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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”
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Filmmakers bet on human craft over AI for animated St. Francis musical #Catholic A 3D animated musical trilogy on St. Francis of Assisi is taking shape in Singapore, with its creators choosing a human-led animation process over AI at a moment when the industry is racing toward it.Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.” It marks a reunion for Tanaka and Hsu, who first worked together two years ago on “One Church, One People,” the official theme song for Pope Francis’ visit to Singapore in September 2024 — his last Asia-Pacific apostolic visit before his death seven months later. Patrick, a secondary school friend of Tanaka, joined the project in January 2026.“It does feel like God’s providence — the way our paths crossed and intertwined over the last couple of years. We were each called individually first. Ben and Gabriel were both working on an animated short series about Catholic saints, while I was mulling over a faith-based musical project. When we met up late last year at a separate event, we realized the commonalities in our ideas — that was when the seeds for this project were first planted,” recalled Hsu, who is directing the music for the trilogy. A rendered 3D scene from “The Francis Chronicles” depicts St. Francis praying before the San Damiano crucifix. | Credit: Courtesy of Cantiva Studios St. Francis, a 13th-century Italian friar from the town of Assisi, has become an enduring symbol of simplicity, peace, and care for creation — echoed in Pope Francis’ second encyclical, Laudato Si’, “On Care for Our Common Home.”Eight months later, the trio set up Cantiva Studios, a Singapore film production company focused on animated features of cultural and spiritual significance for international audiences, with “The Francis Chronicles” as its flagship project.With Pope Leo XIV declaring this year the Jubilee Year of St. Francis of Assisi, the trio felt the time was right to begin the project. “His life has greatly impacted our faiths individually, and what better way to honor him than to use the gifts we have been given in storytelling and music to do just that,” Tanaka said from Cantiva Studios’ newly established production office, when asked why they decided to go ahead with a musical instead of a straight drama. They chose animation over live action, he added, because they hope to reach families with young children.Choosing craft over convenienceThe decision to animate the film by hand, using traditionally trained artists, was not an easy one. AI models can now produce polished visuals in minutes and promise significant savings in time and cost. Patrick, however — a designer by training — argued that nothing matches what human hands bring to a film: “Nothing still beats human-crafted movies in offering the viewer and the artists behind the making of the film the greatest range and freedom of authentic expression.”After extensive consultation with the Franciscan friars in Singapore, who assisted with research into the saint’s life, the trio chose a human-led production process, with artists and animators shaping the film from concept to final frame. Friar Derrick Yap, left, and Friar John-Paul Tan of the Custody of St. Anthony speak at the Festival of Praise event at the Church of St. Mary of the Angels in Singapore. | Credit: Courtesy of Cantiva Studios Tanaka, who is making his feature directorial debut with “The Francis Chronicles,” added that Pope Leo XIV’s first encyclical, Magnifica Humanitas, released in May, helped crystallize the team’s decision. “Pope Leo XIV’s timely reminder of ensuring the dignity of human labor really struck a chord with us when we finally made the call on whether to use AI,” he said. “We are proud to be making this animated musical in the most human way possible.” For the filmmakers, this decision is not a rejection of technology but one that keeps human judgment and artistry at the center of the creative process.A medieval saint for the modern worldFriar John-Paul Tan of the Custody of St. Anthony sees the timing as significant. “The last decade or so has been a telling sign about the effects of St. Francis and what his life meant then and to our generation today,” he said, speaking from the Church of St. Mary of the Angels in Singapore. He pointed to a remarkable convergence of milestones: the first pope in history to take the name Francis and a series of 800th-anniversary milestones running from the Rule of St. Francis in 2023 through his canonization in 2028. “I think all these milestones culminate to something significant that God is trying to tell us at this moment in history.”Friar Derrick Yap, custos of the Custody of St. Anthony, said he hopes the films will carry that message beyond the Church: “May the eyes of the world be opened to the beauty of creation and come to see it as St. Francis did: Brother Sun, Sister Moon, Brother Fire, and Sister Mother Earth.” An animator works on a 3D scene for “The Francis Chronicles” at Cantiva Studios’ production office in Singapore. | Credit: Courtesy of Cantiva Studios From Singapore to the worldFor a small domestic film industry, the ambition is unusual. Singapore-made films represent only a fraction of titles screened locally and face a challenging commercial landscape. A homegrown Catholic animated feature would itself be a rarity. “The Francis Chronicles” aims to go further, telling the story as an international trilogy designed for theatrical and streaming audiences beyond Singapore.To help finance development of the first film, “Francis and the Voice of Creation” — covering his early years and call from God — the trio launched a worldwide Kickstarter campaign on Sept. 8. The funds raised will go toward research, script writing, character designs, and storyboards before animation begins. A 3D-animated St. Francis of Assisi prays inside San Damiano Church in a scene from “The Francis Chronicles.” | Credit: Courtesy of Cantiva Studios The second and third films are planned to carry the story through the founding and growth of the Franciscan movement and St. Francis’ final years, when he became the first documented saint in history to receive the stigmata.Aaron Leong is a film and video producer who has been hired by Cantiva Studios for commercial video work on “The Francis Chronicles.”

