. | Credit: Photo courtesy of the Hamelin family It was 3-year-old Olivia’s first time in Lourdes, alongside her parents, Alexandre and Bérénice, and her siblings, 5-year-old Alba and 6-month-old Raphaël.Raphaël was also blessed by Pope Leo in Lourdes.The family traveled almost four hours by car from their home in Périgueux, a town in southwestern France, to Lourdes for Leo’s visit.“For us, it was important to come to Lourdes to see the pope and hear his message of peace. It is a true sign of hope for our children,” Hamelin said.CDKL5 deficiency disorder affects brain development and causes severe epilepsy. Those with this condition can have difficulty with movement and speech, alongside other challenges.Hamelin said when they learned Olivia’s condition is not degenerative, it brought him and his family “enormous relief.”“Since then, our sole goal has been for Olivia to have the most beautiful and happiest life possible. Of course, we live with her disability, but we try not to let it limit us, especially in everything we do as a family,” he said.While his family had faith before the trial of Olivia’s illness, now, he said, it has “an even more important place in our lives.”“It helps us keep moving forward, maintain trust, and not lose hope, even in the more difficult moments,” he said. “Above all, we are convinced that Olivia is a blessing in our lives. We believe that the Lord entrusted her to us and that, through her, he also brings us an abundance of beautiful gifts.”The father noted how Olivia is teaching many people around her, even beyond their family.For their oldest daughter, Alba, growing up with Olivia teaches her consideration for others, patience, kindness, and acceptance of differences, he said.“These are beautiful values that Olivia passes on to her simply through her presence,” Hamelin noted.“Olivia profoundly touches the people around her. She creates deep connections and brings a very special joy wherever she goes,” he said. “In the end, where some might see only the difficulties associated with her disability, we also see all the beauty she brings into our lives and into the lives of others. That, too, is what nourishes our hope and our faith.”

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Pope Leo XIV blessed Olivia Hamelin, a 3-year-old with a rare genetic condition, during his visit to Lourdes, France.

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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”
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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”

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Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.”