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Director Benjamin Tanaka, executive producer Gabriel Patrick, and composer Ethan Hsu call the project “The Francis Chronicles.”

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Lunar Occultation of Venus – On Wednesday, June 17, skywatchers across the United States—and parts of Canada—enjoyed a rare event: a daytime lunar occultation of Venus. A lunar occultation occurs when the Moon moves directly in front of another celestial object from our viewpoint on Earth, briefly hiding it from sight.
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Lunar Occultation of Venus – On Wednesday, June 17, skywatchers across the United States—and parts of Canada—enjoyed a rare event: a daytime lunar occultation of Venus. A lunar occultation occurs when the Moon moves directly in front of another celestial object from our viewpoint on Earth, briefly hiding it from sight.

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On Wednesday, June 17, skywatchers across the United States—and parts of Canada—enjoyed a rare event: a daytime lunar occultation of Venus. A lunar occultation occurs when the Moon moves directly in front of another celestial object from our viewpoint on Earth, briefly hiding it from sight.

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August Lunar Eclipse Rises Over Louisiana – A lunar eclipse is visible over southern Louisiana. The lunar eclipse was visible throughout much of North and South America and part of Europe and Africa between Aug. 27-28. The Full Moon slipped through Earth’s shadow on Aug. 27, continuing into Aug. 28 for some parts of the world, resulting in the lunar eclipse. At maximum eclipse, the Moon takes on a dramatic dark, ruddy or coppery tint along the covered edge. New Orleans is home to NASA’s Michoud Assembly Facility, where stages for NASA’s SLS (Space Launch System) rocket and structures for Orion spacecraft are produced for the Artemis missions.

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A lunar eclipse is visible over southern Louisiana. The lunar eclipse was visible throughout much of North and South America and part of Europe and Africa between Aug. 27-28. The Full Moon slipped through Earth’s shadow on Aug. 27, continuing into Aug. 28 for some parts of the world, resulting in the lunar eclipse. At maximum eclipse, the Moon takes on a dramatic dark, ruddy or coppery tint along the covered edge. New Orleans is home to NASA’s Michoud Assembly Facility, where stages for NASA’s SLS (Space Launch System) rocket and structures for Orion spacecraft are produced for the Artemis missions.

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Pope Leo: Take time out of the daily bustle to ‘listen to the melodious voice’ of creation #Catholic Pope Leo XIV invited people to take time out from the daily bustle of their lives to listen to “the melodious voice of creation,” through which God speaks, as the World Day of Prayer for the Care of Creation is observed on Sept. 1.TweetThe Holy Father noted that this day also marks the beginning of the “Season of Creation,” a five-week period dedicated “to prayer and commitment to caring for our ‘common home’” that extends until Oct. 4, the feast of St. Francis of Assisi, coinciding with the 800th anniversary of his death.“On this day, therefore, and in the weeks ahead, let us set aside a few moments to pause from the frenzy of our daily lives in order to savor the profound harmony of which we ourselves are a part,” the pope encouraged during the Mass celebrated in the Madonnina Garden of the Borgo Laudato Si’ within the pontifical gardens of Castel Gandolfo. Pope Leo XIV celebrates Mass for the World Day of Prayer for the Care of Creation on Sept. 1, 2026, in the Madonnina Garden of the Borgo Laudato Si’ within the pontifical gardens of Castel Gandolfo. | Credit: Vatican Media “Let us place in ‘silent mode’ the many noises generated by human activity, so that we may hear the melodious voice of creation, through which God, the author of all things, speaks to us,” the pontiff encouraged.Referring to his message issued for this 11th World Day of Prayer for the Care of Creation, the pope highlighted that “this contemplative exercise” is a first step toward an “authentic ecological conversion, where the effects of our encounter with Jesus Christ become evident in our relationship with the world around us.”In his homily, the pope also highlighted that the readings for this Mass — Psalm 18, the passage from the Book of Wisdom (Wis 13:1–9), and the Gospel of Matthew (Mt 6:24–34) — recall the grandeur of creation and the “Creator of so many wonders,” such as air and fire. Pope Leo XIV prayers during the Mass for the World Day of Prayer for the Care of Creation on Sept. 1, 2026, in the Madonnina Garden of the Borgo Laudato Si’ within the pontifical gardens of Castel Gandolfo. | Credit: Vatican Media He noted that they allow us to renew the idea that “if the Lord does not fail to bestow such splendid beauty upon plants and animals and provide for all their needs, how much more attentive will he be to the needs of his beloved sons and daughters!”The Holy Father also noted that “from contemplating creation and encountering its Creator, there arises an awareness of our particular place within God’s wondrous plan, and of the responsibility that we bear both personally and collectively for preserving the original harmony. Thus, as we become conscious of our shortcomings and failures, we can renew our commitment to restoring the relationships among all creatures according to the will of their Creator.”“It is not yet too late, and the Season of Creation calls us to a profound conversion,” he emphasized. Pope Leo XIV prays at the Mass for the World Day of Prayer for the Care of Creation on Sept. 1, 2026, in the Madonnina Garden of the Borgo Laudato Si’ within the pontifical gardens of Castel Gandolfo. | Credit: Vatican Media After explaining that Pope Francis drew inspiration from St. Francis of Assisi in writing his 2015 encyclical Laudato Si’, which addresses the care of our common home, Leo XIV quoted the “Poverello of Assisi’s” praises to God for the moon, stars, wind, earth, fire, and water, among other elements.“With St. Francis, let us renew our commitment to living and promoting that universal fraternity which is inseparably bound to the task of caring for creation,” the pope encouraged.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.