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Apostolic nuncio calls for ‘moral voice’ in AI development #Catholic Archbishop Gabriele Giordano Caccia, apostolic nuncio to the United States, discussed the need for a “moral voice” in artificial intelligence (AI) development during a panel discussion hosted by Georgetown University on Sept. 9.The panel, titled “AI, Catholic Social Teaching, and Pope Leoʼs Invitation to Dialogue with the World,” examined Pope Leo XIV’s encyclical Magnifica Humanitas and its call for a shared human effort to develop technology that serves the common good rather than harms it.Speakers noted that the Holy Father’s encyclical stopped short of prescribing specific policy ideas for addressing the moral and ethical concerns, but the nuncio said “there is the perception that we need a moral voice” on the subject.“A moral voice is what?” he said. “Not everything which is possible to be done should be done. Not everything that technology offers should be taken. This is a moral choice.”Caccia stressed that decisions affecting human lives should not be handed over to AI, citing distinctions between AI algorithms and the human conscience, as the Holy Father discussed in Magnifica Humanitas.Leo drew a distinction between artificial intelligence and human intelligence in the encyclical, focusing on how each approaches moral questions. The pope wrote that he rejected ideas of “artificial moral agents” and the notion that a machine can “distinguish between right and wrong with greater consistency than a human being.”“Moral judgment cannot be reduced to calculation, for it involves conscience, personal responsibility and the recognition of the other as a person,” Leo wrote. “Therefore, it is not permissible to entrust lethal or otherwise irreversible decisions to artificial systems.”Caccia said during the panel discussion that, as a society, “we have to keep the value of the human relationship.”“The problem is that [if] life and death is decided by a machine, not by the human being, who is accountable?” he said. “So these are very important, important questions. But I am confident, as I said, that together we can face this situation and find a way.”The nuncio said he has similar concerns about the use of AI in other types of decision-making that impacts humans.“I hear very troubling accounts of algorithms that can block access to healthcare, employment, and security on the basis of data tainted by prejudice and injustice,” he said. “And Iʼve heard the silence of those who have no voice. When decisions are made, decisions [are] likely to generate new forms of exclusion and suffering.”Quoting the encyclical, Caccia affirmed the pope’s call that AI “needs to be disarmed.” Archbishop Gabriele Caccia, the Holy See’s permanent observer to the United Nations in New York, speaks on Aug. 29, 2025, the International Day Against Nuclear Tests. | Credit: Holy See Mission to the United Nations “The word is strong, I know, but deliberately chosen because this moment needs words capable of attracting attention, awakening consciences, and indicating paths forward for humanity,” he said. “This is more or less a framework in which we can go on with the conversation.”Speaking to EWTN News after the panel, Caccia said the pope’s call to address moral concerns of AI is not just a call to Church leadership but to every Catholic.“There is, of course, the voice of the bishops,” he said. “But there is also the voice of Catholic people who are in the business or are engineers who are in the economy, who are in the field. So itʼs not just for those who have pastoral responsibility, but for the bigger community.”Pope’s impact on AI discussionSeveral panelists discussed the importance of Magnifica Humanitas in providing a type of moral guidance on AI development that focuses on the common good of humanity.Jasmine Sun, a journalist who writes about AI and Silicon Valley, said she “was actually surprised by how much folks I knew in Silicon Valley, in the AI industry did pay attention to Magnifica Humanitas.”“It was a lot more engagement, I think, than I expected,” she said. “And once again, I think itʼs because there is this sense that the profit motive that has driven Silicon Valley, that continues to drive Silicon Valley, is not enough.”Molly Kinder, CEO of the Breakwater Initiative, said the Church provides “wisdom and moral leadership” and believes its broad focus on humanity is why people listened.“Iʼm struck that in the opening pages of the Bible, there is a discussion of Adam and Eve being put on Earth to till the land as our fundamental reason for existing,” she said. “And it feels to me sometimes when Iʼm in Silicon Valley … they almost talk about almost a new Garden of Eden that AI is going to bring about, that maybe our purpose is not to work, or maybe itʼs leisure or a check and a hobby.”Caccia too said he was “positively surprised” by the reaction to the encyclical, saying “it seems that there was a need to do something about this.”“It didnʼt pretend to have the answers,” he said, “but he put questions, common questions that we have to tackle together to decide where we want to go.”
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Apostolic nuncio calls for ‘moral voice’ in AI development #Catholic Archbishop Gabriele Giordano Caccia, apostolic nuncio to the United States, discussed the need for a “moral voice” in artificial intelligence (AI) development during a panel discussion hosted by Georgetown University on Sept. 9.The panel, titled “AI, Catholic Social Teaching, and Pope Leoʼs Invitation to Dialogue with the World,” examined Pope Leo XIV’s encyclical Magnifica Humanitas and its call for a shared human effort to develop technology that serves the common good rather than harms it.Speakers noted that the Holy Father’s encyclical stopped short of prescribing specific policy ideas for addressing the moral and ethical concerns, but the nuncio said “there is the perception that we need a moral voice” on the subject.“A moral voice is what?” he said. “Not everything which is possible to be done should be done. Not everything that technology offers should be taken. This is a moral choice.”Caccia stressed that decisions affecting human lives should not be handed over to AI, citing distinctions between AI algorithms and the human conscience, as the Holy Father discussed in Magnifica Humanitas.Leo drew a distinction between artificial intelligence and human intelligence in the encyclical, focusing on how each approaches moral questions. The pope wrote that he rejected ideas of “artificial moral agents” and the notion that a machine can “distinguish between right and wrong with greater consistency than a human being.”“Moral judgment cannot be reduced to calculation, for it involves conscience, personal responsibility and the recognition of the other as a person,” Leo wrote. “Therefore, it is not permissible to entrust lethal or otherwise irreversible decisions to artificial systems.”Caccia said during the panel discussion that, as a society, “we have to keep the value of the human relationship.”“The problem is that [if] life and death is decided by a machine, not by the human being, who is accountable?” he said. “So these are very important, important questions. But I am confident, as I said, that together we can face this situation and find a way.”The nuncio said he has similar concerns about the use of AI in other types of decision-making that impacts humans.“I hear very troubling accounts of algorithms that can block access to healthcare, employment, and security on the basis of data tainted by prejudice and injustice,” he said. “And Iʼve heard the silence of those who have no voice. When decisions are made, decisions [are] likely to generate new forms of exclusion and suffering.”Quoting the encyclical, Caccia affirmed the pope’s call that AI “needs to be disarmed.” Archbishop Gabriele Caccia, the Holy See’s permanent observer to the United Nations in New York, speaks on Aug. 29, 2025, the International Day Against Nuclear Tests. | Credit: Holy See Mission to the United Nations “The word is strong, I know, but deliberately chosen because this moment needs words capable of attracting attention, awakening consciences, and indicating paths forward for humanity,” he said. “This is more or less a framework in which we can go on with the conversation.”Speaking to EWTN News after the panel, Caccia said the pope’s call to address moral concerns of AI is not just a call to Church leadership but to every Catholic.“There is, of course, the voice of the bishops,” he said. “But there is also the voice of Catholic people who are in the business or are engineers who are in the economy, who are in the field. So itʼs not just for those who have pastoral responsibility, but for the bigger community.”Pope’s impact on AI discussionSeveral panelists discussed the importance of Magnifica Humanitas in providing a type of moral guidance on AI development that focuses on the common good of humanity.Jasmine Sun, a journalist who writes about AI and Silicon Valley, said she “was actually surprised by how much folks I knew in Silicon Valley, in the AI industry did pay attention to Magnifica Humanitas.”“It was a lot more engagement, I think, than I expected,” she said. “And once again, I think itʼs because there is this sense that the profit motive that has driven Silicon Valley, that continues to drive Silicon Valley, is not enough.”Molly Kinder, CEO of the Breakwater Initiative, said the Church provides “wisdom and moral leadership” and believes its broad focus on humanity is why people listened.“Iʼm struck that in the opening pages of the Bible, there is a discussion of Adam and Eve being put on Earth to till the land as our fundamental reason for existing,” she said. “And it feels to me sometimes when Iʼm in Silicon Valley … they almost talk about almost a new Garden of Eden that AI is going to bring about, that maybe our purpose is not to work, or maybe itʼs leisure or a check and a hobby.”Caccia too said he was “positively surprised” by the reaction to the encyclical, saying “it seems that there was a need to do something about this.”“It didnʼt pretend to have the answers,” he said, “but he put questions, common questions that we have to tackle together to decide where we want to go.”