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Pope Leo: Take time out of the daily bustle to ‘listen to the melodious voice’ of creation #Catholic Pope Leo XIV invited people to take time out from the daily bustle of their lives to listen to “the melodious voice of creation,” through which God speaks, as the World Day of Prayer for the Care of Creation is observed on Sept. 1.TweetThe Holy Father noted that this day also marks the beginning of the “Season of Creation,” a five-week period dedicated “to prayer and commitment to caring for our ‘common home’” that extends until Oct. 4, the feast of St. Francis of Assisi, coinciding with the 800th anniversary of his death.“On this day, therefore, and in the weeks ahead, let us set aside a few moments to pause from the frenzy of our daily lives in order to savor the profound harmony of which we ourselves are a part,” the pope encouraged during the Mass celebrated in the Madonnina Garden of the Borgo Laudato Si’ within the pontifical gardens of Castel Gandolfo. Pope Leo XIV celebrates Mass for the World Day of Prayer for the Care of Creation on Sept. 1, 2026, in the Madonnina Garden of the Borgo Laudato Si’ within the pontifical gardens of Castel Gandolfo. | Credit: Vatican Media “Let us place in ‘silent mode’ the many noises generated by human activity, so that we may hear the melodious voice of creation, through which God, the author of all things, speaks to us,” the pontiff encouraged.Referring to his message issued for this 11th World Day of Prayer for the Care of Creation, the pope highlighted that “this contemplative exercise” is a first step toward an “authentic ecological conversion, where the effects of our encounter with Jesus Christ become evident in our relationship with the world around us.”In his homily, the pope also highlighted that the readings for this Mass — Psalm 18, the passage from the Book of Wisdom (Wis 13:1–9), and the Gospel of Matthew (Mt 6:24–34) — recall the grandeur of creation and the “Creator of so many wonders,” such as air and fire. Pope Leo XIV prayers during the Mass for the World Day of Prayer for the Care of Creation on Sept. 1, 2026, in the Madonnina Garden of the Borgo Laudato Si’ within the pontifical gardens of Castel Gandolfo. | Credit: Vatican Media He noted that they allow us to renew the idea that “if the Lord does not fail to bestow such splendid beauty upon plants and animals and provide for all their needs, how much more attentive will he be to the needs of his beloved sons and daughters!”The Holy Father also noted that “from contemplating creation and encountering its Creator, there arises an awareness of our particular place within God’s wondrous plan, and of the responsibility that we bear both personally and collectively for preserving the original harmony. Thus, as we become conscious of our shortcomings and failures, we can renew our commitment to restoring the relationships among all creatures according to the will of their Creator.”“It is not yet too late, and the Season of Creation calls us to a profound conversion,” he emphasized. Pope Leo XIV prays at the Mass for the World Day of Prayer for the Care of Creation on Sept. 1, 2026, in the Madonnina Garden of the Borgo Laudato Si’ within the pontifical gardens of Castel Gandolfo. | Credit: Vatican Media After explaining that Pope Francis drew inspiration from St. Francis of Assisi in writing his 2015 encyclical Laudato Si’, which addresses the care of our common home, Leo XIV quoted the “Poverello of Assisi’s” praises to God for the moon, stars, wind, earth, fire, and water, among other elements.“With St. Francis, let us renew our commitment to living and promoting that universal fraternity which is inseparably bound to the task of caring for creation,” the pope encouraged.This story was first published by ACI Prensa, the Spanish-language sister service of EWTN News. It has been translated and adapted by EWTN News English.