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Speakers at a Georgetown University event said Magnifica Humanitas offers moral guidance without policy steps, and the nuncio noted rising concern that debates over AI need a moral voice.

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NASA’s Nancy Grace Roman Space Telescope Launches – A SpaceX Falcon Heavy rocket with NASA’s Nancy Grace Roman Telescope on board is seen transiting the sun during launch from Launch Complex 39A, Sunday, Aug. 30, 2026, at NASA’s Kennedy Space Center in Florida.

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A SpaceX Falcon Heavy rocket with NASA’s Nancy Grace Roman Telescope on board is seen transiting the sun during launch from Launch Complex 39A, Sunday, Aug. 30, 2026, at NASA’s Kennedy Space Center in Florida.

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NASA’s Chandra Finds Young Stars Dim Quickly – Scientists have found that young stellar cousins of our Sun are calming down and dimming more quickly in their X-ray output than previously thought, according to a study using NASA’s Chandra X-ray Observatory.
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NASA’s Chandra Finds Young Stars Dim Quickly – Scientists have found that young stellar cousins of our Sun are calming down and dimming more quickly in their X-ray output than previously thought, according to a study using NASA’s Chandra X-ray Observatory.

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Scientists have found that young stellar cousins of our Sun are calming down and dimming more quickly in their X-ray output than previously thought, according to a study using NASA’s Chandra X-ray Observatory.

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Picture of the day Famous sanctuary of the temple of Ramses II, Abu Simbel, Egypt. The Great Temple at Abu Simbel, which took about twenty years to build, was completed around year 24 of the reign of Ramesses the Great (which corresponds to 1265 BC). It was dedicated to the gods Amun, Ra-Horakhty, and Ptah, as well as to the deified Ramesses himself. It is generally considered the grandest and most beautiful of the temples commissioned during the reign of Ramesses II, and one of the most beautiful in Egypt. In the sanctuary are rock cut sculptures of four seated figures: Ra-Horakhty, the deified king Ramesses, and the gods Amun Ra and Ptah, the main divinities in that period. It is believed that the axis of the temple was positioned by the ancient Egyptian architects in such a way that on October 22 and February 22 (allegedly the king’s birthday and coronation day, respectively), the rays of the sun would penetrate the sanctuary and illuminate the sculptures on the back wall, except for the statue of Ptah, a god connected with the realm of the dead, who always remained in the dark. People gather at Abu Simbel on these days to witness this. #ImageOfTheDay
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Picture of the day Famous sanctuary of the temple of Ramses II, Abu Simbel, Egypt. The Great Temple at Abu Simbel, which took about twenty years to build, was completed around year 24 of the reign of Ramesses the Great (which corresponds to 1265 BC). It was dedicated to the gods Amun, Ra-Horakhty, and Ptah, as well as to the deified Ramesses himself. It is generally considered the grandest and most beautiful of the temples commissioned during the reign of Ramesses II, and one of the most beautiful in Egypt. In the sanctuary are rock cut sculptures of four seated figures: Ra-Horakhty, the deified king Ramesses, and the gods Amun Ra and Ptah, the main divinities in that period. It is believed that the axis of the temple was positioned by the ancient Egyptian architects in such a way that on October 22 and February 22 (allegedly the king’s birthday and coronation day, respectively), the rays of the sun would penetrate the sanctuary and illuminate the sculptures on the back wall, except for the statue of Ptah, a god connected with the realm of the dead, who always remained in the dark. People gather at Abu Simbel on these days to witness this. #ImageOfTheDay

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Picture of the day
Famous sanctuary of the temple of Ramses II, Abu Simbel, Egypt. The Great Temple at Abu Simbel, which took about twenty years to build, was completed around year 24 of the reign of Ramesses the Great (which corresponds to 1265 BC). It was dedicated to the gods Amun, Ra-Horakhty, and Ptah, as well as to the deified Ramesses himself. It is generally considered the grandest and most beautiful of the temples commissioned during the reign of Ramesses II, and one of the most beautiful in Egypt. In the sanctuary are rock cut sculptures of four seated figures: Ra-Horakhty, the deified king Ramesses, and the gods Amun Ra and Ptah, the main divinities in that period. It is believed that the axis of the temple was positioned by the ancient Egyptian architects in such a way that on October 22 and February 22 (allegedly the king’s birthday and coronation day, respectively), the rays of the sun would penetrate the sanctuary and illuminate the sculptures on the back wall, except for the statue of Ptah, a god connected with the realm of the dead, who always remained in the dark. People gather at Abu Simbel on these days to witness this.
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Total Lunar Eclipse – A total lunar eclipse rises over New Orleans, home of NASA’s Michoud Assembly Facility, in the early morning hours of Tuesday, March 3. A lunar eclipse occurs when Earth passes directly between the Sun and Moon, casting a huge shadow across the Moon’s surface. The Moon appears dark red or orange as the Sun’s light filters through Earth’s atmosphere.
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Total Lunar Eclipse – A total lunar eclipse rises over New Orleans, home of NASA’s Michoud Assembly Facility, in the early morning hours of Tuesday, March 3. A lunar eclipse occurs when Earth passes directly between the Sun and Moon, casting a huge shadow across the Moon’s surface. The Moon appears dark red or orange as the Sun’s light filters through Earth’s atmosphere.

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A total lunar eclipse rises over New Orleans, home of NASA’s Michoud Assembly Facility, in the early morning hours of Tuesday, March 3. A lunar eclipse occurs when Earth passes directly between the Sun and Moon, casting a huge shadow across the Moon’s surface. The Moon appears dark red or orange as the Sun’s light filters through Earth’s atmosphere.