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The Holy Father encouraged silent contemplation of the wonders and harmony of the created world, which can lead to authentic ecological conversion and awareness of our responsibility for creation.

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Artemis II Crew and Apollo 14 Moon Tree – The Artemis II crew participates in the dedication of the Apollo 14 Moon tree at the Lunar Receiving Park at NASA’s Johnson Space Center. This tree is a second-generation Apollo Moon tree of the loblolly pine species.

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The Artemis II crew participates in the dedication of the Apollo 14 Moon tree at the Lunar Receiving Park at NASA’s Johnson Space Center. This tree is a second-generation Apollo Moon tree of the loblolly pine species.

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Students Build Moon Robots for NASA’s 2026 Lunabotics Challenge – Katherine Rauscher, of Michigan Technological University, prepares her team’s prototype lunar robot for its turn during the finals for NASA’s 2026 Lunabotics Challenge competition on Tuesday, May 19, 2026, inside the Astronauts Memorial Foundation’s Center for Space Education at the Kennedy Space Center Visitor Complex in Florida. Forty-seven teams from around the U.S. designed and built remote-controlled robots capable of traversing challenging lunar terrain while constructing regolith-based berm under conditions similar to those the agency will face as it returns to the lunar surface through Artemis.
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Students Build Moon Robots for NASA’s 2026 Lunabotics Challenge – Katherine Rauscher, of Michigan Technological University, prepares her team’s prototype lunar robot for its turn during the finals for NASA’s 2026 Lunabotics Challenge competition on Tuesday, May 19, 2026, inside the Astronauts Memorial Foundation’s Center for Space Education at the Kennedy Space Center Visitor Complex in Florida. Forty-seven teams from around the U.S. designed and built remote-controlled robots capable of traversing challenging lunar terrain while constructing regolith-based berm under conditions similar to those the agency will face as it returns to the lunar surface through Artemis.

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Katherine Rauscher, of Michigan Technological University, prepares her team’s prototype lunar robot for its turn during the finals for NASA’s 2026 Lunabotics Challenge competition on Tuesday, May 19, 2026, inside the Astronauts Memorial Foundation’s Center for Space Education at the Kennedy Space Center Visitor Complex in Florida. Forty-seven teams from around the U.S. designed and built remote-controlled robots capable of traversing challenging lunar terrain while constructing regolith-based berm under conditions similar to those the agency will face as it returns to the lunar surface through Artemis.

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Night and (Earth) Day – This image, released in celebration of Earth Day, shows the terminator – the line between night and day – on Earth. The Artemis II astronauts captured this view on April 2, 2026, during their journey to the Moon.
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Night and (Earth) Day – This image, released in celebration of Earth Day, shows the terminator – the line between night and day – on Earth. The Artemis II astronauts captured this view on April 2, 2026, during their journey to the Moon.

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This image, released in celebration of Earth Day, shows the terminator – the line between night and day – on Earth. The Artemis II astronauts captured this view on April 2, 2026, during their journey to the Moon.

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Artemis II Crew Returns to Houston – NASA’s Artemis II crew shared brief remarks with friends, family, and colleagues after they landed at Ellington Airport near NASA’s Johnson Space Center in Houston on Saturday, April 11, 2026, after a nearly 10-day journey around the Moon and back to Earth.
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Artemis II Crew Returns to Houston – NASA’s Artemis II crew shared brief remarks with friends, family, and colleagues after they landed at Ellington Airport near NASA’s Johnson Space Center in Houston on Saturday, April 11, 2026, after a nearly 10-day journey around the Moon and back to Earth.

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NASA’s Artemis II crew shared brief remarks with friends, family, and colleagues after they landed at Ellington Airport near NASA’s Johnson Space Center in Houston on Saturday, April 11, 2026, after a nearly 10-day journey around the Moon and back to Earth.

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Artemis II Recovery – NASA’s Orion spacecraft with Artemis II crewmembers NASA astronauts Reid Wiseman, commander; Victor Glover, pilot; Christina Koch, mission specialist; and CSA (Canadian Space Agency) astronaut Jeremy Hansen, mission specialist aboard is seen under parachutes as it lands in the Pacific Ocean off the coast of California, Friday, April 10, 2026. NASA’s Artemis II mission took Wiseman, Glover, Koch, and Hansen on a 10-day journey around the Moon and back to Earth. Following a splashdown at 7:07 p.m. EDT, NASA, U.S. Navy, and U.S. Air Force teams are working to bring the crewmembers and Orion spacecraft aboard USS John P. Murtha.
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Artemis II Recovery – NASA’s Orion spacecraft with Artemis II crewmembers NASA astronauts Reid Wiseman, commander; Victor Glover, pilot; Christina Koch, mission specialist; and CSA (Canadian Space Agency) astronaut Jeremy Hansen, mission specialist aboard is seen under parachutes as it lands in the Pacific Ocean off the coast of California, Friday, April 10, 2026. NASA’s Artemis II mission took Wiseman, Glover, Koch, and Hansen on a 10-day journey around the Moon and back to Earth. Following a splashdown at 7:07 p.m. EDT, NASA, U.S. Navy, and U.S. Air Force teams are working to bring the crewmembers and Orion spacecraft aboard USS John P. Murtha.