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Harnessing the Sun to Extract Oxygen on the Moon – The Carbothermal Reduction Demonstration (CaRD) project aims to demonstrate the carbothermal reduction of lunar regolith to produce oxygen on the Moon’s South Pole. For this test, the team integrated the solar concentrator, mirrors, and software and confirmed the production of carbon monoxide.

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The Carbothermal Reduction Demonstration (CaRD) project aims to demonstrate the carbothermal reduction of lunar regolith to produce oxygen on the Moon’s South Pole. For this test, the team integrated the solar concentrator, mirrors, and software and confirmed the production of carbon monoxide.

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Shimmering Light in Egg Nebula – NASA’s Hubble Space Telescope reveals the clearest view yet of the Egg Nebula. This structure of gas and dust was created by a dying, Sun-like star. These newest observations were taken with Hubble’s Wide Field Camera 3.
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Shimmering Light in Egg Nebula – NASA’s Hubble Space Telescope reveals the clearest view yet of the Egg Nebula. This structure of gas and dust was created by a dying, Sun-like star. These newest observations were taken with Hubble’s Wide Field Camera 3.

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NASA’s Hubble Space Telescope reveals the clearest view yet of the Egg Nebula. This structure of gas and dust was created by a dying, Sun-like star. These newest observations were taken with Hubble’s Wide Field Camera 3.

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The Calabash clash – The Calabash Nebula, pictured here — which has the technical name OH 231.8+04.2 — is a spectacular example of the death of a low-mass star like the Sun. This image taken by the NASA/ESA Hubble Space Telescope shows the star going through a rapid transformation from a red giant to a planetary nebula, during which it blows its outer layers of gas and dust out into the surrounding space. The recently ejected material is spat out in opposite directions with immense speed — the gas shown in yellow is moving close to a million kilometres an hour. Astronomers rarely capture a star in this phase of its evolution because it occurs within the blink of an eye — in astronomical terms. Over the next thousand years the nebula is expected to evolve into a fully fledged planetary nebula. The nebula is also known as the Rotten Egg Nebula because it contains a lot of sulphur, an element that, when combined with other elements, smells like a rotten egg — but luckily, it resides over 5000 light-years away in the constellation of Puppis (The Poop deck).
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The Calabash clash – The Calabash Nebula, pictured here — which has the technical name OH 231.8+04.2 — is a spectacular example of the death of a low-mass star like the Sun. This image taken by the NASA/ESA Hubble Space Telescope shows the star going through a rapid transformation from a red giant to a planetary nebula, during which it blows its outer layers of gas and dust out into the surrounding space. The recently ejected material is spat out in opposite directions with immense speed — the gas shown in yellow is moving close to a million kilometres an hour. Astronomers rarely capture a star in this phase of its evolution because it occurs within the blink of an eye — in astronomical terms. Over the next thousand years the nebula is expected to evolve into a fully fledged planetary nebula. The nebula is also known as the Rotten Egg Nebula because it contains a lot of sulphur, an element that, when combined with other elements, smells like a rotten egg — but luckily, it resides over 5000 light-years away in the constellation of Puppis (The Poop deck).

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The Calabash Nebula, pictured here — which has the technical name OH 231.8+04.2 — is a spectacular example of the death of a low-mass star like the Sun. This image taken by the NASA/ESA Hubble Space Telescope shows the star going through a rapid transformation from a red giant to a planetary nebula, during which it blows its outer layers of gas and dust out into the surrounding space. The recently ejected material is spat out in opposite directions with immense speed — the gas shown in yellow is moving close to a million kilometres an hour. Astronomers rarely capture a star in this phase of its evolution because it occurs within the blink of an eye — in astronomical terms. Over the next thousand years the nebula is expected to evolve into a fully fledged planetary nebula. The nebula is also known as the Rotten Egg Nebula because it contains a lot of sulphur, an element that, when combined with other elements, smells like a rotten egg — but luckily, it resides over 5000 light-years away in the constellation of Puppis (The Poop deck).

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