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NASA’s Orion spacecraft with Artemis II crewmembers NASA astronauts Reid Wiseman, commander; Victor Glover, pilot; Christina Koch, mission specialist; and CSA (Canadian Space Agency) astronaut Jeremy Hansen, mission specialist aboard is seen under parachutes as it lands in the Pacific Ocean off the coast of California, Friday, April 10, 2026. NASA’s Artemis II mission took Wiseman, Glover, Koch, and Hansen on a 10-day journey around the Moon and back to Earth. Following a splashdown at 7:07 p.m. EDT, NASA, U.S. Navy, and U.S. Air Force teams are working to bring the crewmembers and Orion spacecraft aboard USS John P. Murtha.

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Artemis II Astronauts Launch to Moon – NASA’s Space Launch System rocket carrying the Orion spacecraft with NASA astronauts Reid Wiseman, commander; Victor Glover, pilot; Christina Koch, mission specialist; and CSA (Canadian Space Agency) astronaut Jeremy Hansen, mission specialist onboard launches on the Artemis II mission, Wednesday, April 1, 2026, from Launch Complex 39B at NASA’s Kennedy Space Center in Florida.

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NASA’s Space Launch System rocket carrying the Orion spacecraft with NASA astronauts Reid Wiseman, commander; Victor Glover, pilot; Christina Koch, mission specialist; and CSA (Canadian Space Agency) astronaut Jeremy Hansen, mission specialist onboard launches on the Artemis II mission, Wednesday, April 1, 2026, from Launch Complex 39B at NASA’s Kennedy Space Center in Florida.

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Reminders of Where We’ve Been, Where We’re Going – Moon rocks are seen during a March 24, 2026, event where NASA is outlining how the agency is executing the National Space Policy and accelerating preparations for America’s return to the surface of the Moon by 2028.

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Moon rocks are seen during a March 24, 2026, event where NASA is outlining how the agency is executing the National Space Policy and accelerating preparations for America’s return to the surface of the Moon by 2028.

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Total Lunar Eclipse – A total lunar eclipse rises over New Orleans, home of NASA’s Michoud Assembly Facility, in the early morning hours of Tuesday, March 3. A lunar eclipse occurs when Earth passes directly between the Sun and Moon, casting a huge shadow across the Moon’s surface. The Moon appears dark red or orange as the Sun’s light filters through Earth’s atmosphere.
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Total Lunar Eclipse – A total lunar eclipse rises over New Orleans, home of NASA’s Michoud Assembly Facility, in the early morning hours of Tuesday, March 3. A lunar eclipse occurs when Earth passes directly between the Sun and Moon, casting a huge shadow across the Moon’s surface. The Moon appears dark red or orange as the Sun’s light filters through Earth’s atmosphere.

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A total lunar eclipse rises over New Orleans, home of NASA’s Michoud Assembly Facility, in the early morning hours of Tuesday, March 3. A lunar eclipse occurs when Earth passes directly between the Sun and Moon, casting a huge shadow across the Moon’s surface. The Moon appears dark red or orange as the Sun’s light filters through Earth’s atmosphere.

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Harnessing the Sun to Extract Oxygen on the Moon – The Carbothermal Reduction Demonstration (CaRD) project aims to demonstrate the carbothermal reduction of lunar regolith to produce oxygen on the Moon’s South Pole. For this test, the team integrated the solar concentrator, mirrors, and software and confirmed the production of carbon monoxide.

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The Carbothermal Reduction Demonstration (CaRD) project aims to demonstrate the carbothermal reduction of lunar regolith to produce oxygen on the Moon’s South Pole. For this test, the team integrated the solar concentrator, mirrors, and software and confirmed the production of carbon monoxide.

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Santa Visits Artemis II Rocket – NASA engineer Guy Naylor poses for a photograph wearing a custom Santa Claus suit on the 19th level of High Bay 4 inside the Vehicle Assembly Building with NASA’s integrated Moon rocket behind him at the agency’s Kennedy Space Center in Florida on Thursday, Dec. 11, 2025.
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Santa Visits Artemis II Rocket – NASA engineer Guy Naylor poses for a photograph wearing a custom Santa Claus suit on the 19th level of High Bay 4 inside the Vehicle Assembly Building with NASA’s integrated Moon rocket behind him at the agency’s Kennedy Space Center in Florida on Thursday, Dec. 11, 2025.

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NASA engineer Guy Naylor poses for a photograph wearing a custom Santa Claus suit on the 19th level of High Bay 4 inside the Vehicle Assembly Building with NASA’s integrated Moon rocket behind him at the agency’s Kennedy Space Center in Florida on Thursday, Dec. 11, 2025.

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Newly Found Organics in Enceladus’ Plumes – NASA’s Cassini spacecraft captured dramatic plumes, both large and small, spray water ice out from many locations along the famed ‘tiger stripes’ near the south pole of Saturn’s moon Enceladus.
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Newly Found Organics in Enceladus’ Plumes – NASA’s Cassini spacecraft captured dramatic plumes, both large and small, spray water ice out from many locations along the famed ‘tiger stripes’ near the south pole of Saturn’s moon Enceladus.

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NASA’s Cassini spacecraft captured dramatic plumes, both large and small, spray water ice out from many locations along the famed ‘tiger stripes’ near the south pole of Saturn’s moon Enceladus.

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Artemis II Orion Spacecraft Stacked – NASA’s Artemis II Orion spacecraft with its launch abort system is stacked atop the agency’s SLS (Space Launch System) rocket in High Bay 3 of the Vehicle Assembly Building at NASA’s Kennedy Space Center in Florida on Monday, Oct. 20, 2025. The spacecraft will carry NASA astronauts Reid Wiseman, Victor Glover, Christina Koch, and CSA (Canadian Space Agency) astronaut Jeremy Hansen on a 10-day mission around the Moon and back in early 2026.
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Artemis II Orion Spacecraft Stacked – NASA’s Artemis II Orion spacecraft with its launch abort system is stacked atop the agency’s SLS (Space Launch System) rocket in High Bay 3 of the Vehicle Assembly Building at NASA’s Kennedy Space Center in Florida on Monday, Oct. 20, 2025. The spacecraft will carry NASA astronauts Reid Wiseman, Victor Glover, Christina Koch, and CSA (Canadian Space Agency) astronaut Jeremy Hansen on a 10-day mission around the Moon and back in early 2026.

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NASA’s Artemis II Orion spacecraft with its launch abort system is stacked atop the agency’s SLS (Space Launch System) rocket in High Bay 3 of the Vehicle Assembly Building at NASA’s Kennedy Space Center in Florida on Monday, Oct. 20, 2025. The spacecraft will carry NASA astronauts Reid Wiseman, Victor Glover, Christina Koch, and CSA (Canadian Space Agency) astronaut Jeremy Hansen on a 10-day mission around the Moon and back in early 2026.

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Child on Moon Playing with Pail and Shovel
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Child on Moon Playing with Pail and Shovel

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In the vibrant style of Pop Art, a child in a spacesuit sits on a crescent moon, playfully engrossed with a pail and shovel. The scene bursts with bold, dynamic hues of red, yellow, and orange, creating a striking contrast against the dark void of space. The child’s spacesuit gleams with sharp, graphic lines, while the moon, depicted in a vivid, fiery orange, exudes a playful, surreal quality. In the background, Earth hovers like a colorful jewel in the sky, rendered in bright, contrasting colors that make it pop. The entire composition is infused with a sense of whimsy and modernity, capturing the imagination in a bold, eye-catching palette.

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